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1-50 of 51
- Feature-length compilation program presenting 37 out of 41 original fluxfilms produced and directed in the 1960s by Fluxus artists, including George Maciunas, Nam June Paik, Yoko Ono, Robert Watts, Paul Sharits, et al.
- A series of experiments with two cameras and two monitors filming each other.
- This corpus of 16 short films was dug out from a hidden avant-garde film collection after 50 years. It is the very first and earliest Japanese pop art/underground film collection. The roots of 60's Japanese underground cinema are all here.
- Larry Gottheim's classic short from 1970, re-scored by musician and experimental geographer, Sterling Mackinnon.
- Twelve living pictures largely made to be shown on your TV screen, your computer, or better, on a flat screen on the wall as a hanging picture. You choose the design you want to exhibit and it remains there, it moves, it lives, it evolves.
- A collection of Takahiko Iimura's short clips from his 12 experimental DVDs, each in one-minute excerpts, and originally produced between 1962 and 2002. A promotional glimpse and a guide to the piece in which one of the highlights is seen.
- Bright green leaves stripped from ears of corn, and later, the vibrant yellow ears placed steaming in the waiting bowl.
- A bowl of blueberries in milk, changing light radiant on the berries and on the glazed bowl, the ever more radiant orb of milk transforming into glowing light itself.
- Eight camera passes across the barn, each the length of roll of film, the light and the relationship to the foreground changing with each pass.
- In an avant-garde spirit, open to his immediate contemporaneity, the filmmaker Marcel HANOUN directed with Estelle COURTOIS in late September 2011, LE CRI, an unexpected silent film of 7 minutes, with the comedian Marc-Henri BOISSE. Marcel HANOUN will always bring back in films historical events at their true distance, and at their human and cinematographic dimensions.
- Arguably Larry Gottheim's most exuberant experiment in the single-shot, single-roll format (and his first with a soundtrack), HARMONICA trains the camera on a friend improvising a tune in the backseat of a moving car. Held out the window, the harmonica becomes a musical conduit for the wind, while Gottheim's film transforms before our eyes into a playful meditation on wrangling the natural elements into art. - Max Goldberg
- Reunites two positive/negative structural films shot during the hippie movement and the black riots in the East Village, in New York City, in the late 1960s. Features Film Strips I (1970), and Film Strips II (1970).
- A compilation video of the creator of butoh, Tatsumi Hijikata, featuring two short films from the 1960s: Anma (1963), and Rose Colored Dance (1966), the best of his early butoh. Directed by avant-garde filmmaker Takahiko Iimura.
- Examines the career of internationally recognized filmmaker Stephen Dwoskin, his pioneering work and his films which he shot himself, exploring desire, sexual and moral solitude, the passage of time, and physical handicap (he had polio).
- In this compilation disc featuring two short films, Takahiko Iimura creates a short self-portrait as well as brief portraits of five of his peers of the late 1960s: Stan Brakhage, Stan Vanderbeek, Jack Smith, Jonas Mekas, and Andy Warhol.
- T. Iimura puts the emphasis on the conceptual nature of film, on qualities of temporal and continuity, that would be used in his video work, which began in 1970. Here, you have a starting point of Japan's video art, even a conceptual one.
- 'Film poem' is a term used in the 60s for experimental film borrowing from literature field. It means non-narrative and short form mostly. Also it often meant lyrical as well though not necessarily so. Features 6 shorts from 1962 to 1971.
- Retrospective held at the Galerie Nagoya City in Japan in 2006. The works of the 15 filmmakers represented in this exhibition come from the late 1960s to the early 1970s, when video art was composed of most single and installation works.
- This 're-read' work developed out of Iimura's performance practice that he has over the years, from his association with Fluxus to his notion of Video Semiology, radically explores the signifying systems of meaning in moving image making.
- This documentary follows the making of "Lucy en miroir" of Raphaël Bassan.
- Through silent meditation from the experience of the memory, avant-garde filmmaker Takahiko Iimura reexamines two of his earlier poetic short films: In the River (1970), and Shutter (1971).
- A huge isolated rock in the midst of the desert in Australia: Ayers Rock. This compilation is reuniting two films around this rock though very contrasting in the way the films were made: 'Moments at the Rock' and 'A Rock In the Light'.
- David Avallone interviews legendary reclusive film director Adolfas Mekas, at his villa in Tuscany. Wackiness ensues.