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6/10
If Wishes Were Fishes...
MassDistraction14 February 2014
In bringing together elements from Inglourious Basterds, Ocean's Eleven and Museum Hours, George Clooney certainly had plenty of opportunity for a rich and interesting story. War heroes who appreciate fine art played by the likes of Clooney, Matt Damon, Bill Murray and John Goodman (plus a few "that guy"s), attempting to steal back priceless works of art from the Nazis, it sounds amazing.

So what went wrong? Well, to begin with, for a movie about a team, we're given very little time with them as a group. Almost immediately they pair off on their own little adventures. Instead of using these exploits to let us know a little more about the characters as individuals, we get the usual oddball pairings and some mildly amusing, but ultimately hollow, vignettes. Even when we lose some of our team, it really feels like nothing more than just something that happened on the trip, like "oh, and I also saw a horse." We have hardly any sense of them as a group and far less about them as people. The only character whose motivations we can understand is the one played by Cate Blanchett, but her limited chemistry with Matt Damon dooms what little redemptive quality her character had.

Also, and particularly troubling for a movie involving art, George Clooney's lens has little reverence for the work it shows. Though the film heavy-handedly ponders whether a piece of art is worth a human life, the camera never does. Even when a character lays down his life for a sculpture, it comes off less dramatic than inevitable. The film treats the works as being mostly historically significant and never finds that lover's gaze that tells the audience why.

What we're left with is a bag of spare parts. It's a popcorn movie with no setpieces. A war movie with no battles. A heist movie with no scheming. An art movie with no inspiration. Were they to have found some of Inglourious Basterds' bluster, Ocean's Eleven smarts or Museum Hour's insight, they may have found a formula that works, but that's not the movie we have here. I'll be damned if George Clooney doesn't look good in a moustache, though.
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6/10
Not nearly the worst film of 2014, but the most disappointing one so far.
mikerapuano9 February 2014
The Monuments Men is directed by George Clooney, staring himself, Matt Damon, Bill Murray, John Goodman, Jean Dujardin, Bob Balaban, Hugh Bonneville, and Cate Blanchett. It tells of a group of soldiers tasked to locate and preserve pieces of art that have been stolen by the Nazis during World War II.

It's no secret that The Monuments Men was one of everyone's most anticipated movies of 2013, and looked like a solid awards contender, until it was pushed to a February release date, purportedly due to the need for more time to be spent on the special effects.

The truth is, The Monuments Men could be, and really should be much more entertaining than it is. The best part of the film, and at the same time, its major problem, is the script. There are seemingly continuous laughs coming from quick one liners and witty character interactions, which keeps the audience somewhat engaged, although with such bleak subject matter, it's debatable that a movie dealing with the eradication of an entire culture's achievements should be as lighthearted as it is. But the flaw with the script is that it seems like the first act eats up almost all of it's running time. It's as if the film is missing large portions of the actual plot to make room for massive amounts of unnecessary exposition. Secondly, the film's characters are stale and one dimensional at best. I invite anyone who sees the film to wait an hour after finishing the movie, and try to remember even three of the character's names or what their role in the mission was. There isn't a moment in the entire film where it isn't simply John Goodman or Bill Murray dressed as World War II soldiers and not fleshed out characters. Albeit all of the actors are exceedingly fun to watch, I assume that just watching all of these actors talk together at a press conference would be just about as entertaining.

The Monuments Men isn't even close to the worst movie of 2014 by a long shot, even though it is only February, but it's arguably the most disappointing film of the year as of yet. I take no pleasure in saying this, but it's noble intentions fell utterly short due to awful pacing, and forgettable characters. I haven't read the book, but I have to think that it must be much better constructed and does this fantastic real life story more justice.
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5/10
Telling an historical story comedically and missing a level of entertainment
napierslogs8 February 2014
"The Monuments Men" is a group of men (in real life around 350, and in this film 7) who are tasked with saving the historically and culturally significant monuments, fine arts and archives during World War II. They have to find and return that which the French hid and the Germans were finding and stealing and then hiding. And the film decided to tell this story comedically.

The film took a really long time to get going as they wanted it to be about the men that took on this task. But they changed their names and I also couldn't tell you a single characteristic of any of them. The men were paired off so they each had their own region to investigate, but none of that was interesting. The worst part was giving James Granger (Matt Damon) and Claire Simon (Cate Blanchett, representing the real- life heroine Rose Valland) a love story. They did have a reason for such nonsense, or how about just sticking with how it actually happened.

