Paris — Two Cannes Critics’ Week hits – ‘Guy,” “Sauvage” – and Erick Zonca’s comeback, “Black Tide,” are three potential highlights in a still-expanding MyFrenchFilmFestival, French promotion org UniFrance’s annual online selection of French and French-language films.
Unveiling MyFFF’s 2019 edition in Paris on Wednesday, UniFrance also revealed that this year’s ninth edition will bow a TV strand, showcasing espionage thriller “The Bureau,” a recent and game-changing Canal Plus Création Originale. The international filmmakers’ jury – unveiled by UniFrance’s president Serge Toubiana and co-managing director Isabelle Giordano on Wednesday morning at Google’s offices in Paris — comprises Jaco Van Dormael (“The Brand New Testament”), Houda Benyamina (“Divines”), Coralie Fargeat (“Revenge”), Mikhaël Hers (“Amanda”) and Kim Nguyen (“Rebelle”). Citing “Divines” which sold to Netflix, and “Revenge” which was acquired by AMC’s Shudder, Toubiana and Giordano said all the filmmakers on the jury have had a connection with a digital service.
Unveiling MyFFF’s 2019 edition in Paris on Wednesday, UniFrance also revealed that this year’s ninth edition will bow a TV strand, showcasing espionage thriller “The Bureau,” a recent and game-changing Canal Plus Création Originale. The international filmmakers’ jury – unveiled by UniFrance’s president Serge Toubiana and co-managing director Isabelle Giordano on Wednesday morning at Google’s offices in Paris — comprises Jaco Van Dormael (“The Brand New Testament”), Houda Benyamina (“Divines”), Coralie Fargeat (“Revenge”), Mikhaël Hers (“Amanda”) and Kim Nguyen (“Rebelle”). Citing “Divines” which sold to Netflix, and “Revenge” which was acquired by AMC’s Shudder, Toubiana and Giordano said all the filmmakers on the jury have had a connection with a digital service.
- 1/9/2019
- by John Hopewell and Elsa Keslassy
- Variety Film + TV
Streaming services have opened the door for multilingual series like worldwide Netflix hit “Narcos,” but dramas in English still dominate TV’s Golden Age, travel the most widely and draw the biggest distribution deals. International companies are scrambling for a piece of the action — including, perhaps surprisingly, producers in France, despite the country’s perceived snobbery about other languages.
Federation Entertainment, the 5-year-old firm behind Netflix’s first French show, “Marseille,” and Canal Plus spy show “The Bureau,” is the latest French player to step into the competitive U.S. market, with nearly a dozen English-language projects in the pipeline. Unlike outfits such as Gaumont or EuropaCorp, Federation is one of the few sizable, fully independent TV outfits left in France, and not only has opened an office in L.A. but is also developing projects with Paramount TV and other American companies.
Even so, breaking into the U.S.
Federation Entertainment, the 5-year-old firm behind Netflix’s first French show, “Marseille,” and Canal Plus spy show “The Bureau,” is the latest French player to step into the competitive U.S. market, with nearly a dozen English-language projects in the pipeline. Unlike outfits such as Gaumont or EuropaCorp, Federation is one of the few sizable, fully independent TV outfits left in France, and not only has opened an office in L.A. but is also developing projects with Paramount TV and other American companies.
Even so, breaking into the U.S.
- 7/19/2018
- by Elsa Keslassy
- Variety Film + TV
04.27.17: This list is now final. While I may in the future see additional films that were released in the awards year of 2016, no more films will be added to this list. (I may add links to reviews of films listed here.)
This ranking includes only new theatrical releases viewed for the awards year of 2016 (for eligibility for the Academy Awards and the Ofcs and Awfj awards); some films released in the UK without Us releases (and so ineligible for those awards this year) may also be included, for my own bookkeeping purposes. Links go to my review. Numbers after each entry are Date First Viewed/NYC Release Date/London Release Date; year is 2016 unless otherwise noted.
worth paying multiplex prices for
[5 stars]
Arrival (10.10/11.11/11.10)
La La Land (10.07/12.09/01.13.17)
A Monster Calls (10.06/12.23/01.01.17)
The Lobster (07.16.15/05.13/10.16.15)
Zootropolis (aka Zootopia) (02.22/03.04/03.25)
A Bigger Splash (10.08.15/05.04/02.12)
Miss Sloane (11.20/11.25/05.12.17)
London Road (06.03.15/09.09/06.12.15)
The Girl with All the Gifts (07.26/02.24.17/09.23)
I, Daniel Blake...
This ranking includes only new theatrical releases viewed for the awards year of 2016 (for eligibility for the Academy Awards and the Ofcs and Awfj awards); some films released in the UK without Us releases (and so ineligible for those awards this year) may also be included, for my own bookkeeping purposes. Links go to my review. Numbers after each entry are Date First Viewed/NYC Release Date/London Release Date; year is 2016 unless otherwise noted.
worth paying multiplex prices for
[5 stars]
Arrival (10.10/11.11/11.10)
La La Land (10.07/12.09/01.13.17)
A Monster Calls (10.06/12.23/01.01.17)
The Lobster (07.16.15/05.13/10.16.15)
Zootropolis (aka Zootopia) (02.22/03.04/03.25)
A Bigger Splash (10.08.15/05.04/02.12)
Miss Sloane (11.20/11.25/05.12.17)
London Road (06.03.15/09.09/06.12.15)
The Girl with All the Gifts (07.26/02.24.17/09.23)
I, Daniel Blake...
