Liège, Belgium. Sandra is a factory worker who discovers that her workmates have opted for a EUR1,000 bonus in exchange for her dismissal. She has only a weekend to convince her colleagues to give up their bonuses in order to keep her job.
Nominated for 1 Oscar. Another 41 wins & 82 nominations. See more awards »





Cast overview, first billed only:
Marion Cotillard ... Sandra
Fabrizio Rongione ... Manu
Catherine Salée ... Juliette
Baptiste Sornin Baptiste Sornin ... M. Dumont
Pili Groyne Pili Groyne ... Estelle
Simon Caudry Simon Caudry ... Maxime
Lara Persain Lara Persain ... Femme de Willy
Alain Eloy ... Willy
Myriem Akheddiou ... Mireille
Fabienne Sciascia Fabienne Sciascia ... Nadine
Anette Niro Anette Niro ... Nanna
Rania Mellouli Rania Mellouli ... Fille Timur
Christelle Delbrouck Christelle Delbrouck ... Barwoman
Timur Magomedgadzhiev Timur Magomedgadzhiev ... Timur
Hassaba Halibi Hassaba Halibi ... Femme de Hicham (as Hassiba Halabi)


Sandra Bya, married with two children, has been off work from her job at Solwal on medical leave for depression. During her absence from work, her boss, M. Dumont, on the suggestion of her immediate supervisor, the shop foreman Jean-Marc, figures that her section of the company can function with sixteen people working full time with a bit of overtime instead of seventeen with no overtime, that seventeenth person being Sandra. Because of the global competition the company faces, Dumont decides the company can only finance the annual bonuses for those sixteen employees, which are EUR1,000 per person, or Sandra's job, leaving the decision to those sixteen. On a Friday near the end of her medical leave, Sandra learns of this situation from her friend and co-worker Juliette after the "show of hands" vote is held, the result a 13-3 decision for the bonuses over Sandra's job. Because Juliette knows Jean-Marc, who is determined to get rid of Sandra, influenced the vote by scare mongering ... Written by Huggo

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Motion Picture Rating (MPAA)

Rated PG-13 for some mature thematic elements | See all certifications »

Parents Guide:

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Did You Know?


According to Fabrizio Rongione, his character in the film, Manu, has a last name of "Totti" which, though not referenced in the film, serves as an indication of the character's Italian nationality. It is also an homage to Francesco Totti, the iconic captain of AS Roma, Rongione's favorite football team. See more »


[first lines]
Sandra: Hello? I was resting. Just a second. I have to get my tart out. I've made a tart for the kids. Yes, why? Tell me why. No. No, Juliette. No.
[hangs off the phone]
Sandra: You mustn't cry.
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Kili Watch
Written by Gus Derse and Glen Powell
Performed by The Cousins
© World Music SA
(p) BMG Belgium nv/sa
avec l'aimable autorisation d'Universal Music Vision et Sony Music Entertainment France. Tous droites résérves.
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User Reviews

A fantastically human film
16 November 2016 | by masonmorgan-92917See all my reviews

I heard nothing about Two Days, One night before I decided to check it out on Netflix, and I must say that this is one of the best foreign films I have seen in a while. Actually it's just one of the best films I've seen in a while.

Two Days, One night tells us a story of a woman's desperate attempts to persuade her co-workers into making a very important decision that determines her future. The story focuses on human nature and our ability to give something up for someone we barely know. It feels incredibly intimate and human throughout and there were times where the emotions were so raw that I kept forgetting that I'm just watching a film. It felt so real and I really wanted to see this character succeed, mainly because her character was so well acted. The plot is very simple but there is a wavering sense of unpredictability and even tension as we watch this desperation-fueled journey unfold. The main plot line sets off many little strings of other interactions that I would never have saw coming, making this a unique and highly enjoyable first viewing.

The acting all around was fantastic. Our main character, played by Marion Cotillard, was emotionally broken and this actress did an amazing job showing it. She covered so much range in her performance that I simply could not keep my eyes off her, for more than just the obvious reason. She was excellently formed as we constantly see her entire demeanor and mannerism change after every character interaction. She reacted realistically in a way that made me feel very immersed within the film's story and narrative. I greatly wanted to see this character succeed at her goal, and if she had not been as well acted, I definitely would not have cared as much. Another great thing about Two Days, One Night, besides the excellent acting, is that we can all relate to it's personal and socially accurate storytelling.

Our character is seen asking many individuals to make quite a large sacrifice. The great thing is that we all know what this feels like. So we can place ourselves in the shoes of either character and feel incredibly attached to the story. This constant feeling of immersion and realism felt absolutely perfect and there was not one second where I felt like the film dragged or included an unnecessary scene. I enjoyed every second of it and I really didn't want it to end. But when that time did come, it felt extremely satisfying and understandable. There was no complex enigmatic riddle to solve or deep metaphor with infinite possible meanings to interpret. The ending was just as meaningful without any of these things.

I thoroughly enjoyed Two Days, One Night. It tells an interesting story that could very well happen to anyone. It was involving, emotionally raw, and just fantastically human.

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Belgium | France | Italy


French | Arabic | English

Release Date:

21 May 2014 (Belgium) See more »

Also Known As:

Two Days, One Night See more »


Box Office


EUR7,000,000 (estimated)

Opening Weekend USA:

$30,700, 28 December 2014

Gross USA:


Cumulative Worldwide Gross:

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Company Credits

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Technical Specs


Sound Mix:

Dolby | Dolby Digital



Aspect Ratio:

1.85 : 1
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