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Inside No. 9 

TV-MA | | Comedy, Horror | TV Series (2014– )
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Anthology series which mixes dark humor with genres like crime, horror or drama. The show invites viewers into some very different No.9s, where the ordinary and mundane rub shoulders with the extraordinary and macabre.
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462 ( 168)

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5   4   3   2   1  
2019   2018   2017   2016   2015   2014  
4 wins & 1 nomination. See more awards »

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Cast

Series cast summary:
Reece Shearsmith ...  Archie / ... 24 episodes, 2014-2018
Steve Pemberton ...  Adrian / ... 24 episodes, 2014-2018
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Storyline

Be invited into some very different No. 9s, where the ordinary and mundane rub shoulders with the extraordinary and macabre. From a grand country house where a game of 'sardines' leads to some chilling revelations in a wardrobe; to a very oddly haunted house; to a blood-soaked actor's dressing room in London's West End; to the flat of an apparently happy primary school teacher who becomes the victim of a good deed; these unpredictable tales feature high comedy and claustrophobic horror by turns. Written by BBC

Plot Summary | Plot Synopsis

Genres:

Comedy | Horror

Certificate:

TV-MA | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK

Language:

English

Release Date:

5 February 2014 (UK) See more »

Also Known As:

Pod numerem 9 See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Stereo

Color:

Color

Aspect Ratio:

16:9 HD
See full technical specs »
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Did You Know?

Trivia

Many television series include "bottle" episodes, where all of the action happen in one place or one set. The motivation is often to save money on one episode so more can be spent on others. However, the one linking aspect of this series is that all of the programs are "bottle" episodes, a single flat, or room, or a single piece of bedroom furniture. As a result, the original working title for the series was, apparently, "Message in a bottle". See more »

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User Reviews

 
Tales of the Unexpected? Almost...
7 March 2014 | by matjpiSee all my reviews

But a lot better in many respects. With only one episode left this has been an interesting ride.

Shearsmith & Pemberton work/write very well together and their pedigree is indisputable. Some of the twists could have been less telegraphed but overall the quality of the work is high and evident and its diversity will find fans amongst most viewers.

What works well is the casting done afresh for each episode (other than Pemberton and Shearsmith who are chameleons.) It shares the love and lends separation between tales. A mix of big hitters and new blood can make the writing shine.

I confess that Sardines was making me impatient at first - the mortifying awkwardness of Ian for example - but when we finally are given the reason for "Stinky" John's aversion to soap and the darkness really begins to gather it becomes compelling.

Tom and Gerri was a really sterling tale. The twist was neatly concealed and delivered with a sting. Gemma Arterton was a great choice for Gerri with that rare combination of flawless beauty and earthiness that is the golden rock to which Tom's life is moored. The pathetic figure of Migg was so woebegone that it made the thing work - who couldn't feel sympathy for such a bedraggled battered figure? So when things turn sinister it feels like a betrayal.

Last Gasp fell a little flat for me though Tamsin Grieg added a frisson with salty language and a heartless character. The Understudy was fun, particularly Pemberton's drunken thespianic rants and the twist another kicker.

Overall a splendid work. I sincerely hope these gentlemen can produce more like this because contemporary television needs all the help it can get.


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