The Ardennes (2015) Poster

(2015)

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8/10
Exciting and ambitious thriller
rubenm23 November 2015
'D'Ardennen' is Robin Pront's first feature film, but I'd have sworn it was made by a very experienced film maker. This is a well-made, exciting, and ambitious movie - a successful accomplishment in every respect.

Pront hasn't made it easy for himself. To mention just one thing: the film is spoken entirely in the dialect of the Flemish city Antwerp. That means that even here in Flanders, it is shown with subtitles. Commercially, that's a drawback, but it makes the movie much more authentic.

The film is built on a very strong screenplay. Two brothers commit a holdup, but only one of them manages to escape. The other one is caught and convicted, and is released from jail four years later. After the reunion, he slowly pulls his brother down in a spiral of violence and crime. His former girlfriend plays a crucial part in his self-destructive behaviour. The tense relationship between the two brothers is characterized by unspoken reproaches on the one hand and strong family ties on the other. The girl is the reason for the dramatic developments that lead to a bloody climax.

Not only is this a very intelligent thriller, it is also a great movie from a cinematographic point of view. Pront and his cinematographer are very good in filming scenes through mirrors or windows, creating surprising and original effects. The crucial reunion between the two brothers is filmed in the rear view mirror of a car, accentuating the emotional distance that has grown between them. When they are having a meal in a restaurant, they are filmed form both sides of the window pane, with raindrops creating a nice visual effect. The locations are very well chosen: Antwerp is shown as an industrial wasteland, and the snowy hills of the Ardennes are filmed as a creepy place with weird inhabitants.

The film slowly works its way towards a bloody apotheosis, which was a bit overdone to my taste. The story didn't really need the considerable body count, above all because at the end there is a surprising twist with much dramatic effect. But this is a minor flaw in an otherwise outstanding film.

Just like Oscar-nominated Bullhead a few years ago, this is a Flemish film with international appeal. Too bad Belgium has already selected Jaco Van Dormael's last film for the Academy Awards.
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8/10
A distressing story about two siblings from Belgium.
This is another unblemished Belgian crime film production, wonderfully shot and with excellent performances from the -small in number- stellar cast. Kevin Jansenns ("Vermist", "Revenge") plays the role of Kenny a young drug-addicted thug and robber who gets out of prison after four years of incarceration. Jeroen Perceval ("Bullhead", "Borgman") is Danny, Kenny's elder brother who gets infatuated with his baby brother's girlfriend, the young waitress and heroin addict Sylvie (portrayed impeccably by Veerle Baetens). Danny is reluctant to talk to Kenny about his relationship as he seems to live on a world of his own where things remained still with the passage of time. Kenny believes he still can win Sylvie's heart even though she is obviously not interested anymore. The story will take a more suspenseful turn in its second half where the two brother's relationship will be tested under hard circumstances. This movie also casts Jan Bijvoet whose great performance we admired in the disturbing "Borgman" (2013).

I will not reveal anything more about the plot as it would spoil a strong cinematic experience that proves that Belgian productions remain on the top of today's Continental crime film productions. This is a sorrowful story with a tragic ending where a shocking final plot twist overturns everything that we, as the audience, thought and believed about the characters. "The Ardennes" is a slow-burning masterpiece, it is the first full-length film directed by Robin Pront ("The Flemish Bandits", "Injury Time") and a movie that you will never forget as it succeeds in getting across to the viewer its gloomy mood and character. The two brothers story arc is moving as well as tragic and we root for them until the ending, never mind their evident flaws.

This is a movie that I can recommend without a hint of reservation to all Euro-Crime fanatics out there, and especially those who are keen on Dutch and Belgian productions. Enjoy!
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6/10
Trailer Trash from Belgium. Not the masterpiece it's said to be, but a good film.
Coventry18 January 2018
What is it with films from Flanders that they seemingly MUST feature either farmers or marginal people in order to be successful? Prior to 1995 it seems like movies from here only revolved on farmer families battling against poverty and various other types of misery, whereas after 1995 the farmers were replaced by marginal people, but they were still battling against poverty and various other types of misery. Our most famous cinematic export product, the Oscar-nominated "Rundskop" (aka "Bullhead") even features a combination of both! Marginal farmers, hooray! But the term marginal is far too light to describe the lead characters in "The Ardennes", though. They're the equivalent of trailer trash!

