Wendell & Wild (2022) Poster

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6/10
Incredibly creative but way overstuffed.
benjaminskylerhill28 October 2022
Henry Selick's welcome return to direction is expectedly visually splendorous. Though a lot more rudimentary in it's appearance than Coraline, Wendell & Wild is brimming with life in the design of every one of its memorable characters and sets.

The unique style and quirky designs add a great deal of vibrancy to the many, many creative ideas present in the story. It makes for a gleefully bizarre, oddly captivating experience. I can see this becoming a cult classic like some of Selick's other stop-motion animated films.

I thought the characters all had more than sufficient unique personality to keep the film effortlessly watchable and engaging.

But there is WAY too much going on here. And I'm starting to see this as a trend in screenplays involving Jordan Peele, as Nope had the same problem earlier this year.

Wendell and Wild as characters are actually barely in this movie, and they are woefully underdeveloped, given the bare minimum of motivations and rushed, shallow character growth. And it's because the writers felt the need to make room for a plethora of other characters and story beats that are never given their time to become impactful.

Kat has an "overcoming trauma" arc that is simplistically glossed over in one scene, and she has magical powers that are introduced with almost no build-up.

Some generically-written friends of Kat's are given even less development and some scenes try to highlight them only to have little to no impact on the story.

I could go on, but I'll lastly mention that there are way too many antagonist characters, and because there's no time to focus on them, they're disappointingly simplistic and cartoonish, and it results in the story's themes being delivered in such an on-the-nose manner that the film's conclusion is unfortunately disappointing.
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5/10
Gorgeous animation... Unsatisfactory plot.
basmamatti1 November 2022
Warning: Spoilers
The animation is actually stunning. I found myself being throughly engaged just from the animation alone. The representation was also refreshing.

However, there is far too much going on. The plot tries to do too much which means no one character is developed enough. Wendell and wild are hardly seen during this film which is strange, considering that the film is named after them. If this film must be remade, I would recommend trying to reign in the character focus.

I feel like in an attempt to make this film representative and inclusive as possible, it fails to properly aline it's story.

Still worth a watch just for the animation.
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5/10
Underwhelming
colbertadrian30 October 2022
The idea of Key&Peele as stop-motion characters was enough to draw me in, the problem with the movie is they're not the main characters even though the title says Wendell & Wild, the main character is the school girl Kat, and because her life's trauma left her cold, she hard to like, the animation has high production value, it looks good, but the story is about too many different things, and the title characters fade into the background, Kat is supposed to be some kind of hell something lol, and her mentor played by Angela Bassett has the same powers but it's not fleshed out enough to understand what the purpose of those powers are, overall a cute Halloween movie for a family to watch, parents turn off your brain and let the kids enjoy the animation.
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6/10
With this Amount of Talent We Should get Better
JayWolfgramm2 November 2022
When I first saw the trailer, I was really excited for this movie. Henry Selick has made two all-time animated classics with "Nightmare Before Christmas" and "Coraline". Having him team up with Jordan Peele, sounds like a match made in heaven. Ironic comparison given the subject of the movie.

The animation is very distinct. It catches you off guard at first, but you get used to it fairly quick. The movie has a lot of fun and unique characters and create a fascinating world. The characters, animation and moments of humor all work, where does it falter?

The story simply has way too much going on. As the movie tries to juggle these different story points, characters make stupid decisions or unprovoked changes solely for the purpose of moving the story towards a conclusion. And I may have complimented a lot of the characters, but I will say that the villains in this are awful. They are the same old tired villain cliché we've seen a hundred times, with nothing clever or funny to make them stand out.

I like the themes and morals the movie addresses, but just because I like the message, doesn't mean that I liked the way it was presented.

It's a shame because there's a great movie in here, it just doesn't come to its full potential. A good film with just one too many demons holding it back.
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Messy Structure & Muddled Storytelling Brings It Down
CinemaClown10 November 2022
From the director of The Nightmare Before Christmas & Coraline, Wendell & Wild is yet another stop-motion animation offering that brims with originality, creativity & imagination and packs a thematically-rich premise overflowing with ideas but the film as a whole still required more fine-tuning with the script, for the messy structure & muddled storytelling only brings the ride down.

