When their headquarters are destroyed and the world is held hostage, the Kingsman's journey leads them to the discovery of an allied spy organization in the United States. These two elite secret organizations must band together to defeat a common enemy.
Foul-mouthed mutant mercenary Wade Wilson (AKA. Deadpool), brings together a team of fellow mutant rogues to protect a young boy with supernatural abilities from the brutal, time-traveling cyborg, Cable.
Baby is a young and partially hearing impaired getaway driver who can make any wild move while in motion with the right track playing. It's a critical talent he needs to survive his indentured servitude to the crime boss, Doc, who values his role in his meticulously planned robberies. However, just when Baby thinks he is finally free and clear to have his own life with his new girlfriend, Debora, Doc coerces him back for another job. Now saddled with a crew of thugs too violently unstable to keep to Doc's plans, Baby finds himself and everything he cares for in terrible danger. To survive and escape the coming maelstrom, it will take all of Baby's skill, wits and daring, but even on the best track, can he make it when life is forcing him to face the music?Written by
Kenneth Chisholm (email@example.com)
A song is played in the background of nearly every scene in the film. Also, whenever a song plays in 4/4 rhythm, a shot almost always cuts in one of the four beats. See more »
Before accelerating away from the post office dock, Baby presses a button to deactivate the passenger side airbag. There is no such button in the Mitsubishi Galant; such switches are only used in two-seat vehicles, not sedans, and may only be used by inserting a vehicle key. See more »
Hey Baby, you know it's funny. Even though I heard it so many times in the court case, I still can't get used to the fact that your real name is Miles. It's a cool name though. I can think of a lot of great Miles songs. But we still have to get through all those Baby songs first. I can't wait until the day when it's just us, music and the road. See you later Baby. All my love, Debora.
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At the end of the credits is the sound of a tape rewinding. See more »
Perfect blend of action, comedy, and a great soundtrack!
The film stars Ansel Elgort as the titular character in deep with some undesirables from the criminal underworld. To pay them back, he must use his driving skills to help with a number of heists. During all this, he becomes smitten with a waitress (Lily James) who makes him feel like he's more than just a criminal. He then decides to try and escape his life of crime, but he soon realizes that it's much easier said than done.
I must say, Edgar Wright did a fantastic job with this film. All the music fit so well in their respective scenes, combined with the great acting all around to make one of the most entertaining films I've seen in a long time.
Jon Hamm, Jamie Foxx, Kevin Spacey, and Eiza González did their parts well and portrayed convincing mentally unstable killers. This is the first time Wright has worked with this much star power, specifically American star power. The actors played well off of each other, especially in scenes involving comedy where they nailed the punchlines.
The music was good, not all of it recognizable by the average viewer, but effective nonetheless. Supposedly Edgar Wright based the whole movie idea around the Baby Driver song by Simon & Garfunkel, which is an accomplishment all on it's own.
Baby Driver was paced well, was never boring, and made me want sit back down in my seat and watch it over again.
I wanted to keep this review kind of short, but I did want to give you enough information to hopefully convince you to go out and see this film if you get the chance.
My suggestion: Do yourself a favor, go enjoy a night out at the movies and go see Baby Driver!
Seen at a advance screening in Roseville, Minnesota.
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