Some time after the Civil War, a stagecoach hurtles through the wintry Wyoming landscape. Bounty hunter John Ruth and his fugitive captive Daisy Domergue race towards the town of Red Rock, where Ruth will bring Daisy to justice. Along the road, they encounter Major Marquis Warren (an infamous bounty hunter) and Chris Mannix (a man who claims to be Red Rock's new sheriff). Lost in a blizzard, the bunch seeks refuge at Minnie's Haberdashery. When they arrive they are greeted by unfamiliar faces: Bob, who claims to be taking care of the place while Minnie is gone; Oswaldo Mobray, the hangman of Red Rock; Joe Gage, a cow puncher; and confederate general Sanford Smithers. As the storm overtakes the mountainside, the eight travelers come to learn that they might not make it to Red Rock after all...Written by
Ennio Morricone said in an interview that he accepted Quentin Tarantino's request to score the film, because he liked the script, and because Tarantino gave him full freedom in the composition. Morricone said he considers the film an adventure movie, rather than a Western, and as a result, he tried to make the music sound completely different from his famous Western scores. He based the music on the feelings that the script evoked in him, rather than composing music for specific scenes. Because Morricone had only about a month to produce his score, he added several pieces of music that he had originally written for The Thing (1982), some of which had never been used. Morricone finally gave Tarantino five pieces of music, which he could use in the movie as he pleased. See more »
The movie is set no later than 1870. The piano in Minnie's Haberdashery is produced by Story & Clark, established in 1869. Judging by the "honky tonk" tone and bashed appearance, the piano has at least 20 years of wear. See more »
The credit includes "Checkpoint Charlie," the person whose job is to prevent anyone from entering the set with a cellphone. See more »
From the week of December 25th to 31st 2015, the film was shown exclusively in a 'Roadshow' version at 100 locations across North America (about half of them were 70mm film projection, the other half digital). This version played without previews and ran 187 minutes, including a 4-minute Overture and a 12-minute Intermission. The 'Multiplex' version (digital only) runs 167 minutes, and was shown from January 1, 2016 onwards. In addition to not having the Overture and Intermission, it removes approximately six minutes of footage that Quentin Tarantino felt played better in the 70mm format. See more »
Go for it. Ignore the haters. Tarantino entertainment to the core!
This is a short review I am forced to write after noticing the critics and the haters. Hateful Eight is another Tarantino masterpiece. It may be similar to his previous movies, but great directors don't come often and in a single life they can make only so many films. Now if Tarantino decides to make another 'Tanrantino' western with all the fine work thrown in as in his other films, I am no one no complain. This guy is a legend and I am privileged to see the handful of movies he will make in his lifetime. Even if he makes similar movies a dozen times, I would still watch it, cause this guy knows filmmaking at its finest. Hateful Eight is a blizzard of fine acting, fine dialogue, humor, darkness, snow and that incredible eye for perfection and storytelling.
Go damn watch it and be prepared to be a told a western story Tarantino style.
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