Co-written by Jordan Peele & directed by Henry Selick, the story addresses guilt, trauma, loss, death, resurrection & even prison-industrial complex through its 13-year old protagonist but it fails to properly juggle the various subplots that are unfolding all at once and lacks a firm grip necessary to keep the drama riveting. It tries to tackle too many things & overstuffs the plot in the process.

The stop-motion craftsmanship on display remains top-notch from the get-go and the world it renders on screen has the director's macabre feel to it. Also uplifting the animation wizardry is the excellent use of camera, colour & lighting. Editing however is a mixed bag, for the narrative flow is a bit inconsistent and never truly gathers momentum. Voice acting is fine but the drama isn't compelling enough.

Overall, Wendell & Wild begins on a promising note and is admirable for its ambitious attempt but it needed a more tightly-knitted plot, polished script & better balance between its multiple plot lines to deliver the desired goods. The hand-crafted magic is commendable no doubt but it's the convoluted writing that hinders the film from realising its full potential. In short, Selick's latest is no match to his finest efforts.
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6/10
Walk on the (Wendell &) Wild side.
Pjtaylor-96-13804429 October 2022
'Wendell & Wild (2022)' is adaptation of Henry Selick's own book about a troubled girl who meets her demons shortly after being enrolled at an all-girls catholic school in her home town. It's the director's first film since his much-loved classic, 'Coraline (2009)', and it features many of the hallmarks of his delightfully macabre style. Teaming up with Jordan Peele (who takes on co-writing, producing and acting as the titular Wild) seems like a match made in heaven - or, perhaps, hell - and a lot of the movie lives up to that potential. However, ultimately it's one of the weaker entries in either filmmakers' filmographies because it simply can't get a handle on what it wants to be. Straight away, something seems off with the pacing. The editing is very elliptical, even in the most straight-forward sequences, and the overarching structure is very unfocused. The piece bounces around between its various elements, never quite coming together as a cohesive whole. These elements are mostly excellent in isolation, but the fact that they never quite gel leads to an experience that's difficult to get fully immersed in. The flick deals with a lot of interesting ideas, touching on themes of family and guilt while commenting on important societal issues such as the prison-industrial complex, and it's also awash in positive representation (even though I could have done without the deadnaming of one of its characters). It's a bit heavy-handed, sure, but it mostly works and actively enhances the narrative. It's a shame that these subtextual, and even textual, aspects get a bit lost in the overall muddled nature of the affair. There are, I suppose, too many for any one of them to be fully fleshed out, leading to moments in which certain things pop up and affect the plot - despite never having been set-up properly - and then fizzle away just as quickly as they appeared. Despite its issues, though, the film is enjoyable throughout. Its aesthetic is distinct and and appealing, with its fluid animation combining with its colourful characters to bring its gleefully grotesque world to life. It has a tangible vibe to it, which is one of its most valuable assets. Regardless of how messy its story is, it's undeniably entertaining, and it conveys several good messages that are as expected as they are necessary. It often deals with familiar elements in an unfamiliar way, at its best when playing with its more subversive scenarios. The picture is a solid effort, even though it certainly has a few narrative issues. If it were more focused, it could have been great. Still, it's a good time overall.
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7/10
Really a shame...
ilpensierodiandrymail27 October 2022
I love Henry Selick's work in Stop Motion, Coraline is even one of my all time favorite films, however this new effort has unfortunately left me a little cold.

On the technical side it is certainly something great but the script is really simple with an unbalanced pace.

The ending comes all of a sudden and the viewer is not given time to empathize with what's going on.

The protagonists are nice even if some have a design that didn't drive me crazy. However, the film is not a bad film but thinking about past works it does not even reach those levels a bit.

Such a shame as I was very confident for Wendell & Wild.
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6/10
It's fine but I expected more
brionkelly2 November 2022
As a fan of stop-motion animation as well as Keegan Michael-Keys and Jordan Peeles electric chemistry I was greatly anticipating this film when it was announced.

However I was overhyped for its release. The only aspect that is truly outstanding about this movie is stop motion animation.