"The Ardennes" almost feels untouchable here in Flanders, Belgium. You're almost not allowed to say something negative about it. Ever since the release in 2015 - and even before already - this film has been incredibly popular and benefiting from a tremendous media buzz. Everybody loves it, audiences as well as critics, and I honestly wonder why it's so well-received and successful. Admittedly it's a competent film and much better than the overrated "Rundskop" or the pretentious but substantially void "De Helaasheid der Dingen" (aka "The Misfortunates"), but "The Ardennes" nevertheless remains a simplistic and clichéd tale with predictable twists and protagonists you can't possibly sympathize with. Especially the first half feels long, tedious and overly familiar. Fans of the film will undoubtedly call it a harrowing and confronting portrait of a suffering family in the lower middle class of Belgian society, but the simple truth is that it's a form of 'disaster tourism'. You're looking at trailer trash people and you're glad you're not like them. These people eat Flemish stew on Christmas Eve, listen to loud 90s house music in their ugly car, behave and talk like racists and participate in miserable drug-rehabilitation group sessions. There aren't any underlying messages or lessons to be drawn. Personally I'm 100% fine with that, but then please stop pretending it's a relevant film that shows how difficult it is to re-integrate into society after a prison sentence or how to get your life back on track after a severe drug addiction. "The Ardennes" doesn't do that, and I don't think writers Robin Pront and Jeroen Perceval ever intended their script to become a social requiem. In fact, the story can be described best as: the trailer trash version of Cain and Abel. Two brothers, jealousy and uncontrollable anger resulting in violence.

Please don't get me wrong; "The Ardennes" honestly isn't a bad film, but it simply never lives up to the praise and compliments it is receiving. That's hardly the film's own fault. The second half, primarily set in the titular Ardennes, is more exciting and introduces a few fantastically eccentric supportive characters, like this hideous drag queen Joyce (Sam Louwyck) and the psychotic ex-con Stef (Jan Bijvoet). I swear, those two deserve a spin-off film of their own! The climax isn't too difficult to foretell, especially if you're familiar with mainstream thrillers, but it still comes as a minor shock even if you know what is going to happen. Lead actor Kevin Janssens deserves extra respect for the performance he gives. I read that the role was originally reserved for Matthias Schoenaerts (pretty much the only Flemish actor to have success in Hollywood). Taking over from him surely couldn't have been an easy task, but Janssens truly gives away a stellar performance. I didn't care much for him as an actor before, but he underwent a phenomenal metamorphosis here. The same can be said for Robin Pront. The film was supposed to be directed by Michael Roskam ("Bullhead") at first, but eventually Pront directed the scenario that he co-wrote himself. Kudos to him, because in his debut feature he certainly demonstrations copious amounts of talent, style, vision and surefootedness.

Oh, and one last thing: I love the soundtrack! I don't care that it gets linked to criminals, drug-abusers and lowlifes; - Belgian house/dance music from the 1990s is awesome. Search for songs like "The House of House", "The First Rebirth" and "Rigor Mortis/ Flesh & Bones" on YouTube and concur with me!
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Brothers
searchanddestroy-116 April 2016
What a terrific crime drama from Belgium. I the line of BULLHEAD released four years ago, you deal here with a pure product of what the Flemish film industry can give at its best. Gritty, tragic, moving, brutal film that begins as a drama for the first half before resuming as a pure dark crime tale. Depressing, not for the squeamish, I warn you. An unforgettable experience. Astounding performances pulled by a flawless cast. The story of two brothers, one from the can, and the other desperately trying to go in the right way.

The director deserves to be closely watched at in the future.

A pure jewel, a masterpiece.
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6/10
Well-made and well-acted movie, but the mixed bag of criminal actions and family drama will not satisfy either genre lover
JvH4811 July 2016
Warning: Spoilers
Saw this at the Ghent film festival 2015, where it was part of the official opening night. Programming a Belgian movie at a Belgian film festival may seem suspicious if not chauvinistic. On the other hand, for a prestigious film festival like Ghent's, we can safely assume they present something at the opening night deserving such an advantageous position. And indeed, it was worthy of its place. The one negative is the potential problem I see upfront due to the uneven genre mixing, criminal action next to family drama. It may not attract its intended audience, or others having bought tickets may find themselves misplaced during a screening.