George Clooney has said the film is about 80% accurate, and that seems fair enough. But the problem isn't the historical inaccuracy; the problem is that the cheap humour diminishes the very people and story they're trying to empower. The humour was just a handful of lines wanting to kill Hitler and standing on a landmine. It just didn't make the film entertaining. The story could have done that but it didn't become interesting until they started discovering where the Germans hid the art. Coincidentally, the same point when the film started following the real story.

"The Monuments Men" very clearly wanted to help remember an important part of history and spark a debate about the cost of war on soldiers, civilians, and history and society. The debate is raging on, but the film missed the level of entertainment by not trusting its audience to be interested in exactly what happened.
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7/10
A great story not told quite strongly enough
NS-movie-reviews29 July 2023
I have to say that I think a 6.1 average rating is a little unkind to this film. There are a multitude of super serious, heart wrenching, melancholy dramas about WWII. And I understand that those are appropriate for one of the greatest collective horrors to ever grip mankind.

That said, this movie being more jovial and about kinship amongst the men who swore to save art and culture felt like an appropriate tone. It made the film fun.

Having enjoyed it, there are still flaws. Not enough focus on the actual works of art for one, and for another, a little disjointed and rushed in some spots while other scenes that have little impact on the story take up screen time. It could have been a more art-centric celebratory movie than it was, given the heart of the matter.

This is not a terrible film. Maybe not what some would expect, but I had a nice time watching it, learned a lot, and even at times felt compelled about the accomplishments of humanity. That's a hard feeling to come by, so I embrace and appreciate it.
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Bland movie telling an important story.
PWNYCNY7 February 2014
The movie deserves an A for effort but misses the mark dramatically. The question is: why? The story is evocative and the cast is excellent. Where the movie goes wrong is how it presents the story. The movie attempts to inject a whimsical element in story which is out of context. There was nothing whimsical about the plan to save priceless artwork. Also, the story moves at a slow pace and inspires little if any excitement or drama. The discoveries of the hidden artwork has little dramatic impact, nor do the interpersonal relationships between the characters which in the movie are shallow. Even the attempt at romance comes off as tepid and half-hearted, as well as implausible. The idea of a young, handsome, married American officer, alone in Paris, having dinner in the apartment of an attractive, intelligent, single French woman who made him dinner and not staying for at least another drink is a stretch. True, he is married and his faithfulness is commendable, but still .... The movie does have some strong dramatic moments, but in general the story is bland. Yet despite the movie's drawbacks, it still manages to tell a story about an historical event of great importance and significance, and for that reason alone is worth watching.
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7/10
George Clooney's The Monuments Men was a good enough period drama for me
tavm16 February 2014
Before I review the movie proper, some anachronisms: While there was a song called "Have Yourself a Merry Little Christmas" in 1944 (Judy Garland introduced it in Meet Me in St. Louis), the words Ms. Garland sang then were a little different from what we know today. Like, instead of "Hang a shining star upon the highest bough" which was the line introed by Frank Sinatra in his 1957 recording, the line should have been "Until then, we'll have to muddle through sometime" which Judy sang in that movie I mentioned. Anyway, I very much enjoyed this dramatization of some art experts attempt to save as much of other countries' art from the Nazi regime as possible during World War II. Nice characterizations from Matt Damon, Cate Blanchett, John Goodman, Bill Murray, Bob Balaban, among others, and George Clooney who also did a nice job directing as well. Maybe there could have been a bit more drama in characterization but I was satisfied with what I got. There were some nice humorous scenes as well. So on that note, I recommend The Monuments Men.
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7/10
Good, TRUE Story
blufrog4920 February 2014
I really knew nothing about this band of rag-tag soldiers before going to this movie, and it certainly piqued my curiosity to read the book and do a little more research. So anything like this that has more of just an "entertainment value" is a good thing. I'll admit, I was drawn to it because of Clooney, and was not disappointed. It was also refreshing to see Goodman and Murray in dramatic roles.

No, it's NOT supposed to be a comedy, nor a WW2 "Ocean's 11." For those who criticize that there is TOO much comedy, I disagree. The comedic relief comes primarily from one-liners, and who among us is serious all the time? Funny people often find themselves in serious situations and it would be difficult to believe that soldiers do not enjoy--and need--to laugh and be smart-alecks occasionally.

