A young American woman is found dead on a beach in Ireland under mysterious circumstances. Her best friend, refusing to believe it was an accident, travels to the remote fishing village to investigate what really happened to her.
Darren Keefe Reiher
RACHEL, a Jewish-American doctor, and JAKE, an Arab-American government bureaucrat, go on a goose chase across the Middle East trying to solve the mysterious death of Rachel's treasure ... See full summary »
On the edge of the 30th anniversary of punk rock, Punk's Not Dead takes you into the sweaty underground clubs, backyard parties, recording studios, and yes, shopping malls and stadium shows... See full summary »
The seemingly random killings of an assassin puzzle her former lover, a wealthy Greek crime boss whose organization is jeopardized by his love for her, and the detective following her rising body count.
CBGB follows the story of Hilly Kristal's New York club from its concept as a venue for Country, Bluegrass and Blues (CBGB) to what it ultimately became: the birthplace of underground rock 'n roll and punk. When Kristal had difficulty booking country bands in his club on the Bowery he opened his doors to other kinds of rock music. Kristal had one demand of the acts he booked; they could only play original music. No top 40's, no covers. It was the credo he lived by, support the artist at whatever the cost. Hilly Kristal ironically became known as the godfather of punk giving a chance to such bands as Blondie, Television, Ramones, Talking Heads, Dead Boys and The Police.Written by
CBGB & OMFUG stands for Country, Blue Grass (and) Blues & Other Music For Uplifting Gormandizers. See more »
Songs played in the movie by The Ramones, are Spirit in My House and I Got Knocked Down (But I'll Get Up) recorded by Joey Ramone in 2000 and 2001, 32 years after the movie takes place and 4 years after The Ramones broke up. See more »
I just don't get it. Why did you risk everything on the Dead Boys? Was it the auto-asphyxiation or the self-mutilation?
They could have been a bellwether.
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Dailies by: Nextlab Digital Services Nightlies by: Your Mom See more »
Great film about an important moment in music history
As someone who was "there" but as an outsider (14-year-old kid from NJ who idolized Punk magazine and especially the Ramones), I loved this film. Yes, I recognize a number of liberties were taken with the truth, but this film allowed me to relive the thrill I used to experience going to CBGB's (as we called it) back in the day (I started going around 1976 or so). Even more than that, it's great to get a glimpse of how CBGB's came to be.
More than that, the film works great as a film in and of itself -- the directing, pacing, acting and cinematography are all first rate, with nary a dull or dead spot throughout (until the end, but I'll get to that). I'm not generally one for tricks like the use of Holmstrom's art to frame the story, but since it's Punk magazine we're talking about, it makes perfect sense for this film.
The film just sails along -- I suppose partly because it's so much fun to see the various bands, and how much fun the actors had portraying the band members' quirks (the Joey Ramone character is spot on... ). In fact, I would have liked it if the film had been extended to include more of the early groups (they left out Suicide, who were everywhere back then) and more of the live performances. I'm a little torn by the decision to have them lip sync to album material -- on the one hand, it's the music we remember, on the other hand, most of the bands have live material available, even recorded at CBGB's, why not use some of that?
However, by the end... the film runs out of steam a bit. I think that comes partly from the decision to focus a bit too much on the Dead Boys storyline, knowing how doomed that band was, and how entirely outclassed they were by most of the other bands featured (Television, Talking Heads, Ramones, Blondie). Fortunately, the film only sags in the last 15 minutes or so, and it's still not enough to spoil a fine film dealing with a very important part of American -- and world -- music history.
For me, personally, this period shaped my entire life, certainly from an aesthetic point of view.
And great news! There's now a Best of Punk Magazine book available! (I still have my original copies around somewhere, but I can't wait to show this book to my kids!)
41 of 57 people found this review helpful.
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