The story is chaotic and introduces lore without a hint of context. The finale? Condensed. The solutions? Convenient. And for a movie called "Wendell & Wild" the title characters do not get as much screen time as you might imagine. Which is a shame because Key and Peeles voice delivery is stellar.

As a movie? It's middle of the road. As a stop motion movie? It's kinda bad.
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8/10
A spooky, sumptuous, somewhat messy delight.
seanparkerfilms3 October 2022
Henry Sellick's first stop-motion animated film since 2009's beloved Coraline, Wendell & Wild melds beautiful artistry and a very funny script co-written by Jordan Peele.

The plot follows Kat, a young orphan shipped off to a private Catholic school for troubled girls, struggling with guilt over her perceived responsibility for her parents' tragic deaths. She also happens to be a Hellmaiden, able to summon the roguish demon brothers Wendell & Wild (played hilariously and to pitch perfection by comedy duo Key & Peele). They arrive in the land of the living to try and set up their lifelong dream project of running their own demonic funfair. Much chaos ensues.

I went in a bit blind on the story and wasn't sure what to expect, but Wendell & Wild might be the best stop motion film made since Coraline, or possibly just barely edging past it. Kat is a terrific protagonist, bucking trends and delivering more personality than all of LAIKA animation's somewhat milquetoast leads put together. There's a lot of artistic inventiveness on display, and the script is (for the most part) incredibly strong.

The film has only a couple downsides, which were a bit baffling considering the quality of the rest. Some of the scenes were a bit muddled, with events only making sense long after the fact (a particular sequence with an octopus and a glowing drawer left me scratching my head). The final act, while lots of fun, also feels like it's hastily wrapping up as much as it can in too short a time, with the credits rolling only moments after a bombastic finale - when it really, really could have used a couple more minutes to wind down with a nice epilogue.

This is a film that giddily enjoys keeping way more plates in the air than most films can get away with, and it results in a somewhat messy structure that makes it hard to tell who the main antagonist even is at any given moment, which seems to shift around wildly from scene to scene, from a gigantic Satan-like figure, to a pair of corrupt businessmen, to the titular brothers themselves, to a personal struggle against inner demons - before finally picking a clear lane in the last act. You just never know what direction the story is going to zig and zag to next, which is ultimately more of a strength than a weakness. Wendell & Wild is just as much a supernatural mystery film as it is an adventure/comedy, so viewers should be prepared to do a bit of sleuthing and not have anything spoon-fed.

This is not exactly a film for young kids, sporting heavy themes and a few dark moments, but it isn't that much scarier than Laika films like ParaNorman or Kubo and the Two Strings, only barely earning its PG-13 rating. Any kid that can handle The Nightmare Before Christmas (also directed by Sellick) should be OK with this.

Even with a few nitpicks holding it back, I give this film an easy 8/10. If you're an animation fan, you owe it to yourself to check this out... it's one of the most delightful and creative films in the entire stop-motion medium.
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6/10
Ambitious miss-fire
RebelPanda2 November 2022
Beautiful production design and elegantly scored attempt at emulating classic animated horror for audiences of all ages. Although it mostly succeeds on an audiovisual front, the story is exhaustingly overstuffed, leaving the characters flat and underdeveloped. Ambitiously, it squeezes a dozen progressive ideas it can into 100 minutes, failing to develop them enough to craft insightful commentary or funny satire. There's a point at which including progressive themes can come off as pandering rather than sincere representation, Wendell & Wild wavers. There are so few surprises or conflicts that can't be easily predicted. If the film had compelling characters it'd be enough to get by, but as is we barely know anything about them. Before we have a reason to care about people they're gone and a new character is introduced. Although the voice acting is superb, it doesn't help that most of them are annoyingly one underdeveloped.
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3/10
A Stop Motion Marvel but a Narrative Mess
liammarklh3 November 2022
Warning: Spoilers
Right off the bat I want to say that the stop motion animation is simply gorgeous, and the characters move fluidly in each scene they are in. The creepy factor, the wild demon designs, dank atmosphere of the girl's school and town as well as the grim reality of corporatization all make this film stylish, and while it's super cliche, I would say it had good intentions, but fumbled halfway through.

