Mike Myers is a talented guy, but this vehicle is an embarrassment. The funniest parts are gleefully juvenile, but they are, unfortunately, outnumbered by gags that are simply juvenile or, worse yet, juvenile and mean-spirited. For example, some of the jokes directed at Verne Troyer's character sound like they were uttered by a 15-year-old classroom bully, not written by an intelligent man in his forties. I'm all in favor of offending PC sensibilities whenever possible, but do it right: cracks about Keebler elves show are just stupid and artistically lazy.
More scenes of young Pitka might have explained better how he grew into the adult he became, and Rajneesh could have been fleshed out a bit. I suspect that a lot of character development and back story were left on the cutting room floor. What should have been cut were the cameos that were either pointless or self-referential without being truly funny.
The plot wasn't exactly Citizen Kane quality, but it could have worked with better writing. After all, if anything cries out for satiric treatment, it's the self-help and New Age movements. With such target-rich subject matter, how did Myers manage to make such a dud? I think that it's a case of plain self-indulgence. Jim Carrey and Robin Williams are two other talented, over-the-top funny men who do some of their best work when they show restraint and don't play themselves. Someone should have reined in Myers on this one.
For his penance, I suggest that he lay off comedy for a while and do a few dramatic roles - including supporting ones - as he did (quite well) in "54." Williams and Carrey have shown other dimensions of themselves in dramatic roles, and I'm sure Myers can, too.
More scenes of young Pitka might have explained better how he grew into the adult he became, and Rajneesh could have been fleshed out a bit. I suspect that a lot of character development and back story were left on the cutting room floor. What should have been cut were the cameos that were either pointless or self-referential without being truly funny.
The plot wasn't exactly Citizen Kane quality, but it could have worked with better writing. After all, if anything cries out for satiric treatment, it's the self-help and New Age movements. With such target-rich subject matter, how did Myers manage to make such a dud? I think that it's a case of plain self-indulgence. Jim Carrey and Robin Williams are two other talented, over-the-top funny men who do some of their best work when they show restraint and don't play themselves. Someone should have reined in Myers on this one.
For his penance, I suggest that he lay off comedy for a while and do a few dramatic roles - including supporting ones - as he did (quite well) in "54." Williams and Carrey have shown other dimensions of themselves in dramatic roles, and I'm sure Myers can, too.
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