6.5/10
751
15 user 4 critic

Today and Tomorrow 

Trailer
0:26 | Trailer
An encounter with a survivor sends Al and Morgan on a mission into a dangerous settlement. There, Al chases a lead while Morgan has an epiphany. Elsewhere, Grace and Daniel make a connection.

Director:

Sydney Freeland

Writers:

Robert Kirkman (based on the series of graphic novels by), Tony Moore (based on the series of graphic novels by) | 9 more credits »
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Cast

Episode cast overview, first billed only:
Lennie James ... Morgan Jones
Alycia Debnam-Carey ... Alicia Clark (credit only)
Maggie Grace ... Althea
Colman Domingo ... Victor Strand (credit only)
Danay Garcia ... Luciana Galvez (credit only)
Garret Dillahunt ... John Dorie (credit only)
Austin Amelio ... Dwight (credit only)
Alexa Nisenson ... Charlie (credit only)
Karen David ... Grace
Jenna Elfman ... June (credit only)
Rubén Blades ... Daniel Salazar
Colby Minifie ... Virginia
Joe Massingill Joe Massingill ... Tom
Craig Moore Craig Moore ... Lead Horseman
Peggy Schott ... Tess (voice)
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Storyline

An encounter with a survivor sends Al and Morgan on a mission into a dangerous settlement. There, Al chases a lead while Morgan has an epiphany. Elsewhere, Grace and Daniel make a connection.

Plot Summary | Add Synopsis


Certificate:

TV-MA
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Details

Country:

USA

Language:

English | Spanish

Release Date:

15 September 2019 (USA) See more »

Filming Locations:

Texas, USA

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

16:9 HD
See full technical specs »
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Did You Know?

Trivia

The person reading Grace's audio book is King Ezekiel from The Walking Dead (2010). See more »

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User Reviews

 
lost
16 September 2019 | by Rob-O-CopSee all my reviews

There's a difference between keeping your audience on their toes and ambling aimlessly. FTWD is nowhere near the first and drowning in the later. It's well and truly all over the show now after a promising couple of episodes at the start of this season. The show does have some ace cards with characters like John Dorie (who always delivers when on screen, even when dumped in the middle of a terrible script idea), but that's simply not enough to sustain us. There are plenty of positive possible story arcs, Logan's one was one of those, but it went absolutely nowhere and delivered nothing. The helicopter lady, also a story we'd all like to be watching instead of endless discussions in abandoned rooms that don't yield as much as the writer thinks they do. There's no overall story arc, no direction, we're embarrassed for some of these really quite good actors who are getting squandered on a big nothing (poor Matt Frewer). There was something there about talking directly to threats, and not painting them immediately as cartoon black and white villains, that was interesting, but it went absolutely nowhere, and got unceremoniously discarded to usher in - the cavalry, who are not looking to make any sense at all and come across as kinda stupid so far. Of all the stories they could be telling in this wide open landscape, they choose this?


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