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Jonathan Rhys Meyers was born Jonathan Michael Meyers on July 27, 1977, in Dublin, Ireland, to Mary Geraldine (Meyers) and John O'Keeffe, a musician. He and his family moved to County Cork, Ireland, when the actor was nearly a year old, and then, at the age of 3, his father left the family, leaving his mother to care for Jonny and his 3 younger brothers alone.
Rhys Meyers grew up with a tumultuous childhood and being permanently expelled from school at age 16. Happy to be out of school, he began spending time in a local pool hall where he was discovered by Hubbard Casting. The casting agents were talent-spotting for the David Puttnam production of War of the Buttons (1994), and asked Rhys Meyers to appear for an audition. After three days of auditions, however, he did not get the role, and Rhys Meyers gave up on his acting aspirations. Soon afterward, he received a call to audition for a national ad campaign for Knorr Soup, and though embarrassed by the attention from the ad, he soon found himself considered for a major film. His movie acting debut was a very small role in the film A Man of No Importance (1994), where his simple cast credit is as "First Young Man". His first lead role was in the film The Disappearance of Finbar (1996). During a 6-month postponement in production, he returned home to Cork and there received a call about the film Michael Collins (1996). He traveled to Dublin to meet with director Neil Jordan and successfully won the role of Collins' assassin. Jordan wrote about his meeting with the actor, "I have found someone to play Collins' killer. Jonathan Rees-Myers (sic), from County Cork, apparently, who looks like a young Tom Cruise. [He] Comes into the casting session with alarming certainty. Obviously gifted".
Rhys Meyers continued working constantly from that point and appeared in such films as The Maker (1997), Telling Lies in America (1997), and The Tribe (1998). Going on to film The Governess (1998), B. Monkey (1998), Titus (1999) and Ride with the Devil (1999), he has received critical acclaim for several performances, most notably as "Brian Slade" in Velvet Goldmine (1998), as "Steerpike" in the British mini-series Gormenghast (2000), and as a sympathetic football coach in Bend It Like Beckham (2002). Rhys Meyers is also a talented singer and musician, having performed his own vocals in Velvet Goldmine (1998) and appearing on the film's soundtrack. Rhys Meyers still resides in County Cork, Ireland.- Actor
- Producer
- Editorial Department
Christian Charles Philip Bale was born in Pembrokeshire, Wales, UK on January 30, 1974, to English parents Jennifer "Jenny" (James) and David Bale. His mother was a circus performer and his father, who was born in South Africa, was a commercial pilot. The family lived in different countries throughout Bale's childhood, including England, Portugal, and the United States. Bale acknowledges the constant change was one of the influences on his career choice.
His first acting job was a cereal commercial in 1983; amazingly, the next year, he debuted on the West End stage in "The Nerd". A role in the 1986 NBC mini-series Anastasia: The Mystery of Anna (1986) caught Steven Spielberg's eye, leading to Bale's well-documented role in Empire of the Sun (1987). For the range of emotions he displayed as the star of the war epic, he earned a special award by the National Board of Review for Best Performance by a Juvenile Actor.
Adjusting to fame and his difficulties with attention (he thought about quitting acting early on), Bale appeared in Kenneth Branagh's 1989 adaptation of Shakespeare's Henry V (1989) and starred as Jim Hawkins in a TV movie version of Treasure Island (1990). Bale worked consistently through the 1990s, acting and singing in Newsies (1992), Swing Kids (1993), Little Women (1994), The Portrait of a Lady (1996), The Secret Agent (1996), Metroland (1997), Velvet Goldmine (1998), All the Little Animals (1998), and A Midsummer Night's Dream (1999). Toward the end of the decade, with the rise of the Internet, Bale found himself becoming one of the most popular online celebrities around, though he, with a couple notable exceptions, maintained a private, tabloid-free mystique.
Bale roared into the next decade with a lead role in American Psycho (2000), director Mary Harron's adaptation of the controversial Bret Easton Ellis novel. In the film, Bale played a murderous Wall Street executive obsessed with his own physicality - a trait for which Bale would become a specialist. Subsequently, the 10th Anniversary issue for "Entertainment Weekly" crowned Bale one of the "Top 8 Most Powerful Cult Figures" of the past decade, citing his cult status on the Internet. EW also called Bale one of the "Most Creative People in Entertainment", and "Premiere" lauded him as one of the "Hottest Leading Men Under 30".
Bale was truly on the Hollywood radar at this time, and he turned in a range of performances in the remake Shaft (2000), Captain Corelli's Mandolin (2001), the balmy Laurel Canyon (2002), and Reign of Fire (2002), a dragons-and-magic commercial misfire that has its share of defenders.
Two more cult films followed: Equilibrium (2002) and The Machinist (2004), the latter of which gained attention mainly due to Bale's physical transformation - he dropped a reported 60+ pounds for the role of a lathe operator with a secret that causes him to suffer from insomnia for over a year.
Bale's abilities to transform his body and to disappear into a character influenced the decision to cast him in Batman Begins (2005), the first chapter in Christopher Nolan's definitive trilogy that proved a dark-themed narrative could resonate with audiences worldwide. The film also resurrected a character that had been shelved by Warner Bros. after a series of demising returns, capped off by the commercial and critical failure of Batman & Robin (1997). A quiet, personal victory for Bale: he accepted the role after the passing of his father in late 2003, an event that caused him to question whether he would continue performing.
Bale segued into two indie features in the wake of Batman's phenomenal success: The New World (2005) and Harsh Times (2005). He continued working with respected independent directors in 2006's Rescue Dawn (2006), Werner Herzog's feature version of his earlier, Emmy-nominated documentary, Little Dieter Needs to Fly (1997). Leading up to the second Batman film, Bale starred in The Prestige (2006), the remake of 3:10 to Yuma (2007), and a reunion with director Todd Haynes in the experimental Bob Dylan biography, I'm Not There (2007).
Anticipation for The Dark Knight (2008) was spun into unexpected heights with the tragic passing of Heath Ledger, whose performance as The Joker became the highlight of the sequel. Bale's graceful statements to the press reminded us of the days of the refined Hollywood star as the second installment exceeded the box-office performance of its predecessor.
Bale's next role was the eyebrow-raising decision to take over the role of John Connor in the Schwarzenegger-less Terminator Salvation (2009), followed by a turn as federal agent Melvin Purvis in Michael Mann's Public Enemies (2009). Both films were hits but not the blockbusters they were expected to be.
For all his acclaim and box-office triumphs, Bale would earn his first Oscar in 2011 in the wake of The Fighter (2010)'s critical and commercial success. Bale earned the Best Supporting Actor award for his portrayal of Dicky Eklund, brother to and trainer of boxer "Irish" Micky Ward, played by Mark Wahlberg. Bale again showed his ability to reshape his body with another gaunt, skeletal transformation.
Bale then turned to another auteur, Yimou Zhang, for the epic The Flowers of War (2011), in which Bale portrayed a priest trapped in the midst of the Rape of Nanking. Bale earned headlines for his attempt to visit with Chinese civil-rights activist Chen Guangcheng, which was blocked by the Chinese government.
Bale capped his role as Bruce Wayne/Batman in The Dark Knight Rises (2012); in the wake of the Aurora, Colorado tragedy, Bale made a quiet pilgrimage to the state to visit with survivors of the attack that left theatergoers dead and injured. He also starred in the thriller Out of the Furnace (2013) with Crazy Heart (2009) writer/director Scott Cooper, and the drama-comedy American Hustle (2013), reuniting with David O. Russell.
Bale will re-team with The New World (2005) director Terrence Malick for two upcoming projects: Knight of Cups (2015) and an as-yet-untitled drama.
In his personal life, he devotes time to charities including Greenpeace and the World Wildlife Foundation. He lives with his wife, Sibi Blazic, and their two children.- Actor
- Writer
- Producer
Joe Dallesandro's still hangin' . . . after battles with drug addiction and alcohol, brushes with the law, three broken marriages and numerous love affairs, plus the suicide of his only sibling Bob. One of the most beautifully photographed wild guys to come out of the Andy Warhol and Paul Morrissey "Factory" era, the slight and slightly androgynous Dallesandro became an improbable pioneer of the male sexual revolution and the first film actor to be glorified as a nude sex symbol. The Morrissey/Warhol movies were known for their bizarre, amateur standing, yet Joe and his completely uninhibited, walk-on-the-wild-side demeanor managed to hold an entire underground audience captive. Joe's dangerous street mentality and raw erotic power became a definitive turn-on to both gay and straight audiences and his fame eventually filtered somewhat into the mainstream.
Born humbly as Joseph Angelo D'Alessandro III in Pensacola (located on Florida's panhandle) on New Year's Eve in 1948, his parents, Joe II and Thelma, were teenagers when Joe was born; his father was a Navy man stationed there and his mother had a wild streak of her own. Joe (then age 5) and younger brother Robert were placed into a New York adoption facility after Thelma was given a five-year prison sentence for auto theft and the father decided he was unable to care for them alone. Brought up in a series of foster homes, Joe became notorious for his delinquent behavior at school -- which was often ignited by his short stature and even shorter temper. Frequent runaways, he and his brother eventually returned to live with their grandparents but Joe quickly drifted towards a life of crime (thievery, burglary, etc.) via his association with street gangs.
At 15 "Little Joe" was caught stealing a car and sentenced to a juvenile rehab facility in New York's Catskill Mountains. During this time he started his famous "Little Joe" tattoo body markings. He escaped from the facility and lived a nomadic life in Mexico for a time before returning to the US (Los Angeles), where he gained unexpected acceptance in the California gay scene. The wanderlust teen found it profitable to exploit his sulky good looks and smoothly-muscled physique by posing nude for various photographers in the mid-'60s. Sometimes billed as "Joe Catano", Dallesandro hit many of the underground studios in both California and New York, working most notably for Robert Henry Mizer, who founded the Athletic Model Guild (AMG), and Bruce Bellas, aka Bruce of Los Angeles. A little magazine called Physique Pictorial, which was passed off as a bodybuilding publication, was, in truth, geared heavily toward its gay subscribers. Many were clients of Mizer, who photographed thousands of buff young men (some even out-of-work military servicemen) in various stages of undress from 1945-1993. Joe became Mizer's most famous model and can be seen featured in Thom Fitzgerald's docudrama Beefcake (1998), which chronicles the Mizer AMG era.
Back in New York during the summer of 1967, the 18-year-old, while visiting a friend in Greenwich Village, was invited to sit in and watch Andy Warhol and Paul Morrissey shooting an impromptu marathon movie in Warhol's building apartment. Morrissey's camera quickly found its way toward the ambivalent, good-looking Joe and the rest is history. Joe wound up shooting a wrestling scene with another guy clad only in his underwear. A year later that 23-minute footage found its way into The Loves of Ondine (1968), an 86-minute mishmosh of Warhol's eccentric ideas. Joe's image in his jockey shorts was used for the primary ads in The Village Voice. The movie, which featured his extended improvised wrestling scene, was reviewed by Variety and Joe himself, surprisingly, received raves for his charismatic good looks and natural acting ability, and was touted as a possible legit performer.
Young Dallesandro instead became Morrissey's protégé. Although Joe displayed beefcake appeal in Warhol's Lonesome Cowboys (1968), which was investigated by the FBI for rumors of an on-screen rape, and San Diego Surf (1968), the only Warhol feature film never released, it was Morrissey's film trilogy that led to Joe's subsequent idol worship. The first, Flesh (1968), placed Joe front-and-center as a male hustler á la Midnight Cowboy (1969). Intended for female and gay audiences, Joe hit counterculture fame as the first actor to offer extensive full-frontal nudity and the movie also managed to filter successfully out to mainstream audiences.
Morrissey's second feature, Trash (1970), was anointed a "masterpiece" and "best film of the year" by none other than Rolling Stone magazine. In it Little Joe plays a heroin junkie living in New York squalor with girlfriend Holly Woodlawn (Warhol's well-known transvestite actress). The last of Morrissey's trilogy, Heat (1972) takes place in the vicinity of L.A.'s Sunset Boulevard with a long, pony-tailed Joe as a cold-hearted ex-child star who beds down everyone, including seamy "Midnight Cowboy" actress Sylvia Miles and her lesbian daughter, in order to resuscitate his long-dormant career. This attention led to Joe's making the cover of Rolling Stone in April 1971. He was also photographed by some of the top celebrity photographers of the time, including Francesco Scavullo, and Richard Avedon. Singer/songwriter Lou Reed utilized Little Joe's identity in his pop hit "Walk on the Wild Side". In Europe Morrisey's films were praised even more, while Dallesandro was placed on an erotic pedestal.
Acting pay was practically non-existent so Dallesandro, now a husband (to wife Leslie, who was the daughter of one of his dad's girlfriends) and father (their son Michael), received "Factory" pay by answering phones, checking in and checking out film prints, acting as a projectionist, handling security and even running the building's elevator. Morrissey's hot trilogy was followed by the European cult films Flesh for Frankenstein (1973) and Blood for Dracula (1974), both eclectic X-rated blood spillers and ultimate cult items.
Tired of being just a gear in the Factory machinery, Joe stayed on in Europe after filming the two 1974 gorefests and decided to see if his Warhol Superstar status could trigger foreign box-office career a la the recently transported Clint Eastwood and Charles Bronson. Joe made 18 feature films overseas throughout the rest of the 1970s. They were a mixture of styles: the sex-farce One Woman's Lover (1974); the gritty, grimy crime yarn The Climber (1975) ["The Climber"]; _Louis Malle's adult version of Alice in Wonderland, Black Moon (1975); The Margin (1976) ["The Streetwalker"] co-starring softcore erotica star Sylvia Kristel; the sexually taunting Madness (1980) as a car thief-turned hostage taker; Jacques Rivette's surrealistic Merry-Go-Round (1980); Tapage nocturne (1979) ["Nocturnal Uproar"] as a self-absorbed actor; and Queen Lear (1982), a Franco-Swiss co-production in which he plays a bisexual.
The best of Joe's European films, and his personal favorite, is the sexually-charged Je t'aime moi non plus (1976) ["I Love You, I Don't"], Serge Gainsbourg's film wherein he plays a gay garbage truck driver who has the hots for a very boyish café waitress Jane Birkin (Gainsbourg's wife at the time).
Returning to the States in 1980, Joe's work became more erratic than erotic, but some of his roles have earned a bit of attention. More noteworthy was his gangster Lucky Luciano in Francis Ford Coppola"s The Cotton Club (1984); another gangster in the Bruce Willis starrer Sunset (1988); his religious zealot in John Waters' mainstream Cry-Baby (1990); his psychotic paratrooper in Private War (1988); his trailer park scum who lusts after 'Drew Barrymore' in Guncrazy (1992); his sleazy photographer in _L.A. Without A Map (1998)_, and his brain-damaged hit man in Steven Soderbergh's The Limey (1999). On TV he made standard guest appearances on such popular shows as Miami Vice (1984), Wiseguy (1987) and Matlock (1986).
The Teddy Award, an honor recognizing those filmmakers and artists who have contributed to the further acceptance of LGBT lifestyles, culture, and artistic vision, was awarded to Joe in February of 2009. A biography, "Little Joe: Superstar" by Michael Ferguson was released earlier in 2001 and a filmed documentary, Little Joe (2009), has been released with Joe serving as writer and producer. The thrice-married and divorced actor has two sons, Michael and Joe, Jr. Glimpsed here and there these days, he later managed a hotel in the Hollywood area.- Actor
- Producer
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Michael Carmen Pitt (born April 10, 1981) is an American actor, model and musician. A casting agent, whom Pitt mistook as a police officer attempting to arrest him, noticed him and recommended him for a guest role on the television series Dawson's Creek (1998) (he played Henry Parker in 15 episodes between 1999 and 2000).
Rising through the ranks of indie cinema, Michael starred in dramas like Hedwig and the Angry Inch (2001), The Dreamers (2003), and Last Days (2005), along with roles in the thrillers Murder by Numbers (2002) and Funny Games (2007). Moving back to television, he played Jimmy Darmody on Boardwalk Empire (2010) and Mason Verger in Hannibal (2013). In 2017, he appears opposite Scarlett Johansson in the science fiction action adaptation Ghost in the Shell (2017).- Actor
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Pierre Clémenti was born on 28 September 1942 in Paris, France. He was an actor and director, known for Belle de Jour (1967), The Leopard (1963) and À l'ombre de la canaille bleue (1986). He was married to Margareth Clémenti. He died on 27 December 1999 in Paris, France.- Actor
- Director
- Cinematographer
When hunky, twenty-year-old heart-throb Heath Ledger first came to the attention of the public in 1999, it was all too easy to tag him as a "pretty boy" and an actor of little depth. He spent several years trying desperately to sway this image, but this was a double-edged sword. His work comprised nineteen films, including 10 Things I Hate About You (1999), The Patriot (2000), A Knight's Tale (2001), Monster's Ball (2001), Ned Kelly (2003), The Brothers Grimm (2005), Lords of Dogtown (2005), Brokeback Mountain (2005), Casanova (2005), Candy (2006), I'm Not There (2007), The Dark Knight (2008) and The Imaginarium of Doctor Parnassus (2009). He also produced and directed music videos and aspired to be a film director.
Heath Ledger was born on the fourth of April 1979, in Perth, Western Australia, to Sally (Ramshaw), a teacher of French, and Kim Ledger, a mining engineer who also raced cars. His ancestry was Scottish, English, Irish, and Sephardi Jewish. As the story goes, in junior high school it was compulsory to take one of two electives, either cooking or drama. As Heath could not see himself in a cooking class he tried his hand at drama. Heath was talented, however the rest of the class did not acknowledge his talent. When he was seventeen he and a friend decided to pack up, leave school, take a car and rough it to Sydney. Heath believed Sydney to be the place where dreams were made or, at least, where actors could possibly get their big break. Upon arriving in Sydney with a purported sixty-nine cents to his name, Heath tried everything to get a break.
His first real acting job came in a low-budget movie called Blackrock (1997), a largely unimpressive cliché; an adolescent angst film about one boy's struggle when he learns his best mate raped a girl. He only had a very small role in the film. After that small role Heath auditioned for a role in a T.V. show called Sweat (1996) about a group of young Olympic hopefuls. He was offered one of two roles, one as a swimmer, another as a gay cyclist. Heath accepted the latter because he felt to really stand out as an actor one had to accept unique roles that stood out from the bunch. It got him small notice, but unfortunately the show was quickly axed, forcing him to look for other roles. He was in Home and Away (1988) for a very short period, in which he played a surfer who falls in love with one of the girls of Summer Bay. Then came his very brief role in Paws (1997), a film which existed solely to cash in on guitar prodigy Nathan Cavaleri's brief moment of fame, where he was the hottest thing in Australia. Heath played a student in the film, involved in a stage production of a Shakespeare play, in which he played "Oberon". A very brief role, this offered him a small paycheck but did nothing to advance his career. Then came Two Hands (1999). He went to the U.S. trying to audition for film roles, showcasing his brief role in Roar (1997) opposite then unknown Vera Farmiga.
Then Australian director Gregor Jordan auditioned him for the lead in Two Hands (1999), which he got. An in your face Aussie crime thriller, Two Hands (1999) was outstanding and helped him secure a role in 10 Things I Hate About You (1999). After that, it seemed Heath was being typecast as a young hunk, which he did not like, so he accepted a role in a very serious war drama The Patriot (2000).
What followed was a stark inconsistency of roles, Ledger accepting virtually every single character role, anything to avoid being typecast. Some met with praise, like his short role in Monster's Ball (2001), but his version of Ned Kelly (2003) was an absolute flop, which led distributors hesitant to even release it outside Australia. Heath finally had deserved success with his role in Brokeback Mountain (2005). For his portrayal of Ennis Del Mar in in the film, Ledger won the New York Film Critics Circle Award for Best Actor and Best International Actor from the Australian Film Institute, and was nominated for the BAFTA Award for Best Actor in a Leading Role and for the Academy Award for Best Actor.
Ledger was found dead on January 22, 2008 in his apartment in the Manhattan neighborhood of SoHo, with a bottle of prescription sleeping pills near-by. It was concluded weeks later that he died of an accidental overdose of prescription drugs that included pain-killers, sleeping pills and anti-anxiety medication. His death occurred during editing of The Dark Knight (2008) and in the midst of filming his last role as Tony in The Imaginarium of Doctor Parnassus (2009).
Posthumously, he shared the 2007 Independent Spirit Robert Altman Award with the rest of the ensemble cast, the director, and the casting director for the film I'm Not There (2007), which was inspired by the life and songs of American singer-songwriter Bob Dylan. In the film, Ledger portrayed a fictional actor named Robbie Clark, one of six characters embodying aspects of Dylan's life and persona.
A few months before his death, Ledger had finished filming his performance as the Joker in 'The Dark Knight (2008). His untimely death cast a somber shadow over the subsequent promotion of the $185 million Batman production. Ledger received more than thirty posthumous accolades for his critically acclaimed performance as the Joker, the psychopathic clown prince of crime, in the film, including the Academy Award for Best Supporting Actor, a Best Actor International Award at the 2008 Australian Film Institute Awards (for which he is the second actor to win an acting award posthumously after Peter Finch who won an Oscar for Network (Best Actor 1977)), the 2008 Los Angeles Film Critics Association Award for Best Supporting Actor, the 2009 Golden Globe Award for Best Supporting Actor - Motion Picture, and the 2009 BAFTA Award for Best Supporting Actor.- Actor
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Bruce Lee remains the greatest icon of martial arts cinema and a key figure of modern popular media. Had it not been for Bruce Lee and his movies in the early 1970s, it's arguable whether or not the martial arts film genre would have ever penetrated and influenced mainstream North American and European cinema and audiences the way it has over the past four decades. The influence of East Asian martial arts cinema can be seen today in so many other film genres including comedies, action, drama, science fiction, horror and animation... and they all have their roots in the phenomenon that was Bruce Lee.
Lee was born Lee Jun Fan November 27, 1940 in San Francisco, the son of Lee Hoi Chuen, a singer with the Cantonese Opera. Approximately one year later, the family returned to Kowloon in Hong Kong and at the age of five, a young Bruce begins appearing in children's roles in minor films including The Birth of Mankind (1946) and Fu gui fu yun (1948). At the age of 12, Bruce commenced attending La Salle College. Bruce was later beaten up by a street gang, which inspired him to take up martial arts training under the tutelage of Sifu Yip Man who schooled Bruce in wing chun kung fu for a period of approximately five years. This was the only formalized martial arts training ever undertaken by Lee. The talented and athletic Bruce also took up cha-cha dancing and, at age 18, won a major dance championship in Hong Kong.
