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- Follows the rehearsals of 'Faits d'artifice', a choreography by Françoise and Dominique Dupuy, created with Régine Chopinot and the company Le Ballet Atlantique, as the director is aiming to catch the process of creation from the inside.
- "Nocturnes at the Golden Gate" - invites us to discover the world and work of Irina Ionesco, a unique figure of contemporary photography. Since the early 70's, she photographer has been working in her apartment near the Porte Dorée, in Paris, principally with the female body. Scraps from the past and elements of the present come together to evoke the coherence and multiple meanings of Irina's baroque universe : the solitude of her Romanian childhood ; her youthful debut in the music hall ; her relationships with her models and her way of building images. Little by little, her work is illuminated and takes on different vibrations, though we have never left the apartment : her workspace, temple and museum.
- A man is sitting at a table. He reads a text aloud. This text, taken from the first four letters of Pierre Martyr d'Anghiera's "La Décade Océane", relates the early days of the discovery and conquest of the New World by the Spanish under the leadership of a certain Christopher Columbus.
- Nounours is a character who speaks of difficult and serious things. Because there is fire in his eyes, you can be tempted to follow him. Childhood in a hostel, the law of the streets, vagrancy, petty crime. You can also understand him, but that's more difficult. You can never really explain why children are violent. A film improvised live, the result of an unprepared interview, an unexpected fruit tainted with bitterness.
- A subjective journey into the 1956 Hungarian revolution observed through archive footage and records, a dive into the heart of the 1950s of communist Europe: productivism, lies, treason, amnesia, an era which should be remembered by now.
- Months after the "Prestige shipwreck", a team of 30 volunteers left Toulouse to clean up the coast of Camariñas in Galicia. All day long, the camera followed their painstakingly patient and seemingly derisory gestures, picking up on the varying intensity of each day, revealing how a growing fraternity among them came to constitute a form of resistance against such a disaster. Our civilization devastates the planet on a big scale that some attempt to repair the damages with a spatula. I seek to share the striking contrast by exploring the issues of a space reduced to a beach of black stones.
- While most of Cameroon's Pygmies still live in the bush, a handful of families have moved to a paved road in a village where their daily lives balance between maintaining traditions and adapting to Bantu society. The film takes us to meet the Pygmies of the road, a small community at a crossroads.
- One year, 12 months, 12 filmmakers who are filming Paris in an unusual way: "their" Paris before a symbolic date, the night of 12/31/99 to 01/01/00. They are turning one by one the pages of their own Parisian calendar of the year 1999.
- A documentary film about social telephony: on each end of the line, two nameless individuals, two anonymous people are having a conversation that tries to combine demands and answers. The caller, the listener. Two voices.
- An invitation to the director's intimate and personal life, at the core of his couple, exploring the 9 months of waiting as a territory of reflection and engagement. It is a matter of symbolic pregnancy, amazon medicine and trust. A child is waited. Both the future parents need to change their skin, and become a mother, a father.
- How does India, where there are retirement homes for sacred cows, handle the mad cow crisis?
- Here is the story of the meeting of artist Raymond Hains with filmmaker Cécile Déroudille-Roussière, an encounter full of coincidences, which is good since those happy coincidences are some of the artist's favorite hobbyhorses.
- From February to November 2007, director Henry Colomer followed and filmed the work of French artist and photographer Jean-Michel Fauquet in the privacy of his studio in Paris, and is now releasing this intimate portrait.
- It will be amazing to witness a child's upbringing. It will be painful to feel the loved one going away. Everything will be done in order to keep happiness. It will be a challenge, and it will require deep changes. A stunning personal journey, straight to the heart.
- Gilles is a man who has been living on the streets for 20 years. He has always been homeless and he has learned to survive and cope like so many others, but his personal story leads us to his passion: trains. His grandfather was a railwayman and, since his childhood, he has had a rather particular relationship with the railway world. Evoking the memory of his grandfather and his past takes us on a return to the places of his childhood: a journey into his memory; but today, things have changed.
- Director Sylvain Bouttet follows the negotiations between farmers, state authorities and environmental associations around the future of the Lannion watershed, invaded by green algae, in the north of Brittany, France.
- "Go and see what we left behind." With these words in mind, a filmmaker journeys into the discovery of an almost abandoned and little known country: Albania. Her film offers an overview of the tormented past sixty years in the country.
- A collection of eight portraits of French or Belgian personalities of national or international renown from the cultural, artistic, scientific or political field, to uncover through these people the link to the world that connects us all.
- Thirty years after May 1968, a man offers a look back at these events, the ideas of the time and the noble combat which, today, still appears to him like a necessity. Today, his look at the past has not changed and his opinions do not seem to have evolved even though he recognizes he has made a concession as he is working for the government as a civil servant. In parallel to this man's thoughts, another person, as a voice-over, expresses her bitterness and her disillusion: is society condemned to evolve complacently in this system? Is this evil, the evil of resignation? The film seems to give us the answer as it shows us the possibility of an alternative to resignation: being faithful to one's dreams.
- Three farmers from the central part of Brittany, France, speak about their daily work, pleasure, constraints, and doubts as they face increasingly tough restrictions and regulation in the agricultural policy of the European Union.
- Follows everyday life impressions in a 4-part mini-series divided into very short episodes playing like snapshots of the human gaze, and elusive moments, which, if we stop there for an average shot length, reveal all their depth.
- L'Ardoise, an industrial hamlet where the director spent the first eleven years of his life, brings back memories of a forgetful childhood. There still stands the decaying ghost of the steel factory where his father and grandfather worked.
- Delivering a continuous flow of urban landscapes' digitally reworked images where passers-by are seen as anonymous silhouettes, the film offers a poetic monologue commentating on a disenchanted vision of the ghostly ballet of modern life.
- This is the story of an amazing fair in a little corner of Ariège, France. Organized without subsidy or sponsorship by a group of friends and artists from all corners of Europe. It's also an account of a run-in with the administrative world who would prefer not to allow the fair to take place for security reasons. It is also a testimony to an organizer's resistance, as the show must go on. But how? Finally, it's a mosaic of awarding characters who revolve around the Irish clown Perry Hazzard, the true pioneer of the event who, when all is said and done, manages to keep his promises.