Ex-government operative Bryan Mills is accused of a ruthless murder he never committed or witnessed. As he is tracked and pursued, Mills brings out his particular set of skills to find the true killer and clear his name.
Disgraced Secret Service agent (and former presidential guard) Mike Banning finds himself trapped inside the White House in the wake of a terrorist attack; using his inside knowledge, Banning works with national security to rescue the President from his kidnappers.
Mobster and hit man Jimmy Conlon has one night to figure out where his loyalties lie: with his estranged son, Mike, whose life is in danger, or his longtime best friend, mob boss Shawn Maguire, who wants Mike to pay for the death of his own son.
Liam Neeson returns as ex-covert operative Bryan Mills, whose long awaited reconciliation with his ex-wife is tragically cut short when she is brutally murdered. Consumed with rage, and framed for the crime, he goes on the run to evade the relentless pursuit of the CIA, FBI and the police. For one last time, Mills must use his "particular set of skills," to track down the real killers, exact his unique brand of justice, and protect the only thing that matters to him now - his daughter.Written by
20th Century Fox
In the beginning of the movie when Malankov's men are kidnapping the accountant, Maxim tattoo is visible inside the house, but when they are outside the house, the tattoo is no longer visible. The tattoo it is only visible again when the safe door is being closed. See more »
We are fucked by the same man.
What are you talking about?
Stuart St. John. First, he gets me to kill your wife, then you. And when that doesn't work, he pushes you to kill me, no? Either way, he wins. Your wife... was just part of a business deal, like many before her. It is my turn to lose the game. Finish me! Finish me. I deserve it.
Yes... You do.
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The UK theatrical version was cut to reduce violence in order to get the more marketable 12A certificate. This version was also released in the US with a PG-13 rating. See more »
Written by Ólafur Arnalds (as Olafur Arnalds), Arnór Dan (as Arnor Arnarson)
Performed by Ólafur Arnalds (as Olafur Arnalds) & Arnór Dan (as Arnor Dan)
(c) Nettwerk Administered by Because Editions
(p) 2013 Mercury Classics, a division of Decca Music Group Limited
With Courtesy of Universal Music Vision See more »
3 stars might be a little harsh seeing as I did enjoy this film, but I enjoyed it for all the wrong reasons. Seemed like a movie made by idiots for idiots. Anyone who is mildly intelligent will find it laughable.
Where do I start, the way this film was shot was poor at best, no scene lasted longer the 3 minutes to try and achieve the same relentless pace we enjoyed from the first Taken movie. This was even worse during any action sequence where there would be about 20 different shots in a space of 30 seconds showing pretty much the same event from pointless angles.
The dialogue, so cheesy, they put in every cliché line from any action movie you can think of, one dimensional characters sounding like idiots. There was a moment in this film where Mills plugs in a USB into a LAPD computer and the computers voices says "You are currently accessing the LAPD hidden files" just in case people in the cinema missed this.
This movie treats its audience like they are slow, and I feel you actually have to be to enjoy it for what it is. Some of the actions sequences were so unrealistic even a 9 your boy would find it a push to believe let alone us adults. Poor way to end a dying trilogy. Hopefully it will now stay dead.
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