However, his temper and quick fists got him in trouble with the Hong Kong police on numerous occasions. His parents suggested that he head off to the United States. Lee landed in San Francisco's Chinatown in 1959 and worked in a close relative's restaurant. He eventually made his way to Seattle, Washington, where he enrolled at university to study philosophy and found the time to practice his beloved kung fu techniques. In 1963, Lee met Linda Lee Cadwell (aka Linda Emery) (later his wife) and also opened his first kung fu school at 4750 University Way. During the early half of the 1960s, Lee became associated with many key martial arts figures in the United States, including kenpo karate expert Ed Parker and tae kwon do master Jhoon Rhee. He made guest appearances at notable martial arts events including the Long Beach Nationals. Through one of these tournaments Bruce met Hollywood hair-stylist Jay Sebring who introduced him to television producer William Dozier. Based on the runaway success of Batman (1966), Dozier was keen to bring the cartoon character the Green Hornet to television and was on the lookout for an East Asian actor to play the Green Hornet's sidekick, Kato. Around this time Bruce also opened a second kung fu school in Oakland, California and relocated to Oakland to be closer to Hollywood.
Bruce's screen test was successful, and The Green Hornet (1966) starring Van Williams aired in 1966-1967 with mixed success. His fight scenes were sometimes obscured by unrevealing camera angles, but his dedication was such that he insisted his character behave like a perfect bodyguard, keeping his eyes on whoever might be a threat to his employer except when the script made this impossible. The show was canceled after only one season (twenty-six episodes), but by this time Lee was receiving more fan mail than the series' nominal star. He then opened a third branch of his kung fu school in Los Angeles and began providing personalized martial arts training to celebrities including film stars Steve McQueen and James Coburn as well as screenwriter Stirling Silliphant. In addition he refined his prior knowledge of wing chun and incorporated aspects of other fighting styles such as traditional boxing and Okinawan karate. He also developed his own unique style Jeet Kune Do (Way of the Intercepting Fist). Another film opportunity then came his way as he landed the small role of a stand over man named Winslow Wong who intimidates private eye James Garner in Marlowe (1969). Wong pays a visit to Garner and proceeds to demolish the investigator's office with his fists and feet, finishing off with a spectacular high kick that shatters the light fixture. With this further exposure of his talents, Bruce then scored several guest appearances as a martial arts instructor to blind private eye James Franciscus on the television series Longstreet (1971).
With his minor success in Hollywood and money in his pocket, Bruce returned for a visit to Hong Kong and was approached by film producer Raymond Chow who had recently started Golden Harvest productions. Chow was keen to utilize Lee's strong popularity amongst young Chinese fans, and offered him the lead role in The Big Boss (1971). In it, Lee plays a distant cousin coming to join relatives working at an ice house, where murder, corruption, and drug-running lead to his character's adventures and display of Kung-Fu expertise. The film was directed by Wei Lo, shot in Thailand on a very low budget and in terrible living conditions for cast and crew. However, when it opened in Hong Kong the film was an enormous hit. Chow knew he had struck box office gold with Lee and quickly assembled another script entitled Fist of Fury (1972). The second film (with a slightly bigger budget) was again directed by Wei Lo and was set in Shanghai in the year 1900, with Lee returning to his school to find that his beloved master has been poisoned by the local Japanese karate school. Once again he uncovers the evildoers and sets about seeking revenge on those responsible for murdering his teacher and intimidating his school. The film features several superb fight sequences and, at the film's conclusion, Lee refuses to surrender to the Japanese police and seemingly leaps to his death in a hail of police bullets.
Once more, Hong Kong streets were jammed with thousands of fervent Chinese movie fans who could not get enough of the fearless Bruce Lee, and his second film went on to break the box office records set by the first! Lee then set up his own production company, Concord Productions, and set about guiding his film career personally by writing, directing and acting in his next film, The Way of the Dragon (1972). A bigger budget meant better locations and opponents, with the new film set in Rome, Italy and additionally starring hapkido expert In-shik Hwang, karate legend Robert Wall and seven-time U.S. karate champion Chuck Norris. Bruce plays a seemingly simple country boy sent to assist at a cousin's restaurant in Rome and finds his cousins are being bullied by local thugs for protection.
By now, Lee's remarkable success in East Asia had come to the attention of Hollywood film executives and a script was hastily written pitching him as a secret agent penetrating an island fortress. Warner Bros. financed the film and also insisted on B-movie tough guy John Saxon starring alongside Lee to give the film wider appeal. The film culminates with another show-stopping fight sequence between Lee and the key villain, Han, in a maze of mirrors. Shooting was completed in and around Hong Kong in early 1973 and in the subsequent weeks Bruce was involved in completing overdubs and looping for the final cut. Various reports from friends and co-workers cite that he was not feeling well during this period and on July 20, 1973 he lay down at the apartment of actress Betty Ting Pei after taking a headache medicine called Equagesic and was later unable to be revived. A doctor was called and Lee was taken to hospital by ambulance and pronounced dead that evening. The official finding was death due to a cerebral edema, caused by a reaction to the headache tablet Equagesic.
Fans worldwide were shattered that their virile idol had passed at such a young age, and nearly thirty thousand fans filed past his coffin in Hong Kong. A second, much smaller ceremony was held in Seattle, Washington and Bruce was laid to rest at Lake View Cemetary in Seattle with pall bearers including Steve McQueen, James Coburn and Dan Inosanto. Enter the Dragon (1973) was later released in the mainland United States, and was a huge hit with audiences there, which then prompted National General films to actively distribute his three prior movies to U.S. theatres... each was a box office smash.
Fans throughout the world were still hungry for more Bruce Lee films and thus remaining footage (completed before his death) of Lee fighting several opponents including Dan Inosanto, Hugh O'Brian and Kareem Abdul-Jabbar was crafted into another film titled Game of Death (1978). The film used a lookalike and shadowy camera work to be substituted for the real Lee in numerous scenes. The film is a poor addition to the line-up and is only saved by the final twenty minutes and the footage of the real Bruce Lee battling his way up the tower. Amazingly, this same shoddy process was used to create Game of Death II (1980), with a lookalike and more stunt doubles interwoven with a few brief minutes of footage of the real Bruce Lee.
Tragically, his son Brandon Lee, an actor and martial artist like his father, was killed in a freak accident on the set of The Crow (1994). Bruce Lee was not only an amazing athlete and martial artist but he possessed genuine superstar charisma and through a handful of films he left behind an indelible impression on the tapestry of modern cinema.- Producer
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Born in 1954 into a wealthy family, Humbert Balsan started his career as a movie actor, his main claim to fame in this field being his performance as Gawain in Robert Bresson's Lancelot of the Lake (1974). But the young man soon gave up acting for production, a task in which he found an avid interest. From 1979 to his premature death in 2005, he imposed himself as a demanding producer, constantly privileging quality over profit. He helped several women directors to put their projects together; in this regard, Sandrine Veysset, Claire Denis,Brigitte Roüan owe him much. Likewise, great foreign filmmakers, particularly Arab, benefited from the support of Ognon Pictures, Balsan's film company, among whom Youssef Chahine, Elia Suleiman, Yousry Nasrallah, but also James Ivory and Lars von Trier. The day of February 2005 when Humbert Balsan took his own life at the age of fifty was day of mourning for French auteur cinema.- Actor
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Isaach De Bankolé, César Award-winning actor, was born on the Ivory Coast. He was discovered on the streets of Paris while studying to be an airline pilot. He has a degree in acting from Cours Simon and a Masters in Mathematics from the Universite de Paris. Most recently, he has appeared in the films Black Panther (2018) and Shaft (2019).- Actor
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James Byron Dean was born February 8, 1931 in Marion, Indiana, to Mildred Marie (Wilson) and Winton A. Dean, a farmer turned dental technician. His mother died when Dean was nine, and he was subsequently raised on a farm by his aunt and uncle in Fairmount, Indiana. After grade school, he moved to New York to pursue his dream of acting. He received rave reviews for his work as the blackmailing Arab boy in the New York production of Gide's "The Immoralist", good enough to earn him a trip to Hollywood. His early film efforts were strictly small roles: a sailor in the Dean Martin and Jerry Lewis overly frantic musical comedy Sailor Beware (1952); a GI in Samuel Fuller's moody study of a platoon in the Korean War, Fixed Bayonets! (1951) and a youth in the Piper Laurie-Rock Hudson comedy Has Anybody Seen My Gal (1952).
He had major roles in only three movies. In the Elia Kazan production of John Steinbeck's East of Eden (1955) he played Cal Trask, the bad brother who could not force affection from his stiff-necked father. His true starring role, the one which fixed his image forever in American culture, was that of the brooding red-jacketed teenager Jim Stark in Nicholas Ray's Rebel Without a Cause (1955). George Stevens' filming of Edna Ferber's Giant (1956), in which he played the non-conforming cowhand Jett Rink who strikes it rich when he discovers oil, was just coming to a close when Dean, driving his Porsche Spyder race car, collided with another car while on the road near Cholame, California on September 30, 1955. He had received a speeding ticket just two hours before. At age 24, James Dean was killed almost immediately from the impact from a broken neck. His very brief career, violent death and highly publicized funeral transformed him into a cult object of apparently timeless fascination.- Actor
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Louis Garrel was born on 14 June 1983 in Paris, France. He is an actor and director, known for The Dreamers (2003), Little Women (2019) and The Innocent (2022). He has been married to Laetitia Casta since 10 June 2017. They have one child. He was previously married to Golshifteh Farahani.- Actor
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Actor Salim Kechiouche was born in Lyon, France to Algerian parents. At first a kickboxing champion in France (1998), his film carreer started when actor/director Gaël Morel discovered Salim and so he made his first appearance in the movie À Toute Vitesse. From then on he appeared in more films, and many different roles like in Gigolo next to Amanda Lear, his notorious appearance in Les Amants Criminels, but also Grande École, Le Clan, Le Fil. He also made some more movies with Gaël Morel. In 2013 Salim was at the film festival in Cannes for the movie La Vie d'Adèle, a love story about a lesbian couple which won the Palme d'Or and the critic's prize. Also in 2013 he appears in the French series Odysseus as Orion and the movie Paris à Tout Prix. Next to his filmcarreer, Salim also stars in plays and theater and has been painted by artists Youssef Nabil and Michel Gilberti.
Salim resides in Paris.- Actor
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Melvil Poupaud was born on 26 January 1973 in Paris, France. He is an actor and director, known for Laurence Anyways (2012), Speed Racer (2008) and Time to Leave (2005).- Actor
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Screen legend, superstar, and the man with the most famous blue eyes in movie history, Paul Leonard Newman was born on January 26, 1925, in Cleveland, Ohio, the second son of Arthur Sigmund Newman (died 1950) and Theresa Fetsko (died 1982). His elder brother was Arthur S. Newman Jr., named for their father, a Jewish businessman who owned a successful sporting goods store and was the son of emigrants from Poland and Hungary. Newman's mother (born Terézia Fecková, daughter of Stefan Fecko and Mária Polenak) was a Roman Catholic Slovak from Homonna, Pticie (former Austro-Hungarian Empire), who became a practicing Christian Scientist. She and her brother, Newman's uncle Joe, had an interest in the creative arts, and it rubbed off on him. He acted in grade school and high school plays. The Newmans were well-to-do and Paul Newman grew up in affluent Shaker Heights. Before he became an actor, Newman ran the family sporting goods store in Cleveland, Ohio.
By 1950, the 25-year-old Newman had been kicked out of Ohio University, where he belonged to the Phi Kappa Tau fraternity, for unruly behavior (denting the college president's car with a beer keg), served three years in the United States Navy during World War II as a radio operator, graduated from Ohio's Kenyon College, married his first wife, Jacqueline "Jackie" Witte (born 1929), and had his first child, Scott. That same year, his father died. When he became successful in later years, Newman said if he had any regrets it would be that his father was not around to witness his success. He brought Jackie back to Shaker Heights and he ran his father's store for a short period. Then, knowing that wasn't the career path he wanted to take, he moved Jackie and Scott to New Haven, Connecticut, where he attended Yale University's School of Drama.
While doing a play there, Newman was spotted by two agents, who invited him to come to New York City to pursue a career as a professional actor. After moving to New York, he acted in guest spots for various television series and in 1953 came a big break. He got the part of understudy of the lead role in the successful Broadway play "Picnic". Through this play, he met actress Joanne Woodward (born 1930), who was also an understudy in the play. While they got on very well and there was a strong attraction, Newman was married and his second child, Susan, was born that year. During this time, Newman was accepted into the much admired and popular New York Actors Studio, although he did not actually audition.
In 1954, a film Newman was very reluctant to do was released, The Silver Chalice (1954). He considered his performance in this costume epic to be so bad that he took out a full-page ad in a trade paper apologizing for it to anyone who might have seen it. He had always been embarrassed about the film and reveled in making fun of it. He immediately wanted to return to the stage, and performed in "The Desperate Hours". In 1956, he got the chance to redeem himself in the film world by portraying boxer Rocky Graziano in Somebody Up There Likes Me (1956), and critics praised his performance. In 1957, with a handful of films to his credit, he was cast in The Long, Hot Summer (1958), co-starring Joanne Woodward.
During the shooting of this film, they realized they were meant to be together and by now, so did his then-wife Jackie, who gave Newman a divorce. He and Woodward wed in Las Vegas in January 1958. They went on to have three daughters together and raised them in Westport, Connecticut. In 1959, Newman received his first Academy Award nomination for Best Actor, in Cat on a Hot Tin Roof (1958). The 1960s would bring Newman into superstar status, as he became one of the most popular actors of the decade, and garnered three more Best Actor Oscar nominations, for The Hustler (1961), Hud (1963) and Cool Hand Luke (1967). In 1968, his debut directorial effort Rachel, Rachel (1968) was given good marks, and although the film and Woodward were nominated for Oscars, Newman was not nominated for Best Director. However, he did win a Golden Globe Award for his direction.
1969 brought the popular screen duo of Newman and Robert Redford together for the first time when Butch Cassidy and the Sundance Kid (1969) was released. It was a box office smash. Through the 1970s, Newman had hits and misses from such popular films as The Sting (1973) and The Towering Inferno (1974) to lesser known films as The Life and Times of Judge Roy Bean (1972) to a cult classic Slap Shot (1977). After the death of his only son, Scott, in 1978, Newman's personal life and film choices moved in a different direction. His acting work in the 1980s and on is what is often most praised by critics today. He became more at ease with himself and it was evident in The Verdict (1982) for which he received his sixth Best Actor Oscar nomination and, in 1987, finally received his first Oscar for The Color of Money (1986), almost thirty years after Woodward had won hers. Friend and director of Somebody Up There Likes Me (1956), Robert Wise accepted the award on Newman's behalf as the actor did not attend the ceremony.
Films were not the only thing on his mind during this period. A passionate race car driver since the early 1970s (despite being color-blind), he was co-founder of Newman-Haas racing in 1982, and also founded "Newman's Own", a successful line of food products that has earned in excess of $100 million, every penny of which Newman donated to charity. He also started The Hole in the Wall Gang Camps, an organization for children with serious illness. He was as well known for his philanthropic ways and highly successful business ventures as he was for his legendary actor status.
Newman's marriage to Woodward lasted a half-century. Connecticut was their primary residence after leaving Hollywood and moving East in 1960. Renowned for his sense of humor, in 1998 he quipped that he was a little embarrassed to see his salad dressing grossing more than his movies. During his later years, he still attended races, was much involved in his charitable organizations, and in 2006, he opened a restaurant called Dressing Room, which helps out the Westport Country Playhouse, a place in which Newman took great pride. In 2007, while the public was largely unaware of the serious illness from which he was suffering, Newman made some headlines when he said he was losing his invention and confidence in his acting abilities and that acting was "pretty much a closed book for me". A smoker for many years, Newman died on September 26, 2008, aged 83, from lung cancer.- Mikijirô Hira was born on 21 November 1933 in Hiroshima, Japan. He was an actor, known for 13 Assassins (2010), The Face of Another (1966) and Sword of the Beast (1965). He was married to Yoshiko Sakuma. He died on 23 October 2016 in Tokyo, Japan.
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Alain Fabien Maurice Marcel Delon was born in Sceaux, Hauts-de-Seine, France, to Édith (Arnold) and Fabien Delon. His father was of French and Corsican Italian descent, and his mother was of French and German ancestry. His parents divorced early on, and Delon had a stormy childhood, being frequently expelled from school.
In 1953/1954 he served with the French Marines in Indochina. In the mid-'50s he worked at various odd jobs including waiter, salesman and porter in Les Halles market. He decided to try an acting career and in 1957 made his film debut in Yves Allégret's Quand la femme s'en mêle (1957). He declined an offer of a contract from producer David O. Selznick, and in 1960 he received international recognition for his role in Luchino Visconti's Rocco and His Brothers (1960). In 1961 he appeared on the stage in "'Tis a Pity She's a Whore", directed by Visconti, in Paris. In 1964 he formed his own production company, Delbeau Productions, and he produced a short film directed by Guy Gilles. In 1968 he found himself involved in murder, drug and sex scandal that indirectly implicated major politicians and show-business personalities, but he was eventually cleared of all charges. In the late 1960s he formed another company. Adel Film, and the next year he began producing features. In 1981 he directed his first film, To Kill a Cop (1981).
Delon was a sensation early in his career; he came to embody the young, energetic, often morally corrupted man. With his breathtaking good looks he was also destined to play tender lovers and romantic heroes, and he was a French embodiment of the type created in America by James Dean. His first outstanding success came with the role of the parasite Tom Ripley in 'Rene Clement''s sun-drenched thriller Purple Noon (1960). Delon presented a psychological portrait of a murderous young cynic who attempts to take on the identity of his victim. A totally different role was offered to him by Visconti in Rocco and His Brothers (1960). In this film Delon plays the devoted Rocco, who accepts the greatest sacrifices to save his shiftless brother Simon.
After several other films in Italy, Delon returned to the criminal genre with Jean Gabin in Any Number Can Win (1963). This work, a classic example of the genre, was distinguished not only by a soundly worked-out screenplay, but also by the careful production and the excellent performances of both Delon and Gabin. It was only in the late 1960s that the sleek and lethal Delon came to epitomize the calm, psychopathic hoodlum, staring into the camera like a cat assessing a mouse. His tough, ruthless side was first used to real effect by Jean-Pierre Melville in The Samurai (1967). In 1970 he had a huge success in the bloodstained Borsalino (1970)--which he also produced--playing a small-time gangster in the 1930s who, with Jean-Paul Belmondo, becomes king of the Marseilles underworld. Delon later won critical acclaim for his roles, against type, in Joseph Losey's Mr. Klein (1976) in which he played (brilliantly) the icily sinister title role, and the art-movie Swann in Love (1984). He has an older son Anthony Delon (who has also acted in a number of movies) from his first marriage to Nathalie Delon, and has a young son and daughter, Alain-Fabien and Anouchka with Rosalie.- Actor
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River Phoenix was born River Jude Bottom in Madras, Oregon. His mother, Arlyn (Dunetz), a Bronx-born secretary, and his father, John Bottom, a carpenter, met in California in 1968. They worked as itinerant fruit pickers, and later joined the Children of God religious group (John was originally Catholic, while Arlyn was born Jewish). By the time River was two, they were living in South America, where John was the sect's Archbishop of Venezuela. They later left the group and, in 1977, moved back to the United States, changing their last name to "Phoenix". They lived with River's maternal grandparents in Florida, and later moved to Los Angeles. His parents encouraged all of their children to get into movies and, by age ten, River was acting professionally on TV. His film debut was in Explorers (1985), followed rapidly by box-office successes with Stand by Me (1986) and The Mosquito Coast (1986), and as young Indiana in Indiana Jones and the Last Crusade (1989). His role as Danny Pope in Running on Empty (1988) earned him an Academy Award nomination as Best Supporting Actor. His best role was probably Mike, the hustler in My Own Private Idaho (1991).
A dedicated animal-rights activist and environmentalist, River was a strict vegetarian and a member of PeTA (People for the Ethical Treatment of Animals). River was a talented musician as well as an actor, and he played guitar, sang, and wrote songs for his band, Aleka's Attic, which also included his sister Rain Phoenix, while living in Gainsville, Florida. Although the band never released its own album, their song "Across the Way" can be found on PeTA's "Tame Yourself" album, used to fight animal abuse. River was in the middle of filming Dark Blood (2012), playing the character Boy when he died. The film couldn't be finished due to too many unfilmed crucial scenes. His mother was later sued.
River died of acute multiple drug intoxication involving lethal levels of cocaine and morphine at age 23 outside the Viper Room, Johnny Depp's Los Angeles club.- Actor
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Edward Montgomery Clift (nicknamed 'Monty' his entire life) was born on October 17, 1920 in Omaha, Nebraska, just after his twin sister Roberta (1920-2014) and eighteen months after his brother Brooks Clift. He was the son of Ethel "Sunny" Anderson (Fogg; 1888-1988) and William Brooks Clift (1886-1964). His father made a lot of money in banking but was quite poor during the depression. His mother was born out of wedlock and spent much of her life and the family fortune finding her illustrious southern lineage and raising her children as aristocrats.
At age 13, Monty appeared on Broadway ("Fly Away Home"), and chose to remain in the New York theater for over ten years before finally succumbing to Hollywood. He gained excellent theatrical notices and soon piqued the interests of numerous lovelorn actresses; their advances met with awkward conflict. While working in New York in the early 1940s, he met wealthy former Broadway star Libby Holman. She developed an intense decade-plus obsession over the young actor, even financing an experimental play, "Mexican Mural" for him. It was ironic his relationship with the bisexual middle-aged Holman would be the principal (and likely the last) heterosexual relationship of his life and only cause him further anguish over his sexuality. She would wield considerable influence over the early part of his film career, advising him in decisions to decline lead roles in Sunset Boulevard (1950), (originally written specifically for him; the story perhaps hitting a little too close to home) and High Noon (1952).
