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Dark Tourist (2012)

The Grief Tourist (original title)
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1:21 | Trailer
A psychological-thriller in the haunting tradition of films like Taxi Driver and Monster, The Grief Tourist takes us into the chilling labyrinth of a man's dark hobby and his even darker ... See full summary »

Director:

Suri Krishnamma

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Cast

Credited cast:
Melanie Griffith ... Betsy
Michael Cudlitz ... Jim
Pruitt Taylor Vince ... Carl Marznap
Suzanne Quast ... Iris
Bradley Joseph ... Manny (as Brad Bufanda)
Eddie J. Fernandez ... Osvaldo
Waymond Lee ... Office Worker
Stefanie Kleine ... Olga
Linda S. Wong ... LA Female Reporter (as Linda Wong)
Nayo Wallace ... Janita
Joseph John Schirle ... Young Jim
Chris Hayes ... Crime-Scene Investigator
Ernesto Chaverri ... Det. Ramirez
Samantha Lester ... Donna
Donna Ponterotto ... Gerry
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Storyline

A psychological-thriller in the haunting tradition of films like Taxi Driver and Monster, The Grief Tourist takes us into the chilling labyrinth of a man's dark hobby and his even darker mind. JIM TAHANA doesn't leave much of an impression when he passes you by. But look closer and you'll sense his hunger - the deep hunger of an insatiable American soul - always scanning to devour something - anything that might fill the searing, unexplained void within him. Jim obsesses over the hobby that has been part of his DNA since he was a young boy: grief tourism - the act of traveling with the intent to visit places of tragedy or disaster. Every year his week-long vacations from work are spent going to grief tourist locations in the lives of different serial killers he is fascinated with. This years obsession is Carl Marznap, a mass murderer from New Orleans, Louisiana. But this trip is no ordinary vacation as Jim's rancid sexual impulses and weakening grip on reality deteriorate into a ... Written by VEG

Plot Summary | Add Synopsis

Taglines:

He Goes to Dark Places...

Genres:

Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for strong disturbing violence and sexual content, graphic nudity, language and brief drug use | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook

Country:

USA

Language:

English

Release Date:

23 August 2013 (USA) See more »

Also Known As:

Dark Tourist See more »

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Box Office

Budget:

$4,000,000 (estimated)
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Color:

Color
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Did You Know?

Trivia

The character name "Carl Marznap" is a reference to real life serial killer/arsonist Carl Panzram. See more »

Goofs

In the first scene showing Jim driving the red Pontiac G8 rental car in California, there is a very clear reflection of a film production camera vehicle: a mini-Van with the rear passenger sliding door open and a camera filming Michael Cudlitz driving. The reflection of the camera vehicle can be seen twice, both before and after the film cuts to driving through the tunnel. See more »

Soundtracks

Suzanne
Written by Leonard Cohen
Performed by Chris Anderson
Courtesy of Easy Things Music
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User Reviews

 
An Insatiable Modern Film Noir
5 September 2013 | by sufi-mohamed-1See all my reviews

Grief tourism is an excursion to locations associated with tragedy. Travelers visit sites associated with death and murder. Dark Tourist, directed by Suri Krishnamma, exquisitely examines this fascination with pain in a manner that allows the audience to delve into the mind of a man who uses trauma to connect with others. This film encourages its audience to understand how feelings of loneliness and isolation devour victims who are unable to reach out to people around them.

Michael Cudlitz (Southland, Running Scared) plays Jim Tahna, a security guard whose eagerness for grief tourism goes beyond that of mere fascination with death and destruction. Jim takes a trip to New Orleans, Louisiana to visit sites associated with mass murderer, Carl Marznap, a quietly chilling Pruitt Taylor Vince (Wild at Heart, Constantine). In between locating the places where Carl grew up and slaughtered innocents, Jim meets Betsy, a heartbreakingly stoic Melanie Griffith (Lolita, Working Girl).

Cudlitz has a magnetism about him. He is able to maintain momentum between lucid expectation and crushing vulnerability with mere gestures, his limping step, and an emotive intelligence behind his eyes. Cudlitz plays Jim as a man of many layers whose desperate need to fill the unexplainable void within renders him incapable of sincerity. Jim knows exactly what to say to people and how to say it.

Krishnamma's use of sound allows his audience to make the connection between Jim's insatiable need to bond with others while simultaneously preserving his isolation. The lighting is at times beautiful and accentuates the grotesque themes of the film. Trauma, sexual desire, brutal deaths, and painful memories are highlighted under Krishnamma's artful direction.

The most intimate moments are surprisingly found during the Jim's voice overs, where we watch him go about his day. Paired with rhythmic, repetitive, and chaotic sounds, Jim is carried through the story methodically. This adds to the mounting tension that builds throughout the film as the reasons for Jim's fascination with pain are revealed.

In Dark Tourist, Krishnamma deals with the notion of an audience's fascination with death and sexuality as a form of entertainment. It is as if he is prodding the audience to look inward and discover their own reasons for feeling such satisfaction. The concept of one being a bottomless void, a face, a name, a victim, plays heavily in this orchestrated piece that no provides no simplistic answers to the logic behind a serial killer's motive. Nothing is black and white.

Dark Tourist is a film that calls to mind the thought of what it means to be a victim of a tragic event. It daringly and disturbingly draws the audience to the social dilemma victims of violent and sexual trauma face amongst peers, which is the fear of communication and the tendency to turn a blind eye. Cudlitz's portrayal of Jim during scenes where he is psychologically afflicted is masterful. In one scene Jim and Carl stand outside a prostitute's door. Jim is silent, still, almost trembling with the effort to hold himself against temptation. Here is the moment where change is imminent. Vince's quiet tones and Cudlitz's pregnant pause embodies the issue of trauma buried deeply into the psyche, and the struggle to keep the despair of its existence at bay.

Read the rest here - http://bit.ly/18wwPag


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