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The Lobster (2015)

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1:35 | Trailer
In a dystopian near future, single people, according to the laws of The City, are taken to The Hotel, where they are obliged to find a romantic partner in forty-five days or are transformed into beasts and sent off into The Woods.

Director:

Yorgos Lanthimos

Writers:

Yorgos Lanthimos, Efthymis Filippou (as Efthimis Filippou)
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Popularity
529 ( 111)
Nominated for 1 Oscar. Another 33 wins & 74 nominations. See more awards »

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Cast

Cast overview, first billed only:
Jacqueline Abrahams ... Donkey Shooter
Roger Ashton-Griffiths ... Doctor
Jessica Barden ... Nosebleed Woman
Olivia Colman ... Hotel Manager
Anthony Dougall Anthony Dougall ... 70 Year Old Waiter
Sean Duggan ... Guard Waiter
Colin Farrell ... David
Roland Ferrandi ... Loner Leader's Father
James Finnegan James Finnegan ... Bald Man
Robert Heaney Robert Heaney ... Restaurant Waiter
Rosanna Hoult ... David's Wife
Jaro Jaro ... Bob the Dog
Ryac Ryac ... Bob the Dog
Ashley Jensen ... Biscuit Woman
Kathy Kelly Kathy Kelly ... Police Officer 1
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Storyline

A love story set in a dystopian near future where single people are arrested and transferred to a creepy hotel. There they are obliged to find a matching mate in 45 days. If they fail, they are transformed into an animal and released into the woods. Written by R. Byma

Plot Summary | Plot Synopsis

Taglines:

An unconventional love story by Yorgos Lanthimos.


Motion Picture Rating (MPAA)

Rated R for sexual content including dialogue, and some violence | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Ireland | UK | Greece | France | Netherlands

Language:

English | French | Greek

Release Date:

16 October 2015 (Ireland) See more »

Also Known As:

The Lobster See more »

Filming Locations:

County Kerry, Ireland See more »

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Box Office

Budget:

EUR4,000,000 (estimated)

Opening Weekend USA:

$190,252, 15 May 2016

Gross USA:

$9,077,245

Cumulative Worldwide Gross:

$15,456,717
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

D-Cinema 48kHz 5.1

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

David (Colin Farrell), Robert (John C. Reilly) and John (Ben Wishaw) are the only named characters throughout the whole entire movie. See more »

Goofs

During the opening scene, the camera operator can be seen adjusting the lens in the reflection of the drivers door window. See more »

Quotes

The Limping Man: Hello everyone. My mother was left on her own when my father fell in love with a woman who was better at math than she was. She had a post graduate degree I think, where as my mother was only a graduate. I was nineteen at the time. My mother entered the hotel, but didn't make it and was turned into a wolf. I really missed her. I found out she had been moved to a zoo. I often went there to see her. I'd give her raw meat. I knew that wolves liked raw meat, but I couldn't figure out which of the ...
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Soundtracks

3 Pieces for String Quartet No. 3
Composed by Igor Stravinsky
Permission of Boosey & Hawkes, an Imagem Company
Performed by Goldner String Quartet
Courtesy of Naxos Rights US Inc
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Frequently Asked Questions

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User Reviews

 
Easily the weirdest film you'll see all year
18 October 2015 | by themadmoviemanSee all my reviews

There's no chance that you'll see a film as weird as The Lobster this whole year. In what is effectively an indie art-house piece, you get a completely insane and almost unfathomable world filled with more and more absurdities everywhere you look. However, it's such an incredibly unique and eye-catching film that it's still hugely engrossing and surprisingly entertaining to watch.

The story centres around one man, played by Colin Farrell, as he attempts to find a partner as a part of this bizarre system. The first act revolves around his time in 'The Hotel', and is not only hugely odd, but both dramatic and unnerving as well as hilarious to watch, featuring some of the best dark comedy written in years.

The film takes its story as seriously as any drama, and you feel that through the deeply disturbing atmosphere that emerges off the screen. However, as the film is just so weird, it eases you into the oddness of it all very impressively through the use of humour, something that more pretentious art-house films fail to do, and are resultantly a lot harder to really get into.

So, you'll definitely be laughing a lot, if not in a more disturbed than hugely entertained manner, throughout the first act, and by the end of it, you'll surely be as used as you can be to the incredibly weird feel of this whole film.

Just to give you an idea of how unorthodox this film is, every scene is full of awkward silences, the actors speak as if they're reading off of cue cards with no emotion whatsoever, the imagery is very ugly and unpleasant to look at right the way through, and the incredible slow pace of it all means that the film feels like it goes on for about five times as long as it actually does.

And yet, I still can't get around the fact that this is a brilliant film. Mainly, it's the fact that it's just so unique and almost shockingly bizarre, but it's just filled with so many captivating ideas that it's impossible not to be fully drawn into this insane story.

So, the performances, the directing, the writing, and pretty much everything is stunning, apart from one big issue that prevents this from being a truly incredible film. Following the end of the first act, the film does lose its way quite a lot, taking almost too big a leap into an even stranger abyss than you ever imagined at the beginning, and, with a little less humour in the latter stages, isn't as easy to watch as the first act had been.

However, it does pick up again towards a terrifying and as bizarre as ever conclusion, and that's why I'm going to give The Lobster a 9 out of 10, but I must warn you that if you feel you can't cope with this film for longer than the first twenty minutes, then it's not for you. This is definitely a cult film for the ages, but won't be a big hit with general audiences.


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