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1-8 of 8
- The imminent closure of a small cinema in the Constitución neighborhood in Buenos Aires, Argentina, will be the propitious element to reflect on the mystique of the cinemas of yesteryear and on the figure of the film projectionist. A personal tribute to the liturgy of cinema, to its ghosts and its dreams.
- A conversation between a father (the poet) and his son (the illustrator) about imagination as the creator and, at the same time, transgressor of reality.
- A book destroyed by a bloodhound will awaken memories and anecdotes in the form of three video letters addressed to Berenice. The letters aim to invite her to a reunion to remember old times. Will you accept the invitation? These are "letters". But in reality he is a filmmaker who is measuring himself against the present and the past; with the city of Quito; with the friendship of a woman who lives in memory, but whose face gradually dematerializes, like Poe's Berenice. The director has been reflecting aloud for some time, as in a tenacious soliloquy by Horacio Castellanos Moya. But, while he makes diatribes, in Berenice there is more of an elegy; or a suspension of judgment that is expressed, for rhetorical purposes, assertively, with a conviction typical of one who already knows, in reality, that everything is useless, that everything has been said, that Berenice is not going to arrive. Between color and black and white, between salvaged bits and pieces of Ecuador's history, there is only one thing for sure: the only thing that never dies is the past.
- This is the story of a man made of shadows and light. A man that found shelter in the dark theatre and the silver screen. A man capable of doing anything in order to preserve his greatest passion: movies.
- Built in 1965 and located on Avenida Juan de Garay, in the San Telmo neighborhood of Buenos Aires, a residential building holds an extraordinary mystery that is part of the everyday lives of its tenants.
- H-151 is an android that suddenly starts to have human memories. Humanity seeks to resist despite the power and indifference of the machines.