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Vishal Bhardwaj's adaptation of William Shakespeare's 'Hamlet', Haider - a young man returns home to Kashmir on receiving news of his father's disappearance. Not only does he learn that security forces have detained his father for harboring militants, but that his mother is in a relationship with his very own uncle. Intense drama follows between mother and son as both struggle to come to terms with news of his father's death. Soon Haider learns that his uncle is responsible for the gruesome murder, what follows is his journey to avenge his father's death.Written by
The word 'Chutzpah' used by Haider several times is actually A Hebrew word which means "certain audacity to get away with outrageous conduct". See more »
[Around 2:06:02] While Haider is showing his mother her 2-faced nature, he holds her right side while showing her left side of the face in the mirror and vice versa when he shows her her right side. It appears correctly in the mirror's reflection because a plane mirror laterally reverses all images. See more »
Chutzpah Monologue Hello? Hello? Mic testing 1,2,3... Hello...? Awaz aa rahi hai aap laog ko? Hello, hello, hello, hello, hello? UN council resolution no. 47 of 1948, Article 2 of the Geneva convention, and Article 370 of the Indian Constitution. Bas ek sawaal uthata hai, sirf ek. Hum hai, ya ham nahi. Hum hai to kahan hain , aur nahi hain to kahan gaye ? Hum hain to kisliye aur kahan to kab? Janaaaaab... Hum thay bi, ya hum thay hi nahi? CHUTZPAH ho gaya hamare sath! Chutzpah jante hain aap ...
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Prior to its theatrical release, the CBFC (Central Board of Film Certification) film ordered 41 cuts to grant the film a U/A (parental guidance) classification. However, according to the director Vishal Bhardwaj, the board asked for only 7 cuts, but he himself gave the film 35 extra cuts to tighten the script. See more »
Performed by Moby (uncredited)
[The intro plays in multiple scenes; main theme of Haider's metamorphosis.] See more »
A Hauntingly Adept Cinematic Masterpiece
HAIDER to me is an acronym that means the following:
H. Haunting. Be it in its background score, music, lyrics, playback (especially Rekha Bharadwaj, Sukhwinder Singh, and Arijit Singh), cinematography, or backdrop of Kashmir in 1995, Haider is Haunting, and how! The film will stay with you long after you have left the theater.
A. Astounding. Haider is an astoundingly adept adaptation of a classic written almost 415 years ago that can be enjoyed irrespective of your knowledge about the Shakespearean Tragedy - Hamlet. If you don't know Hamlet, great! You do? Even better!
I. Incredible. Haider is incredible - in terms of its performances. Be it that of Shahid Kapoor (Haider/Hamlet) who performs a complex role with the kind of award worthy chutzpah that should silence all his detractors once and for all. Or for that matter the the triumvirate of Tabu (Halala/Gertrude) - ethereal, dauntless, and supreme, Kay Kay Menon (Khurram/Claudius) - terrific, resolute, and subtle or Irfan Khan (Rooh/The Ghost of Hamlet's father) - rudimentary and underplayed. Not to be forgotten is Shraddha Kapoor (Aarshi/Ophelia) who pitches in a performance that is 'picture'esque perfect and so full of finesse. And of course the two Salman Khan's who are fans of the superstar and who will surely gain some fans of their own post this film. In fact, every single member of the cast pitches in a perfect performance here, irrespective of the role and duration.
D. Daring. Haider is daring in talking about issues that many wouldn't touch with a bargepole and for the way it has juxtaposed a Shakespearean tragedy with a human tragedy - Kashmir. The valley is a character here that finally finds a voice of its own. The interpretations of that voice are truly brilliant.
E. Effective. Sometimes experimentation and reinterpretations fail. Not here. With layer upon layer waiting for the audience to be interpreted (for example the touch of Oedipal complex between a mother and son, the growing of guilt of a well meaning lover, the song of the gravediggers, the examples of 'Chutzpah' and its comparison with AFSPA etc). Haider is effective on multiple levels and truly faultless in its execution.
R. Rooh (Spirit/Soul). This is a film with an indomitable spirit that filmmakers would die to include in their body of work, and which Vishal Bharadwaj effectively manages to in this lifetime. This film has that which many a masterpiece may sometimes lack - a soul. A terrific triumph encompassing its soulful music, soul stirring performances, and soul warming message.
In short - watch Haider - in a theater. For Vishal Bharadwaj, the Director/Composer/Writer. For Shahid, the rising prince. For Tabu the eternal Queen. For Gulzar, the lyricist. For the cinematography by Pankaj Kapoor and the editing by Aarif Sheikh. And finally for Kashmir, the unforgettable voice of humanity.
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