And a BIG thumbs up for the lack of the f-word and other profanity. I am getting so tired of nearly all movies peppering (and usually overdosing) their scripts with profanity. Sure, these soldiers probably used colorful language, but it wouldn't have added anything to the film to include it, and really, we need to show young people that you can communicate (more) effectively without profanity.
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7/10
Based on the true story focusing on an unlikely World War II platoon to execute an impossible mission: retrieve the art trapped behind enemy lines,
ma-cortes7 January 2015
In 1943 during World War II, the Allies are making good progress driving back the Axis powers in Italy , but there took place the greatest art heist in history . However, Frank Stokes (George Clooney) persuades the American President Roosevelt that victory will have little meaning if the artistic treasures of Western civilization are lost in the fighting. Stokes is directed to assemble an Army unit nicknamed the "Monuments Men", comprising seven museum directors, curators, and art historians to both guide Allied units and search for stolen art to return it to its rightful owners . But as the Monuments Men, as they were called, found themselves in a race against time to avoid the destruction of 1000 years of culture, they would risk their lives to protect and defend mankind's greatest achievements and especially to rescue Altarpiece of Gante and Virgin sculpture by Michael Angel . As an unlikely World War II platoon is tasked to rescue art masterpieces from Nazi thieves and return them to their owners. They are the followings : Bill Murray as Richard Campbell , John Goodman as Walter Garfield , Jean Dujardin as Jean Clermont , Hugh Bonneville as Donald Jeffries , Bob Balaban .as Preston , Dimitri Leonidas and Matt Damon (Daniel Craig was cast in a role but ultimately he dropped out due to scheduling conflicts. Matt Damon replaced him).

The Monuments Men is a 2014 American-German war-comedy-drama war film directed by George Clooney, written and produced by Clooney and Grant Heslov, and with all-star cast such as Clooney, Matt Damon, Bill Murray, John Goodman, Jean Dujardin, Bob Balaban, Hugh Bonneville, and Cate Blanchett. Loosely based on the non-fiction book The Monuments Men: Allied Heroes, Nazi Thieves and the Greatest Treasure Hunt in History, by Robert M. Edsel. This action drama follows an Allied group, the Monuments, Fine Arts, and Archives program, tasked with finding and saving pieces of art and other culturally important items before their destruction by Hitler during World War II . Intentions are noble and its cast is impressive, but neither can compensate for The Monuments Men results to be stiffly nostalgic and curiously slack narrative . The picture is pretty well , though the sense that the film is episodic and poorly structured . Principal photography by Phedon Papamichael began at the Babelsberg Studios in Potsdam, Germany, in the Berlin-Brandenburg region , being filmed on location Bad Grund, Lower Saxony , Osterwieck, Saxony-Anhalt, Merseburg, Saxony-Anhalt, Berlin , Germany and especially Neuschwanstein Castle , Bavaria, the castle where the art is stored. Evocative and appropriate musical score by Alexandre Desplat who also appears as a secondary actor . This lavishly film was well co-produced by Columbia Pictures in association with 20th Century Fox and Babelsberg Studio, being compellingly directed and produced by George Clooney . However , the film received mixed reviews from critics .

The flick was based on actual historical events , they are the followings : The "Monuments Men," were a group of approximately 345 men and women from thirteen nations, most of whom volunteered for service in the newly created MFAA section during World War II. Many had expertise as museum directors, curators, art historians, artists, architects, and educators. As a platoon going into Germany to rescue artistic masterpieces from Nazi thieves and returning them to their rightful owners . Their job description was simple: to protect cultural treasures so far as war allowed. A task force appointed to research the origin of the robbed art has said that thousands pictures and sculptures fall into the category of art looted or extorted by the Nazis from Jewish collectors . These include pieces by Pablo Picasso, Henri Matisse, Edvard Munch, Paul Cézanne and others.
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4/10
Danny Ocean stars in "Saving Private Art"
CanuckGirl7 February 2014
Warning: Spoilers
If you want to see George Clooney play George Clooney, Matt Damon play Matt Damon, Bill Murray play Bill Murray, John Goodman play John Goodman, and Jean Dujardin play a clichéd Frenchmen (right down to the French beret and scarf)...in a incredibly mediocre film based on a compelling true story that's badly written and directed, go see "The Monuments Men". It's an "Oceans 11" team of art curators, historians and architects sent into France and Germany. Their mission? "Saving Private Art". The obstacles? Almost none, once they knew where to look. It was apparently the easiest art heist in history. The plus side? it's a stretch...but I did like Hugh Bonneville playing someone kinder and gentler than Lord Grantham in "Downton Abbey"...and Cate Blanchett? She's always great, but she truly doesn't have much to do here, other than speak with a French accent and look irritated. Don't be fooled by the star-studded cast like I was. This movie is a waste of your money and time. All of these actors have made far superior films. And this story would have been better served by a more accomplished screenwriter and director.
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7/10
A Hollywood Retelling
Hitchcoc18 March 2014
I think people need to relax a bit and take a deep breath. This movie is pure Hollywood. It took an event near the end of World War II and put their own spin on it. To say it's the worst war movie ever made is really cynical and mean spirited. Granted, the characters are pretty stiff and not very well developed. They reminded me of those 1940's caricatures from propaganda driven films. Still, the event it is based on is a unique one in the annals of war history. Actually, in a convoluted way, the Nazi's interest in art probably was indirectly responsible for saving it. It prevented them from launching full-blown artillery attacks on some of the world's great museums. Instead, they stole these masterpieces (another means of repressing humanity) and stored them in salt mines and other secret places. The effort to discover and recover these masterpieces is what this is all about. Of course, in reality, this was done by about 150 people, not the seven presented here. Unexplained to the audience is how after a discovery a battalion of military vehicles seems to show up immediately to secure the art. There is also the sacrifice that is pretty contrived and gratuitous. This is a sort of old-fashioned movie done in contemporary times. Go along for the ride and don't imagine you are seeing Shakespeare.
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3/10
If Disney Made A World War II Film
GodofGSXR19779 February 2014
Warning: Spoilers
This film is definitely not terrible but missed a big opportunity at making something memorable. And needless to say it unfortunately has a lot of problems that do it (and its intriguing story) a huge disservice. Before listing the problems I will note its positives: The acting, cast, direction and visuals are all good. OK...

