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Title: Midnight in Paris (2011)
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| Cast overview, first billed only: | |||
| Owen Wilson | ... | Gil | |
| Rachel McAdams | ... | Inez | |
| Kurt Fuller | ... | John | |
| Mimi Kennedy | ... | Helen | |
| Michael Sheen | ... | Paul | |
| Nina Arianda | ... | Carol | |
| Carla Bruni | ... | Museum Guide | |
 |
Maurice Sonnenberg | ... | Man at Wine Tasting |
| Thierry Hancisse | ... | 1920's Partygoer | |
| Guillaume Gouix | ... | 1920's Partygoer | |
| Audrey Fleurot | ... | 1920's Partygoer | |
|
|
Marie-Sohna Condé | ... | 1920's Partygoer (as Marie-Sohne Condé) |
| Yves Heck | ... | Cole Porter | |
| Alison Pill | ... | Zelda Fitzgerald | |
| Tom Hiddleston | ... | F. Scott Fitzgerald | |
Gil and Inez travel to Paris as a tag-along vacation on her parents' business trip. Gil is a successful Hollywood writer but is struggling on his first novel. He falls in love with the city and thinks he and Inez should move there after they get married, but Inez does not share his romantic notions of the city or the idea that the 1920s were the golden age. When Inez goes off dancing with her friends, Gil takes a walk at midnight and discovers what could be the ultimate source of inspiration for writing. Gil's daily walks at midnight in Paris could take him closer to the heart of the city but further from the woman he's about to marry. Written by napierslogs
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Woody Allen's love affair with France, which goes back decades, finds its finality with "Midnight in Paris," the latest of Allen's Parisian brochures, which recently opened at the Cannes Film Festival on Wednesday. The good news is that Allen seems to be paying attention in a way he hasn't always done in recent films, and has found a way to channel his often-caustic misanthropy, half-comic fear of death and anti-American bitterness into agreeable comic whimsy. The nominal point of "Midnight in Paris" is that we've all got to make the best of life in our own time while longing for a past that probably never existed. If anything, Allen seems to be rebuking himself, ever so mildly, for his compulsive romanticism, his obsession with the past and his disconnection from contemporary American life. Allen has baked us a sweet, airy Parisian dessert with just a sense of sentimental substance in the finish. One of his better films in his latter years.