"Lonesome Dove" On the Trail (TV Episode 1989) Poster

(TV Mini Series)

(1989)

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8/10
"Life is short, shorter for some than others."
classicsoncall17 January 2017
Warning: Spoilers
The cattle herd drives further north in this second installment of the series, with some side stories coming into play with the characters of July Johnson (Chris Cooper), Roscoe Brown (Barry Corbin) and the vicious Kiowa Indian they call Blue Duck (Frederic Forrest).

Gus McCrae (Robert Duvall) gets a little misty eyed here recalling lost love Clara who we'll meet in the third episode. For now, Gus has to content himself with thinking of her by the little creek they used to visit for romantic interludes. It's also here that one gains perspective on what's important in life, as Gus explains that it's learning how to like all the every day little things. Gus expresses in words what Jack Palance was describing as the 'one thing' in the off beat Western "City Slickers". His character Curly was just a little more mysterious about it.

It's also here where Gus declares his partner Call (Tommy Lee Jones) as the father of Newt Dobbs (Ricky Schroder). As the story progresses, it becomes apparent that others in their circle believed it too, so it's left to one's own interpretation as to whether Call instinctively knew it as well or kept it hanging out there for reasons of his own.

And finally we get to meet the notorious Comanchero butcher Blue Duck, viciously portrayed by Frederic Forrest. Blue Duck holds the lives of others in low esteem, and as this episode closes, we learn that he's taken the lives of the three individuals in July Johnson's party, two of them just kids. Johnson's conflicted journey to arrest Jake Spoon (Robert Urich) for accidentally killing a man, now becomes a desperate search for the wife who left him, though as we find out before he does, it's for selfish reasons of her own.
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"These lives are lost for good, son"
chaos-rampant21 December 2012
The saga continues north. The first episode was a broad , leisurely weave, like sitting around with the boys. This one is for the most part a revenge western, more anxious and violent, life is really not worth a damn on godless plains like these, it just blows this way and that with the sand. The focus is on Gus as he trails after kidnapped Lorie and an old enemy.

A pattern begins to emerge; the different strands of plot are obviously going to converge ahead in Oglalla, but in the meantime, we are given different shrapnels of broken lives to contemplate.

Women are the narrative center, this is nice to see in a western. Everything is threaded around lust for them, love, memory.
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