His long apprenticeship on stage made him a thoroughly accomplished actor, notable for the intensity with which he researched and approached his roles. By the early 1950s he was exclusively homosexual, though he continued to hide his homosexuality and maintained a number of close friendships with theater women (heavily promoted by studio publicists).
His film debut was Red River (1948) with John Wayne quickly followed by his early personal success The Search (1948) (Oscar nominations for this, A Place in the Sun (1951), From Here to Eternity (1953) and Judgment at Nuremberg (1961)). By 1950, he was troubled with allergies and colitis (the U.S. Army had rejected him for military service in World War II for chronic diarrhea) and, along with pill problems, he was alcoholic. He spent a great deal of time and money on psychiatry.
In 1956, during filming of Raintree County (1957), he ran his Chevrolet into a tree after leaving a party at Elizabeth Taylor's; it was she who saved him from choking by pulling out two teeth lodged in his throat. His smashed face was rebuilt, he reconciled with his estranged father, but he continued bedeviled by dependency on drugs and his unrelenting guilt over his homosexuality.
With his Hollywood career in an irreversible slide despite giving an occasional riveting performance, such as in Stanley Kramer's Judgment at Nuremberg (1961), Monty returned to New York and tried to slowly develop a somewhat more sensible lifestyle in his brownstone row house on East 61st Street in Manhattan. He was set to play in Taylor's Reflections in a Golden Eye (1967), when he died in the early morning hours of July 23, 1966, at his home at age 45. His body was found by his live-in personal secretary/companion Lorenzo James, who found Clift lying nude on top of his bed, dead from what the autopsy called "occlusive coronary artery disease." Clift's last 10 years prior to his death from his 1956 car accident were called the "longest suicide in history" by famed acting teacher Robert Lewis.- Actor
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On the cast list of The Magnificent Seven (1960), you will find several names that doubtless you know well: Charles Bronson, Steve McQueen, and Yul Brynner. But there is one name that you will have difficulty pronouncing, let alone identifying as an actor you have seen before. That man is Horst Buchholz, and he was one of the few German actors to have a considerable success in both Hollywood and in Europe. One would hardly guess that he was sought out to act in one of the most famous films of all time, only to have to turn it down.
Horst Buchholz was born in Berlin, Germany, in the year 1933. His father was a German shoemaker, while his mother was born to Danish parents. Buccholz was put in a foster home in Czechoslovakia when World War II broke out in Europe, but he returned to Berlin the moment he had the chance. Realizing his talent in acting, Buchholz dropped out of school to perfect his acting skills. After moving from East Berlin to West Berlin, he became well-known for his work in theatre and on the radio. In 1952 he turned to film, and after a series of small roles, he found a larger one in the Julien Duvivier film Marianne of My Youth (1955). He was praised for his role in the romantic/drama film Sky Without Stars (1955) by Helmut Käutner, but it was the lead role in the comedic Confessions of Felix Krull (1957) that made him an established German actor.
He followed this breakthrough role with the romantic film Two Worlds (1958) and the thriller Wet Asphalt (1958), where the handsome young actor plays a former criminal who associates himself with a journalist. Now a familiar face in his country, Buchholz pursued making foreign films. His first non-German film was the British film Tiger Bay (1959). The film is about a girl who witnesses a seaman named Korchinsky (Buchholz) murder his girlfriend. The film won praise in both Germany and Britain, but it was Buchholz' next foreign film that secured his name in the history of classic films. This film was the epic western The Magnificent Seven (1960) directed by John Sturges. Buchholz played Chico, the inexperienced Mexican youth that wants to be a gunman and abandon his past. Buchholz starred alongside such legends as Charles Bronson and Yul Brynner. both of whom had strong European roots. The film was a hit, first in Europe, then was re-distributed in the States to a much higher profit. The film gained massive popularity, and even now is treasured as a classic.
Buchholz could now find good and steady work nationally and internationally, which is something few actors could do at the time. He worked on the romantic film Fanny (1961), which is based on a trilogy of plays written by legendary writer Marcel Pagnol. Buchholz plays the role of Marius, a passionate but unsure youth who must choose between the girl he loves, and the life at sea he has always wanted. The film was a fine success, nominated for five Oscars, including Best Picture and Best Actor for Charles Boyer (who plays Buchholz' onscreen father).
It was at this point in his film career where he was sought as the first choice to play the role of Sherif Ali in David Lean's legendary film Lawrence of Arabia (1962). However, Buchholz had to turn it down, as he had already signed up for another film, which turned out to be the Oscar-nominated comedy One, Two, Three (1961) (directed by Billy Wilder). The film was once again a fine success to add to Buchholz' career, but ultimately gained nowhere near as much of a status as David Lean's film. Buchholz also made the Italian film The Empty Canvas (1963) in which he plays an untalented artist who begins a love affair with a young model. Throughout his in the early 60s, Buchholz had made a name for himself, acting in one Oscar-nominated film after another and showing off his talent as an actor. However, the success he had reached was not to last.
Buchholz continued with film, including the James Bond spoof That Man in Istanbul (1965) and the crime film Johnny Banco (1967). He starred in the B-movie failure that was The Young Rebel (1967). Buchholz rebounded with the fiery film The Saviour (1971) in which he plays a man who claims to be organizing resistance against the Nazis. He also played Johann Strauss in the Golden Globe-nominated musical The Great Waltz (1972). which was sadly another failure.
The rest of the 1970s and the early 1980s were spent mostly on television and movies released for television, whether it be foreign (Dead of Night (1977), Return to Fantasy Island (1978)) or German (Derrick). Buchholz found mild success again when he returned to the big screen with the WW II espionage film Code Name: Emerald (1985) in which he plays alongside such stars as Ed Harris and Max von Sydow. After this film, Buchholz returned to European movies, such as And the Violins Stopped Playing (1988) in which a group of gypsies flee Nazi persecutors. After taking a supporting role in the fantasy film Faraway, So Close! (1993), Buchholz acted in one of his most well known films: the Oscar-winning Italian film Life Is Beautiful (1997) which was directed by and starred Roberto Benigni. Buchholz played the role of a doctor who befriends Benigni's character and frequently duels with him in riddles. This choice of role proved to be an echo of Buchholz' taste in choosing his projects in earlier years; the film won best foreign film that year, and was also nominated for Best Picture. Thanks to his gift for languages, Buchholz was able to dub himself in the foreign releases of the film.
Buchholz continued making films and television appearances until 2002, by which time he was sixty-eight years old. He died the next year, in Berlin, of pneumonia. Berlin had been the city of his heart, and was buried there in honour of that fact. Horst Buchholz had been a renowned German actor, and had gained credibility in the United States and other countries. He was a varied performer, acting all kinds of roles in his life, but was always a proud German to the last.- Actor
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John Robinson made his acting debut in the Palm d'Or winning film Elephant 2003 directed by Gus van Sant, following this film Stacy Peralta personally selected John to play himself in Lords Of Dogtown 2005 directed by Catherine Hardwicke. John has acted in 40 plus films to include Asia Argento's The Heart is Deceitful Above All Things 2004, Seraphim Falls 2006 starring opposite Pierce Brosnan and Liam Neeson, Michael Bay's Transformers 2007, Wendy and Lucy 08' starring opposite Michelle Williams, John most recent work includes: BIG SUR 2013 directed by Michael Polish and starring opposite Kate Bosworth, Josh Lucas, Rhada Mitchell and Jean mar Barr which premiered at Sundance, Looking 2014 pilot for HBO starring opposite Jonathan Groff dped by Reed Morano, She's Funny That Way 2014 written and directed by Peter Bogdanovich and starring opposite Owen Wilson, Jennifer Aniston and Imogen Poots. John is also attached to Larry moss' directorial debut Relative Insanity starring opposite Helen Hunt, David Duchovny, Maggie Grace and Joan Chen.
In 2015 John moved to Europe where he began working with refugees in Calais France as a volunteer. He then went on to DP and co wrote and directed the short film Terre Ferme as an experiment in writing and collaborating with Refugee non actors and filmmakers in France and Germany and started a production company out of Berlin to regain his thirst for storytelling and collaborate with like minded filmmakers.
John is currently producing and in development with five TV shows and three features and is also adapting the comic book The Red Monkey by Joe Daily with his friend collaborator and director Sebastien Auger that he will star in. His latest film The AmityVille Murders 2018 he stars as Butch Defeo.- Shinji Takeda was born on 18 December 1972 in Sapporo, Hokkaido, Japan. He is an actor, known for Taboo (1999), Pulse (2001) and Gourmet Detective Goro Akechi (2020).
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Marc-André Grondin was born on 11 March 1984 in Montréal, Québec, Canada. He is an actor and producer, known for C.R.A.Z.Y. (2005), Goon (2011) and The First Day of the Rest of Your Life (2008).- Actor
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Joseph Leonard Gordon-Levitt was born February 17, 1981 in Los Angeles, California, to Jane Gordon and Dennis Levitt. Joseph was raised in a Jewish family with his late older brother, Dan Gordon-Levitt, who passed away in October 2010. His parents worked for the Pacifica Radio station KPFK-FM and his maternal grandfather, Michael Gordon, had been a well-known movie director. Joseph first became well known for his starring role on NBC's award-winning comedy series 3rd Rock from the Sun (1996). During his six seasons on the show, he won two YoungStar Awards and also shared in three Screen Actors Guild Award® nominations for Outstanding Performance by a Comedy Series Ensemble.
Prior to his success on television, Joseph had already worked steadily in feature films. Early in his career, he won a Young Artist Award for his first major role, in Robert Redford's drama A River Runs Through It (1992). During the 1990s, he also co-starred in the films Angels in the Outfield (1994), The Juror (1996), Halloween H20: 20 Years Later (1998), a well-reviewed slasher sequel, and 10 Things I Hate About You (1999), opposite Heath Ledger, which has become a teen comedy classic.
Following his work on 3rd Rock, Joseph took time off from acting to attend Columbia University. In the early 2000s, he broke from the mold of his television and film comedy supporting roles by appearing in a string of intense dramatic parts, mostly in smaller, independent films, such as Manic (2001), with Don Cheadle; Mysterious Skin (2004), for writer/director Gregg Araki; Rian Johnson's award-winning debut, dramatic thriller Brick (2005) (2005); Lee Daniels' Shadowboxer (2005); the crime drama The Lookout (2007), which marked Scott Frank's directorial debut; John Madden's Killshot (2008), with Diane Lane and Mickey Rourke; Spike Lee's World War II film Miracle at St. Anna (2008); and the controversial drama Stop-Loss (2008), in which he starred with Ryan Phillippe, under the direction of Kimberly Peirce. By 2009, Joseph was officially established as one a new generation of leading men with his Golden Globe-nominated role in Marc Webb's comedy-drama 500 Days of Summer (2009), also starring Zooey Deschanel , for which he received Golden Globe, Independent Spirit Award and People's Choice Award nominations. He also adapted the Elmore Leonard short story Sparks (2009) into a 24-minute short film that he directed, which screened at the Sundance Film Festival.
Beginning the new decade, he headlined the indie drama Hesher (2010) and established himself as an action star in Christopher Nolan's Inception (2010), also starring Leonardo DiCaprio, Marion Cotillard and Elliot Page. Balancing both independent and Hollywood film, Joseph scored another Golden Globe nod for the cancer drama 50/50 (2011), directed by Jonathan Levine and also starring Seth Rogen, Anna Kendrick, and Bryce Dallas Howard. He worked again with director Nolan on The Dark Knight Rises (2012), the third and final installment in the director's Batman series, for which he received a People's Choice Award nomination for Favorite Movie Actor; and snagged leading roles in both Premium Rush (2012), directed by David Koepp, and Looper (2012), reuniting with his Brick director, Rian Johnson, opposite Bruce Willis and Emily Blunt. Rounding out the year, he played Abraham Lincoln's son Robert in Steven Spielberg's Oscar-nominated Lincoln (2012), with Daniel Day-Lewis and Sally Field.
In 2013, Gordon-Levitt starred in his critically-acclaimed feature film directorial debut, Don Jon (2013), from a script he wrote, opposite Scarlett Johansson and Julianne Moore. He was nominated for an Independent Spirit Award for "Best First Screenplay" for the film. He also provided the voice of Jiro Horikoshi in the 2014 English-language version of Hayao Miyazaki's Academy Award-nominated animated feature The Wind Rises (2013), and appeared in Robert Rodriguez and Frank Miller's Sin City: A Dame to Kill For (2014), in which he played Johnny, a character Miller created for the film. In 2015, he starred in The Walk (2015), directed by Robert Zemeckis, and in which he portrayed Philippe Pettit, and in 2016 headlined Oliver Stone's Snowden (2016).
Joseph has completed production on Project Power (2020), Henry Joost/Ariel Schulman sci-fi film for Netflix, in which he stars opposite Jamie Foxx, and on the independent thriller, 7500 (2019), written and directed by Patrick Vollarth. Among his other projects, he will play attorney Richard Schultz in Aaron Sorkin's The Trial of the Chicago 7 (2020), and is in development on a variety of feature films including Fraggle Rock.
Joseph has also founded and directs hitRECord, an open collaborative production. hitRECord creates and develops art and media collectively using their website where anyone with an internet connection can upload their records, download and remix others' records, and work on projects together. When the results of these RECords are produced and make a profit, hitRECord splits the profits 50/50 with everybody who contributed to the final production. hitRECord has published books, put out records, gone on tour and has screened their work at major festivals including Sundance and TIFF. The half-hour variety program, "Hit Record on TV with Joseph Gordon-Levitt," which includes short films, live performances, music, animation, conversation and more, earned an Emmy Award for Creative Achievement in Interactive Media - Social TV Experience. hitRECord's project, "Band Together with Logic," is a one-hour YouTube Originals special that sees Grammy-nominated rapper Logic open up his creative process like never before, inviting the world to collaborate with him on an original song and music video.
In 2016, the ACLU honored Gordon-Levitt with their annual Bill of Rights Award for furthering diversity efforts, promoting free speech, empowering women and otherwise supporting civil rights and liberties for all Americans.- Actor
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Japanese leading man, an important star and one of the handful of Japanese actors well known outside Japan. Nakadai was a tall handsome clerk in a Tokyo shop when director Masaki Kobayashi encountered him and cast him in The Thick-Walled Room (1956). Nakadai was subsequently cast in the lead role in Kobayashi's monumental trilogy 'Ningen no joken' and became a star whose international acclaim rivaled that of countryman Toshirô Mifune. Like Mifune, Nakadai worked frequently with director Akira Kurosawa and indeed more or less replaced Mifune as Kurosawa's principal leading man after the well-known falling out between Mifune and Kurosawa. His appearances for Kurosawa in Kagemusha: The Shadow Warrior (1980) and Ran (1985) are among the most indelible in the director's oeuvre.- Actor
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Known for his breakthrough starring role on Freaks and Geeks (1999), James Franco was born April 19, 1978 in Palo Alto, California, to Betsy Franco, a writer, artist, and actress, and Douglas Eugene "Doug" Franco, who ran a Silicon Valley business. His mother is Jewish and his father was of Portuguese and Swedish descent.
Growing up with his two younger brothers, Dave Franco, also an actor, and Tom Franco, James graduated from Palo Alto High School in 1996 and went on to attend UCLA, majoring in English. To overcome his shyness, he got into acting while studying there, which, much to his parents' dismay, he left after only one year. After fifteen months of intensive study at Robert Carnegie's Playhouse West, James began actively pursuing his dream of finding work as an actor in Hollywood. In that short time, he landed himself a starring role on Freaks and Geeks (1999). The show, however, was not a hit to its viewers at the time, and was canceled after its first year. Now, it has become a cult-hit. Prior to joining Freaks and Geeks (1999), Franco starred in the TV miniseries To Serve and Protect (1999). After that, he had a starring role in Whatever It Takes (2000).
Although he'd been working steadily, it wasn't until the TNT made-for-television movie, James Dean (2001) that James rose to fan-magazine fame and got to show off his talent. Since then, he has been working non-stop. After losing the lead role to Tobey Maguire, James settled for the part of "Harry Osborne", Spider-Man's best friend in the summer 2002 major hit Spider-Man (2002). He returned to the Osborne role for the next two films in the trilogy.
Next was Deuces Wild (2002) and City by the Sea (2002), in which Robert De Niro personally had him cast, after viewing his performance in James Dean (2001). He was seen in David Gordon Green's Pineapple Express (2008) opposite Seth Rogen, in George C. Wolfe's Nights in Rodanthe (2008), starring Richard Gere and Diane Lane and in Paul Haggis' In the Valley of Elah (2007), starring Tommy Lee Jones. Also starring opposite Sean Penn in Gus Van Sant's Milk (2008) in which his performance earned him an Independent Spirit Award for Best Supporting Actor. Definitely growing out of his shyness, James Franco is turning into a legend of his own.- András Kozák was born on 23 February 1943 in Vencsellö, Hungary [now Gávavencsellö, Hungary]. He was an actor, known for Kisváros (1993), Rejtekhely (1979) and Gulliver in the Country of Giants (1980). He was married to Andrea Drahota. He died on 24 February 2005 in Budapest, Hungary.
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Marlon Brando is widely considered the greatest movie actor of all time, rivaled only by the more theatrically oriented Laurence Olivier in terms of esteem. Unlike Olivier, who preferred the stage to the screen, Brando concentrated his talents on movies after bidding the Broadway stage adieu in 1949, a decision for which he was severely criticized when his star began to dim in the 1960s and he was excoriated for squandering his talents. No actor ever exerted such a profound influence on succeeding generations of actors as did Brando. More than 50 years after he first scorched the screen as Stanley Kowalski in the movie version of Tennessee Williams' A Streetcar Named Desire (1951) and a quarter-century after his last great performance as Col. Kurtz in Francis Ford Coppola's Apocalypse Now (1979), all American actors are still being measured by the yardstick that was Brando. It was if the shadow of John Barrymore, the great American actor closest to Brando in terms of talent and stardom, dominated the acting field up until the 1970s. He did not, nor did any other actor so dominate the public's consciousness of what WAS an actor before or since Brando's 1951 on-screen portrayal of Stanley made him a cultural icon. Brando eclipsed the reputation of other great actors circa 1950, such as Paul Muni and Fredric March. Only the luster of Spencer Tracy's reputation hasn't dimmed when seen in the starlight thrown off by Brando. However, neither Tracy nor Olivier created an entire school of acting just by the force of his personality. Brando did.
Marlon Brando, Jr. was born on April 3, 1924, in Omaha, Nebraska, to Marlon Brando, Sr., a calcium carbonate salesman, and his artistically inclined wife, the former Dorothy Julia Pennebaker. "Bud" Brando was one of three children. His ancestry included English, Irish, German, Dutch, French Huguenot, Welsh, and Scottish; his surname originated with a distant German immigrant ancestor named "Brandau." His oldest sister Jocelyn Brando was also an actress, taking after their mother, who engaged in amateur theatricals and mentored a then-unknown Henry Fonda, another Nebraska native, in her role as director of the Omaha Community Playhouse. Frannie, Brando's other sibling, was a visual artist. Both Brando sisters contrived to leave the Midwest for New York City, Jocelyn to study acting and Frannie to study art. Marlon managed to escape the vocational doldrums forecast for him by his cold, distant father and his disapproving schoolteachers by striking out for The Big Apple in 1943, following Jocelyn into the acting profession. Acting was the only thing he was good at, for which he received praise, so he was determined to make it his career - a high-school dropout, he had nothing else to fall back on, having been rejected by the military due to a knee injury he incurred playing football at Shattuck Military Academy, Brando Sr.'s alma mater. The school booted Marlon out as incorrigible before graduation.
Acting was a skill he honed as a child, the lonely son of alcoholic parents. With his father away on the road, and his mother frequently intoxicated to the point of stupefaction, the young Bud would play-act for her to draw her out of her stupor and to attract her attention and love. His mother was exceedingly neglectful, but he loved her, particularly for instilling in him a love of nature, a feeling which informed his character Paul in Last Tango in Paris (1972) ("Last Tango in Paris") when he is recalling his childhood for his young lover Jeanne. "I don't have many good memories," Paul confesses, and neither did Brando of his childhood. Sometimes he had to go down to the town jail to pick up his mother after she had spent the night in the drunk tank and bring her home, events that traumatized the young boy but may have been the grain that irritated the oyster of his talent, producing the pearls of his performances. Anthony Quinn, his Oscar-winning co-star in Viva Zapata! (1952) told Brando's first wife Anna Kashfi, "I admire Marlon's talent, but I don't envy the pain that created it."
Brando enrolled in Erwin Piscator's Dramatic Workshop at New York's New School, and was mentored by Stella Adler, a member of a famous Yiddish Theatre acting family. Adler helped introduce to the New York stage the "emotional memory" technique of Russian theatrical actor, director and impresario Konstantin Stanislavski, whose motto was "Think of your own experiences and use them truthfully." The results of this meeting between an actor and the teacher preparing him for a life in the theater would mark a watershed in American acting and culture.
Brando made his debut on the boards of Broadway on October 19, 1944, in "I Remember Mama," a great success. As a young Broadway actor, Brando was invited by talent scouts from several different studios to screen-test for them, but he turned them down because he would not let himself be bound by the then-standard seven-year contract. Brando would make his film debut quite some time later in Fred Zinnemann's The Men (1950) for producer Stanley Kramer. Playing a paraplegic soldier, Brando brought new levels of realism to the screen, expanding on the verisimilitude brought to movies by Group Theatre alumni John Garfield, the predecessor closest to him in the raw power he projected on-screen. Ironically, it was Garfield whom producer Irene Mayer Selznick had chosen to play the lead in a new Tennessee Williams play she was about to produce, but negotiations broke down when Garfield demanded an ownership stake in "A Streetcar Named Desire." Burt Lancaster was next approached, but couldn't get out of a prior film commitment. Then director Elia Kazan suggested Brando, whom he had directed to great effect in Maxwell Anderson's play "Truckline Café," in which Brando co-starred with Karl Malden, who was to remain a close friend for the next 60 years.