The story starts with the immediate aftermath of a failed home jacking. We never see or hear the ugly details, only what is shown to us in the opening scene where Dave enters the getaway car, obviously in sheer panic, while uttering words along the line that it all went very wrong and that they need to leave forthwith. When asked what happened with their mate Kenneth, no real answer is given. Later on we see Kenneth in court where he is sentenced to 7 years in prison, the maximum penalty due to his crime history. What really happened when he was left behind on the crime scene, remains unclear. Nevertheless, it still burdens their relationship when Kenneth is released after 4 years. We can only assume that Dave's failed part in the home jacking never became public, and that guilty secret is used by Kenneth after his release to blackmail Dave, pushing Dave to actions he actually abhors, stretching Dave's resolution to live as a law abiding citizen to the limit.

And there is a second guilty secret, of a completely different category. Dave wants to tell Kenneth something all along, but we see that he never succeeds in finding the right moment or the right words. It has to do with Kenneth's former girl friend Sylvie, who we see initially as member of a self-help group, where she is applauded for staying drugs free for 2 years. It happens that the same Sylvie is pregnant from Dave, and that they are on the lookout for a home on their own. Hence it is logical that we see Dave avoiding involvement in any of Kenneth's actions. Moreover, for the sake of their worrying mother, Dave keeps a continuous eye on Kenneth, and even follows him on a distance on various occasions. Including the worrying mother, these are the four main protagonists that carry the story from start to finish.

Kenneth's outfit, posture and hairstyle suggest overly clear (too much?) that he is a loose cannon without any intention for a career change. His behavior is overbearing from the outset, at first merely pushy yet without violence, but losing more and more restraints later on. In the last half hour, it escalates beyond control, thereby gaining nothing in the end and leaving only losers. His brother Dave succeeds in keeping his hands clean, though ultimately involved in an act of deadly force albeit as a matter of self-defense.

We witness a lot of violence in the proceedings, but it is an inherent part of the story and not filmed just for shocking purposes. Most of the violence is suggested rather than shown in raw detail. Nevertheless, it leaves a depressed feeling on the viewer, at least that happened to me, by demonstrating that there are really people who think and live that way, and assume their own goals to be important enough to harm other people in the process.

All in all, the focus of the story changes back and forth from criminal action to the relationship between the two brothers and the family members around them. Violence and crime are not the main ingredient, only the binding element to show how the relationship between the two brothers develops, given aforementioned guilty secrets kept from the outside world as well as between themselves. Though the violence is not made explicit, the criminal actions tend to distract from the real story that ultimately carries the drama. Viewers who are interested in action movies, will not be happy with the emphasis on family relationships. Viewers who are interested in family drama, will be discouraged by the crimes that overshadow a considerable number of scenes. In other words, a mixed bag that will not satisfy either category of viewers. Yet, well made and well-acted, but the final product is just above average by trying to humor two categories of viewers who both will leave the theater disappointed.
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7/10
above mediocre and not a typical Belgian flick
trashgang12 May 2016
Rumours were out that this was a brutal flick. Have seen it I can say that I can understand that some will have difficulty with the fight scene's. It's brutal but it never becomes gory or messy. But still this is a flick that rises above the mediocre Belgian flicks.

Even as it is spoken in the Antwerp language this time it didn't bother me because the two brothers were low life so it's normal that they can't talk decent. The acting from Kevin Janssens (Kenneth) is really excellent, to say the least, all characters were perfectly type cast and all acting is high standard.

People can't be changed and that's what this flick shows with a twist at the end. A must see.

Gore 0,5/5 Nudity 0,5/5 Effects 3/5 Story 3/5 Comedy 0/5
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7/10
A good solid Belgian movie
deloudelouvain13 September 2016
As a Belgian we might have different opinions about this movie. I thought it was a well made movie with a good story. But most of it's charm is that is raw, straight out of life, because of the use of the dialect language. It's in Flemish, more specifically in the Antwerp dialect. In Belgium almost every town has it's own dialect and for some it is difficult to understand but the dialect from Antwerp is one of those everybody understands in Belgium. Not like the dialect from East or West Flanders that only people from there understand. So I can get that if you don't speak or understand those dialects that the movie looses a bit of it's value. Even though I thought, seeing the budget that is quite high for a Belgian production, the movie has a good story with good actors and a couple of surprising twists. To me it is with Bull Head one of the better Belgian movies from the last decade.
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6/10
The brotherhood is tested for a woman they're onto.
Reno-Rangan14 April 2016
The Dutch crime-drama about two brothers, especially the plot revolves as a love triangle, but it is not a romance movie. The movie opened in the middle of some crime scene which is never going to be revealed what actually happened, because it wasn't important as the film's narration is something else. What comes later is the twist in the character's relationship with each other, especially between two brothers and a woman they're in love.