And now the problems:

1) The quips and zingers every few minutes: Is this a sit-com or a drama about Nazis stealing art? It was hard enough to believe any of these characters are allowed to simply meander around Europe without strict supervision but even less believable that these men snap out witty one- liners back and forth after every few minutes. And the problem is that these one-liners are often during times of implied danger or tension, which gets broken immediately with the comedy relief.

2) The musical score/tone is absolutely bizarre and out-of-place in many areas: When taking on a subject as serious as WW2, it's not a great idea to constantly have happy-go-lucky comedy relief music going on in the background. It really is tonally all over the place and is out of place when considering the message trying to be sent about the importance of human art/culture, etc. Half the time I was expecting either a Broadway musical dance-line to jump out and start kicking their legs in front of the screen or at least see the Rocketeer fly past a Nazi blimp.

3) The one dimensional characters. We learn very little about the actual personalities of the main characters so there is little to invest in, especially between the characters and their relationships. It's hard to feel bad for characters who you don't know and are acting really stupid in very dangerous circumstances. I also felt there were many scenes missing from the film because we never see the main characters even bond or have much meaningful dialog within the first hour of the film, and are expected to cry for characters we do not know and expected to care about relationships we have not established.

4) The villains (are even worse:) The bad guys (Nazis of course) might as well have been twirling around their mustaches and laughing maniacally. Are we to believe that even the "bad guys" in a real historical situation did not have other emotions besides crazy and evil? And as if if the Nazis were not bad enough villains, the writers needed to include a sub-plot with the big bad Russians, who although helped us beat the Nazis, are apparently evil for wanting to take art for themselves, I guess.

5) Missed opportunities: Many scenes have a lot of potential to lead up to something interesting, intense, or memorable. They never deliver in any way, however. Every single moment where there is action,drama, or a threat of danger/death, it is resolved with some type of comic relief or very random exposition designed to move to the next scene as quickly as possible. Very sad to say because every scene starts out with promise, then fails.

6) The heroes/the Title: Not even sure about the accuracy of this film: But if true, the heroes are not even the Monuments Men, but the ONE German-speaking member (hired on a fluke) who figured out where the art was being hidden and the same guy also finds hidden Nazi gold. It should have been named after this one character, the other members are idiots. Any man who steps out of a vehicle in war-torn France to offer a cigarette to a horse, deserves to be shot.

7) The WW2 tropes cliché festival: Yet again another movie showing the "greatest hits" of WW2, relying on its audience to be a bunch of stupid simpletons who only respond to iconic images or names they know from grade school text books. "OH, OMAHA BEACH! OH, BATTLE OF THE BULGE! OH, SCOWLING Hitler! OH PICASSO! THIS ALL MEANS SOMETHING!" .. No, it's time to stop going for the low hanging fruit and bring something unique.

8) "If it weren't for us you'd be speaking German" ... This is an actual line from the movie, directed at a French woman from an American soldier. The problem is that only a few scenes before we see a German Nazi soldier speaking English to that very French woman. So apparently she would have been speaking neither German or French, she'd be speaking English so that the English-speaking audience wouldn't have to read subtitles. Ridiculous jingoistic quips would work fine in a more clever WW2 film, but definitely not this one.

9) Last but not least: George Clooney as Danny Ocean/Prince Charming/Hero Astronaut:

I cannot take him seriously in a WW2 film when he does the whole "I'm not just a pretty face" smooth talking nonsense. In an Ocean's 11 film, yes. He's a good actor, why did he choose to play it like this AGAIN? It's annoying and takes us out of the movie, especially when trying to believe him as a humble hero who cares about art and not just how cool he is.
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8/10
Good story but 2 hours are not enough
mattlx23 August 2023
The movie's got a bunch of great actors like George Clooney, Matt Damon, Bill Murray, John Goodman, Hugh Bonneville, Cate Blanchett and more.