- 4/27/2017
- by MaryAnn Johanson
- www.flickfilosopher.com
Fascinating is the best way to describe the process by which the final five nominated for the Academy Award in the Best Foreign Language Film are selected. Each year dozens of countries send their Oscar hopeful to Hollywood for AMPAS to consider. This work should, at least in theory, be the best representation of the national cinematic achievements of that year. This usually makes for a crowded field of storytelling marvels.
Since each country, via its national film academy or a special cultural committee, can only submit one candidate, there are always “snubs” even at the selections stage. These often happens because a film doesn’t meet the requirements or simply because the selecting body didn’t regard them as highly. While there are numerous detractors regarding AMPAS rule of only one entry per country, in a sense this helps level the playfield given that smaller territories might have very choices in comparison to European powerhouses. The other perspective argues that because of this process sometimes the real standouts don’t get a chance to compete.
Once a film becomes the official entry the next, and most arduous step, is to get into the 9-film shortlist. Six of them are chosen by popular within the AMPAS’ Foreign Language Film committee and the other three by an executed committee. These nine finalists are then watched by 30 randomly selected members from different Academy branches over one weekend. This is where the five nominees are chosen. This year 80 accepted submissions (noting that Afghanistan’s entry was disqualified) are vying for the trophy, and that means that 75 of the world’s best films will have to cherish the exposure given by process.
Nevertheless, making the shortlist is more than a commendable feat itself. This list will be revealed next week, and though there are always unexpected surprises, there are of course a few favorites and films that have garnered lots of positive attention throughout the season. After watching over three quarters out of the colossal list of entries in contention I’d like to share my observations on the 25 films that seem like the strongest bets to make the coveted shortlist and eventually become Academy Award nominees. Granted, other films could easily sneak in if they manage to impress the right people, but I feel confident that most of those that will advance will come from the least below.
Argentina
"The Clan" (El Clan)
Dir. Pablo Trapero
Isa: Film Factory Entertainment
U.S. Distribution: Fox International
Trapero’s sordid crime drama based on the real life story of the Puccio family, which became national news when authorities discovered they were behind a series of kidnapping and murders, is a compelling work that uses Argentina’s historical context as backdrop. . Almodovar’s El Deseo, the company behind the Oscar-nominated “Wild Tales”, produced the film.
Read More: 'The Clan Wins' Audience Award At Miami Dade College’s Miami International Film Festival’s Gems
Austria
"Goodnight Mommy" (Ich seh, ich seh)
Dirs. Severin Fiala & Veronika Franz
Isa: Films Distribution
U.S. Distribution: Radius-twc
One of the most daring selections is also one the most acclaimed horror films of the year. This art house chiller confronts a pair of mischievous twin boys with their convalescent mother who recently underwent a facial surgery. The thematic and aesthetic elegance that co-directors Severin Fiala and Veronika Franz employed elevates “Goodnight Mommy” beyond the usual gruesome fare.
Belgium
"The Brand New Testament" (Le tout nouveau testament)
Dir. Jaco Van Dormael
Isa: Le Pacte
U.S. Distribution: None Yet
This fantastical take on religion is yet another unique vision from director Jaco Van Dormael, the filmmaker behind such films as “Mr. Nobody.” With a humorous tone, “The Brand New Testament” explores what would happen if God himself lived in a regular apartment in Brussels pretending to be a mortal and finding pleasure in the little things that annoy human life - all of which are orchestrated by him.
Brazil
"The Second Mother" (Que Horas Ela Volta?)
Dir. Anna Muylaert
Isa: The Match Factory
U.S. Distribution: Oscilloscope Pictures
Anna Muylaert’s crowd-pleasing, yet thematically complex gem delves into the intricacies of class in Brazilian society through the eyes of an endearing live-in maid. Regina Casé, in an Oscar-worthy performance, becomes Val, a diligent and humble housekeeper that has worked with the same wealthy family in Sao Paulo for many years and who only questions her role within this environment when her strange daughter comes to visit.
Read More: Anna Muylaert on Why the Protagonist of 'The Second Mother' is a Super Hero
Canada
"Felix & Meira"
Dir. Maxime Giroux
Isa: Urban Distribution International
U.S. Distribution: Oscilloscope Laboratories
A clandestine romance and the yoke of religion are at the center of Maxime Giroux’s delicate debut feature. Meira (Hadas Yaron is a Hasidic woman who feels trapped by the expectations and limitations imposed her, but when she meets Felix (Martin Dubreuil), a secular man who is equally lost, her vision of the world widens.
Rea More: 'Felix and Meira' Director Maxime Giroux on Understanding Hasidim and Quebecois Isolation
Chile
"The Club" (El Club)
Dir. Pablo Larraín
Isa: Funny Balloons
U.S. Distribution: Music Box Films
Larrain's latest work follows a group of priests and nuns who live in an isolated beachside town after committing a score of heinous crimes. Though they have the church's protection, there are people out there who are not willing to let impunity prevail. Magnificently written and acted, this dark and piercing drama ranks up there with the director’s best work
Colombia
"Embrace of the Serpent" (El Abrazo de la Serpiente)
Dir. Ciro Guerra
Isa: Films Boutique
U.S. Distribution: Oscilloscope Laboratories
Strikingly beautiful and laced with poetic mysticism, Ciro Guerra’s most accomplished work to date follows the journey of two European explores at particular times in history as they are guided through the Amazon by Karamakate, an imposing local shaman man who is wary of their intentions.
Czech Republic
"Home Care" (Domácí péce)
Dir. Slávek Horák
Isa: M-Appeal
U.S. Distribution: None Yet
This very low-key dramedy from first-time director Slávek Horák about a a middle-aged home care nurse, who not only has to look after her patients but also her own family, hasn’t had as much exposure as other films on this list; however, the quality of the performances and the nuanced screenplay have resonated with those who have seen it.
