Les Misérables

Les Miserables is very old fashioned entertainment. It's a series of crescendo moments with no build-up, no backstory, no pause. It's like eating just the topping of the pecan pie, and not bothering with the crust or filling. We were just ten minutes into the movie when I had to look at my watch and ask, okay, how long can they keep this up? Climax after climax, plot twist after plot twist, tearjerking scene after tearjerking scene. Oceans! Mountains! Punishment! Suffering! Religion! Redemption! Will there be a break for lunch? Will we be able to catch our breath?

If you can watch this film without crying, I don't want to know you. The woman behind me was on the edge of her seat, not just because I smell good. The audience at the 10:40 a.m. matinée – the theater was packed – applauded at the end, and was very slow to leave the theater, even as the closing credits rolled.

Typical of big, fat, nineteenth-century novels, there are numerous implausible coincidences that drive the plot. These coincidences took me out of the movie, but that was a good thing. The human suffering on screen was overwhelming: suicide, enslavement, exploitation of living humans' body parts, prostitution, disease, spite, malice, child abuse, starvation, sadism, a dying man escaping through very graphic sewerage. I did have to repeat to myself, "This is only a movie" even as tears streamed down my cheeks.

Jean Valjean is imprisoned for stealing a loaf of bread to feed his sister's starving children. He slaves for twenty years. He hauls a massive, capsized sailing ship. The scene does look like obviously fake CGI, but that doesn't make it any less gut wrenching. The workers sing, "You'll always be a slave. You are standing in your grave." They are the men we see in Sebastiao Salgado photographs of Third World laborers. They are Ilya Repin's "Barge Haulers on the Volga." Valjean's nemesis is the crazily obsessive policeman, Javert. They spar throughout the film, as Valjean's fate rises and falls and rises and falls and rises … you get the idea.

A story this big, this broad, and this implausible requires one hundred percent commitment from the performers. Hugh Jackman as Jean Valjean is superb. He believes. He emotes. He is as big as the story itself. Jackman is the heart and soul of "Les Miserables." I loved him. Anne Hathaway, Eddie Redmayne, Samantha Barks, Helena Bonham Carter, Sacha Baron Cohen – they all had me convinced. Russell Crowe was a surprising disappointment. He's a brilliant actor and I kept waiting for him to bring some fire, some ice, some power, some insight to Javert, the obsessive and punitive policeman who mercilessly hounds Jean Valjean. I wanted a memorable moment that would make me feel that Crowe's performance brought Javert to intimate life for me. That moment did not arrive.

I wondered while watching this movie whether it will be embraced by the political left or the political right. It is a deeply and unashamedly Christian film. A Catholic priest, emulating Jesus, is the catalyst. Valjean spends the rest of the film working to live up to the priest's Biblical example. "Les Miserable" is leftist in that it depicts the poor rising up, but then the poor fail their own putative saviors, and allow them to be massacred, alone. Javert, representing law and order, is a monster. The film's brief glimpse of heaven is like some limousine liberal's fantasy.

I think "Les Miserables" is as popular as it is for the same reason that Cinderella is so popular. When "Les Miserable" was a stage play, tickets were a very expensive and difficult to acquire luxury. It is ironic that a play about the wretched of the earth would be such a luxury entertainment. Why do we enjoy watching people much poorer and more desperate than we will ever be? Why do we pay for the privilege? Because we all see ourselves in Cinderella, in Jean Valjean, no matter how lucky we are. I'll certainly never stand in cold sea water with iron shackles around my wrists and neck, overseen by a cold sadist like Javert. But, along with millions of others, I saw my own struggles in Valjean, and thanked God that I didn't have it as bad as he. If Jean Valjean can go on, I can, too!

I wish the songs had been a tad better. There are a couple of good ones, "I dreamed a dream" and "Do you hear the people sing?" All the actors sing very well. Russell Crowe and Hugh Jackman sing especially well.

A well-executed and powerful musical from Tom Hooper, 'Les Misérables' stood alongside 'Skyfall' as Britain's two main entries at the 2013 Academy Awards and left with 3 Oscars. Featuring some bravura performances from an all-star cast including Anne Hathaway (Oscar winner), Hugh Jackman (Oscar nominated), Russell Crowe, Sacha Baron Cohen and Helena Bonham Carter. Set against the sweeping backdrop of 19th-century France, 'Les Mis' tells an enthralling and emotional story of passion, love and redemption, accompanied by some stunning cinematography, uplifting musical numbers and flawless direction. While it does drag on at parts, 'Les Mis' is generally an impeccably crafted musical to be enjoyed by all.

Other than Crowe's singing (which isn't terrible), the musical absurdities (which is just a wavelength thing), & its extreme sincerity (which I consider a strength), it's pretty unimpeachable. There are so many powerful moments: Do You Hear?, Empty Chairs at Empty Tables, the battle on the garbage barricade, etc...and, of course, I Dreamed a Dream. Say what you will about Hathaway being a bit much at times; she was put on this earth to perform that scene.

As a massive film fan, my tastes are very wide-ranging, but I do have a problem with musicals. Nevertheless I was happy to take the opportunity of a private viewing of "Les Misérables" at the London office of distributors Universal - the day after the London première and a month before the UK release - because of the outstanding success of the original stage show (a run of 27 years with a total audience of over 60 million) and the surprising and impressive cast list (Russell Crowe, Hugh Jackman, Anne Hathaway, Sacha Baron Cohen, Helena Bonham Carter, Amanda Seyfried and Eddie Redmayne).

The showing was introduced by producer Eric Fellner of Working Title who underlined the commercial challenge of making a film in which all the dialogue is sung and the themes are so political and praised director Tom Hooper ("The King's Speech") for his insistence that every take was sung live.

The two main characters are presented in the opening seconds of a sweeping introductory sequence: the police inspector Javert (Crowe) and the prisoner 24601 Jean Valjean (Jackman) in post-revolutionary France. There follows over two and half hours with barely a spoken word which will not appeal to all cinema-goers, but the production is a triumph with Cameron Mackintosh's musical opened up by dramatic shooting on Pinewood's brand new Richard Attenborough stage and some historic English locations.

If Crowe and especially Jackman are excellent, Hathaway - who lost 25 pounds and most of her hair for the role - is outstanding as the destitute Fantine and Cohen and Carter almost steal the show as the comical Thénardier innkeepers.

I'm not sure how long it will take for "Les Misérables" to recoup its investment cash- wise, but it's going to win award after award and rightly so.

This film tells the story of a man who stole a piece of bread to feed his sister's child. He was in jail for almost twenty years. He lives a fugitive life, complicated by his pledge to help raise the daughter of an unfortunate woman.

"Les Miserables" is a wonderful film. Right from the start, it captures every viewer's hearts. It makes three hours seem like ten minutes. It is so touching and so poignant that everyone in the cinema cried like a baby. Throughout the film, the sound of tissue packets opening and closing was a permanent addition to the soundtrack. For me, I just let my t shirt be drenched in tears, as if i have had a strenuous workout. I thought the Anna Hathaway soliloquy was already with the ticket price, but masterpiece scenes like that keep on coming. I was dehydrated from all the water I lost from tears by the end of the film.

It's amazing how the film can take us through every emotions there is. From the relentless struggle for existence, the the uplifting revolutionary spirit, the fatherly love and the encompassing integrity of Jean. Everything keeps emotions high, and love i find my tears literally in a freefall mode without even knowing why. "Les miserables" is a wonderful masterpiece, and is certainly one of the best films I have ever watched.