With so many actors in the mix, the movie kinda falls short in giving each character enough depth. Some of the Monuments Men don't get much screen time or backstory, so it's hard to really get invested in their individual stories.

This movie tackles something important from World War II that doesn't get a lot of attention - how art and culture were saved while everything was going haywire. It's about these brave men who went out of their way to rescue priceless stuff from getting wrecked.
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7/10
Is art really worth someones life....
jmoneyjohal8 February 2014
Warning: Spoilers
Don't go to "The Monuments Men" expecting to see a flippant WWII "Ocean's Fourteen." It's deliciously entertaining, but deeper than that. Though George Clooney is leading an all-star crew through a daring heist — rescuing occupied Europe's greatest art treasures from the Nazis — this is a sturdy, old-school, big-scale Greatest Generation war movie. It's great escapism.

The unlikely story is about true-life heroism, not irony. It's frequently funny yet earnest at heart. Directing, starring and co-writing, Clooney honors unheralded men who made a crucial contribution to the war for civilization. It's a story about men risking lives to save Western culture's greatest achievements from brutes who saw books and timeless art as tinder and kindling.

The stakes are clear from the opening scene, with Da Vinci's wall mural "The Last Supper" near collapse after an Allied bombing raid on Milan in 1943 reduced the refectory housing it to rubble.

"The Monuments Men" follows the fictional characters of art conservationist Frank Stokes (Clooney) and museum director James Granger (Matt Damon) as they recruit a half-dozen artists and experts to preserve masterworks. The squad includes Bill Murray as an architect, John Goodman as a sculptor, Bob Balaban as a theater impresario and Jean Dujardin as a French resistance fighter.

They're an odd lot, gifted and flawed, and they don't always get along with each other or their pragmatic GI counterparts. The film doesn't squander a lot of time building background stories for them. With iconic faces and talents like these, that's unnecessary. Goodman conveys more with the twitch of an eye than pages of dialogue can tell, and the comic friction between Murray and Balaban is as sly as anything in a Christopher Guest movie. These actors have a sense of identity from the get-go.

The film looks stupendous, with Normandy Beach, Paris, snow-covered Belgian forests, castles and cathedrals gloriously photographed by Phedon Papamichael. The olive drab and gray of the military equipment and uniforms offer a striking contrast to the beautiful jewel tones of the art on display.

Most of the artwork in peril features religious subject matter, a canny choice on Clooney's part. It's shorthand for the way art inspires and enriches our daily lives, and for most viewers it carries deeper emotional associations than secular works by Vermeer or Rembrandt.

Cate Blanchett throbs with suppressed rage as a Paris curator forced into cooperation with Nazi art looters. She'd be executed on the spot if they realized she was secretly cataloging the destinations of national treasures being carted away for display in Hitler's proposed Führer Museum. To recapture that beauty — there are worse reasons to risk your life. Her ardor helps convince even skeptics that there's more than canvas and paint and chiseled stone at stake here.

The film is episodic, and it could have been stronger with a centerpiece conflict between the old, out-of-shape scholars and a nemesis. Even so, it's strong work, with a sense of the capricious ebb and flow of history. The offhand way the squad learns that the war has ended is a delightful throwaway.

The film's emotional peak hits at a time, and in a way, you're unprepared for. While a medic (played by Clooney's co-writer Grant Heslov) works on a gravely wounded soldier, Murray hears a homemade recording of his grandchildren singing "Have Yourself a Merry Little Christmas" over the camp PA system. At moments like that, and during the touching cameo appearance by Clooney's father, Nick, you know you're watching one straight from the heart. And that's right where it hits you.
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1/10
A Pathetic and Self-Indulgent Piece of Nonsense
Trombonehead16 February 2014
Having read the original book from which "Monuments Men" is taken, I was very interested to see the movie. There is a really fascinating and historically important story here, and it could have made a great film. However, soon after the show begins, it all starts to fall apart. The reason? George Clooney. He directed, and he wrote the screenplay. It's amazingly obvious that in neither of these capacities does Clooney know what he is doing. The screenplay is an absolute joke, totally disjointed, disconnected, silly, trite, and incredibly amateurish for a major Hollywood star of Clooney's stature. The same goes for the directing. George Clooney is obviously a guy with a huge ego, capable of fooling himself and a lot of other people who should know better, that he knows what he is doing. Film-making schools should show this movie as a classic example of what not to do. It's fundamentally flawed in every respect. Editing, music, etc.------one is taken aback by the unbelievable ineptness. Co-stars Matt Damon and Bill Murray and John Goodman and the rest of the cast merely parrot their lines in strange, disjointed scenes that beg to be rewritten by someone with a brain in his head. On the one hand, I totally condemn this piece of Hollywood egotistical stupidity, but on the other I heartily recommend it as an example of how bad movies can get in the hands of people with enormous egos. Stick to acting, Clooney---for God's sake don't direct and write screenplays ever again.
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Loved the Monuments Men
bay77713 February 2014
I know this movie received mixed reviews, but I thought it was excellent. With so many disappointing movies lately I was pleasantly surprised that Monuments Men really delivered. I had never heard this story before and I was impressed at how it was presented. The actors were perfect for their roles and it left me feeling proud of what these men were able to accomplish.