During the production of "Truckline Café," Kazan had found that Brando's presence was so magnetic, he had to re-block the play to keep Marlon near other major characters' stage business, as the audience could not take its eyes off of him. For the scene where Brando's character re-enters the stage after killing his wife, Kazan placed him upstage-center, partially obscured by scenery, but where the audience could still see him as Karl Malden and others played out their scene within the café set. When he eventually entered the scene, crying, the effect was electric. A young Pauline Kael, arriving late to the play, had to avert her eyes when Brando made this entrance as she believed the young actor on stage was having a real-life conniption. She did not look back until her escort commented that the young man was a great actor.
The problem with casting Brando as Stanley was that he was much younger than the character as written by Williams. However, after a meeting between Brando and Williams, the playwright eagerly agreed that Brando would make an ideal Stanley. Williams believed that by casting a younger actor, the Neanderthalish Kowalski would evolve from being a vicious older man to someone whose unintentional cruelty can be attributed to his youthful ignorance. Brando ultimately was dissatisfied with his performance, though, saying he never was able to bring out the humor of the character, which was ironic as his characterization often drew laughs from the audience at the expense of Jessica Tandy's Blanche Dubois. During the out-of-town tryouts, Kazan realized that Brando's magnetism was attracting attention and audience sympathy away from Blanche to Stanley, which was not what the playwright intended. The audience's sympathy should be solely with Blanche, but many spectators were identifying with Stanley. Kazan queried Williams on the matter, broaching the idea of a slight rewrite to tip the scales back to more of a balance between Stanley and Blanche, but Williams demurred, smitten as he was by Brando, just like the preview audiences.
For his part, Brando believed that the audience sided with his Stanley because Jessica Tandy was too shrill. He thought Vivien Leigh, who played the part in the movie, was ideal, as she was not only a great beauty but she WAS Blanche Dubois, troubled as she was in her real life by mental illness and nymphomania. Brando's appearance as Stanley on stage and on screen revolutionized American acting by introducing "The Method" into American consciousness and culture. Method acting, rooted in Adler's study at the Moscow Art Theatre of Stanislavsky's theories that she subsequently introduced to the Group Theatre, was a more naturalistic style of performing, as it engendered a close identification of the actor with the character's emotions. Adler took first place among Brando's acting teachers, and socially she helped turn him from an unsophisticated Midwestern farm boy into a knowledgeable and cosmopolitan artist who one day would socialize with presidents.
Brando didn't like the term "The Method," which quickly became the prominent paradigm taught by such acting gurus as Lee Strasberg at the Actors Studio. Brando denounced Strasberg in his autobiography "Songs My Mother Taught Me" (1994), saying that he was a talentless exploiter who claimed he had been Brando's mentor. The Actors Studio had been founded by Strasberg along with Kazan and Stella Adler's husband, Harold Clurman, all Group Theatre alumni, all political progressives deeply committed to the didactic function of the stage. Brando credits his knowledge of the craft to Adler and Kazan, while Kazan in his autobiography "A Life" claimed that Brando's genius thrived due to the thorough training Adler had given him. Adler's method emphasized that authenticity in acting is achieved by drawing on inner reality to expose deep emotional experience
Interestingly, Elia Kazan believed that Brando had ruined two generations of actors, his contemporaries and those who came after him, all wanting to emulate the great Brando by employing The Method. Kazan felt that Brando was never a Method actor, that he had been highly trained by Adler and did not rely on gut instincts for his performances, as was commonly believed. Many a young actor, mistaken about the true roots of Brando's genius, thought that all it took was to find a character's motivation, empathize with the character through sense and memory association, and regurgitate it all on stage to become the character. That's not how the superbly trained Brando did it; he could, for example, play accents, whereas your average American Method actor could not. There was a method to Brando's art, Kazan felt, but it was not The Method.
After A Streetcar Named Desire (1951), for which he received the first of his eight Academy Award nominations, Brando appeared in a string of Academy Award-nominated performances - in Viva Zapata! (1952), Julius Caesar (1953) and the summit of his early career, Kazan's On the Waterfront (1954). For his "Waterfront" portrayal of meat-headed longshoreman Terry Malloy, the washed-up pug who "coulda been a contender," Brando won his first Oscar. Along with his iconic performance as the rebel-without-a-cause Johnny in The Wild One (1953) ("What are you rebelling against?" Johnny is asked. "What have ya got?" is his reply), the first wave of his career was, according to Jon Voight, unprecedented in its audacious presentation of such a wide range of great acting. Director John Huston said his performance of Marc Antony was like seeing the door of a furnace opened in a dark room, and co-star John Gielgud, the premier Shakespearean actor of the 20th century, invited Brando to join his repertory company.
It was this period of 1951-54 that revolutionized American acting, spawning such imitators as James Dean - who modeled his acting and even his lifestyle on his hero Brando - the young Paul Newman and Steve McQueen. After Brando, every up-and-coming star with true acting talent and a brooding, alienated quality would be hailed as the "New Brando," such as Warren Beatty in Kazan's Splendor in the Grass (1961). "We are all Brando's children," Jack Nicholson pointed out in 1972. "He gave us our freedom." He was truly "The Godfather" of American acting - and he was just 30 years old. Though he had a couple of failures, like Désirée (1954) and The Teahouse of the August Moon (1956), he was clearly miscast in them and hadn't sought out the parts so largely escaped blame.
In the second period of his career, 1955-62, Brando managed to uniquely establish himself as a great actor who also was a Top 10 movie star, although that star began to dim after the box-office high point of his early career, Sayonara (1957) (for which he received his fifth Best Actor Oscar nomination). Brando tried his hand at directing a film, the well-reviewed One-Eyed Jacks (1961) that he made for his own production company, Pennebaker Productions (after his mother's maiden name). Stanley Kubrick had been hired to direct the film, but after months of script rewrites in which Brando participated, Kubrick and Brando had a falling out and Kubrick was sacked. According to his widow Christiane Kubrick, Stanley believed that Brando had wanted to direct the film himself all along.
Tales proliferated about the profligacy of Brando the director, burning up a million and a half feet of expensive VistaVision film at 50 cents a foot, fully ten times the normal amount of raw stock expended during production of an equivalent motion picture. Brando took so long editing the film that he was never able to present the studio with a cut. Paramount took it away from him and tacked on a re-shot ending that Brando was dissatisfied with, as it made the Oedipal figure of Dad Longworth into a villain. In any normal film Dad would have been the heavy, but Brando believed that no one was innately evil, that it was a matter of an individual responding to, and being molded by, one's environment. It was not a black-and-white world, Brando felt, but a gray world in which once-decent people could do horrible things. This attitude explains his sympathetic portrayal of Nazi officer Christian Diestl in the film he made before shooting One-Eyed Jacks (1961), Edward Dmytryk's filming of Irwin Shaw's novel The Young Lions (1958). Shaw denounced Brando's performance, but audiences obviously disagreed, as the film was a major hit. It would be the last hit movie Brando would have for more than a decade.
One-Eyed Jacks (1961) generated respectable numbers at the box office, but the production costs were exorbitant - a then-staggering $6 million - which made it run a deficit. A film essentially is "made" in the editing room, and Brando found cutting to be a terribly boring process, which was why the studio eventually took the film away from him. Despite his proved talent in handling actors and a large production, Brando never again directed another film, though he would claim that all actors essentially direct themselves during the shooting of a picture.
Between the production and release of One-Eyed Jacks (1961), Brando appeared in Sidney Lumet's film version of Tennessee Williams' play "Orpheus Descending," The Fugitive Kind (1960) which teamed him with fellow Oscar winners Anna Magnani and Joanne Woodward. Following in Elizabeth Taylor's trailblazing footsteps, Brando became the second performer to receive a $1-million salary for a motion picture, so high were the expectations for this re-teaming of Kowalski and his creator (in 1961 critic Hollis Alpert had published a book "Brando and the Shadow of Stanley Kowalski"). Critics and audiences waiting for another incendiary display from Brando in a Williams work were disappointed when the renamed The Fugitive Kind (1960) finally released. Though Tennessee was hot, with movie versions of Cat on a Hot Tin Roof (1958) and Suddenly, Last Summer (1959) burning up the box office and receiving kudos from the Academy of Motion Picture Arts & Sciences, The Fugitive Kind (1960) was a failure. This was followed by the so-so box-office reception of One-Eyed Jacks (1961) in 1961 and then by a failure of a more monumental kind: Mutiny on the Bounty (1962), a remake of the famed 1935 film.
Brando signed on to Mutiny on the Bounty (1962) after turning down the lead in the David Lean classic Lawrence of Arabia (1962) because he didn't want to spend a year in the desert riding around on a camel. He received another $1-million salary, plus $200,000 in overages as the shoot went overtime and over budget. During principal photography, highly respected director Carol Reed (an eventual Academy Award winner) was fired, and his replacement, two-time Oscar winner Lewis Milestone, was shunted aside by Brando as Marlon basically took over the direction of the film himself. The long shoot became so notorious that President John F. Kennedy asked director Billy Wilder at a cocktail party not "when" but "if" the "Bounty" shoot would ever be over. The MGM remake of one of its classic Golden Age films garnered a Best Picture Oscar nomination and was one of the top grossing films of 1962, yet failed to go into the black due to its Brobdingnagian budget estimated at $20 million, which is equivalent to $120 million when adjusted for inflation.
Brando and Taylor, whose Cleopatra (1963) nearly bankrupted 20th Century-Fox due to its huge cost overruns (its final budget was more than twice that of Brando's Mutiny on the Bounty (1962)), were pilloried by the show business press for being the epitome of the pampered, self-indulgent stars who were ruining the industry. Seeking scapegoats, the Hollywood press conveniently ignored the financial pressures on the studios. The studios had been hurt by television and by the antitrust-mandated divestiture of their movie theater chains, causing a large outflow of production to Italy and other countries in the 1950s and 1960s in order to lower costs. The studio bosses, seeking to replicate such blockbuster hits as the remakes of The Ten Commandments (1956) and Ben-Hur (1959), were the real culprits behind the losses generated by large-budgeted films that found it impossible to recoup their costs despite long lines at the box office.
While Elizabeth Taylor, receiving the unwanted gift of reams of publicity from her adulterous romance with Cleopatra (1963) co-star Richard Burton, remained hot until the tanking of her own Tennessee Williams-renamed debacle Boom! (1968), Brando from 1963 until the end of the decade appeared in one box-office failure after another as he worked out a contract he had signed with Universal Pictures. The industry had grown tired of Brando and his idiosyncrasies, though he continued to be offered prestige projects up through 1968.
Some of the films Brando made in the 1960s were noble failures, such as The Ugly American (1963), The Appaloosa (1966) and Reflections in a Golden Eye (1967). For every "Reflections," though, there seemed to be two or three outright debacles, such as Bedtime Story (1964), Morituri (1965), The Chase (1966), A Countess from Hong Kong (1967), Candy (1968), The Night of the Following Day (1969). By the time Brando began making the anti-colonialist picture Burn! (1969) in Colombia with Gillo Pontecorvo in the director's chair, he was box-office poison, despite having worked in the previous five years with such top directors as Arthur Penn, John Huston and the legendary Charles Chaplin, and with such top-drawer co-stars as David Niven, Yul Brynner, Sophia Loren and Taylor.
The rap on Brando in the 1960s was that a great talent had ruined his potential to be America's answer to Laurence Olivier, as his friend William Redfield limned the dilemma in his book "Letters from an Actor" (1967), a memoir about Redfield's appearance in Burton's 1964 theatrical production of "Hamlet." By failing to go back on stage and recharge his artistic batteries, something British actors such as Burton were not afraid to do, Brando had stifled his great talent, by refusing to tackle the classical repertoire and contemporary drama. Actors and critics had yearned for an American response to the high-acting style of the Brits, and while Method actors such as Rod Steiger tried to create an American style, they were hampered in their quest, as their king was lost in a wasteland of Hollywood movies that were beneath his talent. Many of his early supporters now turned on him, claiming he was a crass sellout.
Despite evidence in such films as The Appaloosa (1966) and Reflections in a Golden Eye (1967) that Brando was in fact doing some of the best acting of his life, critics, perhaps with an eye on the box office, slammed him for failing to live up to, and nurture, his great gift. Brando's political activism, starting in the early 1960s with his championing of Native Americans' rights, followed by his participation in the Southern Christian Leadership Conference's March on Washington in 1963, and followed by his appearance at a Black Panther rally in 1968, did not win him many admirers in the establishment. In fact, there was a de facto embargo on Brando films in the recently segregated (officially, at least) southeastern US in the 1960s. Southern exhibitors simply would not book his films, and producers took notice. After 1968, Brando would not work for three years.
Pauline Kael wrote of Brando that he was Fortune's fool. She drew a parallel with the latter career of John Barrymore, a similarly gifted thespian with talents as prodigious, who seemingly threw them away. Brando, like the late-career Barrymore, had become a great ham, evidenced by his turn as the faux Indian guru in the egregious Candy (1968), seemingly because the material was so beneath his talent. Most observers of Brando in the 1960s believed that he needed to be reunited with his old mentor Elia Kazan, a relationship that had soured due to Kazan's friendly testimony naming names before the notorious House un-American Activities Committee. Perhaps Brando believed this, too, as he originally accepted an offer to appear as the star of Kazan's film adaptation of his own novel, The Arrangement (1969). However, after the assassination of Martin Luther King, Brando backed out of the film, telling Kazan that he could not appear in a Hollywood film after this tragedy. Also reportedly turning down a role opposite box-office king Paul Newman in a surefire script, Butch Cassidy and the Sundance Kid (1969), Brando decided to make Burn! (1969) with Pontecorvo. The film, a searing indictment of racism and colonialism, flopped at the box office but won the esteem of progressive critics and cultural arbiters such as Howard Zinn. He subsequently appeared in the British film The Nightcomers (1971), a prequel to "Turn of the Screw" and another critical and box office failure.
Kazan, after a life in film and the theater, said that, aside from Orson Welles, whose greatness lay in film making, he only met one actor who was a genius: Brando. Richard Burton, an intellectual with a keen eye for observation if not for his own film projects, said that he found Brando to be very bright, unlike the public perception of him as a Terry Malloy-type character that he himself inadvertently promoted through his boorish behavior. Brando's problem, Burton felt, was that he was unique, and that he had gotten too much fame too soon at too early an age. Cut off from being nurtured by normal contact with society, fame had distorted Brando's personality and his ability to cope with the world, as he had not had time to grow up outside the limelight.
Truman Capote, who eviscerated Brando in print in the mid-'50s and had as much to do with the public perception of the dyslexic Brando as a dumbbell, always said that the best actors were ignorant, and that an intelligent person could not be a good actor. However, Brando was highly intelligent, and possessed of a rare genius in a then-deprecated art, acting. The problem that an intelligent performer has in movies is that it is the director, and not the actor, who has the power in his chosen field. Greatness in the other arts is defined by how much control the artist is able to exert over his chosen medium, but in movie acting, the medium is controlled by a person outside the individual artist. It is an axiom of the cinema that a performance, as is a film, is "created" in the cutting room, thus further removing the actor from control over his art. Brando had tried his hand at directing, in controlling the whole artistic enterprise, but he could not abide the cutting room, where a film and the film's performances are made. This lack of control over his art was the root of Brando's discontent with acting, with movies, and, eventually, with the whole wide world that invested so much cachet in movie actors, as long as "they" were at the top of the box-office charts. Hollywood was a matter of "they" and not the work, and Brando became disgusted.
Charlton Heston, who participated in Martin Luther King's 1963 March on Washington with Brando, believes that Marlon was the great actor of his generation. However, noting a story that Brando had once refused a role in the early 1960s with the excuse "How can I act when people are starving in India?," Heston believes that it was this attitude, the inability to separate one's idealism from one's work, that prevented Brando from reaching his potential. As Rod Steiger once said, Brando had it all, great stardom and a great talent. He could have taken his audience on a trip to the stars, but he simply would not. Steiger, one of Brando's children even though a contemporary, could not understand it. When James Mason' was asked in 1971 who was the best American actor, he had replied that since Brando had let his career go belly-up, it had to be George C. Scott, by default.
Paramount thought that only Laurence Olivier would suffice, but Lord Olivier was ill. The young director believed there was only one actor who could play godfather to the group of Young Turk actors he had assembled for his film, The Godfather of method acting himself - Marlon Brando. Francis Ford Coppola won the fight for Brando, Brando won - and refused - his second Oscar, and Paramount won a pot of gold by producing the then top-grossing film of all-time, The Godfather (1972), a gangster movie most critics now judge one of the greatest American films of all time. Brando followed his iconic portrayal of Don Corleone with his Oscar-nominated turn in the high-grossing and highly scandalous Last Tango in Paris (1972) ("Last Tango in Paris"), the first film dealing explicitly with sexuality in which an actor of Brando's stature had participated. He was now again a top ten box office star and once again heralded as the greatest actor of his generation, an unprecedented comeback that put him on the cover of "Time" magazine and would make him the highest-paid actor in the history of motion pictures by the end of the decade. Little did the world know that Brando, who had struggled through many projects in good faith during the 1960s, delivering some of his best acting, only to be excoriated and ignored as the films did not do well at the box office, essentially was through with the movies.
After reaching the summit of his career, a rarefied atmosphere never reached before or since by any actor, Brando essentially walked away. He would give no more of himself after giving everything as he had done in Last Tango in Paris (1972)," a performance that embarrassed him, according to his autobiography. Brando had come as close to any actor to being the "auteur," or author, of a film, as the English-language scenes of "Tango" were created by encouraging Brando to improvise. The improvisations were written down and turned into a shooting script, and the scripted improvisations were shot the next day. Pauline Kael, the Brando of movie critics in that she was the most influential arbiter of cinematic quality of her generation and spawned a whole legion of Kael wannabes, said Brando's performance in Last Tango in Paris (1972) had revolutionized the art of film. Brando, who had to act to gain his mother's attention; Brando, who believed acting at best was nothing special as everyone in the world engaged in it every day of their lives to get what they wanted from other people; Brando, who believed acting at its worst was a childish charade and that movie stardom was a whorish fraud, would have agreed with Sam Peckinpah's summation of Pauline Kael: "Pauline's a brilliant critic but sometimes she's just cracking walnuts with her ass." He probably would have done so in a simulacrum of those words, too.
After another three-year hiatus, Brando took on just one more major role for the next 20 years, as the bounty hunter after Jack Nicholson in Arthur Penn's The Missouri Breaks (1976), a western that succeeded neither with the critics or at the box office. Following The Godfather and Tango, Brando's performance was disappointing for some reviewers, who accused him of giving an erratic and inconsistent performance. In 1977, Brando made a rare appearance on television in the miniseries Roots: The Next Generations (1979), portraying George Lincoln Rockwell; he won a Primetime Emmy Award for Outstanding Supporting Actor in a Miniseries or a Movie for his performance. In 1978, he narrated the English version of Raoni (1978), a French-Belgian documentary film directed by Jean-Pierre Dutilleux and Luiz Carlos Saldanha that focused on the life of Raoni Metuktire and issues surrounding the survival of the indigenous Indian tribes of north central Brazil.
Later in his career, Brando concentrated on extracting the maximum amount of capital for the least amount of work from producers, as when he got the Salkind brothers to pony up a then-record $3.7 million against 10% of the gross for 13 days work on Superman (1978). Factoring in inflation, the straight salary for "Superman" equals or exceeds the new record of $1 million a day Harrison Ford set with K-19: The Widowmaker (2002). He agreed to the role only on assurance that he would be paid a large sum for what amounted to a small part, that he would not have to read the script beforehand, and his lines would be displayed somewhere off-camera. Brando also filmed scenes for the movie's sequel, Superman II, but after producers refused to pay him the same percentage he received for the first movie, he denied them permission to use the footage.
Before cashing his first paycheck for Superman (1978), Brando had picked up $2 million for his extended cameo in Francis Ford Coppola's Apocalypse Now (1979) in a role, that of Col. Kurtz, that he authored on-camera through improvisation while Coppola shot take after take. It was Brando's last bravura star performance. He co-starred with George C. Scott and John Gielgud in The Formula (1980), but the film was another critical and financial failure. Years later though, he did receive an eighth and final Oscar nomination for his supporting role in A Dry White Season (1989) after coming out of a near-decade-long retirement. Contrary to those who claimed he now only was in it for the money, Brando donated his entire seven-figure salary to an anti-apartheid charity. He then did an amusing performance in the comedy The Freshman (1990), winning rave reviews. He portrayed Tomas de Torquemada in the historical drama 1492: Conquest of Paradise (1992), but his performance was denounced and the film was another box office failure. He made another comeback in the Johnny Depp romantic drama Don Juan DeMarco (1994), which co-starred Faye Dunaway as his wife. He then appeared in The Island of Dr. Moreau (1996), co-starring Val Kilmer, who he didn't get along with. The filming was an unpleasant experience for Brando, as well as another critical and box office failure.
Brando had first attracted media attention at the age of 24, when "Life" magazine ran a photo of himself and his sister Jocelyn, who were both then appearing on Broadway. The curiosity continued, and snowballed. Playing the paraplegic soldier of The Men (1950), Brando had gone to live at a Veterans Administration hospital with actual disabled veterans, and confined himself to a wheelchair for weeks. It was an acting method, research, that no one in Hollywood had ever heard of before, and that willingness to experience life.- Actor
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John Christopher "Johnny" Depp II was born on June 9, 1963 in Owensboro, Kentucky, to Betty Sue Palmer (née Wells), a waitress, and John Christopher Depp, a civil engineer. He was raised in Florida. He dropped out of school when he was 15, and fronted a series of music-garage bands, including one named 'The Kids'. When he married Lori A. Depp, he took a job as a ballpoint-pen salesman to support himself and his wife. A visit to Los Angeles, California, with his wife, however, happened to be a blessing in disguise, when he met up with actor Nicolas Cage, who advised him to turn to acting, which culminated in Depp's film debut in the low-budget horror film, A Nightmare on Elm Street (1984), where he played a teenager who falls prey to dream-stalking demon Freddy Krueger.
