A legal dispute threatens to break apart the family; Juliette demands to perform at the CMT Music Awards; Will and Zach are drawn closer together.
Juliette helps Maddie navigate the wave of attention she receives after her performance at the CMT Music Awards, and Zach demands the masters from Rayna and Deacon's unfinished album.
After her life-changing experience and terrifying event, Rayna scrambles to write one more song for the album with Deacon. Meanwhile, Juliette's leg starts to hurt unexpectedly; and Gunner fights for...
Kelvin Harrison Jr. takes inspiration from his real life to help craft one of the most intense dramas of the year in Waves.
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Title: Nashville (2012–2018)
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Set against the backdrop of the Nashville music scene, the new drama revolves around a 40-year-old superstar Rayna Jaymes, whose star begins fading. She is forced to team up with Juliette Barnes on tour in order to maintain her label's support for her latest record, whose sales have been underwhelming. Written by Max Axall
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A few months ago, I saw a teaser on ABC advertising this new show "Nashville." At the time, I was skeptical of the show, dismissing it as just another one season wonder. I assumed it would employ pointless sexuality, unrealistic dialogue (done in cheesy southern accents), and plot points that ventured outside of likelihood.
And then I found out that the creator was the screenwriter from "Thelma & Louise" and that most (if not all) of the actors and actresses had pristine track-records when it came to their choices (Connie Britton's work on "Friday Night Lights", Hayden Panettierre's work on "Heroes", etc. etc. etc.), not to mention having music produced by some of country music's hottest. I decided, "What the heck?" and decided to give the show a shot.
Every aspect of the show blew me away, from the opening shots of Nashville (I'm a Tennessee native myself, so it's always refreshing to see my great state shown in such a marvelous light), to the wonderful performances of Britton and Panettiere and other cast members, to the knock-your-socks off music (none of your Glee original music here; this is some high quality country!...which is saying a lot, as I am not a huge fan of country music), to the SUBTLE sexuality which--in my opinion--outdoes the blatant sexuality every time.
In all, I found this to be one of the most promising shows (if not THE most promising show!) of the 2012-2013 season, and I cannot wait to tune in each and every Wednesday.
Fantastic, fantastic, fantastic!