This started out so promising, but devolved into a predictable fear mongering mess.
Zwick/Wright got so many details right, but once a political slant is unveiled, the performances became transparent and the ending was clichéd Hollywood nonsense.
Islamic extremism, FBI/CIA communication failures, terrorists on FBI watch lists entering the country on student visas, suspension of habeas corpus for "suspected" terrorists and of course rendition and torture of an American citizen that is suspected to be a terrorist. So many elements that in '98 must have seemed alien to the public are now widely understood in a post 9/11 U.S.
However, even after 9/11, posse comitatus has not been suspended, martial law has not been authorized (save Pakistan), internment camps for U.S. Muslim citizens have not been created or populated, and politicians of both parties, as well as major media outlets and a groundswell of opposition (activists, truthers and the ilk) to torture/police state/rollback of constitutional rights (as enumerated in the patriot act) have vowed to not let these things evolve to the extent that this movie portrays.
Thus my comment on the political slant that takes over the second half of this movie (I'm a centrist anti-partisan). The first half was good...then oh my.
Denzel's performance was fine, however his character became more and more self righteous and preachy as the movie went on. Bruce Willis was...OK, I guess...but his character went from reasonable to tyrannical in an unbelievable blink of an eye (key word - unbelievable). Tony Shalhoub was fantastic! No criticism here. Then there's Annette...ugh! Ughly character (ignorant CIA agent of course) ughly performance - did she pay somebody to get this roll? And finally the military, portrayed as bullying automatons with no conscience or soul...please haven't we had enough of troop bashing?
**Spoiler Ahead**
In the end...well, the self righteous wins out and Willis stands down, but at least Annette got shot ;-) I still recommend the movie for the first half, and as a commentary on how to avoid the second half.
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