A motorcycle stunt rider turns to robbing banks as a way to provide for his lover and their newborn child, a decision that puts him on a collision course with an ambitious rookie cop navigating a department ruled by a corrupt detective.
Julian, a drug-smuggler thriving in Bangkok's criminal underworld, sees his life get even more complicated when his mother compels him to find and kill whoever is responsible for his brother's recent death.
Nicolas Winding Refn
Kristin Scott Thomas,
A series of thirteen Instagram shorts, based on Healy's 'word of the day' calendar, in which we are given a word and its definition and then treated to a short clip from The Nice Guys (2016) that relates in some way.
A con man, Irving Rosenfeld, along with his seductive partner Sydney Prosser, is forced to work for a wild F.B.I. Agent, Richie DiMaso, who pushes them into a world of Jersey powerbrokers and the Mafia.
A mysterious and mythical motorcycle racer, Luke, (Ryan Gosling) drives out of a traveling carnival globe of death and whizzes through the backstreets of Schenectady, New York, desperately trying to connect with a former lover, Romina, (Eva Mendes) who recently and secretly gave birth to the stunt rider's son. In an attempt to provide for his new family, Luke quits the carnival life and commits a series of bank robberies aided by his superior riding ability. The stakes rise as Luke is put on a collision course with an ambitious police officer, Avery Cross, (Bradley Cooper) looking to quickly move up the ranks in a police department riddled with corruption. The sweeping drama unfolds over fifteen years as the sins of the past haunt the present days lives of two high school boys wrestling with the legacy they've inherited. The only refuge is found in the place beyond the pines.Written by
According to co-Writer and Director Derek Cianfrance, he met with Ryan Gosling at his agent's house in 2007 while working on Blue Valentine (2010). He asked Ryan Gosling (paraphrased), "You've done so much already, what is there in life you haven't done that you want to do?" Gosling responded that he has always wanted to rob a bank. "What has kept you from robbing a bank?" Being arrested. "And how would you go about robbing a bank?" Ryan Gosling described robbing a bank on a motorcycle because it is fast and agile, and the helmet would conceal his identity, then stashing the motorcycle in the back of a truck because the police would be looking for the motorcycle. Cianfrance responded that he was actually writing a screenplay about a bank robber in exactly that way, and he felt that Gosling was meant to play this role. See more »
The beginning of the film takes place in the 1990s. The General Electric sign is shown with red and blue lights. During this time, however, white lights were the usual color of the General Electric sign. Since September 11, 2001, the lights have been red and blue for the majority of the year. See more »
When I was a kid I used to look at my dad dressed in judge's robes and I used to think that my father was a superhero. And I don't think I was far off. He had that quality that judges have, where they have tremendous compassion, but they're also ferocious at the same time. He wasn't afraid of making enemies. I think that's probably why he had so many friends.
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Quite possibly the most ambitious film of the year - Cianfrance has secured a position as one of the best
Derek Cianfrance well known for his riveting film Blue Valentine (2010) is back at it again giving us a breathtaking look at the lasting consequences of the decisions we make. The Place Beyond The Pines is an enthralling crime thriller that stretches over generations - a beautifully crafted familial drama. Quite possibly the most ambitious film of the year The Place Beyond The Pines is about Luke (Gosling), a stunt motorcycle rider performing at a low-grade carnival. While the tattooed Gosling's carnival goes through New York he runs into an old fling, Romina (Eva Mendes) and is shocked to discover in his absence she gave birth to his child. Luke growing up without a father feels obligated to provide for his son Jason so he decides to move nearby and it doesn't take long before Luke needs more money and resorts to robbing a bank with his crooked boss (Ben Mendelsohn). As you can imagine things don't exactly go to plan once Avery (Bradley Cooper), a young and upcoming police officer, is assigned to the case. To much surprise of the audience, shortly after being introduced to Avery Cianfrance switches its narrative focus to him and his family; a very risky move however the execution of the technique is flawless. The story - now centered on Avery follows him trying to expose corruption within the department and making a name for himself. With his strong desire to essentially become his father Avery becomes detached from his wife and son. The final act of the film takes place 15 years later and focuses on two high school students Jason (Dane DeHaan) and AJ (Emory Cohen) Luke and Avery's kids. Unfortunately the narrative switch isn't as charming as the first one and the film loses energy it spent so long building. It's not a movie breaking issue because it is just such a pleasure to watch DeHaan (Lawless, Chronicle) on screen. Last year he became my favorite young actor and clearly he's not slowing down. Gosling once again a mysterious, talented young man who resorts to robbing people for money (Does Drive ring a bell?) does as well as usual in his performance but nothing out of the ordinary for him. He'll play this same character until people get sick of it. Cooper is the shining star of the film though. There is no person that is going to leave this film not wondering where this actor was hiding for his early career. The Place Beyond The Pines is a real game changer for him. The rest of the supporting cast stand their ground making the film extremely enjoyable. Derek's ability to bring such realism to his characters is seamlessly met with a more mature visual style this time around making The Place Beyond The Pines his finest achievement yet. The films stunning cinematography was brought to us by Sean Bobbitt (Shame), his work is just fascinating to watch; every shot handled with such precision. The film is brilliant, breathtaking and above all innovative. With this intensely layered drama of fathers and sons Cianfrance has secured a position as one of the best. This really is storytelling at its finest. 8.5/10
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