The negatives outweigh the good and for starters, I'm getting sick and tired of Netflix putting more effort into funding projects that focus on style over substance and prioritizing messaging over a good story. Lately their original movies and shows all seem to have these vivid and magical worlds with amazing technical prowess and costume design, but then all of a sudden, the awful writing, flimsy story and bad characters rear their ugly heads and really sink the quality of their original projects down to the ground.

Wendell and Wild had potential to be Selick's next hit after Coraline and such, but even though his stop motion style and flair is present here, the jumbled and confusing narrative, flat or unlikable characters and the terrible writing choices ruin this movie for me which is sad because I wanted to like this movie a lot.

The story is all over the place, you have Kat wanting to resurrect her dead parents, Wendell and Wild wanting to build a theme park for the dead, the evil corporates wanting to build a private prison, a nun who is secretly some kind of demon hunter who wants to train Kat to use her powers, a murder mystery involving a burnt down brewery and dealing with trauma at a young age, it's all so harrowing and in your face.

The plot structure was disjointed in some areas and really showed in the latter half of the movie as well. The script needed better edits in order for it to make sense.

Kat is by far one of the worst protagonists I've ever seen in a children's movie; she's rude, inconsiderate, spiteful, aggressive, treats everyone and everything around her like roadkill and even when people try to be nice to her, she snaps back and returns their kindness with vitriol and scorn. I get that she's traumatized by her parent's deaths, has been treated like crap her entire life but that doesn't give her an excuse to be mean to people she's never met or to people who've never wronged her, she just found their cheerfulness annoying and that's one thing, but there's no need for her to be so repulsed by their quite frankly innocuous behavior.

I cannot relate to her whatsoever, she's a terribly written character, uses her trauma to justify her bad behavior and acts like she doesn't need help when someone asks her how she's doing. It'd be one thing if everyone around her was worse and treated her like dirt on the side of the road, but since they're not, if anything they're more hospitable to her than anything else, that just exacerbates her character's worst attributes even more.

Wendell and Wild were just the stereotypical comic relief duo who fumble around more than actually do much of anything other than mess up the balance of life and death. I didn't mind them as much.

Raul was the only character I liked and wished was the actual protagonist of this movie. Not only is he really good transgender representation done right, but he's a lot more likable than Kat ever will be, even when forced to join her, he tries to do right by her and helps her out with her plans, even helping her resurrect her dead parents despite the danger and goes out of his way to fight for good, that's someone I'd rather follow, and think is a hero in my opinion.

Kat's parents are plot devices and are in and out of the movie too fast for me to care about their relationship with their daughter and it shows. I don't remember their names that's how memorable they were.

I don't remember much else from the cast, most of them were pretty unremarkable and one note. Also, what the heck is a hell maiden? Who are they? Is there a group of them in hiding around the world? How do they get their powers? How long have they been around for? If they have these powers, how come they never used them to solve the brewery fire or murders? These powers are never explained properly, and they're not used effectively in this plot at all besides being plot convenience.

The villains are one note, corporate bad guys who want to privatize and create a large prison to get rich and somehow have all this backing despite paying people with monopoly money? To be honest, the villain's plans feel so disconnected from the plot of this movie that it feels like it was tacked on because we needed bad guys to defeat so that Kat can save the day or something. The message was poorly handled and hamfisted at every point in this movie, we get it, private prisons who treat inmates like dirt are bad and only care about money, how totally "original" this is sarcasm by the way lol.

Also, for a kid's film, it somehow manages to be both whimsical and supernatural but also dark and gritty and not in a good way. Coraline was able to have its cake and eat it too, telling a fun and interesting story for kids but handling the darker themes in a way that doesn't seem too off putting to a younger audience. True the movie was dark, but unlike Wendell and Wild, it knew when to create tension and give you scenes of levity to balance out the creepiness.

Finally, the ending is also dysfunctional and all over the place, the story had promised and started off interesting, but halfway through it fizzled out and relied on cheap tropes to get to the end faster.