Denmark
"A War" (Krigen)
Dir. Tobias Lindholm
Isa: Studiocanal
U.S. Distribution: Magnolia Pictures
Director Tobias Lindholm follow up to “A Hijacking,” blends gritty action with a courtroom drama in a searing study on guilt and the collateral damage of armed conflicts from the point of view of conflicted family man and company commander Claus M. Pedersen (Pilou Asbæk). Subtle observations and intricate moral complexity are once again Lindholm's greatest strengths.
Estonia
"1944"
Dir. Elmo Nüganen
Isa: Eyewell Ab
U.S. Distribution: None Yet
After earning its first-ever Academy Award nomination earlier this year, the Eastern European country returns to the race with an impressive historical epic about Estonian soldiers fighting on different sides against their own. The film was directed, who starred in the Oscar-nominated “Tangerines.”
Finland
"The Fencer" (Miekkailija)
Dir. Klaus Härö
Isa: The Little Film Company
U.S. Distribution: None Yet
Finnish filmmaker Klaus Härö takes on an Estonian story about a professional fencer who becomes a physical education teacher in his homeland after leaving Russia to escape the Kgb. This classically executed and elegant period drama offers uplifting moments, romance, and exquisite cinematography.
France
"Mustang"
Dir. Deniz Gamze Ergüven
Isa: Kinology
U.S. Distribution: Cohen Media Group
Through traditional gender roles and expectations in Turkish society, adults attempt to tame the blossoming womanhood in Deniz Gamze Ergüven's five teenage protagonists. Delicately shot and cast to perfection, this peculiar coming-of-ager is an empowering breath of fresh air that honors freedom and femininity in equal measures.
Read More: 'Mustang' Director Deniz Gamze Ergüven on Femininity in Cinema and French Multiculturalism
Germany
"Labyrinth of Lies" (Im Labyrinth des Schweigens)
Dir. Giulio Ricciarelli
Isa: Beta Cinema
U.S. Distribution: Sony Pictures Classics
In the aftermath of WWII German authorities and the majority of the population refused to acknowledge the magnitude of their involvement in the Holocaust until a driven young prosecutor begins uncovering the truth. Ricciarelli film is a compelling historical drama with a fantastic lead performance by Alexander Fehling at its core.
Read More: Dir. Giulio Ricciarelli and Star Alexander Fehling on the Historical Relevance of 'Labyrinth of Lies' and Germany's Open Wound
Guatemala
"Ixcanul"
Dir. Jayro Bustamante
Isa: Film Factory Entertainment
U.S. Distribution: Kino Lorber
Bustamante’s Silver Bear-winning ethereal masterpiece in indigenous language is an intimate look at the lives of the country’s Mayan population. Told through the eyes of a teenage girl destined to an arranged marriage, this marvelously photographed film speaks of tradition, modernity, mysticism, male chauvinism, and cultural isolation.
Read More: 'Ixcanul' Director Jayro Bustamante on the Strength of Mayan Women and Guatemala's Indigenous Majority
Hungary
"Son of Saul" (Saul fia)
Dir. László Nemes
Isa: Films Distribution
U.S. Distribution: Sony Pictures Classics
By far the most incredible debut of the year and one of the best films about the Holocaust ever made, this year’s Grand Prix winner takes the viewer inside the Nazi killing machine from the perspective of the Sonderkommando, a group of Jewish men chosen to carry out all horrific manual labor within the gas chambers. Immersive and devastating, Nemes' stunner is a powerful cinematic statement.
Iceland
"Rams" (Hrútar)
Dir. Grímur Hákonarson
Isa: New Europe Film Sales
U.S. Distribution: Cohen Media Group
A humorous look at brotherhood and pastoral life, this Un Certain Regard-winning dark comedy pays homage to the importance of sheep in the Icelandic cultural identity. When a disease wipes out the entire town’s flock, two estrange siblings, who haven’t spoken to each other in decades, are forced to collaborate in order to save their livelihood.
Ireland
"Viva"
Dir. Paddy Breathnach
Isa: Mongrel International
U.S. Distribution: Magnolia Pictures
Jesus, a young gay man in Havana, only finds relief from his daily struggles when he transforms into a drag performer in front of an eager audience, but when his macho father returns after decades away his dreams are jeopardized. This Irish production set in Cuba is a delightful work that thrives on authenticity and emotionally layered performances.
Read More:'Viva' Director Paddy Breathnach on Making an Irish Film in Cuba and Visceral Transformation
Jordan
"Theeb" (ذيب)
Dir. Naji Abu Nowar
Isa: Fortissimo Films
U.S. Distribution: Film Movement
Adapting the sensibilities of classic Westerns into a uniquely Middle Eastern setting, this period piece touches on the complicated relationship between the region and the colonial powers via the experiences of a young Bedouin boy who embarks on a mission across the desert. Top-notch filmmaking that twists conventions to depict a singular worldview.
Mexico
"600 Miles" (600 Millas)
Dir. Gabriel Ripstein
Isa: Ndm
U.S. Distribution: Pantelion Films
By focusing on two characters from opposite sides of the border, Gabriel Ripstein’s debut Starring Tim Roth delves into the U.S/Mexico conflictive, yet unavoidable codependency and share responsibility in the fight against organized crime. Guns are at the center of this realist tale in which everyone’s morality is tinged with shades of grey.
The Netherlands
"The Paradise Suite"
Dir. Joost van Ginkel
Isa: Media Luna New Films
U.S. Distribution: None Yet
In this profound multi-narrative film the tumultuous stories of characters from diverse latitudes collide in Amsterdam in unexpected and heartbreaking ways. An Eastern European girl dragged into prostitution, an African man desperate to stay afloat, a war criminal in disguise, a woman seeking revenge, and famous musician and his son struggling to connect, all, in their own way, looking fro redemption.
