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1-50 of 67
- To gauge the significance of Beethoven's work, we pose the question: What would the world 'sound' like without it? Without his genius, would movie scores, jazz, concept albums and much more exist as we know it?
- Explore the live recordings of the Hollywood legend's Vienna Philharmonic 2020 debut.
- With a few exceptions, most dancers reach their peak by the age of 40. The film follows dancers Friedemann Vogel, Polina Semionova, William Moore and Gesine Moog, offering personal insights into their careers.
- The documentary explores Leonard Bernstein's various facets, as a conductor, a composer, a pianist and most of all a teacher and how he influenced so many people. It includes interviews of his children, former conductor students, orchestra members, collaborators and other acquaintances.
- The documentary accompanied the work of the Simón Bolívar Youth Orchestra of Venezuela.
- Even during his lifetime, Carlos Kleiber was a myth: a conductor who was adored by audiences and colleagues. In this documentary, Georg Wübbolt attempts to show what made Kleiber the phenomenon he was.
- Filmed live in Vienna s legendary Musikverein concert hall, this release represents Lang Lang s second live recorded recital to date after the best-selling Live at Carnegie Hall in 2004, which marked his international breakthrough as a recording artist. The program for his Sony debut features Lang Lang s first-ever recording of Beethoven sonatas: The famous Appassionata , a milestone in the piano literature, is paired with the composer s youthful C major Sonata op. 2, no. 3. Virtuosity of a different order is displayed in Albéniz s impressionistic memories of his native Spain in Book 1 of Iberia. The program closes with one of Prokofiev s explosive War Sonatas, the revolutionary Seventh Sonata. Finally, to celebrate the Chopin Bicentennial we hear three encores of this Polish genius s most popular works: the Aeolian Harp Etude, the Heroic Polonaise in A flat major, and the sparkling Grande Valse Brillante No. 2.
- This documentary shows the life of Betty Freeman who is probably one of the most influential patrons of contemporary music. Since she began to give financial assistance to composers and performers of contemporary music in 1964, she has given a total of 413 grants and commissions for living expenses, compositions, recordings, performances, librettos etc. to 81 artists. Among these artists, who could not have created the works they are known for without the patronage of Betty Freeman, are as famous artists as John Cage, Steve Reich, Robert Wilson and Peter Sellars and also younger composers as the Austrian Olga Neuwirth and the Swiss Hans Peter Kyburz for example. During the era of Gerard Mortier and Hans Landesmann as directors of the Salzburg Festival Betty Freeman gave money for commissioning compositions and paid for entire productions such as for "L'Amour de Loin" by the Finnish composer Kaija Saariaho. Betty Freeman maintains strong personal relations to artists whom she supports and is therefore an important witness of the development of contemporary music. The documentary contains interviews with music- and arts-people whom she is in touch with and sequences of the music and productions which were made possible by her generosity, staged especially for this film.
- Greek conductor Teodor Currentzis starts a classical music revolution together with his orchestra MusicAeterna. Not in Berlin, Vienna or Paris - but in the Russian town of Perm, an industrial city 1100 km northeast of Moscow.
- A man eyes a beautiful woman sitting at a bar. He prepares to make his move - but it's not as easy as it seems.
- The Mexican Maestro Alondra de la Parra has taken the world's concert halls by storm. Born in 1980 in New York, she decided early on she wanted to become a conductor.
- A spectacular production of Mozart's Davide penitente with dancing horses.
- This Stravinsky film is a remarkable documentary written, directed and edited by Marco Capalbo, telling of the legendary composer's life after he moved to Hollywood in 1939. He did this as he envisioned a new outlet for his music â€" writing for films. Walt Disney already was using The Rite of Spring in his Fantasia, but Stravinsky was not pleased with the cuts and rearrangement of his score, which, coming from Russia, was not then in copyright. Disney paid Stravinsky $6,000 for the rights to the music and the composer's name. Stravinsky was considered to write music for a number of other films including Gone With the Wind, Jane Eyre and The Song of Bernadette. He actually did write some music for the latter too, and it is fascinating to watch the brief episodes from the film with Stravinsky's music! Much of the film is devoted to Robert Craft, whose close association with Stravinsky was major, and Craft is seen often talking about their relationship. The association (or non-association) of Stravinsky and his neighbor Arnold Schoenberg, is clarified, and we hear commentary about Orpheus, Agon and for for-TV The Flood which was premiered on CBS i 1962 with Craft conducting. The script is perfect and clear and presumably narrated by Capalbo. This is among the finest documentaries available.
- Sir Georg Solti (1912 - 1997) was one of the 20th century's most brilliant conductors and a leading figure of musical culture world-wide. Very few conductors of world renown may look back on a life packed with achievement but Sir Georg Solti. Born and raised in Hungary - György studied piano, composition and conducting with Bartók, Dohnányi, Kodály and Leo Weiner at Budapest's Liszt Academy - the young Solti spends his formative years as a conductor in German-speaking countries. In 1937, Toscanini selected him as his assistant at the Salzburg Festival. Before the outbreak of World War II, Sir Georg went to Switzerland as a refugee. Following the war 1946, he was invited by the American military government to conduct a performance of Beethoven's Fidelio in Munich. Soon he became General Music Director in Munich and Frankfurt. Later being a mature and experienced maestro, he appeared as well in Vienna, Bayreuth and Berlin. In 1961, he became Musical Director of Covent Garden for a ten-year tenure. But it was in Chicago that musical history was made. Solti's "Chicago sound" become a synonym for excellence. The big, decisive, exciting style was instantly recognizable. Over the next 22 years (from 1969 to 1991), together with the Chicago Symphony Orchestra, he conducted a total of 999 performances, made more than 50 recordings, received 32 Grammy Awards, made countless triumphant tours, and all the world took notice.
- Puccini's musical vision of the American West is vividly brought to life in Giancarlo Del Monaco's atmospheric production. Deborah Voigt is Minnie, the girl of the title and owner of a bar in a Californian mining camp. Marcello Giordani sings Dick Johnson, the bandit-turned-lover hunted by the cynical sheriff Jack Rance (Lucio Gallo), who wants Minnie for himself. Complete with whiskey-drinking cowboys, gunplay, a poker game, and a snowstorm, La Fanciulla del West is Puccini at his most colorful.
- A production of Alban Berg's Lulu from Zurich Opera.
- For the 2014/15 Opening Night Concert and Gala, the Los Angeles Philharmonic paid tribute to composer John Williams. Gustavo Dudamel led the orchestra.
- Elektra wants vengeance for her murdered father, Agamemnon.
- Paddy Chayefsky's 1954 play set in the Bronx tells the story of a recently widowed 66-year-old seeks a job after 40 years if being a homemaker.