User Reviews

The elite group of firefighters known as the Granite Mountain Hotshots came into national prominence because all but one of them perished in the deadly Yarnell Hill Fire of June 2013, thus marking the highest death toll for US firefighters since 9/11. But this portrait of a fraternity of men who risk their lives day-in and day- out containing fast-spreading wildfires is much, much more than just that fateful incident alone. Oh no, as adapted for the screen from a harrowing GQ article by Ken Nolan ('Black Hawk Down') and Eric Warren Singer ('American Hustle'), it is a celebration of ordinary, sometimes- flawed men doing extraordinary things that pays homage to their indomitable courage and self-sacrifice, but never does turn reverent to the point of idolatry. These are men with real struggles and issues of their own, and in portraying these alongside their heroism, this well-rounded tribute becomes all the more compelling and poignant.

When we first meet these firefighters, they are no more than a municipal squad doing Type II fire mitigation duty, viz. Clearing brush and burning firelines relatively far from the danger itself. That diminished status is a sore point for their superintendent Eric Marsh (Josh Brolin), who implores the division chief and close confidant Duane Steinbrink (Jeff Bridges) to get them certified as 'hotshots'. That journey to cherished Type I status will see Eric recruit a bunch of newbies to augment their numbers, including the local screw-up Brendan McDonough (Miles Teller) looking for a chance to straighten his life out - not only will Eric have to ensure that Eric does not end up becoming their Achilles heel, he will also have to manage the dynamics between Brendan and fellow hot-blooded member Chris MacKenzie (Taylor Kitsch). Thus sets the stage for a good number of scenes which show how the men train - committing rules to memory, conducting deploy drills and creating control burns - which will pay off in unexpected ways in giving context of what the men will be doing in the heat of duty.

That they will be recognised as top-tier firemen is no surprise, but it is how the relationships between these men evolve that is truly engaging to watch. There is plenty of camaraderie to go around, built up over months of training together and fighting fire alongside each other, such that Brendan and Chris will just overcome their initial enmity but become best buddies in a way that feels completely authentic. Due focus is also given to the families of these men, in particular Eric's fierce but loving relationship with his strong- willed wife Amanda (Jennifer Connelly) as well as Brendan's strained relationship with the girl whom he got pregnant and their baby daughter. In fact, the film is as much homage to the men as it is honouring their wives and children who endure long stretches of their absence and persistent anxiety over their safety and wellbeing. Deserving of special mention are the emotionally charged scenes between Eric and Amanda, which not only portray the complexities of being in a marriage with someone so consumed by a profession that may one day claim his very life, but also later on underline the unavoidably profound grief felt by his subsequent demise.

Just as he does with the characters, director Joseph Kosinski keeps the firefighting footage real and authentic. Unlike other such genre films, there is no attempt to inflate or sensationalise the scale and intensity of these conflagrations; instead, each one is approached by the crew in an almost routine fashion - a call for help, a long ride out in their vehicles where they sing songs and trade jokes, and an equanimity on the ground borne out of skill, confidence and professionalism - much in the way that any one of us would our day- to-day work, with the notable distinction of course being how extremely dangerous each one of these missions is. Combining actual fire, special effects and CGI, the five different blazes we see on screen showcase the stunning and terrible beauty of fire, each one magnificently captured by Oscar-winning cinematographer Claudio Miranda.

But more than the visual spectacle of the blazes is the brotherhood of the unit, the bonds between the men forged over sweat and soot. It is their camaraderie, their true-to-life challenges and their bravery, determination and perseverance that will stay with you long after the lights come on. Each one of the actors that make up the stellar acting ensemble portraying these real-life heroes puts in some of his or her best work we have seen, no more so than Brolin, who anchors the film as the strong-willed leader with dignity, gravitas and pathos. You'll already know right from the start that there is no happy ending for these men, not even the only one among them who survives out of pure luck and is therefore saddled with a profound sense of guilt, but their eventual fate still hits you like a blast. This is as befitting a homage as it gets to these ordinary men, deeply moving, immensely affecting and thoroughly realistic.

Personally I found nothing wrong with this movie which is something I rarely say when I go to the theaters now days. The cast was great and really got you interested in the characters. It stayed mostly true to the actual story of these brave men whilst throwing in a little bit more drama and action to "Hollywood" it. The ending will have you shedding a tear even though we all knew what happens going into it. Was well worth the money spent and deserves a higher rating than critics have given it.

"If this isn't the greatest job in the world, I don't know what is!" Eric Marsh (Josh Brolin)

True to its title, Only the Brave depicts with authentic-seeming imitation, the hell of fire encountered in numerous fire fights, the most famous being the 2013 Yarnell Hill fire in which 19 firefighters died. When Director Joseph Kosinski, an expert in action filming, dramatizes the rigorous routine of the fighters, with the help of first-rate CGI, you seem to be right there in the midst of the flames.

Like many films about war, this docudrama takes pains to reveal the domestic tensions with wives waiting for fighters or to become pregnant or to take care of the children. All of this is to say, one could become impatient with the non-essential melodrama as the real interest is in the mechanics of fighting.

Of course, some domestic story is necessary to humanize the heroic firefighters. However, this film seems to take too much time fleshing out the details of loves and family that take second place to the fires. It's the Granite Mountain Hot Shots, from Prescott, Arizona, who are the stars as they fight heroically without complaint.

Given the current fires raging in California, Only the Brave is timely if nothing else. It will help put into perspective the danger and valor of the firefighters; it will also dwell unnecessarily on the non firefighting.

All but one of the Granite Mountain Hot Shots do not come home from the Yarnell fire. We are better able because of this film to appreciate the danger of their jobs and the longing of their families. If you want an up close look at how these heroes fight fires, this is the film for you. Certifiable heroes they are.

"I can think of no more stirring symbol of man's humanity to man than a fire engine." Kurt Vonnegut