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The Woman in Black (1989 TV Movie)
It will haunt you long after you've seen it *SPOILERS*
21 July 2004
Warning: Spoilers
After hearing quite a bit about this movie, I had high expectations about it...Well they were fulfilled! The quality of the production is excellent: the setting

(particularly the marshland), the sounds, the clothes, the details of the old house...They all help to build up the atmosphere of tension and mystery. The

woman in black herself is one of the best ghostly creations I have seen in a

movie: I found the moments when she appears -unexpectedly- in the

background, her silhouette just standing there, the most terrifying of the whole movie...Even more than the one particular scene mentioned in other comments.

The movie succeed also in leaving you with a sense of unease about the whole

story...The main character, Arthur Kidd, is sent by his boss, Mr Sweetman, on a mission that Sweetman himself knows it is doomed. He probably knows the true

meaning of the ghost's apparitions and still he sends Arthur, a likeable young husband and father, to settle old Mrs Drablow's estate. Then Arthur himself

seals his fate by saving the life of a young girl...At the end of the movie you find yourself reflecting on this terrible moral dilemma: if he left the girl to die, would have all this happened? Recommended viewing!!!
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6/10
It's meaner, it's darker...but is it better?- SPOILERS
1 June 2004
Warning: Spoilers
After a lovely hour queuing together with three year olds on sugar high,

yesterday I have seen Harry Potter and the Prisoner of Azkaban. As this is the movie version of my favourite of the HP books so far, I had great expectations and couldn't wait to finally see it...So what's it like? I think it's one of the most frustrating movie I have ever seen!!! The fact that it is extraordinarily good in some things, and terribly bad in others made me feel a bit strange all the way through. I'll explain... On the production side, the movie is a gem: dark, stark and un-disneyish. Also the actors have improved and the new characters are quite impressively played by the likes of David Thewlis, Gary Oldman and Emma Thompson. Also, the

underlying moods of the movie have "grown up" since its predecessors. I have

enjoyed how the director plays with themes such as time (a strong element in

the whole HP series, related to Harry growing up, his past and his future) and Harry's perception of himself. BUT these great features are undermined by the huge cuts that the book

suffered when transposed to screenplay, mostly at the expense of character

development and tension build-up...Watching the movie you realise the climax

of the story has arrived and you have kind of missed how you got there!!! Also, the cuts mean that the audience never gets to hear why Snape hates Lupin and

Black so much, who the hell Moony, Wormtail, Padfoot and Prongs are, how

does Lupin know that the Marauder map is indeed a map, why Harry is so

obsessed by his fate and by dark omens, why cats, rats and dogs don't like each other, why Professor Trelawney prediction is so important, etc etc etc...I'll stop here! There's quite a lot left out, clearly, and sometimes I wondered if people who haven't read the book could actually understand what was going on. With the movie being so good in other respects, it's frustrating to see the story butchered and the characters thinned so much...The scene with Snape (Alan

Rickman is excellent...wish there was more of him), Lupin and Sirius in the

Shrieking Shack is so bloody brilliant that you wish it didn't last only 30 seconds, but that it were faithful to the book! You only get to see a spark of the hatred, recriminations and deceit that run among them...But then again, you only about this if you've read the book... So, in conclusion, go and see the movie for some good moments and for finally seeing some of your fantasies of POA represented on screen (Hogsmeade,

Buckbeak, the Marauders Map)...But for story, pathos and great

characters...Stick to the book!!!
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8/10
Beautifully performed and profound
28 March 2003
"La Finestra di Fronte" is an thoroughly enjoyable movie without being easy or superficial. Rather the opposite. Featuring the two intertwined stories of Davide (an old man that witnessed the Nazi raids on Rome in 1943) and Giovanna (a young woman struggling with family troubles and a unchallenging job), the progression is complex, enthralling and romantic in the most philosophical sense of the word. The music is also remarkable. Not to mention the wonderful performance by Mezzogiorno and Girotti. Recommended.
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Signs (2002)
5/10
Disappointing...Save your money
18 February 2003
Warning: Spoilers
SPOILERS SPOILERS SPOILERS

What a disappointing movie this is... It starts wonderfully, gradually building up an atmosphere of fear and menace and mixing this with the spiritual troubles of ex-reverend Graham Hess... And then...Aliens who are supposed to travel for distant galaxies can't even open a door and attack a planet made 70% of water without even a raincoat on (and by the way, it NEVER RAINS! In all the time they're around, in any of the places they've landed in!!!), and hitting the alien with a baseball bat makes Graham understand that God exists and everything has a purpose.

Save your money, or rent "The Sixth Sense" with it.
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4/10
Disappointing and definetly overrated
21 October 2002
I've finally watched TBWP after hearing so much about it and expecting a truly chilling, unconventional horror movie... And it was so disappointing! It's not scary, it's just annoying how all the main characters' cursing and crying and fighting don't even allow you to hear what's supposed to be so spooky out in the woods! I am a fan of horror movies where the "unseen" is the thing that scares you most, but in the BWP it's just boredom all the way through. And the plot is frankly stupid...Come on, they walk for 15 hours and get back to the same place? Just follow the river, for heaven's sake! I give this movie 4/10 only for the final scene in the house which was the best 10 minutes of the whole movie.
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Memento (2000)
7/10
not bad but overrated
12 August 2002
I've decided to watch this movie after spotting it in the IMDB's Top Ten and had great expectations......Don't get me wrong, the idea is clever, the storytelling intriguing and the performances above average, still I cannot explain the presence of this movie in the Top Ten of all times! 6/10
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6/10
A decent movie inspired by a wonderful book
8 May 2002
This less well known '60s Italian Comedy is the attempt to translate into a movie one of the greatest books Italian contemporary literature has to offer: Luciano Bianciardi's "La Vita Agra".