One thing that really struck home with me was seeing the beaches at Normandy. My uncle actually landed in the first wave, lost most of his battalion and was wounded. He never spoke about it but I know he carried the scars throughout his life.
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6/10
Incredibly Disappointing
mike33869 February 2014
Warning: Spoilers
OK I bought all the early hype, I'm a sucker, I like movies, and I never learn. Sue me. But you know what? When you see a whole troop of actors making the TV circuit for a couple weeks when their movie opens, be careful. Truly good movies do not need much hype, and this is truly not a good movie.

My numerical rating on IMDb is a "6" and I'm being kind; it could be and is being rated much lower by "real" moviegoers. I'm biased, I like George Clooney, I'm from the Cincinnati area, so he's a legend around here . . . and the very crowded 3:30 p.m. showing confirmed it.

This movie is not as bad as his horrible "The Men Who Stare at Goats" but no where near his fine "Michael Clayton" . . . and if you're looking for humor anywhere near his hilarious "Oh Brother, Where Art Thou", you'll be sorely disappointed.

I won't spoil any of the plot for you if you wanna go see this movie because there isn't much plot to spoil, it really needed some good screenplay writing. The dialog is flat and plodding, the actors are just walking around in various locations, you cannot relate to any of them or what they are doing, the plot is as disjointed as the scenes, and if you nod off during the terribly slow and dark beginning, you'll be easily forgiven.

But George is handsome, Cate is beautiful and the camera focus is good, so enjoy your popcorn, it'll be the highlight.
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7/10
Important To Attention To The Monuments Men
hgwellsusa9 February 2014
Too bad the movie has had such poor reviews. The story of the Monuments Men itself is interesting. I'm looking forward to a related book, The Noble Sculptor (web site by the same name), that's coming out that. It has a dovetailed WWII story of that time. That one is partly a story of one of the Monuments Men in Italy. But its really about that Monuments Man's father, a hero during WWII at the time. He put himself at risk and was credited with saving over 600 Allied troops trying to escape the Germans in Italy. That sounds like a great movie to me and I can't help but thinking about missing elements in seeing The Monuments Men.

Really if, as I do, you love decent movies generally, The Monuments Men is fine. Its basic importance is that it has brought attention to previously little known (unless one read the book) men and women who did something that no one else did – and that needed to be done. It was part of saving culture and history. That makes it an important movie if for no other reason. If one goes to judge all movies by award standards, then the vast majority will fail.

Although I know other stories as movies can and do end up being as good or better (i.e.: The Noble Sculptor), The Monuments Men is not as bad as some reviews have you think. It comes down to expectations and, in some cases, biases.

Some will simply see the movie because they like John Goodman or George or one of the other actors. It's like seeing a John Wayne movie. If you like John Wayne, it doesn't matter what he's in. Many people will enjoy the movie just watching the cast do what it does. Relax and don't over-analyze it.
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6/10
Consensus
B2412 February 2014
It seems to me nearly all of the reviews thus far (Feb. 2014) have at least something good to say about a flawed movie. Seldom is there so much consensus across the spectrum. I viewed it on opening day with great expectations and came away thinking of it as only a curiosity, a tale with two possible aspects. First, I found it just another 1960's style WWII narrative with a slightly lighthearted American perspective to accompany its musical score. But upon further viewing more somber elements took over.

Based on certain historical facts, the script compels a certain suspension of disbelief. In the event, however, the facts as presented seem not only fragmented, but interpreted across the board so as to make heroes of several very ordinary guys trying to do an impossible job: namely, dispelling horrors of war by making sure objets d'art survived intact. Political swipes at all them "furriners" especially Germans and Russians provided an unhappy and distasteful undertone.

