Journalist Gary Webb, California 1996, started investigating CIA's role in the 1980s in getting crack cocaine to the black part of LA to get money and weapons to the Contras/freedom fighters in Nicaragua.
Based on the true story of journalist Gary Webb. The film takes place in the mid-1990s, when Webb uncovered the CIA's past role in importing huge amounts of cocaine into the U.S. that was aggressively sold in ghettos across the country to raise money for the Nicaraguan Contras' rebel army. Despite enormous pressure not to, Webb chose to pursue the story and went public with his evidence, publishing the series "Dark Alliance". As a result he experienced a vicious smear campaign fueled by the CIA. At that point Webb found himself defending his integrity, his family, and his life.Written by
Milena Joy Morris
Portraying 'Freeway' Ricky Ross (Michael Kenneth Williams)'s lawyer Alan Fenster, actor Tim Blake Nelson grounded his performance in a way that allowed the humor to play without detracting from the weight of the character, and clearly he had fun playing off star Jeremy Renner. Nelson confirmed: "Getting to act opposite Jeremy under Michael Cuesta's direction was what attracted me to this project, and I loved Peter Landesman's script, which tells a story you haven't heard in a lean, unsentimental, and unpredictable way. The key to Fenster, for me, is he's cynical about the system and yet he also really believes that even the most manifestly nefarious character deserves a day in court." See more »
The first time Gary visits Nicaragua there is a shot of one of the streets, there you can see the logo of the telecommunications company Claro, which did not exist until 2003 and didn't arrive to Nicaragua until 2006. See more »
Public enemy number one in the United States is drug abuse. In order to fight and defeat this enemy, it is necessary to wage a new, all-out offensive.
For nearly a year, I have been devoting increasing attention to a problem which strikes at the very heart of our national well-being: Drug abuse.
I did not condone any drug abuse, and we'll do everything possible to reduce this serious threat to our society.
Drugs are menacing our society. They're threatening our values and undercutting...
[...] See more »
Just before the closing credits, there is a short video showing the real Gary Webb at home with his children. See more »
The longer I cogitate on Michael Cuesta's KILL THE MESSENGER, the more I realise just how unobtrusively compelling this film truly is.
Inspired by the life of Pulitzer prize-winning journalist Gary Webb (Jeremy Renner) and his 'Dark Alliance' exposé on the explosion of crack cocaine in the United States (which inevitably ruined his career), the film draws attention to the power and reach of fourth and fifth estate journalism and to the subjective objectivism of its gatekeepers.
Having said all that, if you take the time to reach beyond this controversial surface story and embrace Sean Bobbitt's intimate framing and selective foci, you'll discover Gary; a doggedly passionate and humanly flawed individual whose good intention to report a story 'just too true to tell' results in an overwhelmingly biased and unfair challenge on his credibility and integrity with devastating consequences.
Renner's (THE HURT LOCK, THE BOURNE LEGACY) performance is captivating in its subtlety; allowing momentary characters including Norwin Meneses (Andy Garcia), Fred Weil (Michael Sheen) and Jerry Ceppos (Oliver Platt) to drive the story's factual elements in a similar manner experienced by Webb. The use of medium and close-up shots and oscillating lighting gives you a bird's eye view to Renner's struggles as the voraciously shocking professional and personal smear campaign takes its toll. Renner becomes more unashamedly haggard with dwindling moments of indignation on screen at each roadblock. It may also explain why Cuesta opted to gloss over the pivotal points of this sad story and tie it up in Webb's panegyric acceptance speech and closing title card.
Overall, I quite enjoyed this film and would recommend that you take some time out to see it. Sure it has its flaws –but so does Gary Webb and the story itself - but that's why it works. As Webb said on reflection 'The reason I'd enjoyed such smooth sailing for so long hadn't been, as I'd assumed, because I was careful and diligent and good at my job. The truth was that, in all those years, I hadn't written anything important enough to suppress'.
You can catch me at my handle and at The Hollywood News.
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