In 1987 he shot to stardom when he replaced Jeff Yagher in the role of undercover cop Tommy Hanson in the popular TV series 21 Jump Street (1987). In 1990, after numerous roles in teen-oriented films, his first of a handful of great collaborations with director Tim Burton came about when Depp played the title role in Edward Scissorhands (1990). Following the film's success, Depp carved a niche for himself as a serious, somewhat dark, idiosyncratic performer, consistently selecting roles that surprised critics and audiences alike. He continued to gain critical acclaim and increasing popularity by appearing in many features before re-joining with Burton in the lead role of Ed Wood (1994). In 1997 he played an undercover FBI agent in the fact-based film Donnie Brasco (1997), opposite Al Pacino; in 1998 he appeared in Fear and Loathing in Las Vegas (1998), directed by Terry Gilliam; and then, in 1999, he appeared in the sci-fi/horror film The Astronaut's Wife (1999). The same year he teamed up again with Burton in Sleepy Hollow (1999), brilliantly portraying Ichabod Crane.
Depp has played many characters in his career, including another fact-based one, Insp. Fred Abberline in From Hell (2001). He stole the show from screen greats such as Antonio Banderas in the finale to Robert Rodriguez's "mariachi" trilogy, Once Upon a Time in Mexico (2003). In that same year he starred in the marvelous family blockbuster Pirates of the Caribbean: The Curse of the Black Pearl (2003), playing a character that only the likes of Depp could pull off: the charming, conniving and roguish Capt. Jack Sparrow. The film's enormous success has opened several doors for his career and included an Oscar nomination. He appeared as the central character in the Stephen King-based movie, Secret Window (2004); as the kind-hearted novelist James Barrie in the factually-based Finding Neverland (2004), where he co-starred with Kate Winslet; and Rochester in the British film, The Libertine (2004). Depp collaborated again with Burton in a screen adaptation of Roald Dahl's novel, Charlie and the Chocolate Factory (2005), and later in Alice in Wonderland (2010) and Dark Shadows (2012).
Off-screen, Depp has dated several female celebrities, and has been engaged to Sherilyn Fenn, Jennifer Grey, Winona Ryder and Kate Moss. He was married to Lori Anne Allison in 1983, but divorced her in 1985. Depp has two children with his former long-time partner, French singer/actress Vanessa Paradis: Lily-Rose Melody, born in 1999 and John Christopher "Jack" III, born in 2002. He married actress/producer Amber Heard in 2015, divorcing a few years later.- Actor
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Grimme-Preis award winner, Matthias Schweighöfer, is one of Germany's most successful actors and is quickly becoming an international phenomenon.
Schweighöfer was most recently seen in Christopher Nolan's film, "Oppenheimer," Netflix's "Heart of Stone" opposite Gal Gadot and Jamie Dornan and "The Swimmers" for director Sally El Hosaini. Upcoming, Schweighöfer will be seen in Netflix's "Family Switch" opposite Jennifer Garner and "Girl You Know It's True," a film based on the incredible story of the R&B duo Milli Vanilli.
A talented multi-hyphenate, Schweighöfer also discovered his love for being behind the camera and has gone on to direct multiple projects. In addition, he founded his production company, Pantaleon Film, with his producing partner Dan Maag which continues to be one of Germany's preeminent production companies.
Born behind the Berlin wall, Schweighöfer's last 10 films have all reached #1 at the German Box office. He is best known for his films "Der Geilste Tag," "Der Nanny," "100 Dinge" and "Vaterfreuden," and his first English speaking role and international film, "Valkyrie" alongside Tom Cruise and Kenneth Branagh.
Schweighöfer has continued working on international projects and produced, directed and stared in the first German-language Amazon Original Series "You Are Wanted." The series launched in over 200 countries and in 6 different languages. He also starred in and produced "Resistance" for IFC Films which also stars Jessie Eisenberg, Ed Harris and Edgar Ramirez.
Most recently, Schweighöfer Directed, Produced, and Starred in "Army of Thieves," the prequel Zack Snyder's "Army of the Dead," in which he also starred in. "Army of the Dead" was viewed in over 72 million households and quickly became one of Netflix's most viewed film of all time, and "Army of Thieves" became the Number 1 film on Netflix in 90-plus countries during its first week.- Actor
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"There are those who miss being in-depth with the world," explains Nikolaj Lie Kaas in an interview with Politiken on April 29th, 2001, "but for me superficiality means a lot - that's where I get my drive." This is an interesting comment from an actor, whose acting always strikes a deeply personal cord. While other actors strive to close in on life, Kaas - who experienced tragic loss at an early age - seems eager to escape the eye of the storm. It is a disturbing quality that etches his characters in the audience's mind.
Kaas graduated from the National Theater School in Denmark in 1998. He first appeared on screen in Søren Kragh-Jacobsen's film The Boys from St. Petri (1991) (The Boys from Sct. Petri) in 1991 as Otto, the rebel son of a traitor. The development of the character illustrates the growth of moral resistance into full-fledged violent revolt. This somber and masterfully-acted part earned Kaas two Danish film prizes, a Robert and a Bodil.
Today Kaas imbues his adult characters with the unsentimental innocence and vulnerability of a child and audiences respond intuitively. Jeppe in Lars von Trier's The Idiots (1998) takes on true love, only to lose it. The actor received another Bodil for this portrayal. Kaas makes a narrow escape from type-casting by adding original qualities to the individual characters. He has also done self-parody as a happy-go-easy cook, working for a mafia-like boss in the midst of a murderous streak in In China They Eat Dogs (1999) (In China They Eat Dogs) and as a helpless man in the throes of love in Flickering Lights (2000) (Blinking Lights).
After imbuing smaller parts with larger-than-life performances, Kaas landed another main part in Et rigtigt menneske (2001) as Ahmed, the aborted son (!) of a working couple. His would-be little sister is the emotionally neglected Lisa. When she dies, Ahmed comes to life and tries to become a real human being. Kaas delivers another masterful performance in this movie, inspired by the tragic tale of Casper Hauser.- Born in Lons-le-Saunier, Jura, France to legendary French actor-comedian/director/writer Jean-François Stévenin, Robinson has impressed critics and audiences around the world as one of France's most versatile actors of the new generation. Shy and soft spoken Robinson comes from a family of performers where both his siblings, older brother Sagamore Stévenin and younger sister Salomé Stévenin are also actors. Robinson started acting at the tender age of 5 in his fathers second feature Double messieurs (1986). Then followed many roles in TV movies and plays and small supporting roles in films like L'hydrolution (1989) and La révolte des enfants (1992) for which he got his first nomination and award for Best Actor at the Paris Film Festival at just the age of 10, this being a hint at further great things to come from this gifted actor. The young actor then took on a series of selective television roles shunning down most movie offers to "grow" as an actor. The young actor then took on two very delicate roles, that of the conniving sly Laurent in Mauvaises fréquentations (1999) as a boy who obliges his girlfriend with a prostituer which earned him his first César of the Best Male hope in 2000 and that as Bo a shy, young transvestite in Francis Girod's Transfixed (2001) which earned him second successive César Award - and this time winning - for Best Male Hope. Possessing a chameleon-like ability to portray a range of characters, Robinson has firmly established himself as one of France's most gifted actors. This was followed by collaborating with his father again for Mischka (2002), then having a very small supporting role in Deux (2002) as a young stranger on a bike who charms Isabelle Huppert. He was then seen in a scene-stealing performance in His Brother (2003). Robinson takes on selective, picky roles regardless of how big or small the role is. He was then seen in Claude Miller's La petite Lili (2003) where he met and bonded with co-star Ludivine Sagnier. He can next be seen in Mon colonel (2006) as Guy Rossi an officer lawyer confronted with the reality of torture during the War of Algeria, a first film written and produced by Costa-Gavras. Then in the highly controversial Transe (2006), followed by the eagerly awaited C'est beau une ville la nuit (2006) and Actresses (2007).
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Jeffrey Hunter was born Henry Herman McKinnies Jr. on November 25, 1926 in New Orleans, Louisiana, an only child. His parents met at the University of Arkansas, and when he was almost four his family moved to Milwaukee, Wisconsin. In his teens, he acted in productions of the North Shore Children's Theater and, from 1942 to 1944, performed in summer stock with the local Port Players, along with Eileen Heckart, Charlotte Rae and Morton DaCosta. Hunter was also a radio actor at WTMJ, getting his first professional paycheck in 1945 for the wartime series "Those Who Serve." After graduation from Whitefish Bay High School, where he was co-captain of the football team, he enlisted in the United States Navy and underwent training at Great Lakes Naval Station, Illinois, in 1945-1946, but on the eve of his shipping out for active duty in Japan he took ill and received a medical discharge from the service.
Hunter attended and graduated from Northwestern University with a bachelor's degree in 1949, where he acquired more stage experience in Sheridan's "The Rivals" and Ruth Gordon's "Years Ago". He also did summer stock with Northwestern students at Eagles Mere, Pennsylvania in 1948, worked on two Northwestern Radio Playshop broadcasts, was president of Phi Delta Theta Fraternity, and was active in the campus film society with David Bradley, later acting in director David Bradley's production of Julius Caesar (1950) in 1949. He then attended graduate school at the University of California at Los Angeles, where he studied radio and drama. He was in the cast of a UCLA production of Arthur Miller's "All My Sons" in May, 1950; on opening night, the good-looking Hunter drew the attention of talent scouts from Paramount and 20th Century-Fox Studios.
Hunter made a screen test with Ed Begley in a scene from "All My Sons" at Paramount (where he met Barbara Rush, his future wife), but after an executive shake-up at that studio derailed his hiring, he was signed by 20th Century Fox (where he remained under contract until 1959) and within a month was sent on location in New York for Fourteen Hours (1951). Hunter was kept fairly busy in pictures, working his way from featured roles to starring roles to first-billing within two years in Sailor of the King (1953). His big break came with John Ford's classic, The Searchers (1956), where he played the young cowboy who accompanies John Wayne on his epic search for a child kidnapped by Comanches. Hunter got excellent reviews for his performance in this film and justifiably so, as he held his own well with the veteran Wayne.
Starring roles in two more John Ford movies followed, and in 1960, Hunter had one of his best roles in Hell to Eternity (1960), the true story of World War II hero Guy Gabaldon. That same year, Hunter landed the role for which he is probably best known (although it's far from his best work), when he played Jesus in producer Samuel Bronston's King of Kings (1961), which due to Hunter's still youthful looks at 33, was dubbed by irreverent Hollywood wags "I Was a Teenage Jesus." After the cancellation of his Western series Temple Houston (1963), and his decision not to continue in the lead role of the current series Star Trek (1966), his career took a downturn, and Hunter eventually wound up in Europe working on cheap Westerns, at the time a sure sign of a career in trouble.
While in Spain in November 1968 to film Cry Chicago (¡Viva América!), a story about the Chicago Mafia, Hunter was injured in an on-set explosion when a car window near him, which had been rigged to explode outward, accidentally exploded inward. Hunter sustained a serious concussion. According to Hunter's wife Emily, he "went into shock" on the flight back to the United States after filming and "couldn't speak. He could hardly move." After landing, Hunter was taken to Good Samaritan Hospital in Los Angeles, but doctors could not find any serious injuries except for a displaced vertebra and a concussion.
On the afternoon of May 26, 1969, Hunter suffered an intracranial hemorrhage while walking down a three-stair set of steps at his home in Van Nuys, California. He fell, knocked over a planter, and struck his head on the banister, fracturing his skull. He was found unconscious by Frank Bellow, an actor and a friend of Hunter's, who came for a visit, and taken to Valley Presbyterian Hospital, where he underwent brain surgery. He died at about 9:30 the following morning at the age of 42.- Actor
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Thanasis Vengos was born in 1927 in Neo Faliro, Piraeus, Greece. He made his movie debut in 1952 and played many supporting parts in films of the 1950s, often working as a technician, too. His first really major part was in the anti-war comedy Psila ta heria Hitler (1962); he followed that with a long series of comedies, which made him extremely popular. He created the recognizable persona of the everyday man who keeps running to earn his daily bread. His best roles often have a tragic dimension, as the anti-heroes he played in the commercial and artistic hits Ti ekanes ston polemo Thanasi (1971) and Enas xenoiastos palaviaris (1971).But he was also fine in purely dramatical roles, as in It's a Long Road (1998). He also did some interesting stage work, starring in ancient (Aristophanes' "Peace" and "Acharneis") and modern Greek comedies (Giorgos Lazaridis' "O trellos tou Luna-park").- Actor
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His father, Richard Head Welles, was a well-to-do inventor, his mother, Beatrice (Ives) Welles, a beautiful concert pianist; Orson Welles was gifted in many arts (magic, piano, painting) as a child. When his mother died in 1924 (when he was nine) he traveled the world with his father. He was orphaned at 15 after his father's death in 1930 and became the ward of Dr. Maurice Bernstein of Chicago. In 1931, he graduated from the Todd School in Woodstock, Illinois. He turned down college offers for a sketching tour of Ireland. He tried unsuccessfully to enter the London and Broadway stages, traveling some more in Morocco and Spain, where he fought in the bullring.
Recommendations by Thornton Wilder and Alexander Woollcott got him into Katharine Cornell's road company, with which he made his New York debut as Tybalt in 1934. The same year, he married, directed his first short, and appeared on radio for the first time. He began working with John Houseman and formed the Mercury Theatre with him in 1937. In 1938, they produced "The Mercury Theatre on the Air", famous for its broadcast version of "The War of the Worlds" (intended as a Halloween prank). His first film to be seen by the public was Citizen Kane (1941), a commercial failure losing RKO $150,000, but regarded by many as the best film ever made. Many of his subsequent films were commercial failures and he exiled himself to Europe in 1948.
In 1956, he directed Touch of Evil (1958); it failed in the United States but won a prize at the 1958 Brussels World's Fair. In 1975, in spite of all his box-office failures, he received the American Film Institute's Lifetime Achievement Award, and in 1984, the Directors Guild of America awarded him its highest honor, the D.W. Griffith Award. His reputation as a filmmaker steadily climbed thereafter.- Actor
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Eldred Gregory Peck was born on April 5, 1916 in La Jolla, California, to Bernice Mae (Ayres) and Gregory Pearl Peck, a chemist and druggist in San Diego. He had Irish (from his paternal grandmother), English, and some German, ancestry. His parents divorced when he was five years old. An only child, he was sent to live with his grandmother. He never felt he had a stable childhood. His fondest memories are of his grandmother taking him to the movies every week and of his dog, which followed him everywhere. He studied pre-med at UC-Berkeley and, while there, got bitten by the acting bug and decided to change the focus of his studies. He enrolled in the Neighborhood Playhouse in New York and debuted on Broadway after graduation. His debut was in Emlyn Williams' play "The Morning Star" (1942). By 1943, he was in Hollywood, where he debuted in the RKO film Days of Glory (1944).
Stardom came with his next film, The Keys of the Kingdom (1944), for which he was nominated for an Academy Award. Peck's screen presence displayed the qualities for which he became well known. He was tall, rugged and heroic, with a basic decency that transcended his roles. He appeared in Alfred Hitchcock's Spellbound (1945) as an amnesia victim accused of murder. In The Yearling (1946), he was again nominated for an Academy Award and won the Golden Globe. He was especially effective in westerns and appeared in such varied fare as David O. Selznick's critically blasted Duel in the Sun (1946), the somewhat better received Yellow Sky (1948) and the acclaimed The Gunfighter (1950). He was nominated again for the Academy Award for his roles in Gentleman's Agreement (1947), which dealt with anti-Semitism, and Twelve O'Clock High (1949), a story of high-level stress in an Air Force bomber unit in World War II.
With a string of hits to his credit, Peck made the decision to only work in films that interested him. He continued to appear as the heroic, larger-than-life figures in such films as Captain Horatio Hornblower (1951) and Moby Dick (1956). He worked with Audrey Hepburn in her debut film, Roman Holiday (1953). Peck finally won the Oscar, after four nominations, for his performance as lawyer Atticus Finch in To Kill a Mockingbird (1962). In the early 1960s, he appeared in two darker films than he usually made, Cape Fear (1962) and Captain Newman, M.D. (1963), which dealt with the way people live. He also gave a powerful performance as Captain Keith Mallory in The Guns of Navarone (1961), one of the biggest box-office hits of that year.
In the early 1970s, he produced two films, The Trial of the Catonsville Nine (1972) and The Dove (1974), when his film career stalled. He made a comeback playing, somewhat woodenly, Robert Thorn in the horror film The Omen (1976). After that, he returned to the bigger-than-life roles he was best known for, such as MacArthur (1977) and the monstrous Nazi Dr. Josef Mengele in the huge hit The Boys from Brazil (1978). In the 1980s, he moved into television with the miniseries The Blue and the Gray (1982) and The Scarlet and the Black (1983). In 1991, he appeared in the remake of his 1962 film, playing a different role, in Martin Scorsese's Cape Fear (1991). He was also cast as the progressive-thinking owner of a wire and cable business in Other People's Money (1991).
In 1967, Peck received the Academy's Jean Hersholt Humanitarian Award. He was also been awarded the US Presidential Medal of Freedom. Always politically progressive, he was active in such causes as anti-war protests, workers' rights and civil rights. In 2003, his Peck's portrayal of Atticus Finch was named the greatest film hero of the past 100 years by the American Film Institute. Gregory Peck died at age 87 on June 12, 2003 in Los Angeles, California.- Actor
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The 1/2 Taiwanese and 1/2 Japanese Takeshi Kaneshiro may have started out as a puerile teen idol in the Chinese entertainment scene, but he's since become a proper film star in his own right. Whether by his own design or not, the boyishness that marked his first steps into showbiz has evolved into a cool, somewhat reticent demeanor that has now become his trademark. Despite being effortlessly good-looking, he chooses to strike a sometimes uneasy balance between the commercially pleasing and the quirky in his choice of film roles -- a move that's unusual for Asian leading men. But whether he's the faithful lover in the Japanese AIDS drama Kamisama mousukoshi dake (1998), the canned-pineapple-eating cop in Chungking Express (1994) or awkward in his role in Misty (1996), a remake of Akira Kurosawa's Rashomon (1950), Asian audiences love his style. Other memorable roles include his turn as a lovelorn student in Tempting Heart (1999), an angel in Lavender (2000) and the leader of a trio of robbers in Space Travelers (2000). There hasn't been an Asian actor quite as versatile as Kaneshiro, who is able to straddle the Hong Kong, Taiwan, and Japanese film industries because of his proficiency in various languages. Still, one wonders if the reason why he's so sought after is because he is so elusive. No one really knows what he does outside of film commitments, and his reluctance towards being in the spotlight is legendary.- Actor
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Lee Byung-hun was born in 1970 in Seoul, South Korea, and grew up in a wealthy family, thanks to his father, who was a successful businessman. He never dreamed of pursuing acting until a friend of his mother's suggested it. He auditioned for the KBS television network in 1991 and was accepted. His first project was a short lived TV series called "Asphalt My Hometown". Lee became popular, especially with the female crowd, in his next KBS project, "Tomorrow Love", in 1992. Though he continued to do TV series' throughout the 90s, he also tried his luck in feature films. Many of his earlier films were flops, until 2000, when he appeared in "J.S.A. Joint Security Area". The film became his first major blockbuster. Unfortunately, Lee's father passed away that same year. Over the years, Lee's popularity continued to grow, with successful TV series', like "Beautiful Days" and "All In", and features, such as "A Bittersweet Life" and "The Good, The Bad, The Weird". Lee was becoming an international celebrity. His success continued rising with the highly anticipated TV show "Iris" and his other feature films "I Saw the Devil" and "Masquerade". Having solidified his position as one of Asia's biggest stars, he is the only actor to sell out the Tokyo Dome with 45,000 screaming fans. In 2012, he was one of the first two Korean actors ever to be honored with a hand and foot print ceremony at The TLC Chinese Theater.
Lee's first foray into Hollywood films came in 2009 with a starring role in "G.I. Joe: Rise of Cobra." Following the global success of that film, he signed on for "G.I. Joe 2: Retaliation," which was released in March 2013. His first period piece feature, "Masquerade" was released in late 2012, and was met with stellar reviews from both audiences and critics, and became the highest grossing period piece in Korean history. He next starred in "Red 2" opposite Bruce Willis, Helen Mirren, John Malkovich, and Anthony Hopkins. The film premiered in Korea on July 18, 2013. Korea became the second highest grossing market for the film behind the US. In 2015, Lee has two Korean films, "Insiders" and "Memories of the Sword", along with Hollywood blockbuster Terminator Genisys (2015), where he plays a T-1000 robot. Lee has since filmed an independent US film, "Misconduct", opposite legendary actors Anthony Hopkins and Al Pacino, which is due for a 2016 release.- Actor
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Gaspard Ulliel's dream had always been to direct a movie, and after completing his studies at the lycée (French high school), he majored in cinema at the University of Saint-Denis, and began his acting career.
He was born in Paris, to Christine, a stylist and runway show producer, and Serge Ulliel, a fashion designer. One of his first professional performances came when he was twelve, in the TV film Une femme en blanc (1997). During the following years, Ulliel continued working on television and was cast in short films such as Alias (1999). He played a young shepherd who was injured by The Beast in Brotherhood of the Wolf (2001), and was then discovered by director Michel Blanc, who offered him a part in Summer Things (2002) which also starred veteran actress Charlotte Rampling. Ulliel then took summer stages at Les Cours Florent and was asked by director André Téchiné to star in Strayed (2003) as Emmanuelle Béart's over. His role as Manech opposite Audrey Tautou in A Very Long Engagement (2004) brought him to stardom. He was nominated thrice for Most Promising Male Newcomer at the César Awards (the equivalent of the Oscars in France) in 2003, 2004 and 2005; he won the last one. Ulliel's lead roles include The Last Day (2004), Jacquou le croquant (2007) and Hannibal Rising (2007), his first major English-language film.
He had a son with his former partner, model and singer Gaëlle Piétri, born in January 2016. They split up in 2020. Gaspard died on 19 January, 2022, in La Tronche, Isère, France, after a skiing accident.- Actor
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Anthony Hopkins was born on December 31, 1937, in Margam, Wales, to Muriel Anne (Yeats) and Richard Arthur Hopkins, a baker. His parents were both of half Welsh and half English descent. Influenced by Richard Burton, he decided to study at College of Music and Drama and graduated in 1957. In 1965, he moved to London and joined the National Theatre, invited by Laurence Olivier, who could see the talent in Hopkins. In 1967, he made his first film for television, A Flea in Her Ear (1967).