The voice acting, stop motion animation, character and set design were all top tier amazing, but as per usual with Netflix originals, the story is unfocused and chaotic, the writing is confusing to follow even for a kids film, the magic isn't explained properly and finally the characters are either boring or detestable.

I hope Netflix greenlights better written projects because this one had so much potential to be good, but it disappointed me like so many other original Netflix works that it's just becoming a chore to watch these shows. I find myself criticizing these stories more than enjoying them, that's how depressing it's gotten.
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10/10
So, so smart!
NocturneAeros30 October 2022
Wendell and Wild is a beautifully animated movie that tackles complex real life issues such as: trauma and how to heal from it, the school to prison pipeline, rehabilitation, and the importance of community.

(Bet you didn't expect that from a movie about a cute punk black girl summoning demons.)

All the issues are treated in a nuanced yet accessible way through a mix of metaphor and plain explanation.

Even the many storylines, that some people have found messy, tie neatly into a coherent whole that serves to convey the overall message of the movie.

And if the incredible plot isn't enough, I'm sure the incredible animation, the diverse cast of quirky characters, and the really good soundtrack will win you over!
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7/10
My demons, my problem
MB-reviewer18529 October 2022
Wendell & Wild (2022) is based off an unpublished book by Henry Selick and Clay McLeod Chapman, the movie is also produced by Jordan Peele who has made 3 great horror movies. I thought Wendell & Wild (2022) was a cool dark stop-motion movie.

The voice acting in the movie is good, like Keegan-Michael Key and Jordan Peele as the two demons Wendell and Wild. The two demons were animated well, and they had funny dialogue that could be funny in a normal way or a dark way.

I love the animation; the movie is a mix of CG and stop-motion that looks well done. The sets, the characters, and the backgrounds look great and fit the tone of the movie. The characters and the demons are interesting, along with the dark things they do looking cool in this animation style.

The music in this feels like the movie Coraline (2009) and The Nightmare Before Christmas (1993), which makes sense because it is by the same director. The demon world looks creative, and the demons have unique and interesting designs.

There were some unnecessary small scenes, but I still like this movie. Stop-motion fans and fans of Keegan-Michael Key and Jordan Peele will like this movie, while also liking it for its dark tone, dark humor, and the directions it will take.
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4/10
A Visual feast, and nothing more...
AWHerrenburger2 November 2022
Warning: Spoilers
Stop motion is such a time consuming endeavor. It makes it all the more painful when the plot doesn't live up to the visuals.

Simply put, this movie doesn't know what it wants to be.

We are given multiple plot threads and ideas, but none of them are ever fleshed out enough to feel compelling. We're never given the proper amount of time to digest, it's just onto the next.

The entire "Hell Maiden" concept is completely brushed past in order to make way for a private prison plot point which is hardly engaging. Wendell and Wild, barely even interact with Kat during the film when you really think about it- they're too busy dealing with the OTHER plot point of Father Best trying to appease the Klaxon's in order to keep his school. We just establish that the one nun, and one janitor know EVERYTHING about demons and move on.

So, why would the nun move the bear to a class where it might end up in student hands, if she knows demons are so tricky and evil? Evil- being a funny word here since Wendell and Wild don't actually do anything bad in the film- hell, when they descend upon Raul they just... put him behind an easily escapable open cage. Manberg even gives back the demons, no problem.

We get some really half baked morals tossed in the last 5 minutes, and that's it.

What are the stakes here exactly? Was I really supposed to care about a dead town with a total of 5 residents?

The lack of focus leaves a film that feels unpolished and rough. Not even the awesome animation and unique character designs could save it.

5/10.
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Halloween disappointment
apersonwatchesmovies28 October 2022
Very little charm, not scary or creepy, and lacking any heart. This was wholly disappointing. I had trouble connecting with any of the characters, although I tried my best to! Kat, the movie's protagonist and an orphan, should've been SO much more sympathetic than she was. Even the titular characters Wendall & Wild were pretty one-dimensional.

