"Room Number 2" - a fire at a hotel results in the death of a man, murder? Salvo & Livia begin planning for the wedding. When Salvo asks Carmine to be his best man, Mimi gets upset. But Livi... Read all"Room Number 2" - a fire at a hotel results in the death of a man, murder? Salvo & Livia begin planning for the wedding. When Salvo asks Carmine to be his best man, Mimi gets upset. But Livia comes up with a solution that mends hurt feelings."Room Number 2" - a fire at a hotel results in the death of a man, murder? Salvo & Livia begin planning for the wedding. When Salvo asks Carmine to be his best man, Mimi gets upset. But Livia comes up with a solution that mends hurt feelings.
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- GoofsMontalbano decides to pop over to Trapani for dinner, to meet a key contact. Although Vigàta is a fictitious location, it is modelled on Porto Empodocle, and the equally fictitious provincial capital Montelusa on nearby Agrigento. These are located at the centre of Sicily's south coast, but Trapani is at the western tip of the island. That makes it a round trip of well over 300km, on roads which are only regular 2-lane highways, not freeways. A very long journey for a simple dinner meeting! Yes, it's fiction, but could Vigàta potentially be closer to Trapani? Whenever Livia leaves to return to Genova, she is seen taking the bus to the comparatively minor airport of Catania, on the east of the island. If Vigàta were further west, she would surely use the airport of Sicily's capital Palermo, the principal one of the island, and only about 50km from Trapani.
Featured review
Fires and anonymous letters
Love 'Inspector Montalbano' and feel that it does a great job bringing freshness to a well-worn genre (not intended as a bad thing, love crime/mystery drama but there's a lot out there with familiar tropes to each other).
Was not sure how its prequel series 'The Young Montalbano' would fare when hearing of it. It sounded interesting to see the great 'Inspector Montalbano' characters in their youth, but also questioned the necessity. With that being said, had mixed expectations before watching 'Endeavour', the prequel series to one of my favourites 'Inspector Morse' and it ended up nearly as great. The same goes for 'The Young Montalbano', it must have been no easy feat to live up to such a good show and have a younger actor for the title character filling in very big shoes but 'The Young Montalbano' manages it splendidly.
Some may question the physical resemblances of the younger cast to 'Inspector Montalbano's' cast for continuity's sake, Mimi is a notable example. That was not an issue at all to me. By 'The Young Montalbano' standards (in fact anything to do with Montalbano in general, every single one of the lesser episodes of 'Inspector Montalbano were better than this one in my opinion), "Room Number Two" is something of a disappointment. It's hardly a bad episode, pretty decent, but up to this point in the show it's easily the weakest seeing as the previous episodes were no less than great.
Getting the issues out of the way, there are far more surprising and exciting denouements elsewhere in 'The Young Montalbano'. This one was disappointing in its predictability and didn't feel cooked all the way through, even more under-cooked than the one for 'Inspector Montalbano's' "The Mud Pyramid". A few of the red herrings are agreed lazy and irrelevant, with the Mafia contribution actually confusing the story rather than adding to it or creating suspense.
However, there is enough to make "Room Number 2" decent. As to be expected, it is beautifully shot and the scenery is stunning, making those who've never been to Italy want to book a holiday there as soon as possible and is a treat for anybody who loves all things Italian. The scenery as always is atmospheric and the use of it very clever, the locale as always is suitably colourful. The music is never over-bearing or low-key with a nice atmosphere and flavour, a lot of it is very cleverly used. The sound effects are remarkably authentic.
Oh, and something that was neglected to be mentioned by me in my reviews for the show and its individual episodes is how the food and the way it's used is enough to make one salivate over, it looks so delicious and almost too good to eat.
Part of 'The Young Montalbano's' appeal how it manages to stay true to what was so good about 'Inspector Montalbano' and is every bit as successful at creating a history that is both incredibly interesting and plausible. The humour is fun and remarkably true in spirit to 'Inspector Montalbano' if not as eccentric as that in the later episodes, the conflict is tense in a nail-biting way and the drama charms and affects. The romance is charming and Livia fares very nicely in her younger version. The characters as their younger selves, for what they lack in physical resemblance, more than make up for that in maintaining the same personalities we know and love the characters for and being just as interesting in development. Catarella when younger is just as hilarious, if more subtle. Even the supporting characters are given a lot of attention.
