In the 1960s, superpowered humans Charles Xavier and Erik Lensherr work together to find others like them, but Erik's vengeful pursuit of an ambitious mutant who ruined his life causes a schism to divide them.
The human government develops a cure for mutations, and Jean Gray becomes a darker uncontrollable persona called the Phoenix who allies with Magneto, causing escalation into an all-out battle for the X-Men.
When bitten by a genetically modified spider, a nerdy, shy, and awkward high school student gains spider-like abilities that he eventually must use to fight evil as a superhero after tragedy befalls his family.
As Steve Rogers struggles to embrace his role in the modern world, he teams up with a fellow Avenger and S.H.I.E.L.D agent, Black Widow, to battle a new threat from history: an assassin known as the Winter Soldier.
Samuel L. Jackson,
In the future, the mutants and the humans who help them are slaughtered by powerful robots named Sentinels. Professor Xavier, Wolverine, Magneto, Storm, Kitty Pryde, and her friends meet at a monastery in China and Xavier explains that the invincible Sentinels were created using the DNA of Mystique that was captured in 1973 when she tried to assassinate their creator Dr. Bolivar Trask. Xavier tells that their only chance is return to 1973 using Pryde's ability to join Charles Xavier and Erik Lehnsherr to convince Mystique to give up her intention. However, only Wolverine can withstand the damages of the time travel. Will he succeed in stopping Mystique and the Sentinel Program, and save the mutants and their human friends from annihilation?Written by
Claudio Carvalho, Rio de Janeiro, Brazil
A romantic subplot between Storm and Wolverine in the future was filmed, but cut for runtime purposes. See more »
(at around 46 mins) Xavier is talking to Magneto - all the time the first door they came in to the kitchen by has remained open and there is nothing to be seen. Seconds later the door is closed and as the guards enter there is now a stack of colored crates stacked against the wall in the corridor behind them. See more »
The future: a dark, desolate world. A world of war, suffering, loss on both sides. Mutants, and the humans who dared to help them, fighting an enemy we cannot defeat. Are we destined down this path, destined to destroy ourselves like so many species before us? Or can we evolve fast enough to change ourselves... change our fate? Is the future truly set?
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SPOILER: In the Rogue Cut, there is a scene in the closing credits: Trask is seen in custody in Magneto's Pentagon cell. See more »
In the extended cut, the following scenes are added:
There is additional footage of pictures of deceased mutants on a wall and there is extended dialogue, when Wolverine and the other mutants are discussing what can be done by going into the past and changing it.
There is an extra scene with Kitty Pryde and Iceman, before she sends Wolverine into the past.
The fight that Wolverine has when he wakes up in his past body is longer and grittier.
Wolverine gets into a car and tells an old girlfriend to lie low for a few days.
The whole sequence inside of the X-Mansion, when Wolverine is talking to Beast and Professor X about the future, is longer, with extra reaction shots and dialogue, from Professor X.
There is a small scene, where Iceman talks about going to find Rogue, since Kitty is losing a lot of blood, after being attacked by Wolverine.
The conversation that Charles and Raven have in the airport is longer and ends differently. Charles tells the others that he has no idea where Raven is going and they tell Charles that he needs rest.
There is a small scene of Beast asking Logan about his fate in the future, though, when he finds out that he is doomed, Logan eases him by saying that the future can still be changed. This scene was altered and came later on, in the film, in the theatrical version.
Raven goes to the X-Mansion to stay for the night, when she meets Beast and tells him that she has nowhere to go. The two share an intimate moment, on their own and Mystique tries to coax Beast into being proud of his appearance.
Iceman and Magneto go to the future X-Mansion and break in. There, they find Rogue, who has been experimented on. They take her out of the mansion, but Iceman sacrifices his life to save them, as soon as the Sentinels arrive. Magneto takes Rogue with him to Professor X, who fights off another Sentinel, and they escape the ruins of the Mansion. This entire sequence is inter-cut with the scene in the film of the younger Magneto going to retrieve his own helmet. There is even an alternate shot of him looking at the glass case, spotting the small coin that killed Sebastian Shaw, in the last film. In the rest of the 'future' scene, the arm of the Sentinel is stuck to the X-Ship, showing how the Sentinels find the X-Men in the end of the film. In the Theatrical version, it seems that the Sentinels just happen to come across them, later on.
Mystique goes into Cerebro and destroys the helmet, so that Charles can't track her down.
Rogue arrives with the other X-Men to tell Kitty about what has happened to Iceman and uses this moment of tragedy, for Kitty, to take her powers and carry on helping Wolverine stay in the past. All of the later scenes that take place in the future are now altered, by having Rogue be in Kitty's place, so all shots of Kitty, from this point on, have her sitting beside Rogue or on the floor. In the Theatrical version, all of the shots where Rogue is present, were changed to shots of Kitty and Iceman.
There is a short scene of the younger Charles, Beast and Wolverine talking about Mystique's sabotage of Cerebro.
There is more dialogue when Charles hides in the crowd, during the unveiling of the Sentinels, of the 1970's.
Sanford & Son Theme (The Streetbeater)
Written by Quincy Jones
Performed by Quincy Jones
Courtesy of A&M Records, Inc.
Under license from Universal Music Enterprises See more »
A brilliant addition to a very hit or miss franchise. Dare I say better than "The Avengers"?
I always thought the X-Men were the real deal. When everyone was praising the brilliance of The Avengers I was more preoccupied in the compelling dynamic between the 2 leads, Xavier and Magneto in X-men First Class. Despite loving "Earths Mightiest Heroes" the story hasn't got a lot of grit to it and is rather zany. X-Men on the other hand I find to be a lot more compelling especially through it's sub-text of societies prejudice on minorities these are highlighted specifically well in First Class and X2.
By taking the principal characters from both these films and bringing them together into a desperate attempt to warn the past of the atrocities of the future in Days of Future Past is a work of genius. Days of Future Past is loaded full of exceptional performances James McAvoy is superb as a young Professor who has lost his way and has withdrawn from offering guidance. Michael Fassbender's performance is magnetic quite literally...but figuratively it is a fascinating portrayal of a man determined to get his way yet still showing respect for his old friend Charles Xavier. This dynamic that has carried on from First Class really fascinates me. Yes the action scenes with the mutant side characters like Blink and Storm are very impressive but the conflicting principals of these 2 characters is the big draw to me.
Patrick Stewart and Sir Ian's interpretation of these characters is a much welcome return adding an element of class to the rowdiness of there youthful selves. However I wanted to see more of the desperate survival within the post apocalyptic future. A whole movie could've been done on establishing the bleak future of a world ruled by Sentinels.
The big poster characters of these movies Wolverine and Mystique are also great. Wolverine is a bit of a bore in his solo outings. Having him function within a team is infinitely more compelling. Jennifer Lawrence as Mystique has many poignant scenes with the story hinging on her actions entirely which really raise the stakes.
With such an expansive cast all having a chance to shine it is a massive shame that Bryan Singer didn't direct the major let down that was X-Men 3 and Origins. It's nice that the characters act like the events never happened but it's a shame that I can't. As a standalone entry to the series X-Men Days of Future Past has a thoughtful script that doesn't rely on mindless action sequences to keep your attention. Along with it's stellar cast, this is a truly amazing installment to a messy franchise that now has a chance to develop.
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