The movie tells the story of Luciano Bianchi, an intellectual coming from a provincial area of Italy, moving to Milan after a mine accident killed some of his friends and co-workers. Milan in the is the symbol of the economic growth and increasingly wealthy lifestyle that characterised Italy's in the 60s, and Luciano's life changes dramatically: he leaves his wife and kids behind, gets a new job and falls in love with Anna, a young and lefty journalist.

Carlo Lizzani modified the story told by the book in many crucial parts, and making it more suitable for a movie, he took away the most touching and extraordinary features of the book: the cruel irony, the sense of disillusionment, the struggle between personal ethics and the real world during the economic boom.

A decent movie, but I definetly recommend to read the book (it's available on translation). It's my favourite book ever, by the way.
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Father Ted (1995–1998)
10/10
A comedy masterpiece
7 May 2002
The day I moved to Ireland, I didn't know I was about to discover one of the greatest comedy series of all times as "Father Ted" certainly is!

The basic plot in itself is amazingly simple, a stroke of genius: three "peculiar" priests and a housekeeper in an island off the Irish West coast. It's unbelievable how much fun, irony, satire, surreal humour and great characters can come out of so little. And if you are of Catholic extraction, the fun is even greater (we all have met a Dougal, a Ted or a Jack at some stage...)

It's even too hard for me to pick a favourite episode: Ted and Dougal entering the "EuroVision Song Contest" with the excellent pop hit (and video clip) "My lovely horse"? Ted is believed a racist by the islanders and organises a great multi-cultural event? Dougal becomes a milkman only to discover that his life is in danger at Speed 3? Father Stone comes for a visit and for playing a bit of mini-golf? "The Passion of St. Tibulus" is being shown at the local cinema? Cigarettes, drink and rollerblades are given up for Lent? Bishop Len Brennan is kicked up the arse? Impossible to decide.

I would recommend to anyone buying the complete series 1, 2 and 3 as they come out in DVD. You can watch "Father Ted" over and over and still laugh your head off.

One of my favourite quotes:

Dougal: "Ted, was Jack really dead? How could he come back to life?"

Ted: "I don't know, Dougal. I'd say he's resurrected from the grave...Like that fella...what's he called...E.T.!"
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Not as good as the book, but wonderful acting and scenery
26 April 2002
I went to see the "Shipping News" after having read Annie Proulx's novel twice. So my comment is a bit spoiled by the fact that I couldn't help comparing the movie and the book all the way through. Lasse Hallstrom's movie is well written, beautifully set and features an excellent cast. Even though Kevin Spacey is physically the opposite of Quoyle (as he's described in the novel), he manages to "become" him through a very fine acting work on posture, intonations and glances. Judi Dench and Cate Blanchett are just as good playing, respectively, Agnis Hamm (the aunt) and Petal Bear (Quoyle's wife). However, the screenplay simplifies the story by many dimensions that are crucial in the book: Quoyle's life in Mockinburg NY as dull reporter before moving to Newfoundland; the progressive revelation of past events that changed the characters lives, and most of all the portrait of unforgettable characters as Billy Pretty and Jack Buggit, whose role in the movie is dramatically re-sized.

Filmmaking requirements took away something from the novel, but the result is a very good, "slow" movie, all focused on characters and the mysterious relationship between man and nature. 8/10!
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Simple, intense drama with a great Bette Davis
3 December 2001
The plot of "The Catered Affair" is extremely simple, and the action develops all around the plans for the wedding. It's the actors that make this little movie truly remarkable. Bette Davis is just great as Agnes, the mother who wants her daughter to have a grand wedding even if, doing this, compromises the family's finances and her husband's dream of buying his own cab. She is just amazing in portraying a simple and strong woman who ran the family through tough times and got used to a marriage of sacrifices and hard work. Her dreams, hopes and aspirations are all coming back in the occasion of her daughter's wedding. No matter what the rest of the family really want. Ernest Borgnine is as good in the role of Tom, Agnes' husband and father of the bride, especially in the scenes in which faces his wife. A simple, intense drama with excellent actors.
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The Producers (1967)
8/10
The worst of the worst? A great comedy!
16 August 2001
Can the absolute worst turn out as a phenomenal hit? Mel Brooks cleverly and hilaroiusly plays on the human categories of ethics (nazis and crooks) and aesthetics (a doubious director, an improbable actor), and put them all upside down into an irresistible comedy, also featuring one of the best Broadway-style songs ever: "Springtime for Hitler". The performers are also remarkable, and Gene Wilder as Leo Bloom, the fearful and hysteric accountant, stars in one of the best roles of his career. A must-see!
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