Occasionally great cinematic art itself cannot and probably should not survive its critics.
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6/10
Disappointing
eric_leidner20 February 2014
Just to Get one thing straight, i don't dislike this movie. In my Opinion it's entertaining in his own way. But i'm still disappointed by this movie, the Trailer really got me interested and i was really looking forward to see this movie. But i was probably expecting too much. The Story about a group of People, trying to Return some of the most important Pieces of Art in European History, to there rightful Owners is great. It's Characters Motivations are believable, those people weren't just some Art-Crazy Nutjobs that risked their lives to Save some Paintings they've only saw in Books, it goes deeper. I give this Movie Credit for not being an over-the-top patriotic WW II Flick. It's big Problem is, that it can't decide which kind of movie it's trying to be. Is it supposed to be a serious Drama or a Comedy with some serious Moments. And if you cast a Actor like Bill Murray, i would've expected a Comedy. So we get a mix of Dramatic Scenes, a few funny Scenes and unfunny Scenes which were supposed to be funny. On top of that, this movie is not good edited. Early in the Film the Group splits into several Groups, so the movie keeps switching between these Groups, which makes it sometimes hard to follow the Plot. Sometimes the time Gap between the cuts are crazy. In one scene we are in France during Autumn, then they cut and next they show us a scene in deepest Winter during the Battle of the Bulge. For all i can see, the acting is good, but because i watched the German-dubbed Version of this movie i can't fully Judge the acting. Now, is this movie horrible? Well, no it got some weak Moments and some strong Moments. When this movie was was over i thought to myself "this movie was OK". But maybe that's the Problem it's just OK.
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1/10
Very Disappointing Film
steven-k-beck14 February 2014
Warning: Spoilers
This much anticipated film is a dud. Too bad, as it had the chance to tell one of the more fascinating stories of WWII. A plodding plot drove a dozen viewers from the theater well before the film's end and Mr. Clooney wasted what could have been, at the very least, an entertaining cast. The thinly developed characters - Bill Murray seemed to have no more than four or five lines - gave the actors nothing with which to work and the viewer next to no emotional connection. I was hoping for a somewhat serious take with a few dashes of Oceans 11/12 and Kelly's Heroes spliced in, but found only one of the more disappointing films of the last few years. And the movie's fixation on cigarettes was a bit over the top. Yes, smoking was a big part of a soldier's life in WWII, but making a smoke part of the supporting cast is a little much. Any interest in this film is probably best sated by waiting for its release on cable. Not recommended.
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6/10
Not as bad as many critics would have you believe.
churchofsunshine17 February 2014
I saw this on the second day of its opening weekend in the UK. The cinema screen was only about a quarter full. That surprised me. Maybe people had been put off by the lukewarm reviews by the critics. Maybe George Clooney isn't just much of a draw at the box office any more. Maybe people just don't want to see a film about "art". Maybe everybody else in Preston was up at Deepdale paying their respects to Sir Tom Finney. Perhaps it was a little bit of all of the above.

I consider myself fairly well informed when it comes to World War 2, but I have to say that although I know that the Nazis looted loads of art from all across the continent, I never knew that the real-life 'Monument Men' existed - people who's job it was to try and locate all this missing artwork, get it back, and return it to their rightful owners. To this day of course, the search for pilfered art from WW2 is ongoing. How much of this film is true and how much is fiction is open to question. The real 'Monuments Men' were of course much more than platoon strength - in the film we are told there were just eight (led on-screen by Clooney, who also wrote and directed), in reality there were a few hundred. Some of the characters are apparently loosely based on real people, but their names have been changed. A bit like "The Great Escape" in that regard. For example, for Cate Blanchett's character (Claire Simone) you should Google 'Rose Valland' for information on the real person her character was based on.

The film was good enough to hold my interest, but I can't say it blew me away, and I don't see it getting anywhere at next years Oscars. I will try and obtain a copy of the book on which this film is based, as I thought the actual story is quite interesting, probably much more so than the film. The way I see it, George Clooney has educated me that these people existed, now I will deliberately forget what I have just seen and read the truth instead! Worth a watch - not half as bad as the critics suggest. 6/10
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1/10
Great Story Bad Movie
homebob15 February 2014
This was a lousy film and George Clooney's performance was really "stupid". Mr. Slap happy, putting together team of goof balls to save the worlds plundered art? You've got to be kidding me. After reading the book I can't believe that Clooney could come away with this kind of an interpenetration.

I'm certain if the original Monuments Men could see this film they'd be rolling over in their graves. The movie was totally dis-respectable to those great hero's.

This was a great story that was completely ruined by George Clooney. The National Geo documentary was the real story. I really hate it when they "hollywoodize" true story films and try and turn them into a comedy.