Norway
"The Wave" (Bølgen)
Dir. Roar Uthaug
Isa: TrustNordisk
U.S. Distribution: Magnolia Pictures
Besides its spectacular, Hollywood-worthy visual effects, what sets this Scandinavian disaster movie apart from less sophisticated American efforts is its interesting character development. While the chaos and destruction on screen is an exhilarating feast, the human aspect is never forgotten and it’s crucial to the Norwegian specificity of the plot.
Romania
"Aferim!"
Dir. Radu Jude
Isa: Beta Cinema
U.S. Distribution: Big World Pictures
Thematically fascinating and visually impeccable, this black-and-white historical adventure set in the early 19th century solidifies Romanian cinema as one of the most exciting and innovative currents in Europe. Radu Jude’s film centers on the mostly unknown history of Gypsy slavery and how this shaped Romanian society by using a tragicomic tone and timeless aesthetics.
Spain
"Flowers" (Loreak)
Dirs. Jon Garaño & Jose Mari Goenaga
Isa: Film Factory Entertainment
U.S. Distribution: Music Box Films
The country’s firs Basque-language entry is a soft-spoken drama that juxtaposes the grieving processes of three women after the tragic death of man that touched their lives directly and indirectly. Unpretentious in its concept, yet unexpectedly philosophical, the power of the narrative lies on the actresses that flourish and decay in varying degrees throughout the film.
Sweden
"A Pigeon Sat on a Branch Reflecting on Existence" (En duva satt på en gren och funderade på tillvaron)
Dir. Roy Andersson
Isa: Coproduction Office (Paris)
U.S. Distribution: Magnolia Pictures
As brilliant as anything Andersson has ever created, the final chapter in his trilogy about the absurdity of what it means to be human is one of the most unconventional cinematic experiences in recent memory. Without the constraints of la traditional plot, this nonlinear treasure uses clever vignettes to talk about death, humor, and the mundane things that define our existence.
Read More: 7 Reasons Why Roy Andersson's Latest Film is a Must-See Philosophical Wonder
Taiwan
"The Assassin" (聶隱娘)
Dir. Hsiao-hsien Hou
Isa: Wild Bunch
U.S. Distribution: Well Go USA Entertainment
Armed with breathtaking cinematography, lavish costumes and production design, and an ancient legend about betrayal and retribution, master Hsiao-hsien Hou obliterates our expectations and delivers a one-of-a-kind martial arts epic that’s more concerned with sensory transcendence than narrative clarity, but is no less of an enthralling experience because of it.
Since each country, via its national film academy or a special cultural committee, can only submit one candidate, there are always “snubs” even at the selections stage. These often happens because a film doesn’t meet the requirements or simply because the selecting body didn’t regard them as highly. While there are numerous detractors regarding AMPAS rule of only one entry per country, in a sense this helps level the playfield given that smaller territories might have very choices in comparison to European powerhouses. The other perspective argues that because of this process sometimes the real standouts don’t get a chance to compete.
Once a film becomes the official entry the next, and most arduous step, is to get into the 9-film shortlist. Six of them are chosen by popular within the AMPAS’ Foreign Language Film committee and the other three by an executed committee. These nine finalists are then watched by 30 randomly selected members from different Academy branches over one weekend. This is where the five nominees are chosen. This year 80 accepted submissions (noting that Afghanistan’s entry was disqualified) are vying for the trophy, and that means that 75 of the world’s best films will have to cherish the exposure given by process.
Nevertheless, making the shortlist is more than a commendable feat itself. This list will be revealed next week, and though there are always unexpected surprises, there are of course a few favorites and films that have garnered lots of positive attention throughout the season. After watching over three quarters out of the colossal list of entries in contention I’d like to share my observations on the 25 films that seem like the strongest bets to make the coveted shortlist and eventually become Academy Award nominees. Granted, other films could easily sneak in if they manage to impress the right people, but I feel confident that most of those that will advance will come from the least below.
Argentina
"The Clan" (El Clan)
Dir. Pablo Trapero
Isa: Film Factory Entertainment
U.S. Distribution: Fox International
Trapero’s sordid crime drama based on the real life story of the Puccio family, which became national news when authorities discovered they were behind a series of kidnapping and murders, is a compelling work that uses Argentina’s historical context as backdrop. . Almodovar’s El Deseo, the company behind the Oscar-nominated “Wild Tales”, produced the film.
Read More: 'The Clan Wins' Audience Award At Miami Dade College’s Miami International Film Festival’s Gems
Austria
"Goodnight Mommy" (Ich seh, ich seh)
Dirs. Severin Fiala & Veronika Franz
Isa: Films Distribution
U.S. Distribution: Radius-twc
One of the most daring selections is also one the most acclaimed horror films of the year. This art house chiller confronts a pair of mischievous twin boys with their convalescent mother who recently underwent a facial surgery. The thematic and aesthetic elegance that co-directors Severin Fiala and Veronika Franz employed elevates “Goodnight Mommy” beyond the usual gruesome fare.
Belgium
"The Brand New Testament" (Le tout nouveau testament)
Dir. Jaco Van Dormael
Isa: Le Pacte
U.S. Distribution: None Yet
This fantastical take on religion is yet another unique vision from director Jaco Van Dormael, the filmmaker behind such films as “Mr. Nobody.” With a humorous tone, “The Brand New Testament” explores what would happen if God himself lived in a regular apartment in Brussels pretending to be a mortal and finding pleasure in the little things that annoy human life - all of which are orchestrated by him.