From this moment on, he enjoyed a successful career in cinema and television. In 1968, he worked on The Lion in Winter (1968) with Timothy Dalton. Many successes came later, and Hopkins' remarkable acting style reached the four corners of the world. In 1977, he appeared in two major films: A Bridge Too Far (1977) with James Caan, Gene Hackman, Sean Connery, Michael Caine, Elliott Gould and Laurence Olivier, and Maximilian Schell. In 1980, he worked on The Elephant Man (1980). Two good television literature adaptations followed: Othello (1981) and The Hunchback of Notre Dame (1982). In 1987 he was awarded with the Commander of the order of the British Empire. This year was also important in his cinematic life, with 84 Charing Cross Road (1987), acclaimed by specialists. In 1993, he was knighted.
In the 1990s, Hopkins acted in movies like Desperate Hours (1990) and Howards End (1992), The Remains of the Day (1993) (nominee for the Oscar), Legends of the Fall (1994), Nixon (1995) (nominee for the Oscar), Surviving Picasso (1996), Amistad (1997) (nominee for the Oscar), The Mask of Zorro (1998), Meet Joe Black (1998) and Instinct (1999). His most remarkable film, however, was The Silence of the Lambs (1991), for which he won the Oscar for Best Actor. He also got a B.A.F.T.A. for this role.- Actor
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Eiji Okada was born on 13 June 1920 in Chiba, Japan. He was an actor, known for Hiroshima Mon Amour (1959), Woman in the Dunes (1964) and The Boy Detectives Club - The Iron Fiend (1957). He was married to Wasa, Aiko. He died on 14 September 1995 in Japan.- Actor
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From the time he was a young lad, Gary Dourdan knew that he wanted to be an actor. Despite a myriad of interests, which included music, athletics and even break dancing, Dourdan focused much of his passion centered on acting. His determination, of course, eventually paid off - after an increasing series of television guest spots that led to regular series roles, he came to prominence in the "Alien" film franchise in 1997, officially starting him on the path towards stardom. While the one-time New Jersey native worked steadily, it was his role as forensic investigator Warrick Brown on "CSI: Crime Scene Investigation" (CBS, 2000-15) that put him on the map, introducing Dourdan to a large audience week after week and establishing him as a top-notch television star.
Born in Philadelphia, Dourdan was raised by his creative-minded mother, a fashion designer, and father, an agent who represented jazz musicians. Dourdan was the youngest child in a family of five; a mixture of various ethnicity's including, among others, African, European and Native American . As a child, he excelled in music, playing a variety of instruments including piano, guitar and saxophone. Dourdan studied with legendary acting coach Lee Strasberg, and by the end of the 1980s, began performing in off-Broadway plays. After meeting "A Different World" (1987-1993) producer Debbie Allen in Paris, Dourdan was cast in the role of Shazza Zulu, a recurring gig he played for over two seasons. Dourdan was then plucked by pop star Janet Jackson to be the object of desire in the 1993 video for her single "Again."
In 1996, Dourdan landed the role of Yates in the Touchstone Pictures-based action drama "Playing God" (1997), then was part of a six-month shoot in Los Angeles for "Alien: Resurrection" (1997) and the independent drama "Thursday" (1998). Dourdan later decided to return to television. In 2000, he appeared in the ABC movie "Muhammad Ali: King of the World," taking on the formidable role of the iconic Malcolm X. Back in features, Dourdan headlined the independent drama thriller "Trois" (2000), then appeared in Reggie Bythewood's Hollywood drama "Dancing in September" (2000). By April 2000, Dourdan had been recruited for the crime procedural, "CSI: Crime Scene Investigation." Picked up for the fall season, the series revolved around a forensics investigating unit in Las Vegas, with Dourdan playing Warrick Brown, a smart, complex and moody investigator with a shaky past as a gambler. The show quickly took off with critics and viewers, later paving the way for two successful "CSI" spin-offs.
As part of a dramatic ensemble, Dourdan and his cast mates were acknowledged with Screen Actors Guild Award nominations in successive ceremonies between 2002 and 2005, with the team finally taking home the statue in 2005. Dourdan himself was singled out by NAACP's Image Awards for nominations five years running, between 2002-07. In 2003 and 2006, he won his category as "Outstanding Supporting Actor in a Drama Series." He next essayed another real-life political figure, Black Panther George Jackson, in "Black August" (2003). With little time for outside screen work beyond his day job, he made an appearance as Captain Burke in the oft-re shot sci-fi thriller "Imposter" (2002). In 2006, Dourdan co-starred opposite Halle Berry as her on-again, off-again boyfriend in the thriller "Perfect Stranger" (2007).
Recently, Dourdan has been seen on the ABC series "Mistresses" BET's "Being Mary Jane" and Starz "Power" and the soon to be released "Redemption Day " Gary has kept busy with recording and performing live music.- Actor
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Philippe Calvario is known for Intimacy (2001), Drama Queen (2010) and Gentry de Paris Revue (2009).- Actor
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One of the greatest actors of all time, Robert De Niro was born on August 17, 1943 in Manhattan, New York City, to artists Virginia (Admiral) and Robert De Niro Sr. His paternal grandfather was of Italian descent, and his other ancestry is Irish, English, Dutch, German, and French. He was trained at the Stella Adler Conservatory and the American Workshop. De Niro first gained fame for his role in Bang the Drum Slowly (1973), but he gained his reputation as a volatile actor in Mean Streets (1973), which was his first film with director Martin Scorsese. He received an Academy Award for Best Supporting Actor for his role in The Godfather Part II (1974) and received Academy Award nominations for best actor in Taxi Driver (1976), The Deer Hunter (1978) and Cape Fear (1991). He received the Academy Award for Best Actor for his role as Jake LaMotta in Raging Bull (1980).
De Niro has earned four Golden Globe Award nominations for Best Actor - Motion Picture Musical or Comedy, for his work in New York, New York (1977), opposite Liza Minnelli, Midnight Run (1988), Analyze This (1999) and Meet the Parents (2000). Other notable performances include Brazil (1985), The Untouchables (1987), Backdraft (1991), Frankenstein (1994), Heat (1995), Casino (1995) and Jackie Brown (1997). At the same time, he also directed and starred in such films as A Bronx Tale (1993) and The Good Shepherd (2006). De Niro has also received the AFI Lifetime Achievement Award in 2003 and the Golden Globe Cecil B. DeMille Award in 2010.
As of 2022, De Niro is 79-years-old. He has never retired from acting, and continues to work regularly in mostly film.- Actor
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Dustin Lee Hoffman was born in Los Angeles, California, to Lillian (Gold) and Harry Hoffman, who was a furniture salesman and prop supervisor for Columbia Pictures. He was raised in a Jewish family (from Ukraine, Russia-Poland, and Romania). Hoffman graduated from Los Angeles High School in 1955, and went to Santa Monica City College, where he dropped out after a year due to bad grades. But before he did, he took an acting course because he was told that "nobody flunks acting." Also received some training at Los Angeles Conservatory of Music. Decided to go into acting because he did not want to work or go into the service. Trained at The Pasadena Playhouse for two years.- Actor
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Jack Nicholson, an American actor, producer, director and screenwriter, is a three-time Academy Award winner and twelve-time nominee. Nicholson is also notable for being one of two actors - the other being Michael Caine - who have received an Oscar nomination in every decade from the '60s through the '00s.
Nicholson was born on April 22, 1937, in Neptune, New Jersey. He was raised believing that his grandmother was his mother, and that his mother, June Frances Nicholson, a showgirl, was his older sister. He discovered the truth in 1975 from a Time magazine journalist who was researching a profile on him. His real father is believed to have been either Donald Furcillo, an Italian American showman, or Eddie King (Edgar Kirschfeld), born in Latvia and also in show business. Jack's mother's ancestry was Irish, and smaller amounts of English, German, Scottish, and Welsh.
Nicholson made his film debut in a B-movie titled The Cry Baby Killer (1958). His rise in Hollywood was far from meteoric, and for years, he sustained his career with guest spots in television series and a number of Roger Corman films, including The Little Shop of Horrors (1960).
Nicholson's first turn in the director's chair was for Drive, He Said (1971). Before that, he wrote the screenplay for The Trip (1967), and co-wrote Head (1968), a vehicle for The Monkees. His big break came with Easy Rider (1969) and his portrayal of liquor-soaked attorney George Hanson, which earned Nicholson his first Oscar nomination. Nicholson's film career took off in the 1970s with a definitive performance in Five Easy Pieces (1970). Nicholson's other notable work during this period includes leading roles in Roman Polanski's noir masterpiece Chinatown (1974) and One Flew Over the Cuckoo's Nest (1975), for which he won his first Best Actor Oscar.
The 1980s kicked off with another career-defining role for Nicholson as Jack Torrance in Stanley Kubrick's adaptation of Stephen King's novel The Shining (1980). A string of well-received films followed, including Terms of Endearment (1983), which earned Nicholson his second Oscar; Prizzi's Honor (1985), and The Witches of Eastwick (1987). He portrayed another renowned villain, The Joker, in Tim Burton's Batman (1989). In the 1990s, he starred in such varied films as A Few Good Men (1992), for which he received another Oscar nomination, and a dual role in Mars Attacks! (1996).
Although a glimpse at the darker side of Nicholson's acting range reappeared in The Departed (2006), the actor's most recent roles highlight the physical and emotional complications one faces late in life. The most notable of these is the unapologetically misanthropic Melvin Udall in As Good as It Gets (1997), for which he won his third Oscar. Shades of this persona are apparent in About Schmidt (2002), Something's Gotta Give (2003), and The Bucket List (2007). In addition to his Academy Awards and Oscar nominations, Nicholson has seven Golden Globe Awards, and received a Kennedy Center Honor in 2001. He also became one of the youngest actors to receive the American Film Institute's Life Achievement award in 1994.
Nicholson has six children by five different women: Jennifer Nicholson (b. 1963) from his only marriage to Sandra Knight, which ended in 1966; Caleb Goddard (b. 1970) with Five Easy Pieces (1970) co-star Susan Anspach, who was automatically adopted by Anspach's then-husband Mark Goddard; Honey Hollman (b. 1982) with Danish supermodel Winnie Hollman; Lorraine Nicholson (b. 1990) and Ray Nicholson (b. 1992) with minor actress Rebecca Broussard; and Tessa Gourin (b. 1994) with real estate agent Jennine Marie Gourin. Nicholson's longest relationship was the 17 nonmonogamous years he spent with Anjelica Huston; this ended when Broussard announced she was pregnant with his child.- Actor
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Stéphane Rideau was born on 25 July 1976 in France. He is an actor, known for Wild Reeds (1994), Come Undone (2000) and Sitcom (1998).- Actor
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Eduardo Noriega Gómez was born in Santander, Cantabria, Spain. The youngest of 7 siblings, he had shown a very big talent for artistic activities since he was a child. He began taking piano lessons and got into the Santander Music Conservatory, where he studied for five years. His music professors discovered that he had many conditions for playing piano, so they would keep him practicing for hours until he got tired of it and quit. After finishing high school, he decided to become a lawyer and majored at University of Santander, one of the most prestigious universities in Europe.That wouldn't last long either, because he got the acting bug by chance when attended an acting class alongside a friend that wanted to be an actress, he was invited to participate and enjoyed it enough to do that for living. At 19, he relocated to Madrid to start his drama classes at the R.E.S.A.D. (Madrid Acting Conservatory) and tried to continue with Law School attending the U.N.E.D. (a college where people can study even if they live far away), but due to the time the acting classes demanded him, couldn't focus on his other career and quit after passing the first signature. Once at the Conservatory he met Mateo Gil and Alejandro Amenábar, who was searching for good average students to make his first short films. Noriega shot a few shorts with both of them until he landed one of the starring roles in Amenábar's opera prima Thesis (1996). This movie became the most successful movie of the year in Spain and Eduardo Noriega and Fele Martínez became huge stars. In 1996, Eduardo had a tiny part in Pedro Olea's Más allá del jardín (1996) and the main role in Question of Luck (1997), shot in San Sebastián. During the making of this movie, his mother passed away and he channeled his grief into work by making Open Your Eyes (1997), another Amenábar's movie that became one of the suspense classics worldwide. This part gave Noriega his first Goya Award nomination, but he lost to Fernando Fernán Gómez, although he was consecrated as a very promising actor. Soon after, he tried himself in comedy by taking part in the movie Cha Cha Cha (1998) where he showed his skills as a comedian and met who would be his girlfriend for two years: Ana Alvarez. The relationship ended in good terms and afterward, he arrived to Argentina to make another movie that would become a cult one: Burnt Money (2000). This flick won the Goya Award in 2001 and Eduardo met his now friend Leonardo Sbaraglia. Between 2001 and 2004, he made movies in France, Madagascar and Spain. 2004 was the year that gave him the chance to play a real life character for first time in the movie El Lobo (2004). He played Txema, an insider infiltrated in ETA who gave information to the government to dismantle the terrorist group. Critics and people loved his interpretation and earned him a second Goya nomination. Next year, he had the chance to play another controversial character: Che Guevara, becoming the first Spanish actor to play it. In 2006 Master Kowalski (2006) was released at the same time that the theater play and became a blockbuster in Spain and Argentina, Marcelo Piñeyro was the director and also had directed Burnt Money (2000). His most challenging role was yet to come, nevertheless: Vicente Aranda was preparing to direct Canciones de amor en Lolita's Club (2007)and also looking for an actor who dared play twins who where identical in the outside but totally different inside, because one was a violent smart cop and the other one a mentally retarded sweet man. On December 3, 2007 he won the GQ award as the "Actor of the Year". In 2008 he participated in two American movies: Vantage Point (2008) and Transsiberian (2008). In 2009 he re-teamed with Amenábar (this time as a producer, not director) in El mal ajeno (2010), where he had to look older to play an apparently cold-blooded doctor that used to deal with terminal patients, but his life is stricken when his teenage daughter becomes his patient. With this movie, Eduardo showed his maturity as an actor and next year he could fulfill a dream: making a western. Blackthorn (2011) told the story of Butch Cassidy in exile while staying in Bolivia. Sam Shepard and Stephen Rea were part of this superb cast as well. During the half of 2011 a new suspense TV series called Homicidios (2011) began to be promoted on channel Tele5. This thriller meant the return of Eduardo Noriega to television (he had only had a small part in the 1994-1996 show "Colegio Mayor"). "Homicidios" premiered on 20 September 2011 in prime-time with a very high rating. Although it was switched to different times until even midnight, it had the highest audience of his all time branches. In 2013 he will release the movie The Last Stand, alongside Arnold Schwarzenegger.- Actor
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Ryan Phillippe was born on September 10, 1974 in New Castle, Delaware, to Susan (Thomas), a nurse, and Richard Phillippe, a chemical technician. He has three sisters, Kirsten, Lindsay, and Katelyn, and attended New Castle Baptist Academy. Ryan's acting career began with the soap opera One Life to Live (1968). It was no small role. His character, Billy Douglas, was US daytime television's first gay teenager. Billy struggled with coming out issues and the town's anti-gay reactions. After several other television appearances and he began appearing in movies of his own, Nowhere (1997), White Squall (1996) I Know What You Did Last Summer (1997), Cruel Intentions (1999), Crash (2005), Flags of Our Fathers (2006), and Stop-Loss (2008).- Actor
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Djimon Hounsou was born in Cotonou, Benin, in west Africa to Albertine and Pierre Hounsou, a cook. He moved to Lyon, France, when he was 13. Hounsou has graced the catwalks of Paris and London as a popular male model. He has since left his modeling career and has worked on Gladiator (2000) by Ridley Scott and Amistad (1997) by Steven Spielberg.- Actor
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Jude Law is an English actor. Law has been nominated for two Academy Awards and continues to build a prolific body of work that spans from early successes such as Gattaca (1997) and The Talented Mr. Ripley (1999) to more recent turns as Dr. John Watson in Sherlock Holmes (2009) and Sherlock Holmes: A Game of Shadows (2011), as Hugo's father in Hugo (2011) and in the titular role in Dom Hemingway (2013).
David Jude Law was born on December 29, 1972 in Lewisham, London, England, to Margaret Anne (Heyworth) and Peter Robert Law, both of whom taught at comprehensive schools; his father later became a headmaster. Law has said that he was named after both the book Jude the Obscure and the song Hey Jude.
In 1992, Jude began his stage career. He starred in many plays throughout London, and was nominated for the Laurence Olivier Award of "Outstanding Newcomer" After doing the play "Indiscretions" in London, he moved and did it again on Broadway. This time, he was alongside Kathleen Turner. He then received a Tony Nomination for "Outstanding Supporting Actor". He was then rewarded the Theatre World Award. After Broadway, Jude started on the big screen, in many independent films. His first big-named movie was Gattaca (1997), with Uma Thurman and Ethan Hawke. He also had a good role in Midnight in the Garden of Good and Evil (1997). Jude's latest rise to fame has been because of The Talented Mr. Ripley (1999), in which he plays Matt Damon's obsession. The film did very well at the box office, and critics loved Jude's acting.
Following the success of Gattaca (1997) and The Talented Mr. Ripley (1999), Law's feature film career continued to gain momentum throughout the late 1990s and early 2000s with roles in such films as Enemy at the Gates (2001), Road to Perdition (2002), I Heart Huckabees (2004), The Aviator (2004) and many others. Law is one of three actors, along with Colin Farrell and Johnny Depp, to take over acting responsibilities in the Terry Gilliam project The Imaginarium of Doctor Parnassus (2009) following Heath Ledger's death.
Law is a partner in the production company "Natural Nylon". His partners include Jonny Lee Miller, Ewan McGregor and his ex-wife Sadie Frost.
Law has been active in many charitable activities and supports several different foundations and causes, doing work for organizations including the Make-A-Wish Foundation, Make Poverty History, Breast Cancer Care and others. Law is also a peace advocate, and in 2011, participated in street protests against the rule of Alexander Lukashenko in Belarus.
Law married Sadie Frost in 1997 and the couple had two sons (Rafferty and Rudy) and a daughter (Iris) before divorcing in 2003. Law and Alfie (2004) co-star Sienna Miller were engaged to be married in 2005 and separated in 2006 (they would later rekindle their relationship in 2009, splitting once again in 2011). Law and American model Samantha Burke had a brief relationship in 2008 that resulted in the birth of Law's fourth child, daughter Sophia. Law's fifth child, with an ex-girlfriend, Catherine Harding, was born in 2015.- Actor
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Jeremy Sisto was born in Northern California, in a small town called Grass Valley. He is the son of actress Reedy Gibbs and jazz musician Dick Sisto. His film debut was in the movie Grand Canyon (1991). He studied at UCLA for a while and then started acting full time. Jeremy likes to play boccie (Italian bowling) and play his guitar in his spare time.- Actor
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Yannick Renier was born on 29 March 1975 in Brussels, Belgium. He is an actor and director, known for Carnivores (2018), Love Songs (2007) and Septième ciel Belgique (2005).- Actor
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Jesse Gordon Spencer is an Australian actor and musician. He is best known for his roles as Billy Kennedy on the Australian soap opera Neighbours (1994-2000, 2005, 2022), Dr. Robert Chase on the American medical drama House (2004-2012) and Captain Matthew Casey on the American drama Chicago Fire (2012-2021).- Touted as a rebel, Duvauchelle seem to be one of the most promising young actors in France and Europe. While studying to become a pharmacy employee, he was discovered in a boxing club in Paris. After some auditions, he starred in Le petit voleur (1999), and many other films such as Snowboarder (2003), an action movie, and Trouble Every Day (2001) with 'Beatrice Dalle'. Thanks to his handsome appearance, he became a male-model, and starred in a TV ad for Levi's jeans, and became Hugo Boss perfume's supermodel. Nicolas was brought to stardom by Les corps impatients (2003) with Laura Smet. He confirmed his status of rebel actor playing in Lightweight (2004), a movie where he played a boxer.
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Ryan Donowho was born on 20 September 1980 in Houston, Texas, USA. He is an actor and producer, known for Imaginary Heroes (2004), Broken Flowers (2005) and Altitude (2010).- Actor
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Striking Irish actor Cillian Murphy was born in Douglas, the oldest child of Brendan Murphy, who works for the Irish Department of Education, and a mother who is a teacher of French. He has three younger siblings. Murphy was educated at Presentation Brothers College, Cork. He went on to study law at University College Cork, but dropped out after about a year. During this time, Murphy also pursued an interest in music, playing guitar in various bands. Upon leaving University, Murphy joined the Corcadorca Theater Company in Cork, and played the lead role in "Disco Pigs", amongst other plays.
Various film roles followed, including a film adaptation of Disco Pigs (2001). However, his big film break came when he was cast in Danny Boyle's 28 Days Later (2002), which became a surprise international hit. This performance earned him nominations for Best Newcomer at the Empire Awards and Breakthrough Male Performance at the MTV Movie Awards.
Murphy went on to supporting roles in high-profile films such as Cold Mountain (2003) and Girl with a Pearl Earring (2003), and then was cast in two villain roles: Dr. Jonathan Crane, aka The Scarecrow, in Batman Begins (2005) and Jackson Rippner in Red Eye (2005). Although slight in nature for a villain, Murphy's piercing blue eyes helped to create creepy performances and critics began to take notice. Manhola Dargis of the New York Times cited Murphy as a "picture-perfect villain", while David Denby of The New Yorker noted he was both "seductive" and "sinister".
Later that year, Murphy starred as Patrick "Kitten" Braden, an Irish transgender woman in search of her mother in Neil Jordan's Breakfast on Pluto (2005), a film adaptation of the Pat McCabe novel. Although the film was not a box office success, Murphy was nominated for a Golden Globe for Best Actor in a Comedy or Musical and he won Best Actor for the Irish Film and Television Academy Awards.
The following year, Murphy starred in Ken Loach's The Wind that Shakes the Barley (2006). The film was the most successful independent Irish film and won the Palm D'Or at the 2006 Cannes Film Festival. Murphy continued to take roles in a number of independent films, and also reprised his role as the Scarecrow in Christopher Nolan's The Dark Knight (2008). Nolan is known for working with actors in multiple films, and cast Murphy in Inception (2010) as Robert Fischer, the young heir of the multi-billion dollar empire, who was the target of DiCaprio's dream team. His most well-known work is starring as Thomas Shelby in the British TV show Peaky Blinders beginning in 2013.
Murphy continues to appear in high-profile films such as In Time (2011), Red Lights (2012), and The Dark Knight Rises (2012), the final film in Nolan's Batman trilogy.