The story lines also felt very jarring and disjointed. The only thing keeping me engaged was the stop motion and the occasional laugh, but even that wasn't enough to make me care. There's something seriously wrong with this movie. It should've been amazing, but ultimately, there's no magic to be had here.
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7/10
Henry Selick, Jordan Peele, and Keegan-Michael Key team up to deliver some wonderfully bizarre stop-motion weirdness
IonicBreezeMachine28 October 2022
Set in the town of Rust Bank, troubled teenager Kat Elliot (Lyric Ross) is enrolled in Rust Bank Catholic (RBC) after she's deemed a candidate for a special program that enlists juvenile offenders in private schools. Since the death of her parents in the town some years back, Kat has hardened herself against any attachments and maintains an abrasive exterior preventing anyone from getting close to her. Meanwhile in the underworld, two demon brothers, Wendell (Keegan Michael-Key) and Wild (Jordan Peele) are stuck with the menial job of replanting their father's, Buffalo Belzer (Ving Rhames), hair following his discover of the duo's Dream Faire plans. The two discover Kat is a Hell Maiden who can summon them to Earth and contact cat in her dreams, while Wendell and Wild promise to resurrect Kat's long dead premise, the results are not so simple.

Wendell & Wild is the latest film from noted stop-motion animation director Henry Sellick of Coraline and The Nightmare Before Christmas. Selick began working on the film, an adaptation of his unpublished book of the same name, with Jordan Peele and Keegan Michael-Key in 2015 following Selick's brief stint at the Walt Disney Company where Selick's project Shadowmaker/The Shadow King was shelved following meddling from John Lasseter. The film was picked up by Netflix in 2018 with the film going through a lengthy production process that even went through the COVD-19 pandemic with some of the animation being done remotely. The end result of Wendell & Wild is undeniably entertaining, but it's also a very overstuffed movie that can feel a bit unwieldly with how much is going on.

As per usual, the animation on display in Wendell & Wild is quite amazing with the sets and models visually distinct and memorable with some eye-catching designs backed up by solid voice performances from its ensemble cast. The town of Rust Bank is a character in and of itself with the town being virtually empty and only kept alive by the few holdouts who keep the developers from coming in. Needless to say Key and Peele's chemistry is on point in their dialogue exchanges and their energy and passion is well suited to the realm of animation as anyone who saw their role in Storks can attest to. The movie also features a much more diverse cast than we've seen in previous films of this type but still very much makes the story its own. Lyric Ross is very good as Kat our protagonist, Sam Zelaya is also quite good as trans boy Raul, and Tamara Smart is also good playing a character named Siobhan who is played against conventions of being a popular girl stereotype in a refreshing change of pace. The movie also deatures strong supporting players rounding out the supporting cast in Angela Bassett, James Hong, and Ving Rhames and all bring some great life to their roles.

Where Wendell & Wild stumbles however is in its very overstuffed narrative as there are multiple antagonistic parties at work in this story with a company called Klaxon Corp trying to buy out the town, a life giving cream stolen by Wendell & Wild they plan to use to get money for their Dream Faire, James Hong's Father Bests character having a stake in things, and even a pair of demon hunters and there's so many elements stuffed into this story that it can feel a little overwhelming and it feels like the movie could've probably tightened itself a little by paring down or combining story elements to give something more cohesive. In terms of problems for a movie to have a movie with too many ideas is always preferrable to a movie with too few, but it is an issue that holds the film back from being at the same level as Coraline and The Nightmare Before Christmas, but I probably liked it about the same level as Selick's James and the Giant Peach.