Brazil
"The Second Mother" (Que Horas Ela Volta?)
Dir. Anna Muylaert
Isa: The Match Factory
U.S. Distribution: Oscilloscope Pictures
Anna Muylaert’s crowd-pleasing, yet thematically complex gem delves into the intricacies of class in Brazilian society through the eyes of an endearing live-in maid. Regina Casé, in an Oscar-worthy performance, becomes Val, a diligent and humble housekeeper that has worked with the same wealthy family in Sao Paulo for many years and who only questions her role within this environment when her strange daughter comes to visit.
Read More: Anna Muylaert on Why the Protagonist of 'The Second Mother' is a Super Hero
Canada
"Felix & Meira"
Dir. Maxime Giroux
Isa: Urban Distribution International
U.S. Distribution: Oscilloscope Laboratories
A clandestine romance and the yoke of religion are at the center of Maxime Giroux’s delicate debut feature. Meira (Hadas Yaron is a Hasidic woman who feels trapped by the expectations and limitations imposed her, but when she meets Felix (Martin Dubreuil), a secular man who is equally lost, her vision of the world widens.
Rea More: 'Felix and Meira' Director Maxime Giroux on Understanding Hasidim and Quebecois Isolation
Chile
"The Club" (El Club)
Dir. Pablo Larraín
Isa: Funny Balloons
U.S. Distribution: Music Box Films
Larrain's latest work follows a group of priests and nuns who live in an isolated beachside town after committing a score of heinous crimes. Though they have the church's protection, there are people out there who are not willing to let impunity prevail. Magnificently written and acted, this dark and piercing drama ranks up there with the director’s best work
Colombia
"Embrace of the Serpent" (El Abrazo de la Serpiente)
Dir. Ciro Guerra
Isa: Films Boutique
U.S. Distribution: Oscilloscope Laboratories
Strikingly beautiful and laced with poetic mysticism, Ciro Guerra’s most accomplished work to date follows the journey of two European explores at particular times in history as they are guided through the Amazon by Karamakate, an imposing local shaman man who is wary of their intentions.
Czech Republic
"Home Care" (Domácí péce)
Dir. Slávek Horák
Isa: M-Appeal
U.S. Distribution: None Yet
This very low-key dramedy from first-time director Slávek Horák about a a middle-aged home care nurse, who not only has to look after her patients but also her own family, hasn’t had as much exposure as other films on this list; however, the quality of the performances and the nuanced screenplay have resonated with those who have seen it.
Denmark
"A War" (Krigen)
Dir. Tobias Lindholm
Isa: Studiocanal
U.S. Distribution: Magnolia Pictures
Director Tobias Lindholm follow up to “A Hijacking,” blends gritty action with a courtroom drama in a searing study on guilt and the collateral damage of armed conflicts from the point of view of conflicted family man and company commander Claus M. Pedersen (Pilou Asbæk). Subtle observations and intricate moral complexity are once again Lindholm's greatest strengths.
Estonia
"1944"
Dir. Elmo Nüganen
Isa: Eyewell Ab
U.S. Distribution: None Yet
After earning its first-ever Academy Award nomination earlier this year, the Eastern European country returns to the race with an impressive historical epic about Estonian soldiers fighting on different sides against their own. The film was directed, who starred in the Oscar-nominated “Tangerines.”
Finland
"The Fencer" (Miekkailija)
Dir. Klaus Härö
Isa: The Little Film Company
U.S. Distribution: None Yet
Finnish filmmaker Klaus Härö takes on an Estonian story about a professional fencer who becomes a physical education teacher in his homeland after leaving Russia to escape the Kgb. This classically executed and elegant period drama offers uplifting moments, romance, and exquisite cinematography.
France
"Mustang"
Dir. Deniz Gamze Ergüven
Isa: Kinology
U.S. Distribution: Cohen Media Group
Through traditional gender roles and expectations in Turkish society, adults attempt to tame the blossoming womanhood in Deniz Gamze Ergüven's five teenage protagonists. Delicately shot and cast to perfection, this peculiar coming-of-ager is an empowering breath of fresh air that honors freedom and femininity in equal measures.
Read More: 'Mustang' Director Deniz Gamze Ergüven on Femininity in Cinema and French Multiculturalism
Germany
"Labyrinth of Lies" (Im Labyrinth des Schweigens)
Dir. Giulio Ricciarelli
Isa: Beta Cinema
U.S. Distribution: Sony Pictures Classics
In the aftermath of WWII German authorities and the majority of the population refused to acknowledge the magnitude of their involvement in the Holocaust until a driven young prosecutor begins uncovering the truth. Ricciarelli film is a compelling historical drama with a fantastic lead performance by Alexander Fehling at its core.
Read More: Dir. Giulio Ricciarelli and Star Alexander Fehling on the Historical Relevance of 'Labyrinth of Lies' and Germany's Open Wound
Guatemala
"Ixcanul"
Dir. Jayro Bustamante
Isa: Film Factory Entertainment
U.S. Distribution: Kino Lorber
Bustamante’s Silver Bear-winning ethereal masterpiece in indigenous language is an intimate look at the lives of the country’s Mayan population. Told through the eyes of a teenage girl destined to an arranged marriage, this marvelously photographed film speaks of tradition, modernity, mysticism, male chauvinism, and cultural isolation.
Read More: 'Ixcanul' Director Jayro Bustamante on the Strength of Mayan Women and Guatemala's Indigenous Majority
Hungary
"Son of Saul" (Saul fia)
Dir. László Nemes
Isa: Films Distribution
U.S. Distribution: Sony Pictures Classics
By far the most incredible debut of the year and one of the best films about the Holocaust ever made, this year’s Grand Prix winner takes the viewer inside the Nazi killing machine from the perspective of the Sonderkommando, a group of Jewish men chosen to carry out all horrific manual labor within the gas chambers. Immersive and devastating, Nemes' stunner is a powerful cinematic statement.
