When their father passes away, four grown siblings are forced to return to their childhood home and live under the same roof together for a week, along with their over-sharing mother and an assortment of spouses, exes and might-have-beens.
Dave is a married man with three kids and a loving wife, and Mitch is a single man who is at the prime of his sexual life. One fateful night while Mitch and Dave are peeing in a fountain, lightning strikes and they switch bodies.
An adult, who has been a school dropout, finds a loophole in the regulations and participates in the largest spelling bee in the USA, The Golden Quill. His aim is to take revenge for something done to him in the past.Written by
The kid extras at the first spelling bee that opens the movie weren't aware that they were being filmed. Moreover, the spelling bee that opens the film was shot first. See more »
During the diner scene with Chia and Guy, when the mother comes to talk to Guy, Chia is sitting with his back against the seat, the camera angle changes and shows Chia then sitting forward with the menu in his hand. The camera angle changes again, and Chia is sitting back against the seat again with no menu. Once again, the angle changes and Chia is sitting forward again with the menu in his hand again. See more »
I was blown away by the surprisingly low "6.7" current rating on IMDb. My theory: The easily offended were easily offended (perhaps the movie should have been called "Bad Words").
(Some of my favorite comedies: Dumb & Dumber, Super Troopers, and Tommy Boy).
Jason Bateman stared in, and directed, this "tightly" constructed DARK adult comedy. There was not a wasted second or single "slow" moment in the entire 89 minutes.
Everything was dead-on: The originality of the storyline, the casting, the acting, the timing, the tone, and THE KID!... I've never been a big fan of the "cute, heart-strings-pulling, kid" cliché, but you don't have to be to appreciate this kid - he takes NOTHING away from the dark humor, and only adds substantially to the film in every way. His authenticity and interaction with Bateman's character is as good as it gets (Roeper compared Bateman's spot-on apathy to Bill Murray's, and I couldn't agree more - you could just as easily picture Murray working his magic with the same degree of unflappability, esp. opposite such a contrastingly upbeat kid).
Bateman is an unassuming Rock Star that let's his talents do the talking, and I'm looking forward to the next film he directs and leads.
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