Murphy is married to Yvonne McGuinness, an artist. The couple have two sons, Malachy and Aran.- Actor
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Chang Chen, an international renowned actor, first earned his attention at the age of 14 when he took the lead role in A Brighter Summer Day. Since then, he was nominated three times at the Golden Horse Awards, and several times for best actor at the Berlinale and the Cannes Film Festival. He won Best Actor at the 3rd Osaka Asia Film Festival for his performance in The Go Master.
Chang's outstanding versatile performance, coupled with his diligent learning attitude, made him the favorite cast of world's renowned directors. His dedication to filmmaking is seen not only in how he strives to improve his acting skills, but also the initiatives he had taken in learning local Uyghur language and horse riding for Crouching Tiger, Hidden Dragon, the game of go and meditation for The Go Master, and three years of practice bajiquan (martial arts) for the The Grandmaster which he later won first prize in a recognized competition.
In 2017, Chang's performance in Mr. Long was nominated for the 67th Berlinale international film festival in official competition.
In 2018, Chang was the only Asian actor who served as one of the juries at the 71st Cannes Film Festival.- Actor
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Tony Leung Chiu Wai was born in Hong Kong on 27 June 1962. He and his younger sister were raised by their mother after his father left them. In 1982, after passing the training courses of TVB, Tony became a TV actor and became famous for his comedy style in such TV shows as Tales of a Eunuch (1983) or The Proud Twins (1979). However, he didn't limit himself to television and began showing his versatility in films like My Heart Is That Eternal Rose (1989) and A City of Sadness (1989). After he starred in several movies directed by 'Kar wai Wong'; such as Chungking Express (1994) and Happy Together (1997), he gained more respect as an actor and finally received the Best Actor Award at the Cannes International Film Festival for his outstanding performance in In the Mood for Love (2000). In addition to his acting career, he is also known as a singer.- Carloto Cotta, b. 1984, Paris, France. Cotta studied at EPTC in Cascais (2000-2004) and the Lee Strasberg Theatre and Film Institute in Los Angeles (2014). Recently, he starred in Gabriel Abrantes and Daniel Schmidt's Diamantino (Best Actor Golden Globes Portugal 2019 Winner and Grand Prix at Cannes - Critics Week), he co-starred in Ira Sach's Frankie (Cannes Official Selection) and starred in Miguel Gomes' Tabu (Winner of the Silver Bear and Fipresci at Berlinal ), Eugene Green's Como Fernando Pessoa Salvou Portugal, and João Salaviza's short-film Arena, (Palme d'Or - Cannes). He has acted in the films of Raul Ruiz, Werner Schroeter, Dominga Sotomayor, Ben Rivers, Valeria Sarmiento, Jean Pierre Rawson, Christine Laurent, Paula Gaitán, Manuel Mozos, Jorge Cramez, Marco Martins, Carlos Conceição, Teresa Villaverde, and Margarida Gil. Cotta has starred in many popular Portuguese television series, soap operas and made for TV movies. For the stage, he has worked with Carlos Avilez, Íñigo Ramírez de Haro and Gonçalo Amorim.
"Carloto is one of the most talented and passionate actors I have ever met, constantly innovating and working on his characters. He manages to project and juggle a series of seemingly contradictory sentiments, that make him profoundly relatable and touching - In Diamantino he manages to make the title character sexy, fragile, funny and strong all at the same time. Diamantino, as a film, was saved by Cotta's talents."- Gabriel Abrantes, director of Diamantino
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Niels Arestrup was born on 8 February 1949 in Montreuil, Seine [now Seine-Saint-Denis], France. He is an actor and writer, known for A Prophet (2009), War Horse (2011) and Diplomacy (2014). He has been married to Isabelle Le Nouvel since 15 September 2012. They have two children.- Actor
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Tahar Rahim was born on 4 July 1981 in Belfort, Territoire de Belfort, France. He is an actor, known for A Prophet (2009), The Past (2013) and The Mauritanian (2021). He has been married to Leïla Bekhti since 2010.- Actor
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With his starring roles in two of the most popular foreign films of all time, Italian native Marco Leonardi has become one of Hollywood's most sought-after young actors. Leonardi most recently completed production on two feature films that showcase his diversity as an actor. In Once Upon a Time in Mexico (2003), Leonardi stars as a drunken bandito with Antonio Banderas and Johnny Depp. He filmed _Mary (2005)_ with Juliette Binoche in Italy. Leonardi made his U.S. feature debut in the independent drama My Brother Jack (1997). Based on a true story and set in the 1960s, "My Brother Jack" centers on an Italian-American, working-class family whose son becomes addicted to heroin. Since the film's premiere at the Hamptons International Film Festival, Leonardi has been gathering critical acclaim for his portrayal of the drug-addicted young magician. Leonardi is best known to American audiences from the hugely successful foreign films Like Water for Chocolate (1992) and _Nuovo cinema Paradiso (1989)_. Based on the novel of the same name, "Like Water For Chocolate" remains one of the highest-grossing foreign films in the United States, running in theaters for a record number of consecutive weeks. In "Cinema Paradiso" Leonardi portrayed the adult "Toto," whose fascination with movies and his loving relationship with a Sicilian movie theater projectionist is chronicled. Critically acclaimed, "Cinema Paradiso" won the Academy Award for best Foreign Film. American audiences most recently saw Leonardi co-starring in the TNT Original Movie David (1997). Born in Australia to Italian parents, Leonardi grew up in Rome and began in commercials at the age of three. An Italian Film veteran, Leonardi has starred in over 20 films in his native Italy including The Stendhal Syndrome (1996), opposite Asia Argento and directed by Dario Argento; The Palermo Connection (1990), directed Francesco Rosi and starring Jim Belushi and Mimi Rogers; and Una vacanza all'inferno (1997), opposite F. Murray Abraham, Giancarlo Giannini. Leonardi divides his time between Los Angeles and Rome. Fluent in four languages (Italian, English, Portuguese, and Spanish), Leonardi enjoys soccer, horseback and motorcycle riding and playing with dog "Benny".- Iñigo Urrutia was born on 20 December 1975 in Las Condes, Santiago, Metropolitan Region, Chile. He is an actor, known for Pecadores (2003), No (2012) and MonteCristo (2006).
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James Paul Marsden, or better known as just James Marsden, was born on September 18, 1973, in Stillwater, Oklahoma, to Kathleen (Scholz) and James Luther Marsden. His father, a distinguished Professor of Animal Sciences & Industry at Kansas State University, and his mother, a nutritionist, divorced when he was nine years old. James grew up with his four other siblings, sisters, Jennifer and Elizabeth, and brothers, Jeff and Robert. He has English, German, and Scottish ancestry. During his teen years, he attended Putnam City North High School which was located in Oklahoma City. After graduating in 1991, he attended Oklahoma State University and studied Broadcast Journalism. While in university, he became a member of the Delta Tau Delta fraternity.
While vacationing with his family in Hawaii, he met actor Kirk Cameron, and his actress sister, Candace Cameron Bure. They eventually invited James to visit them in Los Angeles. After studying in Oklahoma State for over a year and appearing in his college production, "Bye Bye Birdie", he left school and moved to Los Angeles to pursue his interest in acting. James got his first job on the pilot episode of The Nanny (1993) as Eddie, who was Margaret Sheffield's boyfriend. He then became part of the Canadian television series, Boogies Diner (1994), which aired for one season. After that series ended, he got a brief role as the original Griffin on Fox's Party of Five (1994). His first big break came when he became the lead on the short-lived ABC series, Second Noah (1996). Although the show didn't last long, the young actor received enough exposure from the public and even managed to win the hearts of fellow teenage girls. In 1996, he attended an audition for a movie titled Primal Fear (1996) but unfortunately lost that role to Edward Norton. Two years later, he was offered a lead role in 54 (1998), which he turned down. The role later went to another actor, Ryan Phillippe.
James' star power increased when he starred in David Nutter's Disturbing Behavior (1998), alongside Katie Holmes and Nick Stahl, which had mixed reviews, but mostly positive ones. His role in the television series as Glenn Foy in Ally McBeal (1997), is probably one of his biggest achievement to date. He became one of the main cast members during the first half of season 5, where he showcased his singing abilities. It was in that show where he was able to grab the attention of audiences from different backgrounds. The 5' 10" star later played Lon Hammon Jr. in the romantic movie, The Notebook (2004), which was based on a novel by Nicholas Sparks of the same name. His movies, Lies and Alibis (2006) and 10th & Wolf (2006) was also released around the world to audiences in the year 2006. One of his most memorable roles to fans is his role as Cyclops in the X-Men (2000) movie franchise. The movie was well accepted by audiences and critics, which eventually made James one of the hottest stars since it was released. He was among the actors who starred in all three of the X-Men movies. James had the honor of working alongside Patrick Stewart, Famke Janssen and Hugh Jackman in the film. However, not many people know that he actually had to wear lifts for most of his scenes in the X-men movies, because his character Cyclops is supposed to be 6" 3" compared to a 5' 3" Wolverine. In reality, he is actually under 6' 0", shorter than Famke Janssen who plays his love interest, Jean Grey, and even shorter than Hugh Jackman who played Wolverine.
In the year 2006, he played Richard White in the highly anticipated movie, Superman Returns (2006), which coincidentally was directed by Bryan Singer, who also directed previous X-Men installments. Although he appeared in X-Men: The Last Stand (2006), the third installment of the X-Men franchise, many would notice that he in fact had more screen time in 'Superman Returns', as Lois Lane's long awaiting fiancé who had to accept the fact that his fiancée is in love with the man of steel. James earned great reviews from that movie, which led to him getting more movie roles. In 2007, James played Corny Collins in the film Hairspray (2007), an adaption of the Broadway musical based on John Waters movie, Hairspray (1988). He joined a star-studded cast, starring alongside top names such as John Travolta, Queen Latifah and Michelle Pfeiffer. James not only acted in that movie, but also sang two of the film's songs, "The Nicest Kids In Town", and "Hairspray". Being part of Hairspray catapulted James to a different level of stardom as audiences got to see another side of him. His next role was in the Disney movie, Enchanted (2007), playing Prince Edward, where he acted alongside Amy Adams, Susan Sarandon and Patrick Dempsey. Once again, James had the opportunity to sing in two songs from the movie, "True Love's Kiss" and "That's Amore". Enchanted (2007) appealed to not only older audiences but also to those who were fans of Disney's network productions. Following his huge success in the years 2006 and 2007, James played the male lead role in the romantic comedy, 27 Dresses (2008), opposite actress Katherine Heigl in 2008. The movie did well at the box office, earning a gross revenue of over $159 million, which exceeded the expectations of crew members especially since it was under a $30 million budget.
Marsden played the male lead in the horror film, The Box (2009), based on the 1970 short story "Button, Button" by author Richard Matheson. He starred opposite Cameron Diaz in the movie.
He co-starred in Accidental Love (2015) (previously Accidental Love (2015), a politically-themed romantic comedy, directed by David O. Russell and filmed in Columbia, South Carolina. Marsden's recent film roles include the sequel comedy Anchorman 2: The Legend Continues (2013), the romantic drama The Best of Me (2014), and the comedy Unfinished Business (2015).
James was married to Lisa Linde, an actress known from her role in Days of Our Lives (1965). Lisa is the daughter of legendary country music songwriter Dennis Linde. The couple wed on July 22, 2000 and have a son, Jack Holden Marsden who was born on February 1, 2001, and a daughter, Mary James, who was born on August 10, 2005. They divorced in 2011. James has another son, born in 2012, with model Rose Costa.
Many would assume that with all this success achieved by James at this age, he would be somewhat high-headed but James mentioned that despite all the attention he's getting from the public eye, he tries to keep himself as grounded as possible. He even admits that he flies coach instead of first class while traveling with his family. In an interview he mentioned that he believes he has a certain responsibility to let his children know that he isn't special because of what he does, but who he is as a person. With a great humble attitude and a bright future ahead of him, there's definitely more to expect from this Oklahoma native.- Actor
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Appealing actor Romain Duris is the exact example of those who arrived in the movie industry by chance, and to stardom without really desiring it. Discovered by a casting director while he was waiting in front of a high school in Paris, he was offered a role. Between popular successes such as Good Old Daze (1994), Dobermann (1997), Tom Thumb (2001), The Spanish Apartment (2002) or Arsène Lupin (2004), and independent films like Seventeen Times Cécile Cassard (2002), Exils (2004), The Crazy Stranger (1997), Being Light (2001), Déjà mort (1998) or When the Cat's Away (1996), Duris proves to be versatile enough to be credible as a bandit, as a homosexual, or simply as a French student in the streets of Barcelona. The consecration has been The Beat That My Heart Skipped (2005); now Duris is seen as an excellent and touching actor by the critics and by the audience.- Actor
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Laurence Harvey was a British movie star who helped usher in the 1960s with his indelible portrait of a ruthless social climber, and became one of the decade's cultural icons for his appearances in socially themed motion pictures.
Harvey was born Zvi Mosheh Skikne on October 1, 1928 in Joniskis, Lithuania, to Ella (Zotnickaita) and Ber Skikne. His family was Jewish. The youngest of three brothers, he emigrated with his family, to South Africa in 1934, and settled in Johannesburg. The teenager joined the South African army during World War II, and was assigned to the entertainment unit. His unit served in Egypt and Italy, and after the war the future Laurence Harvey returned to South Africa and began a career as an actor. He moved to London after winning a scholarship to the Royal Academy of Dramatic Arts. He then did his apprenticeship in regional theatre, moving to Manchester in the 1940s. The tyro actor reportedly supported himself as a hustler while appearing with the city's Library Theatre. Even at this point in his life he was known to be continually in debt and adopted a firm belief in living beyond his means, a pattern that would continue until his premature death. His lifestyle would often dictate working on less worthy projects for the sake of a paycheck.
His film debut came in House of Darkness (1948), and he was soon signed by Associated British Studios. His early film roles proved underwhelming, and his attempt to become a stage star was disastrous - his debut in the revival of "Hassan" was a notorious flop. After failing in the commercial theater in London's West End, Harvey joined the company of the Shakespeare Memorial Theatre at Stratford-upon-Avon for the 1952 season. Regularly panned by critics during his stint on the boards in the Bard's works, he built up his reputation as a personality by becoming combative, telling the press that he was a great actor despite the bad reviews. Someone was listening, as Romulus Pictures signed him in 1953 and began building him up as a star.
Harvey was cast as Romeo in Romeo and Juliet (1954), a film that exemplified the main problem that kept Harvey from major stardom (but subsequently would serve him quite well in a handful of roles): his screen persona was emotionally aloof if not downright frigid. Despite his icy portrayal of the great romantic hero Romeo, Harvey attracted enough attention in Hollywood to be brought over by Warner Bros. and given a lead role in King Richard and the Crusaders (1954).
In Old Blighty with Romulus after his Hollywood adventure, Harvey met his future wife Margaret Leighton on the set of The Good Die Young (1954). Other film appearances included I Am a Camera (1955) and Three Men in a Boat (1956), the latter becoming his first certified hit, and even greater success was to come. The colorful Harvey, a press favorite, became notorious for his high-spending, high-living ways. He found himself frequently in debt, his travails faithfully reported by entertainment columnists. More fame was to come.
After making three flops in a row, Harvey began a brief reign as the Jack the Lad of British cinema with the great success of Room at the Top (1958). That film and Look Back in Anger (1959), which was also released that year, inaugurated the "kitchen sink" school of British cinema that revolutionized the country's film industry and that of its cousin, Hollywood, in the 1960s.
Harvey was born to play Joe Lampton, if not in kin, then in kind. Lampton was a working-class bloke who dreams of escaping his social strata for something better. It was a perfect match of actor and role, as the icy Harvey persona made Joe's ruthless ambition to climb the greasy pole of success fittingly chilling. In bringing Joe to life on the screen, Harvey was more successful than Richard Burton (a far better actor) had been in limning the theater's Jimmy Porter in the film adaptation of John Osborne's seminal "Look Back in Anger," despite Burton's own working-class background. Burton's volcanic use of his mellifluous voice, a great instrument, is much too hot for the the small universe on the screen, a case of projection that is so intense that it overwhelms the character and the film (it took Burton another half-decade to learn to act on film, and a half-decade more to lose that gift). Whereas Burton had to learn to rein it in, Harvey's already tightly controlled persona made the social-climbing Lampton resonate. Harvey fits the skin of the character much better than does Burton. Despite not being an authentic specimen, the success of his performance as a working-class man-on-the-make proved to be the vanguard of a new generation of screen characters that would be played by the real thing: Albert Finney, Tom Courtenay, Terence Stamp and Michael Caine, among others. "Room at the Top" signaled the appearance of the New Wave of British cinema. For his role as Joe, Harvey received his first (and only) Academy Award nomination.
While historically significant, "Room at the Top" is no longer ranked at the summit of other, more contemporary kitchen-sink dramas, such as Karel Reisz's Saturday Night and Sunday Morning (1960), Tony Richardson's A Taste of Honey (1961) and Lindsay Anderson's This Sporting Life (1963), or even John Schlesinger's provincial comedy Billy Liar (1963), films that made stars out of the authentic working-class/provincial actors Finney, Alan Bates, Richard Harris and Courtenay, respectively. The virtue of the film is its emotional honesty about the manipulation of personal relationships for social gain in postwar Britain, a system that after a decade under the Conservatives had become self-satisfied and complacent. In its portrayal of class warfare, the film offers the most intense critique of the British class system offered by any film from the British New Wave, including "Saturday Night and Sunday Morning," which never leaves the confines of the working-class strata its main character, Arthur Seaton, is stuck in and ultimately reconciled to.
That Joe chooses a woman other than the one he really loves in order to gain social mobility, engaging in emotional manipulation of other human beings, is a brutal indictment of the class structure of postwar Britain. Joe, on his way to his wedding and his great chance, has lost his humanity. His failure is symbolic of Britain's failure as well. It is the haughtiness and narcissism of the actor Harvey (qualities his screen persona engenders in film after film) that elucidates Lampton's weakness. A further irony of Harvey's effective, if ersatz, portrayal of working-class Joe is that it made him such a success - he soon went off to Hollywood to play opposite box-office titan Elizabeth Taylor in BUtterfield 8 (1960), thus losing out on further opportunities to appear in the British New Wave he helped introduce. As well as supporting Taylor in her Oscar-winning turn in "Butterfield 8" (the two became close friends), a badly miscast Harvey also co-starred as Texas hero Col. James Travis in John Wayne's bloated budget-buster The Alamo (1960).
With the exception of the lead in the British Jungle Fighters (1961)- a war picture that was decidedly NOT New Wave - Harvey did not appear again in a major British film until 1965, when he returned to the other side of the pond to reprise Joe in the "Room" sequel Life at the Top (1965). However, if he had never gone Hollywood, he might never have been cast in his other signature role: Raymond Shaw, the eponymous The Manchurian Candidate (1962). Once again, the match of actor and character was ideal, as Harvey's coldness and affect-free acting perfectly embodied the persona of the programmed assassin. The film, and Harvey's performance in it, are classic.
In this Hollywood interlude, Harvey also appeared in the screen adaptations of Tennessee Williams' Summer and Smoke (1961) opposite the great Geraldine Page, Oscar-nominated for her role, and the artistically less successful Walk on the Wild Side (1962), supported by the legendary Barbara Stanwyck, French beauty Capucine and a young Jane Fonda. The critics were less kind to his acting in these outings, and, indeed, the rather elegant Harvey does seem miscast as Dove Linkhorn, the wandering Texan created by hardboiled Nelson Algren, reduced to working in an automotive garage by the exigencies of the Great Depression. Critics were even less kind when Harvey tried to follow in Leslie Howard's footsteps in the remake of Of Human Bondage (1964).
Although he could not know it then, Harvey had reached the zenith of his career. In 1962 he won the Best Actor prize at the Munich film festival in 1962 for his role in The Wonderful World of the Brothers Grimm (1962). Honors for Harvey were few after this point. He co-starred with Paul Newman and Claire Bloom in Martin Ritt's film version of the Broadway re-envisioning of Akira Kurosawa's cinematic masterpiece Rashomon (1950). The result, The Outrage (1964), in which Newman played a murderous Mexican bandit and Harvey his victim, was an unqualified flop that still boggles the mind of viewers unfortunate enough to stumble upon it, so outrageous is the idea of casting Newman as a Mexican killer (a role originated by Rod Steiger on the Broadway stage). Harvey, very often a wooden presence in his less inspired performances, was appropriately upstaged by the tree he remained tied to throughout most of the film.
Along with "Life at the Top," Harvey appeared in support of Oscar-winner Julie Christie in John Schlesinger's Darling (1965), an allegedly "mod" look at the jaded and superficial existence of what was then termed the "jet set." Despite its "New Wave"-like cutting and visual sense, "Darling" - which was embraced wholeheartedly by Hollywood and originally had been envisioned as a vehicle for Shirley MacLaine - was, at its heart, an old-fashioned Hollywood-style morality play, a warning that the wages of sin lead to emotional emptiness, hardy a revolutionary idea in 1965. Christie was excellent - particularly as she metamorphosed from Dolly-bird to a more mature sort of hustler - and first-male lead Dirk Bogarde always proved an interesting actor, but it was Harvey who most clearly embodied the zeitgeist of the picture. Once again, his coldness did him well as he limned the executive who manipulates and is manipulated by Christie's Diana character.
Harvey had become at this point a kind of good-luck charm for actresses with whom he appeared. Simone Signoret, Elizabeth Taylor and Christie won Best Actress Oscars after appearing in films with him, and Geraldine Page and "Room at the Top" co-star Hermione Baddeley were both Oscar-nominated in the period after appearing opposite Harvey. Alas, no one else collected kudos in a Harvey picture: he reached the high-water mark of his career in 1962, and his star was already in in decline to a murkier, less-lustrous part of the Hollywood/international cinema firmament.
Another irony of Harvey's career is that, despite ushering in the British New Wave and a cinema more independent of the meat-grinder ethos of the Hollywood and British studios catering to popular taste, he would have been better served in the 1930s and 1940s as a contract player at a major studio. Like Michael Wilding (who also became the third husband of Harvey's first wife, Margaret Leighton), another handsome man of limited gifts who nonetheless could be quite affecting in the right role, Harvey's career likely would have thrived under the studio system, with an interested boss to guide him. Like Minniver Cheever, however, he was unfortunate to have been born after his time.