The actual story begins a few years later to that opening incident. Looks everything has changed at that point, except one of the brother who just stepped outside the prison. The remaining is all about the condition of the family and the romance relationship that appears to be complicated to explain to one another. When it begins to unfold, the final twist strikes which bring further complexity to the conclusion section.

Frankly, I did not like the first two acts. Actually, I expected it to be a crime story. With two tough characters the scenes did not create enough curiosity or the thrilling moments. But the third act is where the movie changed its pace as well as genre to what I was eagerly waiting for. Because of the decent developments in the earlier, this ending was so exciting. But overall product is just above average. That means it is not a bad flick, yet everyone's not going to like it.

6/10
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9/10
See this now!
Sandcooler24 October 2015
Belgian cinema has gotten more and more ambitious in this past decade, and that newfound self esteem certainly paved the way for something like "D'Ardennen". This is the kind of movie that takes guts to make, particularly when you're working on a shoestring budget. It starts of very slowly, but you really need the meandering (okay...boring) first act to appreciate what follows. Director Robin Pront gradually makes his characters more insane as the movie progresses, and plays with your expectations beautifully. The two brothers this movie revolves around seem like small time crooks, dumb guys who are down on their luck but good at heart. When you're proved wrong, it hits you like a sledgehammer. In the end, you're treated to one of the most messed- up plot twists I've seen in years. Nobody left that theatre smiling, nobody was even talking. If you can achieve that, you've written a pretty amazing and gripping ending. "D'Ardennen" is occasionally marketed as a cross between the Dardenne brothers and Tarantino, which is incredibly inaccurate: actually it's not like anything else I've ever seen, and just for that it deserves a lot of credit.
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7/10
brothers to the end
cdcrb10 January 2017
Warning: Spoilers
Flemish. Kenny, a social misfit, is getting out of a four year stint in the slammer. he has left behind his girl friend Sylvie and his younger brother, dave. dave and Sylvie fell in love while Kenny was away and she is pregnant with dave's baby. *SPOILER ALERT* anyone who has ever been to a movie will know that things like this don't usually turn out so well. Kenny has a hard time on the sea of life and before long kills the guy he thinks was hitting on Sylvie. he gets dave to help him get rid of the body and things really get sticky. there are twists and turns galore. the lead, kevin jannsens, is very intense but his brother, jeroen Perceval holds his own. it's a very "b" movie, but once it gets going it doesn't stop to take a breath until the end. so the clichés are easily forgiven, in my book. go along for the ride. I really don't think you'll be disappointed.
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3/10
Silly story with dumb characters
hfhfdfse28 March 2016
Warning: Spoilers
Dave and Kenny are brothers and robbers. After a failed robbery attempt Kenny goes to prison, he kisses his girlfriend Sylvie good bye, she promises to wait for him but ultimately abandons him and starts dating his brother Dave (without telling Kenny anything, of course). OK, these things do happen. When Kenny is released from prison, Dave and Sylvie decide to keep their relationship secret (just for no reason). Kenny gets suspicious, confronts Sylvie but she still does not want to tell him the truth. Eventually Kenny finds out, goes insane and kills Sylvie. This is it. The end of the story. Why on earth was this movie made? What is the point? No answers. The characters are really dumb and lacking the kind of psychological depth or anything else that might make us sympathize with them, the plot is thin and unconvincing. Tec contribution is solid although the movie was made on a relatively low budget.
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10/10
Excellent movie
stijn-817 October 2015
Warning: Spoilers
I've been a member of IMDb for over 10 years but this is my first review. When I saw this movie didn't have any reviews I felt compelled to write one.

I thoroughly enjoyed this movie. Being Flemish I probably enjoyed the dialects even more but don't let this stop you to go see this movie. The plot is excellent, there is never a dull moment throughout the movie. The cinematography is top notch, the choice of locations are excellent, a really Flemish setting: the home of the boys, the discotheque, the self- help group, forest, etc.

What sets apart this movie were both the performances of the actors and the authentic music throughout the movie. Not only are Kevin Janssens and Veerle Baetens great actors, Jeroen Perceval was great as well, being the writer of this movie. My hat off for the performances of the mother of the brothers and the car-wash owner (Peter Van den Begin) who did an excellent job portraying the character! What I also liked are the little jokes in this movie, it's those things that lift a good movie to the next level of excellence.

