The news of Demelza and Poldark's marriage spreads through the community, threatening Wheal Leisure's prospects.
Ross faces ruin as, along with the rest of his collective, he must sell to the Warleggans' company at a nominal price. At the same time the disease known as putrid throat sweeps through the county, ...
The mine is at last bringing Ross wealth but Demelza, still slow to forgive, goes to stay with new mother Verity. An angry Ross gives the snide Warleggan a beating after his suggestion that Ross is ...
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Title: Poldark (2015–2019)
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Ross Poldark returns to England after fighting in the American Revolution. His family and friends thought he was dead. The woman he hoped to marry is now engaged to his cousin. His father is dead, and the property he has inherited has been allowed to deteriorate. It is the late 1700s in Cornwall, England. This is a family drama, but is also about the challenges and conflicts between the rich and the poor. It is a time when fishermen are not catching much fish, tin and copper mines are closing down because prices are too low, but the price of food and rents are high. Ross faces the challenge of making his land productive, caring for the tenants who rely on him, and trying to win back the woman he loved - or finding a reason to live without her.
My spouse and I have long been fans of the Poldark novels by Winston Graham, and of the 1970's TV series. We absolutely loved seasons 1-4 of this new adaptation. The scripts were faithful (in most particulars) to the books, and everything about the production was excellent: casting, directing, acting, music, locations, sets, costumes...everything! After a season or two, we had high hopes that this series would continue through adaptations of all 12 novels, the last 4 of which have never been filmed. After Season 4...well, we could not have been more disappointed with Season 5. I don't see how this season's opening title sequence can still carry the subheading "based on the novels by Winston Graham." The story line is completely off the books and off the rails. Characters act in ways that Winston Graham's creations would never have behaved. Much of the plot is implausible. There are far too many villains: a huge percentage of the screen time is spent with despicable people plotting and carrying out nefarious deeds; this quickly loses entertainment value and becomes tiresome. The last few minutes of the last episode are spent in a mad scramble to turn everything around and catch everything up to a point from which the rest of the novels could actually have proceeded. This whole season is completely ludicrous and unenjoyable to watch. If those responsible for this series weren't going to continue adapting the novels, they should have stopped at the end of Season 4.