Iceland
"Rams" (Hrútar)
Dir. Grímur Hákonarson
Isa: New Europe Film Sales
U.S. Distribution: Cohen Media Group
A humorous look at brotherhood and pastoral life, this Un Certain Regard-winning dark comedy pays homage to the importance of sheep in the Icelandic cultural identity. When a disease wipes out the entire town’s flock, two estrange siblings, who haven’t spoken to each other in decades, are forced to collaborate in order to save their livelihood.
Ireland
"Viva"
Dir. Paddy Breathnach
Isa: Mongrel International
U.S. Distribution: Magnolia Pictures
Jesus, a young gay man in Havana, only finds relief from his daily struggles when he transforms into a drag performer in front of an eager audience, but when his macho father returns after decades away his dreams are jeopardized. This Irish production set in Cuba is a delightful work that thrives on authenticity and emotionally layered performances.
Read More:'Viva' Director Paddy Breathnach on Making an Irish Film in Cuba and Visceral Transformation
Jordan
"Theeb" (ذيب)
Dir. Naji Abu Nowar
Isa: Fortissimo Films
U.S. Distribution: Film Movement
Adapting the sensibilities of classic Westerns into a uniquely Middle Eastern setting, this period piece touches on the complicated relationship between the region and the colonial powers via the experiences of a young Bedouin boy who embarks on a mission across the desert. Top-notch filmmaking that twists conventions to depict a singular worldview.
Mexico
"600 Miles" (600 Millas)
Dir. Gabriel Ripstein
Isa: Ndm
U.S. Distribution: Pantelion Films
By focusing on two characters from opposite sides of the border, Gabriel Ripstein’s debut Starring Tim Roth delves into the U.S/Mexico conflictive, yet unavoidable codependency and share responsibility in the fight against organized crime. Guns are at the center of this realist tale in which everyone’s morality is tinged with shades of grey.
The Netherlands
"The Paradise Suite"
Dir. Joost van Ginkel
Isa: Media Luna New Films
U.S. Distribution: None Yet
In this profound multi-narrative film the tumultuous stories of characters from diverse latitudes collide in Amsterdam in unexpected and heartbreaking ways. An Eastern European girl dragged into prostitution, an African man desperate to stay afloat, a war criminal in disguise, a woman seeking revenge, and famous musician and his son struggling to connect, all, in their own way, looking fro redemption.
Norway
"The Wave" (Bølgen)
Dir. Roar Uthaug
Isa: TrustNordisk
U.S. Distribution: Magnolia Pictures
Besides its spectacular, Hollywood-worthy visual effects, what sets this Scandinavian disaster movie apart from less sophisticated American efforts is its interesting character development. While the chaos and destruction on screen is an exhilarating feast, the human aspect is never forgotten and it’s crucial to the Norwegian specificity of the plot.
Romania
"Aferim!"
Dir. Radu Jude
Isa: Beta Cinema
U.S. Distribution: Big World Pictures
Thematically fascinating and visually impeccable, this black-and-white historical adventure set in the early 19th century solidifies Romanian cinema as one of the most exciting and innovative currents in Europe. Radu Jude’s film centers on the mostly unknown history of Gypsy slavery and how this shaped Romanian society by using a tragicomic tone and timeless aesthetics.
Spain
"Flowers" (Loreak)
Dirs. Jon Garaño & Jose Mari Goenaga
Isa: Film Factory Entertainment
U.S. Distribution: Music Box Films
The country’s firs Basque-language entry is a soft-spoken drama that juxtaposes the grieving processes of three women after the tragic death of man that touched their lives directly and indirectly. Unpretentious in its concept, yet unexpectedly philosophical, the power of the narrative lies on the actresses that flourish and decay in varying degrees throughout the film.
Sweden
"A Pigeon Sat on a Branch Reflecting on Existence" (En duva satt på en gren och funderade på tillvaron)
Dir. Roy Andersson
Isa: Coproduction Office (Paris)
U.S. Distribution: Magnolia Pictures
As brilliant as anything Andersson has ever created, the final chapter in his trilogy about the absurdity of what it means to be human is one of the most unconventional cinematic experiences in recent memory. Without the constraints of la traditional plot, this nonlinear treasure uses clever vignettes to talk about death, humor, and the mundane things that define our existence.
Read More: 7 Reasons Why Roy Andersson's Latest Film is a Must-See Philosophical Wonder
Taiwan
"The Assassin" (聶隱娘)
Dir. Hsiao-hsien Hou
Isa: Wild Bunch
U.S. Distribution: Well Go USA Entertainment
Armed with breathtaking cinematography, lavish costumes and production design, and an ancient legend about betrayal and retribution, master Hsiao-hsien Hou obliterates our expectations and delivers a one-of-a-kind martial arts epic that’s more concerned with sensory transcendence than narrative clarity, but is no less of an enthralling experience because of it.
- 12/14/2015
- by Carlos Aguilar
- Sydney's Buzz
Paolo Sorrentino’s Youth was among the big winners on an evening of political messages.Click Here For Full List Of Winners
Paolo Sorrentino’s Youth was the big winner at this year’s 28th European Film Awards on Saturday night in Berlin, taking home the top honour for European Film 2015 as well as the awards for European Director and European Actor.
These awards came only two years after Sorrentino’s previous film The Great Beauty bagged the same clutch of awards (plus Best European Editor) at the corresponding event.
