Scheming Bruce Robertson (James McAvoy), a bigoted and corrupt policeman, is in line for a promotion and will stop at nothing to get what he wants. Enlisted to solve a brutal murder and threatened by the aspirations of his colleagues, including Ray Lennox (Jamie Bell), Bruce sets about ensuring their ruin, right under the nose of unwitting Chief Inspector Toal. As he turns his colleagues against one another by stealing their wives and exposing their secrets, Bruce starts to lose himself in a web of deceit that he can no longer control. His past is slowly catching up with him, and a missing wife, a crippling drug habit and suspicious colleagues start to take their toll on his sanity. The question is: can he keep his grip on reality long enough to disentangle himself from the filth?Written by
In an hallucinatory scene with Jim Broadbent's character, the giant jar of pills has the code CRM-115 written on each capsule. This code is one digit different to CRM-114 from 2001 A Space Odyssey and Serum 114 from A Clockwork Orange. This movie has references to both of these Stanley Kubrick movies in earlier scenes. See more »
As Lennox prepares to tell Robertson that he's applying for the job of inspector ("I'm letting you know first"), James McAvoy's right hand changes position rapidly between shots. See more »
People ask me, "Carole, how do you and Bruce keep the spice in your marriage?" Well, I tell them it's really simple. I'm just the ultimate tease.
[walking down the hallway in lingerie]
Me and Bruce, we're not that different. We know what we want. We know how to get it. Like this promotion he's going for. We both know he'll win. And when he does, the Robertson household is gonna be one big, happy family again. I kid you not.
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Light-hearted animation featuring farm animals and cast credits. See more »
Probably my favourite film of 2013 so far. Gripping all the way through, with all the aspects you need from a feature length film. Yes, it has the obvious overtone of 'filth', but it's not at all in its nature... it's humorous and very touching at times. I think the casting is brilliant and I have a new found respect for James McAvoy, who in previous films I have found to be almost nondescript. He shines here, brighter than most Oscar winning performers I've seen. Ray Donovan's Eddie Marson is also fantastic in his role, so well cast - he's funny and warm in such a subtle way. This is not one of those situations when someone can rightly say 'the book is better' - I think the job has been done so well of adapting it into film format that the book is not better at all, just a different experience. It is honestly a film I want to see again. I think an instant classic, not filthy at all, but pure class.
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