This movie is yet another sign we should be proud of Flemish movies! Imho: Oscar material!

If you haven't seen this, go see it now, you won't be disappointed!
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7/10
Sinister
laetitiapayombo21 May 2018
That's a perfect movie if you think life is too great and you want to be depressed. The photography is great. Actors act perfectly. This movie is so true, it doesn't look like a movie at all. Just a deep descent into the darkness. This movie is really depressing... Great movie nevertheless.
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3/10
Thriller?
GwydionMW24 October 2019
Nothing remotely thrilling or interesting about stupid and violent people. Long sections of them sitting around doing nothing much. And a few pointless crimes. Hopeless.
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7/10
Dark, Flemish, Brotherly, Thriller
t-dooley-69-38691624 February 2017
Dave and Kenneth are brothers and are on the wrong side of the law. They attempt a robbery and it all goes to hell in a hand cart, but Dave manages to escape leaving his brother to take the rap – and he does.

Move on four years and Kenneth is out and he wants to make up for lost time. He also cant accept that his brother has had the temerity to grow up and start acting like an adult. He also wants back with his ex- girlfriend but she has other ideas and he involvement with both brothers becomes pivotal to how things spiral.

Now this is gritty but it is a lot of psychological pain before the actual real pain kicks in. The acting is great and the cinematography very well done and it is in Flemish, but this is in the Antwerp dialect which has upset a few observers as it is a bit on the 'common' side. However it also adds to the realism of the piece – all in all though a very commendable film indeed.
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6/10
The Ardennes
CinemaSerf4 April 2024
"Kenny" (Kevin Janssens) and brother "Dave" (Jeroen Perceval) are involved in an abortive burglary that sees the latter escape leaving the former to spend the next four years in jail. When he is released, the siblings are reunited with their mother and for a while, bygones seem to be bygones with "Kenny" even seeming to forgive his ex "Sylvie" (Veerle Baetens) who now has a child and who has also taken up a job pole-dancing for a Moroccan night-club owner. It's round about now that we start to see some cracks appear in the brotherly relationship. "Kenny" finds out who the father of the child is, loses his temper, then things are exacerbated by some thugs who visit their workplace and one of those is accidentally killed. Unsurprisingly, they get fired and then have to take the corpse to the remote rural home of ex-cellmate "Stef" (Jan Bijvoet) and his pal "Joyce" (Sam Louwyck). Ostensibly they are just going to get shot of the body, but their relationship only gets worse and "Dave" begins to wonder if he can, actually, trust his brother. Robin Pront does try to mix up the narrative a bit, it's gritty and dark at times and I thought Janssens made a decent fist of his "Kenny" character. The rest of the film, though, isn't really up to much. The dialogue is strained and a bit contrived, the direction style staccato and it really falls to the eccentricities of "Stef" and "Joyce" to breath a little quirkiness into what is otherwise all just a bit of a dreary denouement. I didn't hate it, but I doubt I'd watch it again.
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8/10
a confident and accomplished crime movie
myriamlenys14 January 2020
Warning: Spoilers
Kenny, who was the only one to get punished for a failed homejacking, emerges from prison after four years. Imprisonment has not mellowed his temper - on the contrary, he is a simmering cauldron full of racism, frustration and resentment. Kenny's brother Dave does not dare to confess that he is now living with Kenny's ex-girlfriend, let alone that the said ex-girlfriend is pregnant with his child...

"D'Ardennen" is a remarkably bold and confident crime movie / psychological drama from Belgium. It tells the story of two Flemish brothers - both of them a product of a chaotic and disenfranchised environment - who fall victim to their own vices and weaknesses. It is obvious from the outset that this story is not going to end well, but the how and why of the brothers' blood-drenched ruin remains interesting. The movie works up to a particularly grim and violent resolution - bloodshed ! betrayal ! ostriches ! - and a diabolical twist.

The acting is outstanding, especially from the three protagonists. The various locations too are well chosen and well filmed. The Ardennes, for instance, are no longer the beloved summer holiday destination of o so many happy Flemings, but a grim woodland area where everything and anything can be made to disappear : cars, weapons, corpses. Simple trees have rarely looked so sinister.

