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- The confession of a man who was the director of a factory in Lower Silesia. "He was a Party member but opposed to the Mafia-like organization of Party members which was active in that factory and region.
- A girl strolls through the Old Town streets of Warsaw and listens to the sounds of the city, which change from random noise into a kind of outdoor concert.
- A communist party control committee interrogates a worker and party activist who is to be excluded from the party.
- A reporter and his wife are trying to adopt the young son of an alcoholic single mother.
- In this training / promotional film, a narrator describes the various safety measures in place at a copper mine, as a worker goes about their work day.
- TV reporters conduct a street survey, asking random people "How are the youths of today?". This brief collection of opinions unexpectedly turns into powerful study of media manipulation.
- Twenty years old prostitute and drug addict, Jola, by chance meets Andrzej, a "railway station gay". They try to stay together, in spite of numerous diffculties. They both are carriers of the HIV virus. At the end of their travels they find themselves in the Red Palace - formerly the recreation centre for Party dignitaries, now a home for AIDS sufferers - which is run by father Jan. In the nearby small town aggression begins to grow again the unwanted guests; the house have been promised to the local people for housing purposes... The lives and fates of Jola, Andrzej, and father Jan become increasingly intertwined with one another...
- The camera turns inward in this intense look at the renowned Polish director.
- The film is reminiscent of "Gosciminska" by virtue of both analogy and a reversal. Both films are based on a written text - a colloquially worded document written and read out by the protagonist, which initially takes form of curriculum vitae, but as it progresses begins to sound more like a letter of complaint. The protagonist's account spans from the pre-war to the post-war period. What is reversed is the relationship accounts and the film footage illustrating them. The unique method of editing archive material is particularly worthy of note. As each take is replayed a number of times the footage looses its credibility.
- Portrait of a young girl from the countryside who lives, works, studies and looks for a right boyfriend in the suburbs of Warsaw.
- Mass Catholic pilgrimage to the Kalwaria Zebrzydowska Sanctuary where amateur actors perform the Passion of the Christ.
- The last assembly works at the Gdansk Shipyard are followed by the ceremonial launching of a new ship.
- One day in the life of a multi-generational country family whose members work very hard, live close to nature and share every meal with each other.
- The perils of alcohol: parents ruin the lives of their children because of drinking.
- Over a decade after the almost total wartime destruction, Warsaw still looks bruised and battered. Ruined houses are nevertheless inhabited which can be dangerous for the local population.
- The film crew follows a camp of Polish Roma as they move around. We see their daily life: women cook, wash, take care of the children, and men, well, drink and play cards.