User Reviews

No Walt Disney ending and I must say... I did feel more for the horse than the man the way it turned out. Very good acting and character development. Superb directing, costuming and cinematography. Enjoyed.........

I saw South Riding as a fan of period dramas, and loved it. I received the book as a get well present while recovering in hospital from a major spinal operation, and I will say I have read few books apart from The Little White Horse and And Then There Were None, where I was engrossed right from its first word. Then I saw the series again, and was still very impressed by it, though I do think the book is better in many ways.

South Riding by Winifred Holtby has a very rich story that tells of a community's spirit tested to its limits, and of the hopes, fears and relationships of its inhabitants as they face a changing world. This story which is also very bold and ambitious is beautifully told, with wonderfully written and wholly credible characters, and maintains an emotional impact long after finishing. This adaptation of South Riding does do a respectable job adapting this magnificent book. It is rather condensed yes, but the characters while lacking the complexity of their book counterparts are still credible and don't fall into the trap of becoming caricatures, the story is swiftly told and emotionally resonant and most of the situations, language and relationships are intact and done well.

My complaint of South Riding though is that it felt rather rushed in the last episode. Not just in the pace, which I do think could have been slowed down much more than it was, but also in how some relationships and plot points were developed. I did feel at one point there was a little too much happening and some components were explained in a hurry in an attempt to explain everything before the running time was over. I also think South Riding was too short, it was only 3 episodes, in my opinion to explain so much and to give credibility to so many characters it should have been 5 or 6. And this is a shame, because while the final episode was far from unwatchable in fact it was decent enough on its own merits, the other two episodes made for compulsive viewing.

Complaints aside, South Riding is very, very good on its own terms and one of my favourites on television airing this year. The writing is strong being thoughtful, eloquent and poignant to say the least, and the direction is appropriately skilled. The pace is spot on in the first two episodes, not too rushed not too slow, but it is a disappointment really that it felt rushed by the end. The music is very beautiful and hypnotic sometimes, manages to enhance the drama and very rarely does it feel overbearing. What really impressed me about South Riding were the production values which were stunning, not just in the elegant camera work but also in the authentic costumes and beautiful scenery and location shooting.

The acting is very good. Anna Maxwell Martin has grown as an actress since I saw her in 2005's outstanding Bleak House, and she does a wonderful job portraying a forward-thinking, ambitious and a-woman-of-the-times sort of woman in the name of Sarah Burton. David Morrisey is every bit as good as Robert Carne, a man who represents everything Sarah detests in that he stands firmly against Sarah's ideals but also has a tormented past. There is a strong supporting cast, particularly of note is the wonderful Penelope Wilton as Mrs Beddows.

All in all, a solid adaptation and an overall excellent mini-series. After watching I was debating whether to give it an 8 or a 9, instead I settled with a solid 8.5/10. Bethany Cox

This is a very well-made, well-cast and well-acted miniseries, based on Winifred Holtby's novel South Riding, published posthumously in 1936. There have been several adaptation of it, including a 1938 film, a 1974 TV series, a 1999 radio version, and now this 2011 adaptation.

Sarah Burton, a woman who lost her fiancé in the Great War, takes up the position of headmistress at a girls' school in Yorkshire. She clashes with various local politicians and bigwigs, despite originally being a local girl herself. Anna Maxwell Martin, who plays Sarah, is particularly outstanding, as is the young actress playing Lydia Holly (Charlie May Clark). Penelope Wilton as Mrs. Beddows is excellent as always. The male cast are also strong.

As a caution: there are some graphic scenes of horses dying (not gory, but traumatic).

It is enjoyable, and there is a happy ending for at least one character, but also an overwhelming amount of poverty, sickness and death. "It's grim oop North" did go rather frequently through my mind. Incurable madness, death in childbirth, tuberculosis, heart disease: it does become rather a roll-call of misery.

Ultimately I was left with a sense of many people's stories being unfulfilled, but perhaps that was the point. The 1998 film version (which I haven't seen) was described by one critic as: "not an altogether satisfying love story, it is more interesting as a portrait of pre-WW II life in the country". I think that would be a fair review for this 2011 adaptation as well.