I wouldn't give this film a quarter of a star!!!
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9/10
Exceptional...and not sure why it's only rated 6.1 on IMDB.
planktonrules26 August 2021
As I watched "The Monuments Men", I kept finding myself wondering why the heck this film has an incredibly mediocre score of only 6.1 currently on IMDB. I am not sure why, but I can only assume most viewers simply didn't care about the work these soldiers did. But the quality of the production and fine acting SHOULD have guaranteed a score much higher even if folks didn't care so much about art.

The film was obviously a work of love by George Clooney and the rest. After all, a lot of work went into making the movie...such as getting WWII era aircraft, trucks, tanks, uniforms...as well as the art (which I assume were all reproductions). This took a LOT of work! I was also surprised because many modern films about WWII show equipment that isn't quite right...such as American vehicles pretending to be German or tanks which are Korean War era. But here in "The Monuments Men", they really took the steps necessary to get it right.

Now not everything in the film was perfect....and I assumed that this was done in order to streamline the movie. So, instead of 8 or so members of this group dedicated to saving and repatriating stolen artwork, there really were many more...perhaps a few hundred. But again, I think this was deliberately done to make the film seem more personal. Overall, a well crafted and fine film...one of the best of 2014.

By the way, if you want to learn more about this, try watching the documentary "The Rape of Europa".
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7/10
Saving the Legacy of Art
3xHCCH12 February 2014
"The Monuments Men" gathers together such a stellar cast, it was definitely hard to ignore. George Clooney directs, writes and plays the lead role in a film that somehow echoes his Danny Ocean films. It was also about gathering a bunch of experts together for a common mission. But this time the mission was not a criminal heist, but something altogether noble and altruistic.

In the heat of World War 2, Frank Stokes (George Clooney) wanted to save the precious artwork that the Nazis are spiriting away from various European cities they are attacking. When his mission was approved, he gathered a group of seven experts in the arts together to help him recover these treasures from the clutches of Hitler. These men were not mere bystanders when they went to Europe for their mission. They were actually in the middle of all the risks and dangers of war.

George Clooney basically plays himself here, a charming man with a sense of humor and a noble mission in life. It is difficult to disengage him with this Danny Ocean persona, especially since Matt Damon is also on board the team here as James Granger, the curator of the Metropolitan Museum in New York. The chemistry between these two guys was undeniably effortless. The relationship of Damon's Granger with that of Cate Blanchett's Claire (who was the curator of a French museum) though, was rather awkwardly portrayed.

Bill Murray plays his usual deadpan droll self as architect Richard Campbell. His mission partner was theater director Preston Savitz, played by Bob Balaban. John Goodman was his usual good guy self as sculpture expert Walter Garfield. His mission partner was French painter Jean Claude Clermont, played by Jean Dujardin. Too bad that we do not really know much more about each of their individual backgrounds and expertise. It would have made us care about them more.

For a movie that deals with such an importantly serious topic, George Clooney decides to treat his material with a sense of humor. There would be plenty of funny little one-liners peppered throughout the script, many times diffusing the tension in very intense scenes. I could not help but imagine how it would have been if they had played this film in complete seriousness. This material had the potential to be another war classic and Oscar winner if treated as a drama. That said, the light comedic treatment makes the issue more accessible for younger viewers. There is still pathos that still shine through in many scenes.

There were several scenes that may feel extraneous, like Goodman and Dujardin's encounter with an unseen sniper, Damon's unfortunate dilemma when he accidentally stepped on a landmine, or even Murray's scene in the shower while a recording of his daughter singing a Christmas carol was played. These were not necessarily about saving art from the war. But they do complete the picture that these people, despite being there for a special non-military mission, were really still in the thick of the war experience.

The message of the film is important. Are works of art worth the cost of human life to preserve them? People who believe that the cultural achievements of humanity should be protected from the destruction of war at all cost, this film will definitely strike a positive chord. Those who believe that art is a mere triviality may think this film is much ado about nothing. I believe they are, and that is why I enjoyed this film very much despite its flaws. 7/10.
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3/10
One of the worst movies I've ever seen.
wikk-835-2043269 February 2014
Started with a full theater and literally 75% walked out halfway through. This was one of the most pathetic movies I've ever seen. Awful awful awful script. No dialogue that was worth mentioning. Nothing made any sense. It was boring as hell and overall it was a cigarette commercial. They mentioned cigarettes a million times in the movie and how much they enjoyed them. This movie was awful. All the actors looked out of place as if they all phoned in the performance but that's okay because none of them had lines. Matt Damon was completely gone for most the movie then just showed up out of the blue. I can't remember any of the characters names. I could go on and on. The cinematography was poor. The movie lingered on stuff that was not entertaining then rushed like hell to get through anything with a point. None of the cast cared and neither did I.
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