Ingrid Goes West

The main thing is that it's objectively a good movie: the acting is good, the movie looks like it was made for Instagram (obviously, the point), the issues raised here are very relevant nowadays. To sum it up, it is a good movie.

Still, I cannot say I will ever want to watch it again or that I enjoyed it that much in the first place. The reason for that (my incredibly subjective reason) is that there is nothing that revealing. The issues raised in the movie (loneliness, social media addiction, its shallowness, and the users' search for that shallowness and faux perfection) are all "right", they are all serious problems able to ruin lives or at least distort your view of life. However, most of us clearly understand it, and thus the plot was perfectly predictable because it's a mirror of the current situation in the world - how can it not be predictable?

Summing it up, despite all the highs of the movie, to me, it looked like a high schooler's moralistic essay: all the right thoughts, all the right intentions, but far from being as non-conformist or groundbreaking and revealing as the author believes.

While this movie might end up looking obsolete in a few years depending on where technology goes, sociologically, it's damn on point and prescient. Not so much funny as dark and disturbing, it did a good job of showing how empty everyone was, even the so-called "heroes." The ending was a nice touch as well.

There is a LOT of weird hate in these reviews for very strange things that kinda aren't even aspects of the movie? Nothing about the shots or scenes appears particularly "cheap" or "cringe", despite what some have said - it looks the same as any other current movie. The bad reviews stink of violated expectations and not much else. You were hoping for some more Parks & Rec or something? This just happens to be a really dark movie about mental illness and isn't maybe as quirky and cutesy as a lot of people were hoping. But review the thing for what it is, not what you were expecting it to be based on seeing one actor's face on the cover. The whole thing was actually really believable and wasn't afraid to get dark and uncomfortable in order to actualize. I was ill-at-ease the whole time, too, but, ah, it's about an unpredictable stalker, so it's kinda supposed to make you feel that way. Not perfect by any means, but I quite admire how dark and honest it is.

This film's portrayal of obsession and social media taking over modern lives and interests is spot on, and overall it's thoroughly enjoyable from start to finish. Just know what you're getting in to!

Too many of the lower reviews are complaints that the film was too dark and not funny enough - this shouldn't reflect on the overall score. The writers had a point to make and they made it well while creating something that is entertaining even at it's saddest moments. It's a far more powerful movie than a lot of people seem to expect but that's not a bad thing. And don't even get me started on the people taking the comedy as some sort of twisted justification for the darker aspects, this film is not at all defending online obsessions or humouring the idea that online attention is important at all. It's simply shown to us from Ingrid's (well-established) sick mind.

If the premise interests you at all then it's a safe bet you'll enjoy the film, just don't expect a light afternoon comedy based on a dark concept, it is very much a miserably solid display of that dark concept with comedic aspects lining the fabric.

An American black comedy drama; A story about a woman craving recognition who becomes obsessed with using social media, which leads to her inserting herself into the life of an unsuspecting influencer. This satirical stalker fantasy strikes a fine balance between topical humour and horror, emboldened by timely social observations. It also has an interesting visual style which is used to good effect. It is well acted and clever in its depiction of neediness and self-obsession but it falls short in its timidity to take on the bigger psychological problem of the character which is evident in the way the film concludes.