Agnès Varda, photographer, installation artist and pioneer of the Nouvelle Vague, is an institution of French cinema. Taking a seat on a theatre stage, she uses photos and film excerpts to provide an insight into her unorthodox oeuvre.
Jacquot Demy is a little boy at the end of the thirties. His father owns a garage and his mother is a hairdresser. The whole family lives happily and likes to sing and to go to the movies. ... See full summary »
Mary-Jane, a loving but lonely 40-year-old divorcee with two daughters, Lucy and Loulou asks, "Do all women fall in love with a boy, or just those without sons?" Lucy has a party where ... See full summary »
While in San Francisco for the promotion of her last film in October 1967, Agnès Varda gets to know a relative she had never heard of before. This unknown uncle lives on a boat, is a painter, has adopted a hippie lifestyle and loves life.
A retired piano tuner from London attempts to deliver a 100-year old piano to a remote Himalayan school, situated in one of the most isolated settlements in the world. If successful, it will be the highest piano delivery in history.
Agnes Varda, one of the leading lights of France's honored French New Wave cinema era, and professional photographer and muralist, J.R., partake on a special art project. Together, they travel around France in a special box truck equipped as a portable photo booth and traveling printing facility as they take photographs of people around the country. With that inspiration, they also create special colossal mural pictures of individuals, communities and places they want to honor and celebrate. Along the way, the old cinematic veteran and the young artistic idealist enjoy an odd friendship as they chat and explore their views on the world as only they can.Written by
Kenneth Chisholm (email@example.com)
The film was funded via crowfunding, and one of the reasons for that is that the directors/stars didn't want any pressure regarding deadlines. The shooting took months because they basically shot one week per month due to Varda's age. See more »
[to JR after he takes off his sunglasses]
I don't see you very well, but I see you.
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Playful road trip with themes of image-making, storytelling and aging
Cinema's greatest gleaner goes rambling with JR, one of France's most prominent street artists. Together they traverse the countryside in a mobile photo van capable of turning out large-scale photographs of the people they meet on their travels. It's a low-key and playful road trip for these sharp creatives as one 88 years-old and one 33 explore image-making, storytelling and aging. The effect is magical as farmers find their images on their barns, an old woman's face is inscribed on the wall of her condemned house, and giant women's images are assembled on shipping containers. This is art that connects directly and delightfully with ordinary people and their local environments. The gigantic portraits in living landscapes are ideally suited to the big screen. This is a highlight of the ADL FF
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