sunzhu1985

The child Jack stole the neighbor's sheep due to family repression, and after Michael believed that Jack's family had stolen his sheep, the conflict between the two parties quickly intensified, and the hatred continued to deepen in each conflict, forming a vicious cycle that was difficult to break. The director reconstructed the story from the perspectives of Michael and Jack respectively, thus elaborating with relatively comprehensive information that the tragic origin of the film lies in the multi-generational trauma of these two families: Michael died in a car accident after his mother expressed her wish to leave his father in front of him. This incident became an indelible pain in his heart, causing him to fall into long-term pain and self-blame, and his personality became withdrawn and angry.

When almost general music biopics invariably find (possibly not suitable) actors to perform, or turn into a medley of golden songs in addition to feelings, it ingeniously thinks of a new way to return to the sparks of music creation, the struggles in the circle, the essence of continuing to go, and the stories behind those familiar songs. Throughout the whole process, it keeps surprising celebrity friends appearing, or their re-established Lego images are realistic on the desktop, which is always enough to keep it interesting. But the problem is, if such a design is removed, it will still be empty and just a collection of interviews that the public "says themselves" and "friends say". It will be difficult for the audience to find anything new.

A queer film about growing up and awakening. The plot is a bit barren, but it constructs a wonderful queer Eden in the red soil of the American outback. There is no homophobic violence or discrimination. Everyone can be themselves and enjoy an open sex life and fluid sexual orientation. Maybe it is too beautiful and gives me a distorted illusion? Huang Zitao recently said something in his variety show, "Tolerable Love," which is enough to make people laugh, but it always reminds me of Charlie's increasingly vivid character personality in various film and television works over the years: always a little silent, suppressing his thoughts or just looking at one place melancholy. Six years after "Jockey Pete", he reinterprets his relationship with a land; even though the settings of the two films are very different, he can still find the qualities he was first seen in. Tolerable Love.