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- An urban fairy tale and romantic comedy in which aspiring songwriter Nola leaves her abusive Kansas home and heads to New York City to find her biological father--and finds much more.
- A group of friends unites on the 10 year anniversary of the death of a friend and member of their secret society from college.
- Rookie lawyer Alec Brno has just been assigned the case of his career: exposing a billion-dollar oil scam led by a ruthless mafia boss. When he reluctantly falls for the gangster's beautiful but drug-addicted wife - also his key witness - Alec soon realizes that all the legal savvy in the world can't protect him from the dangerous reality of mob violence. In a system where criminals often walk free, sometimes courtroom warriors must take the battle for justice into their own hands.
- It's New Year's Eve. Ed is out of work, seeing himself as a man descending. He sees his wife Victoria as hopeful, still ascending. He thinks she may be carrying on with Howard, her psychologist. They get to the party, Ed drinks copious amounts of scotch as Victoria and Howard dance and then steal away. Ed makes off-putting remarks to others at the party, and, when his wife and the shrink return with a bag of ice after the stoke of twelve, Ed decides to pick a fight. What Victoria does in response brings in the new year.
- Joshua Tree, the high desert community outside Los Angeles, has become a mecca for the emergence of exciting new musical voices. How the particularities of this place-its history and traditions, its isolation from urban centers-have contributed to this phenomenon is the subject of the film, told by stirring interviews and live performances. Each writer-performer has his or her unique story, but all have had to face the conflict between maintaining their identity as performers and the struggle to survive in the music industry. The interviews in this film highlight that conflict. And the performers' flourishing in this community is thrillingly depicted in the film's live performances staged at festivals, coffee houses and private homes, or developing from the interviews themselves. These stories and voices tie into a deep tradition of singing and storytelling as oral history. Nowhere Now examines how this tradition is affected by the power of success and failure in the industry.