Sign of the times : when I was young, most inhabitants of the Ardennes only had to worry about escaped boars. (Smuggling and rustling boars was, and remains, a local speciality. I remember many a majestic investigation where pensive policemen or gendarmes would ponder the essential inscrutability of things, over a bottle of Maitrank.) Nowadays people can worry about escaped ostriches, too.
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5/10
Reminds me why I used to hate Flemish movies
Jerghal22 July 2016
This film reminds me why I used to hate Flemish films so much. The last couple of years we had some good ones thanks to Felix Van Groeningen and others. Those movies were either in West-Flemish or East-Flemish and had very likable characters and great stories. D'Ardennen on the other hand is in sucky Antwerps and is one of those stories with miserable low-life characters. Kevin Janssens (he's annoying as hell), Veerle Baetens and Jeroen Perceval play these 'Johnny and Marina' kinda types which I loathe so it's almost impossible to care for them - let alone stand them. The titular 'Ardennes' are only featured almost an hour into the flick and it only lasts 93 minutes (incl credits). I can't recommend this film at all. I was thinking it would be a cool Flemish take on the cabin horror movies maybe, but it's nothing of the sort. Just skip this crap and watch Belgica, that one was cool and fun!
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8/10
I just want to be dull
nogodnomasters15 October 2017
Warning: Spoilers
A break in goes bad and Kenny (Kevin Jassens) gets left behind and takes the rap as his girlfriend Sylvie (Veerle Baetens) and brother Dave (Jeroen Perceval, co-writer) get away. Four years later Kenny gets out of prison to find things have changed. Dave works at a car wash and Sylvie is a cocktail waitress in group. What Kenny does not know and no one will tell him, is that his former girlfriend is now the girlfriend of his brother Dave.

Kenny still lives by his emotions and drags the unwilling Dave into things, as Dave has trouble drawing the line with his brother.

This is a Belgian crime/drama production with English subtitles. The film utilized the slow scenes to build character and to show us how Dave and Sylvie have moved on. Kenny suspects Sylvie is seeing someone else and believes it to be her boss, someone he grew up with as a child. The ending had a twist which I didn't see coming. This is a low budget film that lacks formula writing. Kudos.

Guide: F-word, sex, nudity (Veerle Baetens)
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3/10
Noir, but not really
baunacholi-861598 February 2021
I had quite high hopes especially since Belgian movies or tv series delivered quite some interesting and unusual aspects in story telling or character development. By all means not a feel good movie and that would be fine too if, well if there would be anything else to tell. But I really lack a movie experience per se.
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8/10
Highly stylish dark crime drama from Flanders (Belgium)
paul-allaer30 March 2018
"The Ardennes" (2015 release from Belgium; 96 min.) brings the story of brothers Dave and Kenny. As the movie opens, Dave is seen scrambling and driving off madly with a woman, while Kenny is not so lucky, and gets arrested. In a quick montage, Kenny is sentenced to 7 years in jail, his girlfriend Sylvie attends AA/NA meetings and is now 2 years clean, and Dave is working at a carwash. Then after 4 years, Kenny is released, and Dave picks him up. Kenny is disappointed that Sylvie isn't there to meet him, but we in the meantime know that Sylvie is now with Dave, and pregnant (all unbeknownst to Kenny). At his mom's urging, Dave is able to get Kenny a job at the car wash. Will Kenny find out about Dave and Sylvie? Will Kenny remain on the straight-and-narrow? At this point we are a good 10 min. into the movie but to tell you more pf the plot would spoil your viewing experience, you'll just have to see for yourself how it all plays out.

Couple of comments: in the initial opening credits, the movie is announced as "Belgian cinema from Flanders" (which is the Dutch-speaking part of Belgium). In fact, the movie is set in and around Antwerp, my original home town, and all of the characters speak with a pronounced Antwerp dialect accent. Writer-director Robin Pront previously was the producer of the Oscar-nominated "Bullhead". Here he explores another crime drama, and along with it a complicated relationship between 2 brothers. The movie is highly stylish in both its photography and camera angles, adding to the overall sense of dread that something very bad may be going down. Veerle Batens as Sylvie delivers yet another top-notch performance, as does Jeroen perceval as Dave. But the intense performance of Kevin Janssens as the unstable Kenny is what really lifts this movie. Last but certainly not least, there is an outstanding electronic score, courtesy of Flemish composer Hendrik Willemyns, whom I had never heard of before. Bottom line, this is a dark crime drama which I ended up enjoying a lot more than I expected. Incidentally, this was Belgium's official entry for the 2017 Best Foreign Language Movie Oscar (it was not nominated).