Wendell & Wild is a welcome return for director Henry Selick, even if it doesn't reach the high benchmark he's set for himself with his prior work. The film features beautiful design work and solid voice work from its cast, but an overstuffed narrative keeps things from coalescing as much as they should, and the story probably could've benefitted from being streamlined. Overall this is a good film from Selick.
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6/10
Fairly good quality Netflix "content".
kayael128 October 2022
I'm a fan of Mr. Henry Selick. I follow creepy animated movies subgenre thoroughly. I'm sad to report that this movie was uneven and average. Story was disjointed despite being modestly inspired. At least characters were ok. Animation was respectable and stylish but a bit simplistic compared to Selick's earlier works. Some backgrounds having too little work on them constantly reminded me that this movie is direct to tv stuff. Jokes are too few and far in between. A lot of things and situations go around the movie despite most of them are not fleshed out. Don't hold back if you really want to see it. It is ok. But go with low expectations. You may opt out for a better movie if you are a casual movie goer.
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7/10
A Beautifully Creative Mess
cyrese-6554720 November 2022
I just finished "Wendell and Wild" and I certainly appreciate the direction the movie was trying to go and it's always refreshing to see a stop motion film, it's a very underappreciated medium. The character designs in particularly really stood out to me. But the script, my God. It's jumbling wayyy to many storylines at once and it gets very overwhelming to keep track. You're probably going to care more about certain plots more than others and it's pacing makes the film feel simultaneously too long yet too short. I feel like this would've been better fleshed out as a series. I would check it out if you want something different and if you want something to visually marvel at but the pacing might get to some.
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6/10
I appreciate it
ViciousCXY12 November 2022
I really appreciate movies that take the time to make the story stop motion. You always seem to end up with more stylised characters and environments, and that's what you get with this movie. The designs for some of the characters are not easy on the eyes to say the least, and that's not a criticism! It goes really well with the tone of the film.

My favourite part was probably getting to see Jordan Peele as Wild. His character design is clearly based on his own features, and his little demon figure is pretty cute and funny.

The story seemed a little all over the place. There was a lot going on but it felt a lot longer than it needed to be to get to the outcome at the end. Kat was a nicely designed character and you get to see a lot of the reasons why she is the way she is, but even though the film felt like it went on for so long and she is the main girl, it still didn't feel like you got to 'know' her that much at the same time; sometimes it felt a little hard to get past her angsty side, which I think might've been the way to feeling more connected to her if they focused a little bit more on her in that sense.

I really did think this was going to be one of my favourite films, but it fell a little flat for me. But at the same time I don't think it's a bad movie by any stretch of the means; it's good to look at, it's funny, and goes into great real-world topics that I don't think I've really seen other movies go into before. So even if it fell a little flat for me, I'd still recommend you watch it.
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10/10
A fantastic tale beautifully portrait in stop motion
maitlandkatie28 October 2022
I would say to all people who have read this review to watch it. It is a beautiful midly scary movie definitely can compete with corilane and the nightmare before Christmas.

And some of the drama is perfectly portraited and the score is brilliant my only problem is people calling it a let down but i assure you it looks and sounds amazing and it's characters.

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7/10
Good, but way too busy
Khali_seaweed10 November 2022
Warning: Spoilers
The story follows Kat, a rowdy girl fighting with the guilt and trauma of her parent's death. She is assigned to a catholic girl's school where she meets Raoul and Shiboan.

Kat revieces some sort of mark, turning her into a 'hell maiden' granting her with the ability to summon demons. She summons the demon brothers Wendell and Wild and asks them to bring her parents back.

Meanwhile Shiboan's parents, the owners of Klaxcorp are trying to demolish the town to build a prison to line their own pockets. Wendell and Wild are tempted by their promises of money and start aiding the Klaxcorp owners behind Kat's back.

The film's visuals were a treat! I love the artstyle they went with, altough unusual you get used to it pretty quick. I liked the character designs too, especially Kat's, those giant green afro puffs are wonderfully iconic!

The sound design was great too, I really like the song "I am a Poseur" from Kat's getting-ready scene the most, it's incredibly catchy!

I liked the diversity too, lots of multiracial characters and I was fan of the casual trans rep with Raoul.

Even though the film is very fun and wonderfully produced it fails in a few areas too, a common critiscism is it's tendency to be VERY busy. And I agree. The film could have still worked if Wendell and Wild were cut from the movie completely and all the focus went to Kat and her trauma. They honestly drag the plot down a little and I didn't find them all that likable. The ending felt very rushed too, and I find that some characters, the devil character being a prime example, turning their minds way to quickly.

Overall the film was really good! Just sucks that it was overstuffed.
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5/10
So many unnecessary details, takes away from what could've been a good story.
Yasemin_Genc_199130 October 2022
I usually love Henry Selick's work. In fact the Nightmare Before Christmas and Coraline are two of my favourite movies. But this just didn't hit the mark.