While the story execution is not perfect by any stretch of the imagination, the two cases especially the first one are entertaining and intriguing mostly. The pacing is leisurely but not dull. One just wishes that more thought was put into the ending and the red herrings.
The acting is very good, Michele Riondino had a Herculean task filling the shoes of the incomparable Luca Zingaretti but is more than up to the task and does it more than admirably, balancing comedy, drama and intensity with ease. All the other roles range from solid to great, with Fabrizio Pizzutto and Alessio Vassallo really coming into their own, but through the whole show it's Riondino's show all the way when it comes to the acting honours.
Overall, disappointing but has a lot of good merits. 7/10 Bethany Cox
Was not sure how its prequel series 'The Young Montalbano' would fare when hearing of it. It sounded interesting to see the great 'Inspector Montalbano' characters in their youth, but also questioned the necessity. With that being said, had mixed expectations before watching 'Endeavour', the prequel series to one of my favourites 'Inspector Morse' and it ended up nearly as great. The same goes for 'The Young Montalbano', it must have been no easy feat to live up to such a good show and have a younger actor for the title character filling in very big shoes but 'The Young Montalbano' manages it splendidly.
Some may question the physical resemblances of the younger cast to 'Inspector Montalbano's' cast for continuity's sake, Mimi is a notable example. That was not an issue at all to me. By 'The Young Montalbano' standards (in fact anything to do with Montalbano in general, every single one of the lesser episodes of 'Inspector Montalbano were better than this one in my opinion), "Room Number Two" is something of a disappointment. It's hardly a bad episode, pretty decent, but up to this point in the show it's easily the weakest seeing as the previous episodes were no less than great.
Getting the issues out of the way, there are far more surprising and exciting denouements elsewhere in 'The Young Montalbano'. This one was disappointing in its predictability and didn't feel cooked all the way through, even more under-cooked than the one for 'Inspector Montalbano's' "The Mud Pyramid". A few of the red herrings are agreed lazy and irrelevant, with the Mafia contribution actually confusing the story rather than adding to it or creating suspense.
However, there is enough to make "Room Number 2" decent. As to be expected, it is beautifully shot and the scenery is stunning, making those who've never been to Italy want to book a holiday there as soon as possible and is a treat for anybody who loves all things Italian. The scenery as always is atmospheric and the use of it very clever, the locale as always is suitably colourful. The music is never over-bearing or low-key with a nice atmosphere and flavour, a lot of it is very cleverly used. The sound effects are remarkably authentic.
Oh, and something that was neglected to be mentioned by me in my reviews for the show and its individual episodes is how the food and the way it's used is enough to make one salivate over, it looks so delicious and almost too good to eat.
Part of 'The Young Montalbano's' appeal how it manages to stay true to what was so good about 'Inspector Montalbano' and is every bit as successful at creating a history that is both incredibly interesting and plausible. The humour is fun and remarkably true in spirit to 'Inspector Montalbano' if not as eccentric as that in the later episodes, the conflict is tense in a nail-biting way and the drama charms and affects. The romance is charming and Livia fares very nicely in her younger version. The characters as their younger selves, for what they lack in physical resemblance, more than make up for that in maintaining the same personalities we know and love the characters for and being just as interesting in development. Catarella when younger is just as hilarious, if more subtle. Even the supporting characters are given a lot of attention.
While the story execution is not perfect by any stretch of the imagination, the two cases especially the first one are entertaining and intriguing mostly. The pacing is leisurely but not dull. One just wishes that more thought was put into the ending and the red herrings.
The acting is very good, Michele Riondino had a Herculean task filling the shoes of the incomparable Luca Zingaretti but is more than up to the task and does it more than admirably, balancing comedy, drama and intensity with ease. All the other roles range from solid to great, with Fabrizio Pizzutto and Alessio Vassallo really coming into their own, but through the whole show it's Riondino's show all the way when it comes to the acting honours.
Overall, disappointing but has a lot of good merits. 7/10 Bethany Cox
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- TheLittleSongbird
- Oct 24, 2017
Details
- Runtime1 hour 43 minutes
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