Stefan Zweig (Josef Hader) - "He was considered one of the greatest travelers, the big European mastermind of the European Union."
In 2000, Max Färberböck's Aimée & Jaguar star Maria Schrader was on the Berlin Film Festival jury with Andrzej Wajda, Gong Li, Walter Salles, and Marisa Paredes when Paul Thomas Anderson's Magnolia won the Golden Bear and the number of translators had an impact on her. In New York, the director of Stefan Zweig: Farewell To Europe and I discussed her creative team, including co-writer Jan Schomburg, cinematographer Wolfgang Thaler, and editor Hansjörg Weißbrich. We followed a Zweig trail from Terence Davies on Max Ophüls' Letter From An Unknown Woman to George Prochnik's influence on Wes Anderson's The Grand Budapest Hotel to Varian Fry, Lion Feuchtwanger and Defying The Nazis: The Sharp's War, directed by Ken Burns and Artemis Joukowsky.
Maria Schrader: "I dedicated the movie to Denis Poncet.
In 2000, Max Färberböck's Aimée & Jaguar star Maria Schrader was on the Berlin Film Festival jury with Andrzej Wajda, Gong Li, Walter Salles, and Marisa Paredes when Paul Thomas Anderson's Magnolia won the Golden Bear and the number of translators had an impact on her. In New York, the director of Stefan Zweig: Farewell To Europe and I discussed her creative team, including co-writer Jan Schomburg, cinematographer Wolfgang Thaler, and editor Hansjörg Weißbrich. We followed a Zweig trail from Terence Davies on Max Ophüls' Letter From An Unknown Woman to George Prochnik's influence on Wes Anderson's The Grand Budapest Hotel to Varian Fry, Lion Feuchtwanger and Defying The Nazis: The Sharp's War, directed by Ken Burns and Artemis Joukowsky.
Maria Schrader: "I dedicated the movie to Denis Poncet.
- 1/20/2017
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Jim Jarmusch. Photo courtesy of the Lisbon Estoril Film Festival.This interview took place on an auspicious morning after the U.S. elections. The setting was placid: an oceanside terrace in the small casino town of Estoril, twenty minutes outside of Lisbon, where Jim Jarmusch was attending Paulo Branco’s Lisbon Estoril Film Festival. Despite the harrowing mood, the subject was focused and insightful, talking about his working method, collaborators, and the poetic influences and resonances for his latest film, Paterson, which opens in North America this week.Notebook: I wanted to start by talking about technical matters.Jim Jarmusch: Sure.Notebook: I’m curious…do you use a shot list?Jarmusch: No. Because, say, we go to the location, and it’s 4pm, and we’re shooting the next day at 9am… and now the light is coming from a different place, and maybe it rained overnight, and everything’s different.
- 12/29/2016
- MUBI
Rushes collects news, articles, images, videos and more for a weekly roundup of essential items from the world of film.NEWSThe great French essayist Chris Marker remains on our minds nearly four years after his death—the mystery of his life and his work remains haunting. Which is why we're very intrigued by the news that his adopted daughter has penned a new book about their relationship, Chris Marker (le livre impossible).Okay, Sofia Coppola's A Very Murray Christmas was pretty wretched (though we can't help but love that it was shot in New York's Bemelmans Bar), but we adore Don Siegel's Southern Gothic, Civil War-set, Clint Eastwood-starring kinky horror film (!), The Beguiled—and so are tremendously curious about the news that Coppola will remake that 1971 film with Nicole Kidman.Speaking of films in the works, Terry Gilliam may...finally...start...shooting Don Quixote, produced by Paulo Branco,...
- 4/6/2016
- by Notebook
- MUBI
Andrzej Żuławski. Photo by Isabelle Vautier.How does one translate into film the books by Witold Gombrowicz, who ranks among the greatest modernists of the 20th century? Few have actually dared. Whereas Peter Lilienthal’s adaptation for television of Pornografia (Die Sonne angreifen, 1971) has been all but consigned to oblivion, the famed Polish director Jerzy Skolimowski went on a 17-year hiatus following his failed adaptation of Ferdydurke (30 Door Key, 1991). However, the opposite holds true for Andrzej Żuławski, who came out of a 15-year pause to adapt for the screen Gombrowicz’s fourth novel Cosmos (1965), also his last and most complex. Unfortunately, it became a farewell work for Żuławski as well. What kind of cosmos is it? First and foremost, it’s the bizarre microcosm of a boarding house where the young writer Witold (Jonathan Genet) arrives with his friend Fuchs (Johan Libéreau) in tow to finish his novel The Haunted.
- 3/13/2016
- by Boris Nelepo
- MUBI
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