There was far too much going on, and many of the additional story points feel unnecessary, which ultimately ends up taking away from the quality of a film that could've been great, but really wasn't.

This film would've been so much better if the story was simplified and streamlined a bit.

Pretty disappointing overall.

The animation style was nice though, although not my favourite of his work, and it was nice to have diversity in the characters.
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8/10
This was a good movie, but I wish the ending was 5-10 minutes longer, or met with a post credit scene.
runjumpgame25 October 2022
When I first saw this movie, I had high hopes. And then when it was over, I left the theaters delighted. I made sure not to miss a single scene, which I recommend. This is a fabulous movie. The characters were likable, it had a diverse cast, and the humor was excellent. I'm so glad Keegan and Jordan cane back together. And combined with Selicks demonically good animation style, This is easily one of the best movies of 2022. The only issue I had with it was the ending. It could have been longer, and it seemed a bit rushed. If they added in a solid 5 minutes, this movie would have been better. But still, this movie is a cinema masterpiece. This is a solid 8.489/10.
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7/10
It's the Animation For Me, Wendell & Wild
Welcome back, Streamers. You're fresh off of Halloween season and the last of it lingers in this post. This week we were able to watch a movie released on Netflix titled, Wendell & Wild. This movie is based on an unpublished book by Clay McLeod Chapman and written for the screen by Jordan Peel and Henry Selick. Wendell & Wild is a movie about two demon brothers, Wendell and Wild, scheming their way out of their stuck life. They get the help of troubled 13-year-old, Kat, to summon them to the land of the living in order for their dreams to come true. Teen angst and undead hijinks ensue.

I'll put it out there - Wendell and Wild is a fun and cute movie led by a top comedic duo. Key and Peele are back at it again with these two demons that look just like them. While not exactly like their show, the banter feels familiar and natural just like remember. You can really feel the influence that Peele had in the writing. And speaking of looking just like them, the animation is similar to Coraline but taken to the next level. Stop-motion animation is a meticulous artwork that has been popular for a minute but definitely only needs to be done by the right people. Henry Selick is the right person. Wendell & Wild is so crisp, clean and imaginative. There is much attention to detail and even originality. Its small things like how a hair or facial features are presented is fresh, interesting, and creative ways. I could literally just watch a documentary on how this movie was filmed and what the creators decided to do in certain scenes.

With that said, the animation is almost more interesting than the actual movie, which is actually a negative. You can get so mesmerized in the look of the movie that you start to forget to listen to what's going on. Honestly, the storyline isn't complex or that original to be honest; however, the writing is well thought out, honest and heartfelt. The movie can be a bit slow at times but the animation and the chuckles sprinkled through the movie keep the viewer going. Lastly, the cast all do a really great job. The cast is diverse in many ways and really bring the story to life. Key and Peele obviously do what they do but Angela Bassett, Ving Rhames, Lyric Ross, Sam Zelaya and others each bring life to their characters.

Ultimately, Wendell & Wild is typical teen family movie with superb animation. The storyline isn't too original but the writing and voice work bring the movie to life. Well, does it bring undead as well? Anyway, Wendell & Wild grab a bowl of popcorn and check out this cute family movie when you get a chance on Netflix. Sidenote: some of y'all need that hair cream... yah looking a little dead out here!
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4/10
Stop Motion lacks script and story to entertain adults as well as children.
cabrown-4774130 October 2022
Wendell and Wild, once again demonstrates the skill of Henry Selick's Stop Motion animation skills. But without out the foundation of Burton's imagination and the wonderful film score of Danny Elfman, this film lacks heart and humor. The collaboration of Selick and Jordan Peele created a seriously mediocre story which stumbles through a clumsy, storyline with mostly shallow characters, in typical bizarre Selick settings. This is a very adult story, which follows the politics of a small town overtaken by evil corporation wanting to privatize a prison system. Add in an almost demonic Catholic Girls school, Demonic underworld, and you have a clumsy story that doesn't merit the stop motion format. It's unfortunate that Netflix doesn't exercise more power in story development. Because it's obvious, that Selicks skill as a director, does not match his writing and producing skills.
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