Michael Caine was visibly moved when he came on stage to accept the European Actor trophy for his portrayal of an elderly composer and conductor. “It’s been 50 years and I’ve never won an award in Europe, and I’ve now won two in one evening,” the veteran actor quipped.
Earlier in the evening, nerves had almost got the better of Efa President Wim Wenders when he...
Paolo Sorrentino’s Youth was the big winner at this year’s 28th European Film Awards on Saturday night in Berlin, taking home the top honour for European Film 2015 as well as the awards for European Director and European Actor.
These awards came only two years after Sorrentino’s previous film The Great Beauty bagged the same clutch of awards (plus Best European Editor) at the corresponding event.
Michael Caine was visibly moved when he came on stage to accept the European Actor trophy for his portrayal of an elderly composer and conductor. “It’s been 50 years and I’ve never won an award in Europe, and I’ve now won two in one evening,” the veteran actor quipped.
Earlier in the evening, nerves had almost got the better of Efa President Wim Wenders when he...
- 12/13/2015
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
2015 European Film Awards winners and nominations Best European Film A Pigeon Sat on a Branch Reflecting on Existence. En Duva Satt På En Gren Och Funderade På Tillvaron. Sweden, France, Germany, Norway, 96 min. Written and directed by: Roy Andersson. Produced by: Pernilla Sandström. Mustang. France, Germany, Turkey, 100 min. Directed by: Deniz Gamze Ergüven. Written by: Deniz Gamze Ergüven and Alice Winocour. Produced by: Charles Gillibert. Rams. Hrútar. Iceland, Denmark, 93 min. Written and directed by: Grímur Hákonarson. Produced by: Grímar Jónsson. The Lobster. U.K., Ireland, Greece, France, Netherlands, 118 min. Directed by: Yorgos Lanthimos. Written by: Yorgos Lanthimos and Efthimis Filippou. Produced by: Ed Guiney, Lee Magiday, Ceci Dempsey and Yorgos Lanthimos. Victoria. Germany, 138 min. Written and directed by: Sebastian Schipper. Produced by: Jan Dressler. * Youth. Youth – La Giovinezza. Italy, France, U.K., Switzerland, 118 min. Written and directed by: Paolo Sorrentino. Produced by: Nicola Giuliano, Francesca Cima and Carlotta Calori. Best...
- 12/13/2015
- by Mont. Steve
- Alt Film Guide
Youth proved the big winner of the night scoring a hat-trick; Amy Winehouse documentary, The Lobster and Mustang among other winners.
The more than 3,000 members of the European Film Academy – filmmakers from across Europe – voted for this year’s European Film Awards. At the awards ceremony in Berlin on Saturday (Dec 12) the following awards were presented:
European Film 2015
Youth – La Giovinezza
Written & Directed By: Paolo Sorrentino
Produced By: Nicola Giuliano, Francesca Cima & Carlotta Calori
European Comedy 2015
A Pigeon Sat On A Branch Reflecting On Existence (En Duva Satt PÅ En Gren Och Funderade PÅ Tillvaron) by Roy Andersson
European Discovery 2015 – Prix Fipresci
Mustang by Deniz Gamze Ergüven
European Documentary 2015
Amy by Asif Kapadia
European Animated Feature Film 2015
Song Of The Sea by Tomm Moore
European Short Film 2015
Picnic (Piknik) by Jure Pavlović
European Director 2015
Paolo Sorrentino for Youth (La Giovinezza)
European Actress 2015
Charlotte Rampling in 45 Years
European Actor 2015
Michael Caine in Youth (La Giovinezza...
The more than 3,000 members of the European Film Academy – filmmakers from across Europe – voted for this year’s European Film Awards. At the awards ceremony in Berlin on Saturday (Dec 12) the following awards were presented:
European Film 2015
Youth – La Giovinezza
Written & Directed By: Paolo Sorrentino
Produced By: Nicola Giuliano, Francesca Cima & Carlotta Calori
European Comedy 2015
A Pigeon Sat On A Branch Reflecting On Existence (En Duva Satt PÅ En Gren Och Funderade PÅ Tillvaron) by Roy Andersson
European Discovery 2015 – Prix Fipresci
Mustang by Deniz Gamze Ergüven
European Documentary 2015
Amy by Asif Kapadia
European Animated Feature Film 2015
Song Of The Sea by Tomm Moore
European Short Film 2015
Picnic (Piknik) by Jure Pavlović
European Director 2015
Paolo Sorrentino for Youth (La Giovinezza)
European Actress 2015
Charlotte Rampling in 45 Years
European Actor 2015
Michael Caine in Youth (La Giovinezza...
- 12/13/2015
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Follow the line-up of titles as they are announced here…Refresh this page for the latest (titles now being announced)
The line-up of titles in Directors’ Fortnight, a parallel section of the Cannes Film Festival (May 13-24) run by the French Director’s Guild, is being announced at a press conference in Paris this morning.
It has already been announced that the opening film will be In the Shadow of Women, by Directors’ Fortnight habitué Philippe Garrel. The film revolves around a documentary-maker who drops his mistress, a trainee he met on a shoot, after he discovers his long-term partner also has a lover.
It has also been revealed that Arnaud Desplechin’s My Golden Days (Trois souvenirs de ma jeunesse) would also premiere there, as will Portuguese filmmaker Miguel Gomes’ Arabian Nights, a contemporary re-telling of One Thousand and One Nights.
This year’s Carrosse d’Or (Golden Coach) Prize, awarded to a director...
The line-up of titles in Directors’ Fortnight, a parallel section of the Cannes Film Festival (May 13-24) run by the French Director’s Guild, is being announced at a press conference in Paris this morning.
