Directed by
| Ian Fitzgibbon | ||
Writing Credits
| Anthony McCarten | ... | (screenplay) |
| Anthony McCarten | ... | (based on the novel by) |
| Mark Doherty | ... | (contributing writer) |
Cast (in credits order)
Produced by
| Lukas Batthyany | ... | associate producer |
| Michael Coldewey | ... | co-producer |
| Paul Donovan | ... | executive producer |
| Matthias Esche | ... | executive producer |
| Michael Garland | ... | producer |
| Astrid Kahmke | ... | producer |
| Jan S. Kaiser | ... | executive producer |
| Philipp Kreuzer | ... | producer |
| Anthony McCarten | ... | executive producer |
| Ailish McElmeel | ... | associate producer |
| Paul Myler | ... | line producer |
| Gilbert Möhler | ... | line producer |
| Mark Porsche | ... | co-producer |
| Christian Sommer | ... | co-producer |
| Christine Strobel | ... | producer: animation |
Music by
| Marius Ruhland | ||
Cinematography by
| Tom Fährmann | ||
Editing by
| Tony Cranstoun | ||
Casting By
| Ros Hubbard | ||
| Louise Kiely | ||
| Siegfried Wagner | ||
Production Design by
| Mark Geraghty | ||
Art Direction by
| Louise Matthews | ... | (as Louise Mathews) |
Set Decoration by
| Claudia Ulrich | ||
| Manuela Ulrich | ||
Costume Design by
| Kathy Strachan | ||
Makeup Department
| Bernie Dooley | ... | hair stylist |
| Constanze Hellinger | ... | makeup artist: Germany (as Constanze Madlindl) |
| Aoife Mullally | ... | assistant makeup artist |
| Louise Myler | ... | makeup artist |
Production Management
| Philip Hahn | ... | post-production manager |
Second Unit Director or Assistant Director
| Lyndzi Doyle | ... | trainee assistant director |
| Bill Kirk | ... | first assistant director |
| Rosai Mc Carthy | ... | third assistant director |
| Brian 'Joker' Mulvey | ... | second assistant director |
| Alison Whearty | ... | daily trainee assistant director |
Art Department
| Lukas Frese | ... | concept artist |
| Lyndon Johnston | ... | dressing props |
| Darren Kearney | ... | standby scenic |
| Rene Knol | ... | dressing props |
| Nicky MacManus | ... | construction manager |
| Owen Monaghan | ... | set designer |
| Peter Oedekoven | ... | storyboard artist |
| Peter Popken | ... | storyboard artist |
| Neill Treacy | ... | trainee |
| Siegmar Warnecke | ... | storyboard artist |
Sound Department
| Emma Butt | ... | adr recordist |
| Ray Cross | ... | sound mixer |
| Naomi Dandridge | ... | adr mixer |
| Joo Fürst | ... | foley artist |
| Manni Gläser | ... | sound post production manager |
| Magda Habernickel | ... | dialogue editor |
| Frank Heidbrink | ... | sound mixer |
| Andrea Koschmieder | ... | foley editor |
| Benjamin A. Rosenkind | ... | re-recording mixer |
| Lionel Strutt | ... | adr coordinator |
| Christoph von Schönburg | ... | sound designer / supervising sound editor |
Visual Effects by
| Johann Albrecht | ... | production assistant: Trixter Film |
| Sabina Bihlmaier | ... | digital compositor: Trixter Film |
| Vladimir Brajovic | ... | storyboard artist: Trixter Film |
| Alessandro Cioffi | ... | visual effects supervisor: Trixter Film |
| Sebastian Dille | ... | digital compositor: Trixter Film |
| Antje Ehlert | ... | prop design: Trixter Film |
| Lukas Frese | ... | concept artist: Trixter Film |
| Ebru Gönül | ... | digital compositor: Trixter Film |
| Sebastian Haas | ... | pipeline manager: Trixter Film |
| Michael Habenicht | ... | compositing td: Trixter Film |
| Silke Harbauer | ... | production secretary: Trixter Film |
| Andreas Heinrich | ... | background layouts: Trixter Film |
| Gregor Höss | ... | digital compositor: Trixter Film |
| Sabine Janetzka | ... | digital compositor: Trixter Film |
| Maike Kaemper | ... | visual effects and animation producer: Trixter Film (as Maike Timmann) |
| Daniela Kirin | ... | animatics: Trixter Film |
