Sinister

When the trailer boasted the producers of "Paranormal Activity" and "Insidious" the idea of what tone this film would be reared it's head. Based around a series of jump scare sequences and slow character sections in order to attempt to make you feel for the characters while easing the tension of the situation. It's a tired formula that is becoming all the more clichéd and repetitive. However Sinister manages to find ways to break free of these leashes that the horror genre is becoming tied down to.

Ethan Hawk stars as a true crime writer known as Ellison who moves into a new home with his wife, Tracy (Juliet Rylance) and his two children, Ashley (Clare Foley) and Trevor (Michael Hall D'Addario) near the site of a local crime in order to get inspiration for his novel. During an exploration of the house Ellison stumbles across a box with an 8mm camera and a selection of films, which upon viewing exploit gruesome murders. This thrusts area hero into a terrifying mystery as he tries to piece together the meaning behind it all.

With horror films these days we come to know what to expect. We're given characters that we can't connect with merely there to service the plot and an un-original story that we've seen time and time again bringing the audience no sense of engagement. But mostly we're never scared beyond the mere technique of a jump scare. With director Scott Derrickson we are shown again how mainstream horror can creep on us with effective imagery and suggestion. The scares here can be portrayed by just using obscure camera angles and bizarre images that unsettle us. Derrickson understands though that using loud bands and noises to jolt the audience can be done effectively. By backing up these moments with his strong imagery he uses it as a tactic to implant these horrific moments in our minds.

The highlight however is the use of the 8mm films. Sinister is in love with the idea of film, from celluloid to digital as not only are we treated to disturbing super 8 films but Ellison boasts are large collection of VHS tapes of his old achievements. It's a nice, simple touch that film fans will appreciate. These 8mm films though boast some truly graphic sequences, one particularly involving a garden tool. Backed with a moody soundtrack by Christopher Young who's worked on other horror gems such as "Drag Me To Hell" and "The Exorcism of Emily Rose". It feels more of an ambiance piece rather than a fully diegetic score merging together a series of dark and effective sounds building the feeling of dread constantly throughout.

Written by Derrickson himself and writer C. Robert Cargill the screenplay manages for the most part to push past the bland formula we've grown to endure with horror films of late. The film brings an intriguing plot that manages to put you in the position of Ellison's character, uncovering the plot and mystery when he does. There are scenes in which are hero re-visits the 8mm films and discovers new elements to them which adds a new depth to the story. The film feels relentless, rarely taking time to slow down and constantly feeling as though it's propelling towards something. However elements of the script are where the weaker parts of the film shine. While managing to bring interesting uses of horror and tension the film often retreads over clichéd ground as though it's trying to keep a warm attitude towards mainstream audiences. These are the times when the film feels as though it may lose focus but always manages to pick up its feet again. Alongside this we have some underused side and poorly written characters such as a police deputy who doesn't feel natural within the whole scale of things.

Sinister may tread over worn ground by it still manages to feel fresh and revitalizing in an age where we've conformed to the degrading standards of horror. It embraces the roots of horror and film in general making it much more than a homage and a feeling of an original yet genuinely terrifying story. Hawk manages to carry the emotional tangent of the narrative while the other characters are merely serviceable. It's not groundbreaking but for a mainstream horror film it takes some inventive and daring steps creating a terrifying, disturbing yet absorbing piece of cinema.

4/5 Stars.

Ellison Oswalt (Ethan Hawke) is a true crime writer that was successful in his debut with the book "Blood in Kentucky", but also has failed on his next works. He moves with his wife Tracy (Juliet Rylance), his son Trevor (Michael Hall D'Addario) and his daughter Ashley (Clare Foley) to a house in King Count that belonged to the Stevenson family expecting to write a best-seller. Ellison does not tell to Tracy that the place was a crime-scene, where four members of the Stevenson family were hanged on the backyard and the girl Stephanie had gone missing.

