
mishahaynie
Joined Jun 2017
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In A Complete Unknown, Timothée Chalamet delivers a mesmerizing performance as the legendary Bob Dylan, capturing not only Dylan's striking physical resemblance but also his enigmatic spirit. From his distinct cadence to the hauntingly accurate accent, Chalamet's portrayal feels like a mirror reflection of the folk icon. It's a career-defining performance, showcasing the actor's dedication and sheer talent.
Director James Mangold brings his signature vision to the film, creating an intimate, almost dreamlike exploration of Dylan's rise to folk stardom. While the film lacks a traditional narrative arc, Mangold's focus on celebrating Dylan's music and cultural influence makes this more of an experiential journey than a plot-driven story. This approach works well for die-hard fans of Dylan and folk music, but casual viewers may find the pacing a bit meandering.
Elle Fanning delivers a standout performance as Sylvie Russo, a fictionalized amalgamation of Dylan's early muses. Her authenticity and emotional depth ground the film, making her interactions with Chalamet's Dylan feel raw and genuine. While Monica Barbaro also shines as Joan Baez, her portrayal doesn't quite reach the same level of believability as Fanning's. That said, the chemistry between Chalamet, Fanning, and Barbaro is electric, capturing the complicated dynamics of love, rivalry, and artistry in Dylan's orbit.
The supporting cast is just as impressive. Scoot McNairy delivers a poignant performance as Woody Guthrie, portraying the legendary folk singer in the twilight of his life with a mix of gravitas and vulnerability. Edward Norton, as Pete Seeger, is magnetic, bringing warmth and conviction to his role. Norton's scenes, in particular, steal the show, as his commanding presence often overshadows even Chalamet. Meanwhile, Boyd Holbrook dazzles in his brief but memorable role as Johnny Cash, adding a touch of charisma to the film's ensemble.
The film primarily focuses on Dylan's formative years, from his discovery of Guthrie to his ascension as a folk music pioneer. It's less about drama and more about immersion, with many calling it a "concert movie" due to its emphasis on Dylan's music. For true fans of Dylan, this is a treasure trove-a celebration of his artistry and the cultural shift he spearheaded. For those less familiar with Dylan, the film might feel a bit niche, but Chalamet's performance alone makes it worth the watch.
Ultimately, A Complete Unknown is a love letter to Bob Dylan's legacy, carried by a stellar cast and Mangold's thoughtful direction. While it may not resonate with everyone, fans of music biopics, Dylan's work, or Timothée Chalamet's growing body of excellence will find much to admire.
Director James Mangold brings his signature vision to the film, creating an intimate, almost dreamlike exploration of Dylan's rise to folk stardom. While the film lacks a traditional narrative arc, Mangold's focus on celebrating Dylan's music and cultural influence makes this more of an experiential journey than a plot-driven story. This approach works well for die-hard fans of Dylan and folk music, but casual viewers may find the pacing a bit meandering.
Elle Fanning delivers a standout performance as Sylvie Russo, a fictionalized amalgamation of Dylan's early muses. Her authenticity and emotional depth ground the film, making her interactions with Chalamet's Dylan feel raw and genuine. While Monica Barbaro also shines as Joan Baez, her portrayal doesn't quite reach the same level of believability as Fanning's. That said, the chemistry between Chalamet, Fanning, and Barbaro is electric, capturing the complicated dynamics of love, rivalry, and artistry in Dylan's orbit.
The supporting cast is just as impressive. Scoot McNairy delivers a poignant performance as Woody Guthrie, portraying the legendary folk singer in the twilight of his life with a mix of gravitas and vulnerability. Edward Norton, as Pete Seeger, is magnetic, bringing warmth and conviction to his role. Norton's scenes, in particular, steal the show, as his commanding presence often overshadows even Chalamet. Meanwhile, Boyd Holbrook dazzles in his brief but memorable role as Johnny Cash, adding a touch of charisma to the film's ensemble.
The film primarily focuses on Dylan's formative years, from his discovery of Guthrie to his ascension as a folk music pioneer. It's less about drama and more about immersion, with many calling it a "concert movie" due to its emphasis on Dylan's music. For true fans of Dylan, this is a treasure trove-a celebration of his artistry and the cultural shift he spearheaded. For those less familiar with Dylan, the film might feel a bit niche, but Chalamet's performance alone makes it worth the watch.
Ultimately, A Complete Unknown is a love letter to Bob Dylan's legacy, carried by a stellar cast and Mangold's thoughtful direction. While it may not resonate with everyone, fans of music biopics, Dylan's work, or Timothée Chalamet's growing body of excellence will find much to admire.
Wes Craven directed a werewolf movie? I had no idea until recently that the man behind Scream helmed Cursed. What's even wilder is that Jesse Eisenberg stars in it, long before he became the household name we know today. I'd heard about Cursed over the years, but I had no clue about the cursed production it went through-almost as much a horror story as the film itself.
It turns out Harvey and Bob Weinstein were behind a lot of the chaos. Which isn't surprising, looking back on it now. They pressured not only Wes Craven into directing this, but also Rick Baker, the legendary special effects artist, into working on it. The Weinsteins were notorious for strong-arming talent into projects they didn't want to be a part of, and this movie was no exception. Skeet Ulrich, a returning cast member from Scream, was even set to star but got cut due to reshoots.