| Simone Kraus Townsend | ... | creative director: Trixter Film (as Simone Kraus) |
| Max Krichenbauer | ... | pipeline developer: Trixter Film |
| Hervé Leblan | ... | set design: Trixter Film |
| Mathis Lex | ... | digital compositor: Trixter Film |
| Greg Manwaring | ... | lead animator and overseas supervisor: Trixter Film |
| Anthony McCarten | ... | creation character design: Trixter Film |
| Thomas Menz | ... | title designer: CinePostproduction GmbH |
| Peter Oedekoven | ... | storyboard artist: Trixter Film |
| Peter Popken | ... | concept artist: Trixter Film / storyboard artist: Trixter Film |
| Sophie Pruzsinszky | ... | production coordinator: Trixter Film |
| Felix Rothballer | ... | IT manager: Trixter Film |
| Benjamin Scabell | ... | digital compositor: Trixter Film |
| Niel Schorfield | ... | digital compositor: Trixter Film |
| Jan Sichermann | ... | pipeline developer: Trixter Film |
| Katharina Siebenborn | ... | background painting: Trixter Film |
| Daniele Siragusano | ... | pipeline td |
| Christine Strobel | ... | visual effects producer |
| Sebastian Vogel | ... | set design: Trixter Film |
| Thomas von Kummant | ... | visual consultant |
| Siegmar Warnecke | ... | storyboard artist: Trixter Film |
| Caroline Weidenhiller | ... | digital compositor: Trixter Film |
| Philipp Welle | ... | digital compositor: Trixter Film |
| Georg Wieland | ... | executive visual effects producer: Trixter Film |
| Dominik Zimmerle | ... | digital compositor: Trixter Film / lead concept artist: Trixter Film |
Camera and Electrical Department
| Gregor Baumert | ... | digital imaging technician |
| Yoshua Berkowitz | ... | digital imaging technician / steadicam operator |
| Hartmut Döring | ... | gaffer (as Hartmut Doering) |
| Georg Engelbrecht | ... | electrician |
| Pablo Gotzes | ... | second assistant camera |
| Thomas Hainz | ... | assistant grip |
| Allen Kiely | ... | still photographer |
| Wolfgang Krautter | ... | best boy |
| Frankie Leonard | ... | clapper loader |
| Simon Magee | ... | electrician |
| James McGuire | ... | gaffer: Ireland |
| Micheal O'Mogáin | ... | best boy |
| Reinhard Sprunck | ... | key grip |
| Werner Stoiber | ... | electrician |
| Heiko Wentorp | ... | assistant camera |
Costume and Wardrobe Department
| Jess O'Leary | ... | costume supervisor (as Jessica O'Leary) |
| Veronika Schmederer | ... | costume supervisor |
| Cassandra Steyn-Taylor | ... | wardrobe assistant |
Editorial Department
| Alan Freir | ... | assistant editor |
| Andreas Minuth | ... | colorist |
| Jakob Seidel | ... | on-line editor |
| Stefan Weiß | ... | assistant editor |
Location Management
| Dougal Cousins | ... | location scout |
| Karl Daly | ... | assistant location manager (2010) |
| Will Gore | ... | location assistant |
| Niall Martin | ... | location manager |
Music Department
| Peter Fuchs | ... | score mixer |
| Karin Gatzke | ... | music consultant / music coordinator |
Script and Continuity Department
| Astrid Kahmke | ... | script consultant |
| Kathleen Weir | ... | script supervisor |
Additional Crew
| Hilary Barrett | ... | post production coordinator |
| Sinead Barry | ... | assistant production co-ordinator |
| Cristiana Bianco | ... | legal |
| Josef Brandmaier | ... | funding |
| Manfred Burger | ... | funding |
| Daniel Dowling | ... | production assistant |
| Joanne Duffy | ... | assistant accountant |
| Geraldine East | ... | legal services |
| Marcos Eberle | ... | postproduction supervisor |
| Tine Geelhaar | ... | set runner |
| Jürgen Jerschl | ... | funding |
| Rory MacDermott | ... | production accountant |
| Katie Myler | ... | trainee |
| Peter H. Rutkat | ... | funding |
| Rachel Smith | ... | production coordinator |
Thanks
| Cristiana Bianco | ... | special thanks |
