6.4/10
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Third Person (2013)

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2:12 | Trailer
Three interlocking love stories involving three couples in three cities: Rome, Paris, and New York.

Director:

Paul Haggis

Writer:

Paul Haggis (screenplay)
1 win & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Liam Neeson ... Michael
Maria Bello ... Theresa
Mila Kunis ... Julia
Kim Basinger ... Elaine
Michele Melega Michele Melega ... Giorgio
Adrien Brody ... Scott
Gianni Franco ... Taxi Driver (Rome)
Marius Bizau ... Taxi Driver (Paris)
Olivia Wilde ... Anna
Katy Louise Saunders ... Gina
James Franco ... Rick
Loan Chabanol ... Sam
Oliver Crouch Oliver Crouch ... Jesse
Valentina Gaia Valentina Gaia ... News Reader
Riccardo Scamarcio ... Marco
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Storyline

Michael (Liam Neeson) is a Pulitzer Prize-winning fiction author who has holed himself up in a hotel suite in Paris to finish his latest book. He recently left his wife, Elaine (Kim Basinger), and is having a tempestuous affair with Anna (Olivia Wilde), an ambitious young journalist who wants to write and publish fiction. At the same time, Scott (Adrien Brody), a shady American businessman, is in Italy to steal designs from fashion houses. Hating everything Italian, Scott wanders into the Café American" in search of something familiar to eat. There, he meets Monika (Moran Atias), a beautiful Roma woman, who is about to be reunited with her young daughter. When the money she has saved to pay her daughter's smuggler is stolen, Scott feels compelled to help. They take off together for a dangerous town in Southern Italy, where Scott starts to suspect that he is the patsy in an elaborate con game. Julia (Mila Kunis), an ex-soap opera actress, is caught in a custody battle for her 6 ... Written by Sony Pictures Classics

Plot Summary | Add Synopsis

Taglines:

Watch Me. See more »

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for language and some sexuality/nudity | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site [Japan]

Country:

Belgium | USA | UK | Germany | Italy

Language:

English | Italian

Release Date:

14 November 2014 (UK) See more »

Also Known As:

Amores infieles See more »

Filming Locations:

Rome, Lazio, Italy See more »

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Box Office

Budget:

$28,000,000 (estimated)

Opening Weekend USA:

$38,856, 22 June 2014

Gross USA:

$1,021,398

Cumulative Worldwide Gross:

$2,624,761
See more on IMDbPro »

Company Credits

Production Co:

Corsan, Hwy61, Volten See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Adrien Brody's character, Scott, is always saying "spasibo," which means "thank you" in Russian, although he is in Italy. See more »

Goofs

When Olivia Wilde's character is locked out of Liam Neeson's character hotel room, she is completely naked and in such conditions she runs down the corridor and stairs towards her own room. When she enters it, she can be seen wearing knickers. See more »

Quotes

Monika: You must need sex very badly.
See more »

Crazy Credits

The opening as well as the first part of the ending credits share the same graphic pattern style as the lower parts of the glass partitions in the apartment of Franco's character. See more »

Connections

Featured in The IMDb Show: Take 5 With Moran Atias (2019) See more »

Soundtracks

Danger People
Written and performed by Christopher Benstead (as Chris Benstead)
See more »

Frequently Asked Questions

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User Reviews

 
A Third Person Seemed To Be Too Much For This Tale To Handle
25 July 2014 | by FilmMuscleSee all my reviews

Third Person seeks to explore the betrayal of trust—the betrayal of fidelity and friendship. Paul Haggis, the director, has made a career out of making films that interweave numerous story lines. In this case, Liam Neeson, Olivia Wilde, Adrien Brody, Mila Kunis, and James Franco all comprise a wonderful ensemble that demands a range of powerful emotions to drive this story through its incessant melodrama (no negative connotation applied). The narrative here focuses on the romantic relationships and affairs that unfortunately still plague society and humanity's untamable nature. I'm sure we all know the implication of the film's title ("Third Person"), and with that, the drama goes on an almost two-and-a-half-hour drive through tense dialogue, flirtation, and sexy teases.

The movie teases and teases but never seems to reach the climax that its lengthy build-up continually suggests. Its first hour is fairly compelling in its set-up, deliberately introducing the audience to the exact predicament and its hapless participants. The plot over the rest of the film unravels quite cryptically, as well as in a manner that might appear heavily contrived to many viewers. There is a certain degree to which a suspension of belief should absolutely be mustered upon entering this picture. Aside from the contrivances, moments exist within that play to extreme dramatic effect but actually lead to a whole lot of nothing. After a great deal of meticulous development, a character screams and terrorizes a room out of realized anger as a tragic score plays to the segment's tune even though that scene essentially has no consequence in the sequences that follow (the character simply returns to a former state) as if the filmmaker was stylishly proceeding towards tragedy and quickly mopping up soon thereafter.

The actors themselves do a fantastic job and glue us to the screen albeit the script's occasional muddling of the conflict at hand. Adrien Brody, in my opinion, is the standout here, possessing a complex personality that battles between moral decisions and his wild desires. The writing in the first few scenes of his arc—we find him in a bar having a natural conversation with a mysterious woman (Moran Atias) as we immediately discern his dislike for foreign environments (particularly Italy) and his highly talkative, forceful nature. Olivia Wilde and Liam Neeson share the screen in probably the most compelling storyline where Neeson's strong infatuation for Wilde lends itself to perfidy and constant ridicule. Wilde's character plays a hard-to-get, but incredibly seductive, "sexpot" who tests Neeson's true loyalty to her while he starts to construct his next novel. Mila Kunis' part of the tale is definitely the least intriguing in its somewhat clichéd essence— she's bouncing from job to job, barely able to pay her monthly bills and struggling to reclaim her kid who was taken from her based on accusations of abuse.

Like I said, all of these individual threads in an interlocking story initially engross, but then, Third Person starts to drag on and on. It sits at a runtime of 2 hours and 17 minutes but honestly feels like it's reaching the 3-hour mark. The connection between these separate stories begins to materialize the further we advance into the plot while also shadowing it with plenty of confusion at the same time. The last scene is a head-scratcher…in a bad way. You're scratching your head because that "da dumb" twist moment unintentionally goes over everyone's head and falls flat in its execution. So, wait: how are they exactly connected thematically and emotionally? All I witnessed was a multitude of contrivances that saw these characters crossing each other's paths for a few seconds. Of course, there's a reason to all this once the very end comes to fruition, but the point of the entire ordeal sorely misses its mark. There's too much going on with the quick cutting intensifying as we progress, and none of the arcs conclude satisfyingly.

With that being said, I still respect Haggis' ambition and his ventures into such heart-rending tales. Contrary to general reception, I genuinely enjoyed Crash, and now, I most likely find myself enjoying Third Person more than most as well. It's primarily absorbing throughout, just a tad bit too long and woolly.


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