Directed by
| Brian Welsh | ||
Writing Credits (in alphabetical order)
| Mark Chappell | ||
| Alan Connor | ||
| Shaun Pye | ||
Cast (in credits order)
Produced by
| Shane Allen | ... | executive producer |
| Leo Daniels | ... | executive producer |
| Peter Holmes | ... | executive producer |
| Victoria Jaye | ... | executive producer |
| Daniel Kilroy | ... | archive producer |
| Emma Pike | ... | line producer |
| Barney Reisz | ... | producer |
| Gregor Sharp | ... | executive producer |
Cinematography by
| Zac Nicholson | ... | director of photography |
Editing by
| Ben Yeates | ||
Casting By
| Rosalie Clayton | ||
Production Design by
| Víctor Molero | ||
Art Direction by
| Julian Luxton | ||
| Tim Stevenson | ||
Set Decoration by
| Tamsin Clarke | ||
Costume Design by
| Edward K. Gibbon | ||
Makeup Department
| Polly Campbell | ... | makeup artist: crowd |
| Nathaniel De'Lineadeus | ... | dental effects designer |
| Nicola Iles | ... | hair & make-up assistant |
| Dana Kalder | ... | hair & make up supervisor |
| Chris Lyons | ... | special effects teeth |
| Catherine Scoble | ... | makeup designer |
Production Management
| Phil Brown | ... | post-production supervisor |
| Eric Creel | ... | production manager |
Second Unit Director or Assistant Director
| Lydia Currie | ... | first assistant director |
| Emlyn Pool | ... | second assistant director |
| Gareth Webb | ... | third assistant director |
| Max Webborn | ... | assistant director |
Art Department
| Caroline Bailey | ... | graphic designer |
| Amanda June Boucher | ... | graphic artist |
| Jayne Davies | ... | props |
| Alexa Galea | ... | lead graphic designer |
| Cecily Gatacre | ... | Assistant Set Decorator: Production Buyer |
| Hattie Gent | ... | assistant art director |
| Freya Haak | ... | production buyer (as Freya Closs) |
| Mair Jones | ... | production buyer: wales |
| Medard Mankos | ... | studio chargehand |
| Sarah Notley | ... | draughtsperson |
| Scott 'Will' Williams | ... | stand by rigger (as Scott Williams) |
| Joseph Wynne | ... | stand-by props |
Sound Department
| Fraser Barber | ... | production sound mixer |
| Lilly Blazewicz | ... | foley editor |
| Linda Brenon | ... | dialogue editor |
| Barney Brookes | ... | second assistant sound |
| Peter Burgis | ... | foley artist |
| Matt Davies | ... | dialogue editor |
| Zoe Freed | ... | foley artist |
| Glen Gathard | ... | supervising sound editor |
| Arthur Graley | ... | sound designer |
| Peter Hanson | ... | sound designer |
| Matt Jones | ... | second assistant sound |
| Jemma Riley-Tolch | ... | foley mixer |
| James Sawyer | ... | second assistant sound/playback operator |
| Andy Stallabrass | ... | adr mixer |
| Jason Swanscott | ... | foley artist |
| Michael Lee Taylor | ... | first assistant sound |
| Sam Walsh | ... | assistant sound editor / sound effects editor |
| Steve Whetman | ... | sound designer |
| Adam Bourne | ... | foley editor (uncredited) |
Special Effects by
| Danny Hargreaves | ... | special effects supervisor: Real SFX |
| Dave Kneath | ... | special effects foreman |
| Jade Poole | ... | assistant special effects coordinator: Real SFX |
Visual Effects by
| Daniel Cullen | ... | digital compositor |
| Sally Goldberg | ... | cg supervisor |
| John Hardwick | ... | visual effects supervisor |
| Justin Hutchinson-Chatburn | ... | visual effects supervisor |
| Ivor Middleton | ... | visual effects artist |
Camera and Electrical Department
| Andrew Bailey | ... | gaffer |
| Ben Brown | ... | focus puller |
| Alex Finlayson | ... | second assistant camera: "a" camera |
| Ross Grimshaw | ... | electrician |
| Jac Hopkins | ... | grip |
| Peter Robertson | ... | camera operator and steadicam operator |
Casting Department
| Becca Toogood | ... | casting associate |
Costume and Wardrobe Department
| Paula Hey | ... | costume supervisor |
| Claire Polydorou | ... | costume assistant / principal costume standby |
| Sidonie Roberts | ... | additional wardrobe |
Editorial Department
| Anna Broke | ... | post-production coordinator |
| David Chisholm | ... | on-line editor |
| Stuart Fyvie | ... | digital colourist |
| Charlie Morton | ... | assistant editor |
Location Management
| Nick Dymond | ... | location security |
| Tom Guy | ... | location manager |
Script and Continuity Department
| Jane Jackson | ... | script supervisor |
Additional Crew
| Annabel Bennett | ... | assistant production coordinator |
| Tony Chappel | ... | consultant: snooker consultant |
| Penny Dyer | ... | dialect coach |
| Michael Fussell | ... | production accountant |
| Daniel Kilroy | ... | archive producer |
| Roger Lee | ... | archivist: snooker archivist |
| Rick Manning | ... | saftey advisor |
| Dave Mills | ... | consultant: snooker consultant |
| David Muscroft | ... | archive material: supplied by |
| Joseph Scantlebury | ... | researcher |
| Scott Williams | ... | standby rigger |
Thanks
| Tom Warren Campbell | ... | special thanks |
| Stephen Dixon | ... | very special thanks |
| Gregory Graham | ... | special thanks |