What was initially meant to be a six-month production dragged on for almost four years-practically a record in the film industry. You can find the second draft of the movie online, which shows the original plotline and characters that were supposed to be in it. It's fascinating to see what could have been, considering the film's murder-mystery angle gives it a real Scream-like vibe. The reshoots chopped it all up, and the movie we got is just a shadow of its original potential.
The cast changes alone are mind-boggling. So many actors were cut out or replaced or rewritten throughout the years, and even Shannon Elizabeth who was supposed to have a lot more screen time but instead is killed off instantly. Not only that but Christina Ricci, who shines in most roles, also feels a bit awkward here. She's definitely a redeemable part of the movie, but her character feels off at times, likely due to the constant rewrites and re-edits. The one person who seemed to weather the storm was screenwriter Kevin Williamson, Craven's frequent collaborator, who returned to pen the script and was likely the least affected by all the changes.
Despite its chopped-up feel, Cursed screams early 2000s horror in all the best-and worst-ways. The effects, the vibe, the teen horror mystery... it's all here. Sure, the movie feels a bit uneven, but I still enjoyed what we got, even if it's not what it could have been.
It turns out Harvey and Bob Weinstein were behind a lot of the chaos. Which isn't surprising, looking back on it now. They pressured not only Wes Craven into directing this, but also Rick Baker, the legendary special effects artist, into working on it. The Weinsteins were notorious for strong-arming talent into projects they didn't want to be a part of, and this movie was no exception. Skeet Ulrich, a returning cast member from Scream, was even set to star but got cut due to reshoots.
What was initially meant to be a six-month production dragged on for almost four years-practically a record in the film industry. You can find the second draft of the movie online, which shows the original plotline and characters that were supposed to be in it. It's fascinating to see what could have been, considering the film's murder-mystery angle gives it a real Scream-like vibe. The reshoots chopped it all up, and the movie we got is just a shadow of its original potential.
The cast changes alone are mind-boggling. So many actors were cut out or replaced or rewritten throughout the years, and even Shannon Elizabeth who was supposed to have a lot more screen time but instead is killed off instantly. Not only that but Christina Ricci, who shines in most roles, also feels a bit awkward here. She's definitely a redeemable part of the movie, but her character feels off at times, likely due to the constant rewrites and re-edits. The one person who seemed to weather the storm was screenwriter Kevin Williamson, Craven's frequent collaborator, who returned to pen the script and was likely the least affected by all the changes.
Despite its chopped-up feel, Cursed screams early 2000s horror in all the best-and worst-ways. The effects, the vibe, the teen horror mystery... it's all here. Sure, the movie feels a bit uneven, but I still enjoyed what we got, even if it's not what it could have been.
Let me just start by saying: they aren't kidding when they say this movie pushes violence to its absolute limit! Terrifier 3 is without a doubt the most gruesome film I've ever seen-no exaggeration here! Several scenes left me genuinely amazed they even made it past the censors.
Even David Howard Thornton, who returns as the horrifying Art the Clown, admitted he felt physically nauseous after filming the most intense scenes. Director Damien Leone designed these moments to push even the cast to their limits, aiming for a level of realism that definitely shows on screen. This one isn't for the faint-hearted; if excessive gore isn't your thing, you'll want to skip this one. Honestly, even I felt the aftereffects, and I think most of the audience did too.
By the end of the two-hour gore fest, you'll leave the theater appalled, shocked, or maybe even in awe-depending on your tolerance. Leone even pays homage to Alfred Hitchcock's Psycho with a tribute to the infamous shower scene, but of course, it's taken to the extreme. Blood and body parts everywhere, all set to a chainsaw's buzzing symphony. It's unforgettable and, quite honestly, something I'd never thought I'd see.
Special mention goes to the practical effects-they're astounding! Tom Savini, the legendary special effects makeup artist, makes a cameo, and his influence on the makeup and effects work here is undeniable. They're some of the best I've seen, and fans of practical effects will be thrilled.
Once again, if gore isn't your thing, this is one you'll want to skip. But for the horror fans who can't get enough, Terrifier 3 might just be the ultimate bloodbath experience on the silver screen.
Even David Howard Thornton, who returns as the horrifying Art the Clown, admitted he felt physically nauseous after filming the most intense scenes. Director Damien Leone designed these moments to push even the cast to their limits, aiming for a level of realism that definitely shows on screen. This one isn't for the faint-hearted; if excessive gore isn't your thing, you'll want to skip this one. Honestly, even I felt the aftereffects, and I think most of the audience did too.
By the end of the two-hour gore fest, you'll leave the theater appalled, shocked, or maybe even in awe-depending on your tolerance. Leone even pays homage to Alfred Hitchcock's Psycho with a tribute to the infamous shower scene, but of course, it's taken to the extreme. Blood and body parts everywhere, all set to a chainsaw's buzzing symphony. It's unforgettable and, quite honestly, something I'd never thought I'd see.
Special mention goes to the practical effects-they're astounding! Tom Savini, the legendary special effects makeup artist, makes a cameo, and his influence on the makeup and effects work here is undeniable. They're some of the best I've seen, and fans of practical effects will be thrilled.
Once again, if gore isn't your thing, this is one you'll want to skip. But for the horror fans who can't get enough, Terrifier 3 might just be the ultimate bloodbath experience on the silver screen.