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- A recurring nightmare immerses the filmmaker into a visual research in the first person. Beginning with the 1955 bombing of Buenos Aires, the film elaborates a disturbing essay about violence. Combining a variety of different materials the director follows a line of thought that starts with his grandparents at World Wars I and II, and passes through Vietnam and the atomic weapons, reflecting about the kind of world we make for ourselves and for coming generations.
- An intimate geographical journey, where the director narrates in first person the story of his grandfather Ludovico, an Italian arrived in Argentina after fighting in World War II. With very few clues he begins to trace the features of a grandfather whom he never knew and who soon reveals himself to be disturbingly contradictory.