It has already been announced that the opening film will be In the Shadow of Women, by Directors’ Fortnight habitué Philippe Garrel. The film revolves around a documentary-maker who drops his mistress, a trainee he met on a shoot, after he discovers his long-term partner also has a lover.
It has also been revealed that Arnaud Desplechin’s My Golden Days (Trois souvenirs de ma jeunesse) would also premiere there, as will Portuguese filmmaker Miguel Gomes’ Arabian Nights, a contemporary re-telling of One Thousand and One Nights.
This year’s Carrosse d’Or (Golden Coach) Prize, awarded to a director...
- 4/21/2015
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Earlier this evening the 33rd edition of the Brussels International Fantastic Film Festival kicked off in grand style with a raucous packed house - and, yes, the Brussels audience notorious for making visiting directors sing to them and general carryings-on throughout screenings fully earns every scrap of their reputation - treated to an extended look at Jaco Van Dormael's upcoming effort The Brand New Testament (Le Tout Nouveau Testament) before Gremlins helmer Joe Dante took the stage to become a Knight In The Order Of The Raven prior to a screening of his latest effort, Burying The Ex.Van Dormael has been beautifully out of step with the norm for Belgian film throughout his career, the technically dazzling and philosophically challenging Mr Nobody being the most...
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 4/8/2015
- Screen Anarchy
Say what you will about Belgian writer director Jaco Van Dormael but he never seems to take the easy road. His ideas are huge, his vision uncompromising and if that means long gaps between his projects then so be it. Van Dormael was lost on screens with 2009 effort Mr Nobody, a fascinating slice of arthouse scifi, and fans wondering when he would return won't have to wait too much longer with word that he is now in post production on upcoming dark comedy The Brand New Testament (Le Tout Nouveau Testament).Set in Jaco Van Dormael's native Belgium, The Brand New Testament is a surreal comedy in which God is a real life character who lives in Brussels. On earth though, God is a coward, with pathetical morals...
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 2/2/2015
- Screen Anarchy
Le tout Nouveau Testament
Director: Jaco Van Dormael // Writers: Thomas Gunzig, Jaco Van Dormael
Get ready for some inventive strangeness from Belgian auteur Jaco Van Dormael, who won the Camera d’Or back in 1991 for his inspired debut, Toto, the Hero. But he’s most famous for his lavish 2009 English language production, Mr. Nobody, a sort of philosophical sci-fi extravaganza that starred Jared Leto. The film cost upwards of 33 million euros and was greeted with an incredibly cool reception, not even available for Us audiences until 2013 when Leto’s Oscar campaign for The Dallas Buyers Club was in full force. Now, Van Dormael has scaled it back a bit (he did have a demure 2011 title, Kiss & Cry, which has yet to see any kind of release here) with his latest, Le tout Nouveau Testament (The Brand New Testament), which professes to tell the story of God and his exacerbated relationship...
Director: Jaco Van Dormael // Writers: Thomas Gunzig, Jaco Van Dormael
Get ready for some inventive strangeness from Belgian auteur Jaco Van Dormael, who won the Camera d’Or back in 1991 for his inspired debut, Toto, the Hero. But he’s most famous for his lavish 2009 English language production, Mr. Nobody, a sort of philosophical sci-fi extravaganza that starred Jared Leto. The film cost upwards of 33 million euros and was greeted with an incredibly cool reception, not even available for Us audiences until 2013 when Leto’s Oscar campaign for The Dallas Buyers Club was in full force. Now, Van Dormael has scaled it back a bit (he did have a demure 2011 title, Kiss & Cry, which has yet to see any kind of release here) with his latest, Le tout Nouveau Testament (The Brand New Testament), which professes to tell the story of God and his exacerbated relationship...
- 1/7/2015
- by Nicholas Bell
- IONCINEMA.com
Total 47 film projects selected for Federation Wallonia-Brussels support.
The film selection committee of the Federation Wallonia Brussels hasselected 19 features, 10 shorts, 14 documentaries and four TV films for script, development or production support for a total amount of €3,267,000 ($4.2m).
Among the selected projects are new projects by Jaco Van Dormael, Thierry Michel, Olivier Masset-Depasse and Pauline Etienne.
Among the features selected for support are surrealist comedy Le Tout Nouveau Testament by Jaco Van Dormael, which he co-scripted with Thomas Gunzig and for which shooting in Belgium with Benoît Poelvoorde, Catherine Deneuve and Yolande Moreau has already started.
Hélène Cattet and Bruno Forzani, whose Amer and L’étrange couleur des larmes de ton corps won festival prizes, will make a film noir with the adaptation of a novel by Jean-Patrick Manchette, Laissez bronzer les cadavres.
Production support will also go to Animal, Frédéric Dumont’s second feature effort following Un ange à la mer, as well as...
The film selection committee of the Federation Wallonia Brussels hasselected 19 features, 10 shorts, 14 documentaries and four TV films for script, development or production support for a total amount of €3,267,000 ($4.2m).
Among the selected projects are new projects by Jaco Van Dormael, Thierry Michel, Olivier Masset-Depasse and Pauline Etienne.
Among the features selected for support are surrealist comedy Le Tout Nouveau Testament by Jaco Van Dormael, which he co-scripted with Thomas Gunzig and for which shooting in Belgium with Benoît Poelvoorde, Catherine Deneuve and Yolande Moreau has already started.
Hélène Cattet and Bruno Forzani, whose Amer and L’étrange couleur des larmes de ton corps won festival prizes, will make a film noir with the adaptation of a novel by Jean-Patrick Manchette, Laissez bronzer les cadavres.
Production support will also go to Animal, Frédéric Dumont’s second feature effort following Un ange à la mer, as well as...
- 9/22/2014
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
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