Ellison begins his research about the murder and soon he finds a box with super 8 home videos in the attic. He watches the movies and discovers other murder cases that might be connected to other crimes. He befriends the local Deputy (James Ransone), who is his fan, and gets additional information about the cases. He also sees a creepy man in the footages and symbols painted on the wall. He contacts the specialist Professor Jonas that tells him about the cult to the legendary Bughuul. Meanwhile, Ellison and his family are frightened by spooky events in the house. Ellison decides to quit his research and return to his house, but soon he receives a phone call from the Deputy telling what are in common in the crimes.

"Sinister" is a dark and spooky horror movie with a creepy ghost story. The plot is developed in slow pace but I startled many times with the weird situations. This is the first time that I see Ethan Hawke working in this genre and he has a convincing performance. The scary and gore conclusion offers a chance for a sequel that I hope that it does not happen. My vote is seven.

Title (Brazil): "A Entidade" ("The Entity")

This movie is creepy and I always love to see D'Onofrio in anything, always. Cool premise, finding super8 movies in the attic, but it's sooooo dark.

A true crime writer picks the wrong murder mystery for his next book in "Sinister," a horror movie that balances the contemporary horror movie formula with mystery thriller elements and a solid leading performance.

Ethan Hawke plays Ellison Oswalt, a successful writer who has just moved his family to a town in Pennsylvania where a family was found hung from a tree in the backyard except for the third child, who was reported missing. Unbeknownst to the rest of his family, Ellison has moved them into the exact house where the family was killed. In the attic, he finds a box with an 8mm film projector and a handful of film reels, all of which show families being murdered, including the case he's investigating. Ellison realizes he's on to something big, but eventually things take a supernatural turn.

If the film weren't titled "Sinister" (a title that seems to have been subjectively chosen for marketing purposes) and you went in without knowing anything, you might actually convince yourself you were watching an eerie true crime thriller and be a bit surprised to watch the film take a contemporary horror flick turn equipped with creepy ghost children, freaky old movies and a pagan deity.

"Sinister" straddles these two genres without disappointing fans that wanted one over the other, but might disappoint fans that enjoy one but don't like the other at all. Director Scott Derrickson ("The Exorcism of Emily Rose") uses classic suspense techniques and the creepy Super8 videos for that slow-building dread effect reminiscent of a more classic horror-thriller, while also employing the slow- walking-through-a-house-at-night-that-ends-in-a-jump-scare techniques of today's horror movies. The film predictably begins with more of the former and ends distinctly as the latter, and Derrickson oversees the passing of that baton and ensures it happens cohesively with strong, evocative visuals and an unusually creepy soundtrack.

C. Robert Cargill's story also allows these genres to function effectively together. Good horror movies show more interest and concern in the characters and how they deal with horrifying events than the horrifying events themselves. Cargill's script definitely focuses on Ellison, and the simple conceit of him being a writer who investigates murders puts him in a unique position among horror movie protagonists. Cargill adds the twist that Ellison has not had a best-seller in 10 years, so there's pressure on him to pursue this case in spite of the warning signs.

A strong lead character also appeals to a better caliber of actor, and Hawke lends so much legitimacy to this movie. Ellison is more accustomed to seeing disturbing things, so to watch Hawke's performance as this case gets more and more under his character's skin is a real added benefit. Hawke allows us to empathize with his character despite knowing full well that we would not have handled things the same way he does at various points in the film.

The ending has some issues along those lines and some information that seems obvious to the audience is not obvious to the characters, and that can be frustrating, but on the whole, "Sinister" leaves you with a jaw-dropper of an ending, a perfectly freaky culmination of all the classic suspense and minutes upon minutes of wondering when it's all going to blow up.

"Sinister" will more likely win over viewers who don't always like scary movies than it will avid scary movie watchers who love the genre precisely for its conventions and clichés, but it successfully reaches out to both.

~Steven C

Thanks for reading! Visit Movie Muse Reviews for more

Turn of your lights. Turn up your volume. Close all your curtains. And enjoy that you can't sleep that night. Sinister is a great movie. Take a blanket and when it is scary put it over your eyes :-) I don't want to tell anything about this horror movie because anything you tell will spoil the fun, you should not know anything about the story in advance I think to keep the excitement 100%. I have read some reviews and I have to say it contains too much information however they don't contain spoilers I would suggest not to read them :-) The acting was great and I really loved the horror scenes, they were amazing. Have a great horror night!