While "The Ardennes" played at a number of film festivals (it premiered at the Toronto International Film Festival) and was officially released in the US in early 2017, it really wasn't until Film Movement released it as part of its Movie of the Month releases that this gained a wider audience. This is how I finally was able to see it. So glad I did (and not just because I originally hail from Belgium). If you are in the mood for a dark crime drama, I'd readily recommend you check this out and draw your own conclusion. I think you will be quite pleased. "The Ardennes" is a WINNER.
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8/10
Play with fire, get burned
TuesdayThe17th1 August 2020
Warning: Spoilers
"D'Ardennen"(The Ardennes) is a rather raw and gritty film. It attempts to be a family drama while also being a bit of a crime story and the two genres blend decently. Sometimes, the changeover between genres throughout can be distracting, never allowing the viewer to fully sink their teeth into the storyline, which can ultimately lead to an unsatisfying experience for some. For me, however, it was still a very good watch. The cast is great here, including multiple characters from other movies in the same realm (Borgman, Bullhead, Rust and Bone, etc). This is a dark film in lighting and in its material. The story revolves around two brothers named Dave and Kenny who live a life of crime until one of them leaves behind the other in what looks like a botched home invasion. The older brother, Kenny, takes the fall and goes to jail while the younger brother, Dave, moves on with his life, attempting to leave his bad choices in the past. While in jail, Kenny's girlfriend, Sylvie, secretly leaves him for his brother, gets pregnant by him, and they begin a life of bettering themselves together....that is until Kenny's parole is granted and he is released from jail...as the same man he was the day he went in four years prior. The uppity and criminalistic Kenny clashes with his quieter, more put together brother setting the stage for a series of immensely bad decisions, overwhelming skepticism, and violence and murder in a back woods type of drama/crime film from director Robin Pront
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8/10
Powerful and disturbing film
laduqesa27 June 2023
This is a study in brotherly love and the obligations that come with it. But from the start, after Kenny gets out of gaol, deceptions and prevarications interfere.

Dave has got away from their previous life, Kenny wants to sink right back into it and drag everyone along with him.

A slew of violence and criminality ensues ending in the Ardennes of the title.

Much if the film is hard to take, especially as a lot of the film is suggestive and allusive. The violent episodes that are shown on screen are sickening but carried off incredibly well by the main actors and the ones in supporting rôles.

The ending is horrendous even more so because of who's left on the floor.

This film transfixed me and held my attention 100%. It's one of the few films I'll watch again after a decent interval.
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8/10
To Change or Not to Change?! Brotherly Tensions Simmer
Blue-Grotto26 February 2017
Kenny does not believe in change. Four years in prison and he is the same as the day he walked in. Kenny expects no one and nothing else will change either. He is in for some rude surprises. To begin with Sylvie, Kenny's girlfriend, is not at the prison gate to greet him. Beneath a highway bridge, a fight in the middle of a car wash, in multi-level concrete housing projects, the flashing lights of a dance club, the misty Ardennes forest and the underworld of Belgium, the new order of things is revealed to a stubborn and disbelieving Kenny. Yet no one, however tender hearted or tough, seems to be able to get the message home to Kenny. He won't take "no" for an answer. Do beliefs bring about reality, or is it the other way around?

Brotherly tensions figure prominently in the story. Kenny's brother Dave is introverted, easy-going and attempting to escape the darkness of his ardent and forceful brother's shadow. The film dialogue is intriguing, delightful and balanced. "Every time I see you I think of all the bad decisions I made in my life," Sylvie tells Kenny. She is just as hard on Dave. Tired of waiting for Dave to tell the truth to Kenny, Sylvie takes matters into her own hands. "Someone had to say something," says Sylvie. "What do you know about the truth?" Kenny asks Dave, "you think you're better than me?" "I'm different," answers Dave "it is not possible to talk to you, I tried all my life." "When you're intelligent," a prisoner says, "they take you for dangerous." Isn't that the truth?! I love the diverse, colorful and interesting settings including a tanning booth, underwater, the dance club and especially the car wash fight scene (I wish it was longer). The plot, wonderfully, kept me guessing. The acting is a little shaky at times yet entirely believable.

Ending details may sometimes be revealed without ruining the plot. The specifics added often make it more difficult to figure out the ending. Such is the case here. Ostriches are involved. Good luck figuring that one out! The Ardennes is recently available through Netflix (snail mail).
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