Set in the glamour of 1950s post-war London, renowned dressmaker Reynolds Woodcock (Daniel Day-Lewis) and his sister Cyril (Lesley Manville) are at the center of British fashion, dressing royalty, movie stars, heiresses, socialites, debutants, and dames with the distinct style of The House of Woodcock. Women come and go through Woodcock's life, providing the confirmed bachelor with inspiration and companionship, until he comes across a young, strong-willed woman, Alma (Vicky Krieps), who soon becomes a fixture in his life as his muse and lover. Once controlled and planned, he finds his carefully tailored life disrupted by love.Written by
When the countess arrives at the front door, the door knocker is heard so Cyril goes to open the door. The countess is climbing the steps and no one else is at the door to do the door knocking when Cyril opens the door. It is clear that someone with the countess knocked on the door and then walked back to the countess to ensure she would be the first to cross the threshold. See more »
Reynolds has made my dreams come true. And I have given him what he desires most in return.
Dr. Robert Hardy:
And what's that?
Every piece of me.
Dr. Robert Hardy:
He's a very demanding man, isn't he? Must be quite a challenge to be with him.
Yes. Maybe he is the most demanding man.
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The typeface used for the credits is called Reynolds Stone and it was created by English wood engraver, typographer, and designer Reynolds Stone, who was a close friend of the parents of Daniel Day-Lewis. See more »
This is a delicately executed drama intimately woven around the characters of Daniel Day-Lewis as Reynolds Woodcock and Vicky Krieps as Alma.
Right from the opening shots I was engaged and the brilliant performances, beautiful background music coupled with breathtaking cinematography make this a worthwhile watch if you are in the mood for something slow, something a bit art-y. However if you are not in the mood for something like this it can become a chore to watch so I ask the viewer to understand that it is a very beautiful film and in the right frame of mind you will be absorbed into the world of this renowned mid-twentieth century dressmaker who can be a bit fussy.
Daniel Day-Lewis is at his typical level of brilliance here. He perfectly plays the role of an obsessive personality, who is so averse to letting someone interfere with his work, yet who more and more, through both natural and artificial means, also doesn't want to lose the new woman in his life.
Stylish camera work, wonderfully-paced drama. Solid 8/10.
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