87
Metascore
30 reviews · Provided by Metacritic.com
- 100The GuardianPeter BradshawThe GuardianPeter BradshawAndersson’s films are endlessly rewatchable. To view them is to abolish gravity.
- Andersson’s sketches feel sketchier—sparser and more suggestive—with every film; About Endlessness hits perhaps a handful of blackly humorous punchlines, and the only irony is cosmic.
- 91IndieWireDavid EhrlichIndieWireDavid EhrlichThe least funny and most tender movie that Andersson has made since building his own studio with the profits he’d saved from decades of enormously successful commercial work, About Endlessness adopts the same qualities of life itself: it’s both short and infinite.
- 90Screen DailyJonathan RomneyScreen DailyJonathan RomneyAndersson’s consistency may have made him a director for acolytes above all, but they will find this a satisfying and richly resonant lesson in obliqueness and sometimes opacity.
- 80CineVueJohn BleasdaleCineVueJohn BleasdaleMade up of a series of related but not necessarily connected vignettes, each filmed with a static camera, they resemble New Yorker cartoons scripted by Samuel Beckett.
- 80The GuardianXan BrooksThe GuardianXan BrooksAbout Endlessness contains moments of devilish wit, but at heart it is a sad, sweet picture, threaded with themes of estrangement and separation. Andersson isn’t exactly asking us to laugh at or pity these people. Instead, we’re being encouraged to wonder at their predicament – and perhaps relate it to our own.
- 80EmpireNick de SemlyenEmpireNick de SemlyenLord knows how it all connects, but there's a strange power in how About Endlessness flows, jumping around the whole spectrum of human experience and the ridiculous places to which our emotions push us. Andersson's pigeon is at flight once more, and cinema is a richer place for it.
- 70The Hollywood ReporterDeborah YoungThe Hollywood ReporterDeborah YoungThe famous dreamlike lighting and mise-en-scene are always perfect in capturing human foibles. But the offbeat sense of humor that characterized the trilogy is less evident than ever.
- 60The Observer (UK)Mark KermodeThe Observer (UK)Mark KermodeAs is customary, absurdist humour, global history and abject horror sit side by side, all equally weighted and witnessed.