Directed by
| Nigel Cole | ||
Writing Credits (in alphabetical order)
| Tim Firth | ... | (screenplay) |
Cast
Produced by
| Jo Farrugia | ... | associate producer |
| James Gay-Rees | ... | producer |
| Nigel Green | ... | executive producer |
| Ralph Kamp | ... | executive producer |
| Marshall Leviten | ... | line producer |
| George Pank | ... | associate producer |
Cinematography by
| Ben Cole | ||
| Mark Nutkins | ||
| Simon Tindall | ||
Editing by
| Laura Morrod | ||
Casting By
| Colin Jones | ||
| Gail Stevens | ||
Production Design by
| Kristian Milsted | ||
Art Direction by
| Byron Broadbent | ||
Set Decoration by
| Blair Barnette | ||
Costume Design by
| Ian Fulcher | ||
Makeup Department
| Lacey Corbould | ... | makeup artist: dailies (as Lacey Rixson) |
| Marella Shearer | ... | makeup designer |
| Amy Stewart | ... | assistant makeup artist |
| JoJo Williams | ... | makeup daily (as Jo Williams) |
Production Management
| Matthew Baker | ... | production manager |
| Bianca Gavin | ... | production manager: additional photography |
| Amy Mobley | ... | production manager |
Second Unit Director or Assistant Director
| Ben Burt | ... | second assistant director |
| Dominic Channing-Williams | ... | third assistant director (as Dom Channing-Williams) |
| Reshma Makan | ... | crowd assistant director |
| Peter Nightingale | ... | first assistant director |
| Emily Rhodes | ... | assistant crowd assistant director |
Art Department
| Jerry Bland | ... | production buyer: additional photography |
| Charlotte Cooke | ... | stand-by props |
| Thomas Goodwin | ... | standby art director: dalies |
| Peter Charles Robinson | ... | visual development artist |
| David Sawyer | ... | carpenter |
| Joe Withers | ... | standby art director |
Sound Department
| Ricky Butt | ... | foley artist |
| Ben Carr | ... | adr mixer |
| Tim Cavagin | ... | re-recording mixer |
| Jennie Evans | ... | dialogue & adr editor |
| Robin Gerrard | ... | boom operator |
| Stephen Griffiths | ... | supervising sound editor |
| Paul Hammond | ... | adr mixer |
| Simon Hill | ... | additional adr mixer |
| Matthew Kallen | ... | post-production sound coordinator |
| Mark Lafbery | ... | adr mixer |
| Henry Milliner | ... | sound recordist |
| Gwilym Perry | ... | assistant re-recording mixer / foley editor |
| Nick Waterman | ... | sound assistant |
Special Effects by
| Scott MacIntyre | ... | special effects supervisor (as Scott McIntyre) |
Visual Effects by
| Fiorenza Bagnariol | ... | digital film bureau |
| Peter Collins | ... | digital intermediate |
| Louise Hussey | ... | visual effects producer: Rushes |
| Hayden Jones | ... | visual effects supervisor |
| Paul Jones | ... | visual effects line producer |
| Christine Lemon | ... | visual effects coordinator |
| Laura Pavone | ... | digital film bureau |
| Jonathan Privett | ... | visual effects supervisor |
| Aurora Shannon | ... | digital intermediate assistant |
| Jocelin Capper | ... | Managing Director Rushes Film & TV (uncredited) |
Stunts
| Gary Arthurs | ... | stunt rigger |
| Andy Bennett | ... | stunt coordinator |
| Nellie Burroughes | ... | stunt double: Rhona Croker |
Camera and Electrical Department
| Westley Agius | ... | electrician |
| Ben Cole | ... | camera operator |
| Damian Cooper | ... | lighting technician: dailies |
| Rana Darwish | ... | second assistant camera |
| Eddie Dias | ... | lighting coordinator: Panalux |
| Chris Georgas | ... | gaffer |
| Mikey Ray Harkins | ... | electrician |
| Alistair King | ... | camera trainee: dailies (as Ali King) |
| Mark Nutkins | ... | additional cinematographer |
| Matt Robinson | ... | second unit focus puller |
| Cenay Said | ... | camera trainee dailies |
| Paul Starkey | ... | electrician |
| Andy D. Stewart | ... | electrician |
| Ian Stowe | ... | Balloon light technician |
| Paul Surgison | ... | electrician: dailies |
Casting Department
| Vanessa Baker | ... | adr voice casting |
| Rebecca Farhall | ... | casting associate |
Costume and Wardrobe Department
| Natasha Cousins | ... | costume supervisor |
| Ellen Crawshaw | ... | costume assistant |
| Holly McLean | ... | set costumer |
| Amy Pollitt | ... | costume dailies |
Editorial Department
| Trevor Brown | ... | digital intermediate colorist |
| Peter Collins | ... | digital intermediate |
| Rob Farris | ... | digital intermediate producer |
| Cheryl Goodbody | ... | assistant digital intermediate producer |
| Steve Harrow | ... | post production consultant |
| Timothy P. Jones | ... | imaging and recording: Company 3 London |
| Patrick Malone | ... | digital intermediate head of department |
| Philip Scaife | ... | data wrangler |
| Justin Tillett | ... | digital on-line editor |
| Rab Wilson | ... | first assistant editor |
Location Management
| Chris Bunyan | ... | location manager |
| Steven de Vries | ... | location manager |
| Graham Sewell | ... | assistant location manager |
Music Department
| Ian Neil | ... | music supervisor |
| Nicholas A. Phillips | ... | music editor (as Nick Phillips) |
Transportation Department
| Justin Hayward Phillips | ... | driver |
Additional Crew
| Jenn Adshead | ... | set runner |
| Monika Agorelius | ... | electronic press kit producer |
| Raquel Alvarez | ... | production secretary |
| Gero Brugmann | ... | legal counsel: completion guarantor |
| Barbara Chinn | ... | production accountant |
| Jon Clifford | ... | technical director: timeless films |
| Hannah Collett | ... | production coordinator: pick-ups |
| Sara Curran | ... | legal advisor |
| Matt Curtis | ... | title design/graphics |
| Katherine Evans | ... | production assistant |
| Luc Gavigan | ... | runner |
| Imogen Gay | ... | production secretary: reshoot |
| Steve Harrow | ... | post production consultant |
| Julia Jones | ... | unit publicist |
| Richard Marcel | ... | choreographer |
| Kami Naghdi | ... | legal services |
| Emma Savin | ... | self |
| Richard Todd | ... | production assistant: Additional Photography |