As it was, the next (and last) decade of Harvey's screen life was a disappointment, with the actor relegated to less and less prestigious pictures and international co-productions that needed a "star" name. In the 1970s, Harvey became largely irrelevant as a player in the motion picture industry. His luck had run out. Good friend Liz Taylor, whose string of motion picture successes had also run its course, had him cast in Night Watch (1973), and he directed the last picture in which he appeared, Welcome to Arrow Beach (1973). If he had lived, he might have made the transition to director (he had earlier directed The Ceremony (1963) and finished directing A Dandy in Aspic (1968) after the death of original director Anthony Mann).
Laurence Harvey died on November 25, 1973, from stomach cancer. He publicly revealed that he was dismayed by being afflicted with the fatal disease, as he had always been careful with the way he ate. Sadly, his personal luck, just as capricious as his professional career, had also gone into eclipse. One of the more colorful characters to grace the screen was dead at the age of 45, exiting the stage far too soon for the legions of fans that still admired him despite the downturn in his fortunes.- Actor
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British leading man who achieved some success in American films, as well. Born in Ireland as the son of a British officer, Todd grew up in Devon and (for a brief time) in India and attended Shrewsbury Public School. His interest in theatre led him to small roles in stock in England and Scotland and three tiny film roles, following which he helped found the Dundee Repertory Theatre in 1939. He served with distinction as a paratrooper in the Second World War and returned to considerably more prominent theatre roles, culminating in the role of "Lachie" in John Patrick's "The Hasty Heart", in which he played in London and then followed Richard Basehart in the Broadway production. He made his first major film appearance in 1948, and the next year was again cast as "Lachie", this time in the film version of The Hasty Heart (1949). His performance, a truly star-making and moving piece of work, earned him an Oscar nomination as Best Actor. He followed it with a role in Alfred Hitchcock's Stage Fright (1950), but although he continued to play leading roles, often in quite good films, he never again achieved the prominence and acclaim he had had with The Hasty Heart (1949). He was quite effective in such roles as "Robin Hood" and "Rob Roy", and very touching as "Peter Marshall" in A Man Called Peter (1955). In The Longest Day (1962), he portrayed his own superior officer at the Pegasus Bridge fight, with another actor portraying Todd himself in a recreation of his own experiences. Ultimately, Todd's starring roles dwindled, but he continued as a stalwart character actor, primarily in British films.- Actor
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Eric Bana was born Eric Banadinovic on August 9, 1968, in Melbourne, Victoria, Australia. He is the younger of two brothers. His father, named Ivan Banadinovic, came from Zagreb, Croatia, and worked as a manager for Caterpillar Inc. His mother, named Eleanor Banadinovic, came from a German family and was a hairdresser.
Young Bana grew up in suburban Melbourne. He was popular among his schoolmates for his talent of making comic impressions of his teachers. At that time, he was fond of Mel Gibson in Mad Max (1979) and also decided to become an actor. He moved to Sydney and worked odd jobs to support himself. In 1991, he began a career as a stand-up comedian, while working as a barman at Melbourne's Castle Hotel. In 1993, Bana made his television debut on Steve Vizard's Tonight Live with Steve Vizard (1990) talk show, then joined the Full Frontal (1993) TV-series. He gained popularity for making impressions of Arnold Schwarzenegger, Sylvester Stallone, Tom Cruse and "Columbo". In 1996, he started his own show titled Eric (1997), then launched a comedy series titled The Eric Bana Show Live (1997). The show was canceled for the lack of substantial audience. However, in 1997, Bana received the Logie Award for "Most Popular Comedian" for his work on The Eric Bana Show Live (1997).
He made his film debut in The Castle (1997), in a supporting comic role. That same year, he was cast to portray Mark "Chopper" Read, the notorious Australian underworld figure. For the role, Bana gained 30 pounds, by eating junk food; he also spent a few days with Read in prison, in order to perfect his mimicry. Bana completely transformed himself into a bald, plump, disturbed criminal. He would arrive on the film set at four in the morning, spending several hours in makeup, being tattooed exactly like Read. Chopper (2000) became an international success and won three Australian Film Institute Awards. Bana won the Best Actor at the 2000 Stockholm Film Festival and also the AFI 2000 Best Actor Award. Then he co-starred in Black Hawk Down (2001), then starred in Hulk (2003). In 2002, he was cast as the Trojan Prince Hector in the historical epic Troy (2004), after being recommended by Brad Pitt, who admired Bana for his work in Chopper (2000). In 2005, Bana co-starred with Daniel Craig and Geoffrey Rush in the political drama Munich (2005) directed by Steven Spielberg.
In 1995, he began dating Rebecca Gleeson, a publicist and daughter of Australian High Court Chief Justice Murray Gleeson. The following year, he was named "Bachelor of the Year" by Cleo magazine, and won a trip for two to the United States. He invited Gleeson, and proposed to her during that romantic trip. In 1997, the two were married; their son, Klaus, was born in 1999, their daughter, Sophia, was born in 2002. He currently resides in Melbourne with his wife and their two children. Bana is a passionate supporter of Australian football. He was appointed Member of the Order of Australia at the 2019 Queen's Birthday Honours for his services to the performing arts and to charitable organisations.- Actor
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Ewan Gordon McGregor was born on March 31, 1971 in Perth, Perthshire, Scotland, to Carol Diane (Lawson) and James Charles McGregor, both teachers. His uncle is actor Denis Lawson. He was raised in Crieff. At age 16, he left Morrison Academy to join the Perth Repertory Theatre. His parents encouraged him to leave school and pursue his acting goals rather than be unhappy. McGregor studied drama for a year at Kirkcaldly in Fife, then enrolled at London's Guildhall School of Music and Drama for a three-year course. He studied alongside Daniel Craig and Alistair McGowan, among others, and left right before graduating after snagging the role of Private Mick Hopper in Dennis Potter's six-part Channel 4 series Lipstick on Your Collar (1993). His first notable role was that of Alex Law in Shallow Grave (1994), directed by Danny Boyle, written by John Hodge and produced by Andrew Macdonald. This was followed by The Pillow Book (1995) and Trainspotting (1996), the latter of which brought him to the public's attention.
He is now one of the most critically acclaimed actors of his generation, and portrays Obi-Wan Kenobi in the first three Star Wars episodes. McGregor is married to French production designer Eve Mavrakis, whom he met while working on the television series Kavanagh QC (1995). They married in France in the summer of 1995, and have four daughters. McGregor formed a production company, with friends Jonny Lee Miller, Sean Pertwee, Jude Law, Sadie Frost, Damon Bryant, Bradley Adams and Geoff Deehan, called "Natural Nylon", and hoped it would make innovative films that do not conform to Hollywood standards. McGregor and Bryant left the company in 2002. He was awarded Officer of the Order of the British Empire in the 2013 Queen's New Years Honours List for his services to drama and charity.
Ewan made his directorial debut with American Pastoral (2016), an adaptation of Philip Roth's book, in which Ewan also starred.
In 2018 McGregor won an Golden Globe for his work in the TV Series Fargo.- Actor
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Brolly was born in Belfast, Northern Ireland, the son of Clark Brolly (1930-2014), a salesman, and Rosemary Brolly. He is the third of four siblings, he has two brothers: Clark and Michael 1968-2006, and one sister, Cathy.
Growing up in Belfast in a mixed religion home was difficult for the young Brolly. His mother was a Catholic and father a Protestant, while there was a sectarian war going on between the two faiths. Tired of the mindless violence, Shane left Belfast at age fifteen and moved to London. After working odd jobs, he saved enough to come to Los Angeles.
While attending The Valley College, Shane ran into some theater students who suggested he sign up for their class. Soon thereafter he was cast as an Irish cop in the play:"Wait until Dark" at the college's Horse Shoe Theater. Shane landed his first role as Jack in the Movie "Flypaper."
Beside acting, Brolly is a published author. His first book, "You'd Think There Would Be More Suicides Around Here," was critically acclaimed.- A familiar face to film and television audiences, Victor Webster is an established actor with an impressive list of credits. Most recently, he joined the cast of the Netflix/CBC comedy "Workin' Moms," playing Mike Bolinski for two seasons. He's also recently filmed a large recurring arc on the second season of the CW's military fantasy show "Motherland: Fort Salem." On the film side, Victor just starred alongside Bethany Joy Lenz in the romantic comedy "Five Star Christmas" which premiered on Hallmark last Thanksgiving during the networks "Countdown to Christmas" programming event.
Victor discovered his passion for acting when he made his television debut on the NBC daytime drama "Days of Our Lives." He then segued to the AMC network series "The Lot" and the number one syndicated series "Mutant X." His growing body of work brought him accolades and spots on various lists of Hollywood notables, including people magazine's "50 Most Eligible Bachelors." While it was a fun title, Webster chose to hone his craft and play characters that challenged his abilities.
Victor's commitment paid off with rolls opposite acclaimed talents in some of televisions most popular series, including "Sex and the City," "Castle," "Bones," "CSI," "Mom," "Charmed," "Criminal Minds," "Melrose Place," "Paradise Inc." and "Girlfriends Guide to Divorce," just to name a few. Webster costarred as Detective Carlos Fonegra in the acclaimed sci-fi series "Continuum," which ran for four seasons.
Webster is known to Hallmark channel fans for his roles in, "Homegrown Christmas," "Love Blossoms," "Summer Villa" and "A Harvest Wedding." Webster starred in hallmark movies and mysteries "Matchmaker Mysteries: A Killer Engagement," as well as "Matchmaker Mysteries: A Fatal Romance," and most recently "Matchmaker Mysteries: The Art of the kill," The first three installments of the new original franchise. Victor also starred in "Hearts of Winter," which premiered in January 2020 as part of Hallmark channels popular "Winterfest" programming event.
On the film side, Victor has built a career that spans genres, from romantic comedies to action thrillers. His credits include "Bringing Down the House ," "Must Love Dogs," "Surrogates," " Why did I Get Married Too?" as well as the leading role in the third and fourth installment of "The Scorpion King" franchise. Victor can also be seen starring in the action packed Chinese blockbuster "Wings Over Everest." An artist to his core, Webster pursues his passion for photography as well as martial arts, holding a black belt and an undefeated record in Tae Kwon Do and a black belt in Brazilian jujitsu for which he holds two bronze medals from the world championships. He is committed to his various charities, and life of giving through arts and travel. Although he calls California his home, he hails from Canada and will always be the Canadian cowboy. - Actor
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Jack Lemmon was born in Newton, Massachusetts, to Mildred Lankford Noel and John Uhler Lemmon, Jr., the president of a doughnut company. His ancestry included Irish (from his paternal grandmother) and English. Jack attended Ward Elementary near his Newton, MA home. At age 9 he was sent to Rivers Country Day School, then located in nearby Brookline. After RCDS, he went to high school at Phillips Andover Academy. Jack was a member of the Harvard class of 1947, where he was in Navy ROTC and the Dramatic Club. After service as a Navy ensign, he worked in a beer hall (playing piano), on radio, off Broadway, TV and Broadway. His movie debut was with Judy Holliday in It Should Happen to You (1954). He won Best Supporting Actor as Ensign Pulver in Mister Roberts (1955). He received nominations in comedy (Some Like It Hot (1959), The Apartment (1960)) and drama (Days of Wine and Roses (1962), The China Syndrome (1979), Tribute (1980) and Missing (1982)). He won the Best Actor Oscar for Save the Tiger (1973) and the Cannes Best Actor award for "Syndrome" and "Missing". He made his debut as a director with Kotch (1971) and in 1985 on Broadway in "Long Day's Journey into Night". In 1988 he received the Life Achievement Award of the American Film Institute.- Actor
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John Savage is an American actor best known for his roles in The Deer Hunter (1978), The Onion Field (1979), Hair (1979), Salvador (1986), The Last Full Measure (2019), In Dubious Battle (2016), and the television shows Goliath (2016), Twin Peaks (2017), and Dark Angel (2000). He was born in Old Bethpage, New York, to Muriel (née Smeallie), a housewife, and Floyd-Jones Youngs, an insurance salesman who served on Guadalcanal during World War II with the Marine Corps. He has two sisters, Robin Young and Gail Youngs, and a brother, Jim Youngs.
He trained at the American Academy of Performing Arts before relocating to Los Angeles where he starred in the film Eric (1975) opposite Patricia Neal and Mark Hamill. In the early 1970s, he made his Broadway debut in the chorus of Fiddler on the Roof in which he played one of the sons, after an actor fell sick, opposite Zero Mostel. His performance caught the eye of Robert De Niro and the recognition led to his first major film role in the Academy Award-winning war drama The Deer Hunter (1978). Between 1972 and 1975, he continued to perform on stage, playing Dov Landau in Ari on Broadway, and performing in One Flew Over the Cuckoo's Nest and Dance on a Country Grave in Chicago. He gained widespread recognition for his range and sensitivity during the 1970s.
John's breakthrough film role was as Steven Pushkov, the returning Vietnam veteran missing both his legs, in the 1978 film The Deer Hunter (1978) which won the Academy Award for Best Picture in 1979. Acclaimed director Michael Cimino cast him in the role opposite Robert De Niro, Meryl Streep, and Christopher Walken. One of John's most acclaimed roles is in Milos Forman's 1979 film Hair (1979). He played the corn-fed recruit Claude Hooper Bukowski, who turns on, tunes in and drops out. Critics and film historians celebrated his performance both then and now. John Willis' annual publication Screen World hailed him as one of 12 promising new actors of 1979 (Vol. 31). John also played a lead role in the 1979 film adaptation of Joseph Wambaugh's The Onion Field (1979), based on the true story of policeman Karl Hettinger's personal struggle after witnessing the murder of his partner.
In the late 1970s, he was cast by Ulu Grosbard in the Broadway production of David Mamet's play American Buffalo, opposite Robert Duvall and Kenneth McMillan, in which he originated the role of Bobby. The play received rave reviews from critics and audiences alike.
During the 1980s, John was nominated for a Genie Award for Best Performance by a Foreign Actor for his work as Charles Heller in the crime thriller The Amateur (1981). He also co-starred with Nastassja Kinski in the romance film Maria's Lovers (1984), which was backed by cinema legend Robert Mitchum, and appeared as John Cassady in Oliver Stone's acclaimed historical thriller Salvador (1986), and as suicide survivor Roary in Richard Donner's Inside Moves (1980). In 1989, he collaborated with Academy Award-nominated director Spike Lee for the first time on Do the Right Thing (1989), in which he played the bike-riding gentrifier Clifton.
During the 1990s, John played the role of Father Andrew Hagen in Francis Ford Coppola's Academy Award-nominated film The Godfather Part III (1990), starred in Italian director Lucio Fulci's final film Le porte del silenzio (1991), a psychological thriller shot in Louisiana, and appeared in the brief but powerful role of Sgt. McCron in Terrence Malick's 1998 war epic The Thin Red Line (1998). He also portrayed Captain Rudy Ransom in the two-part episode Equinox from the hit television series Star Trek: Voyager (1995) (CBS) in 1999.
John gained further recognition in the recurring role of Donald Lydecker in the first and second seasons of the 2000 television series Dark Angel (2000) (Fox), which he followed with the recurring role of Henry Scudder in the Emmy Award-winning television series Carnivàle (2003) (HBO) from 2003-2005. In 2005, he guest starred on Law & Order: Special Victims Unit (1999) (NBC). In 2009, he guest starred in the second season of the television drama Fringe (2008) (Fox).
During the 2010s, he starred opposite Kirk Harris and Michael Madsen in Vernon Mortensen's 2013 western thriller The Sorrow, appeared in the 2015 horror film Tales of Halloween (2015), and played a supporting role in the 2016 romantic comedy Hit List (2011). In 2017, he appeared in the thriller film Fake News (2017), war drama The Last Full Measure (2019) and in James Franco's drama In Dubious Battle (2016). He also guest starred on the hit television show Twin Peaks (2017) (Showtime). In 2018, he guest starred on the drama Goliath (2016) (Amazon).
He has also worked behind the camera, most notably in production management for the acclaimed Spike Lee film Malcolm X (1992).
John has been noted for his work in activism and philanthropy. During the late 1980s, he used his public presence to fight for the anti-apartheid struggle in South Africa, and has continued to work as an activist in addition to his work in film and television.
In 2017, John spoke at a tribute honoring the celebrated director Richard Donner, held by The Academy.
John was previously married twice, first to Susan Youngs and then to Sandi Schultz, and is the father of ceramic artist Lachlan Youngs and performer Jennifer Youngs. He has been with his current partner Blanca Blanco since 2008. He resides in Malibu, CA.- Actor
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John Cazale was born in Boston, Massachusetts, to an Irish-American mother, Cecilia (Holland), and an Italian-American father, John Cazale. Cazale made only five feature films in his career, which fans and critics alike call classics. But before his film debut, in the short The American Way (1962), he won Obie Awards for his off-Broadway performances in "The Indian Wants the Bronx" and "The Line".
Cazale scored the role of Fredo Corleone in Francis Ford Coppola's The Godfather (1972), after his long-time friend, Al Pacino, invited him to audition. He reprised his role as the troubled Fredo in The Godfather Part II (1974), where his character endures one of the most infamous movie moments in the history of cinema.
Cazale also starred with Gene Hackman and Harrison Ford in the thriller, The Conversation (1974), as Hackman's assistant, Stan. The Godfather's director, Francis Ford Coppola, also directed the movie.
Cazale's fourth feature film, Dog Day Afternoon (1975), earned him a Golden Globe nomination for Best Supporting Actor for his role as Sal, a bank robber. His long-time friend and Godfather costar, Al Pacino, played his partner, Sonny.
His final film, The Deer Hunter (1978), was filmed whilst he was ill with cancer. He was in a relationship with his costar, Meryl Streep, whilst filming The Deer Hunter (1978), whom he met when they both appeared in the New York Public Theater's 1976 production of Shakespeare's Measure for Measure.
Controversy occurred during the filming. While the studio was unaware of his condition, the director, Michael Cimino, knew about it. As Cazale was evidently weak, he was forced to film his scenes first. When the studio discovered he was suffering from cancer, they wanted him removed from the film. His costar and girlfriend, Meryl Streep, threatened to quit if he was fired. He died shortly after filming was completed.- Actor
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Toshiro Mifune achieved more worldwide fame than any other Japanese actor of his century. He was born in Tsingtao, China, to Japanese parents and grew up in Dalian. He did not set foot in Japan until he was 21. His father was an importer and a commercial photographer, and young Toshiro worked in his father's studio for a time after graduating from Dalian Middle School. He was automatically drafted into the Japanese army when he turned 20, and enlisted in the Air Force where he was attached to the Aerial Photography Unit for the duration of the World War II. In 1947 he took a test for Kajirô Yamamoto, who recommended him to director Senkichi Taniguchi, thus leading to Mifune's first film role in These Foolish Times II (1947). Mifune then met and bonded with director Akira Kurosawa, and the two joined to become the most prominent actor-director pairing in all Japanese cinema. Beginning with Drunken Angel (1948), Mifune appeared in 16 of Kurosawa's films, most of which have become world-renowned classics. In Kurosawa's pictures, especially Rashomon (1950), Mifune would become the most famous Japanese actor in the world. A dynamic and ferocious actor, he excelled in action roles, but also had the depth to plumb intricate and subtle dramatic parts. A personal rift during the filming of Red Beard (1965) ended the Mifune-Kurosawa collaboration, but Mifune continued to perform leading roles in major films both in Japan and in foreign countries. He was twice named Best Actor at the Venice Film Festival (for Yojimbo (1961) and Red Beard (1965)). In 1963 he formed his own production company, directing one film and producing several others. In his later years he gained new fame in the title role of the American TV miniseries Shogun (1980), and appeared infrequently in cameo roles after that. His last years were plagued with Alzheimer's Syndrome and he died of organ failure in 1997, a few months before the death of the director with whose name he will forever be linked, Akira Kurosawa.- Actor
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Sir Christopher Frank Carandini Lee was perhaps the only actor of his generation to have starred in so many films and cult saga. Although most notable for personifying bloodsucking vampire, Dracula, on screen, he portrayed other varied characters on screen, most of which were villains, whether it be Francisco Scaramanga in the James Bond film, The Man with the Golden Gun (1974), or Count Dooku in Star Wars: Episode II - Attack of the Clones (2002), or as the title monster in the Hammer Horror film, The Mummy (1959).
Lee was born in 1922 in London, England, where he and his older sister Xandra were raised by their parents, Contessa Estelle Marie (Carandini di Sarzano) and Geoffrey Trollope Lee, a professional soldier, until their divorce in 1926. Later, while Lee was still a child, his mother married (and later divorced) Harcourt George St.-Croix (nicknamed Ingle), who was a banker. Lee's maternal great-grandfather was an Italian political refugee, while Lee's great-grandmother was English opera singer Marie (Burgess) Carandini.
After attending Wellington College from age 14 to 17, Lee worked as an office clerk in a couple of London shipping companies until 1941 when he enlisted in the Royal Air Force during World War II. Following his release from military service, Lee joined the Rank Organisation in 1947, training as an actor in their "Charm School" and playing a number of bit parts in such films as Corridor of Mirrors (1948). He made a brief appearance in Laurence Olivier's Hamlet (1948), in which his future partner-in-horror Peter Cushing also appeared. Both actors also appeared later in Moulin Rouge (1952) but did not meet until their horror films together.
Lee had numerous parts in film and television throughout the 1950s. He struggled initially in his new career because he was discriminated as being taller than the leading male actors of his time and being too foreign-looking. However, playing the monster in the Hammer film The Curse of Frankenstein (1957) proved to be a blessing in disguise, since the was successful, leading to him being signed on for future roles in Hammer Film Productions.
Lee's association with Hammer Film Productions brought him into contact with Peter Cushing, and they became good friends. Lee and Cushing often than not played contrasting roles in Hammer films, where Cushing was the protagonist and Lee the villain, whether it be Van Helsing and Dracula respectively in Horror of Dracula (1958), or John Banning and Kharis the Mummy respectively in The Mummy (1959).
Lee continued his role as "Dracula" in a number of Hammer sequels throughout the 1960s and into the early 1970s. During this time, he co-starred in The Hound of the Baskervilles (1959), and made numerous appearances as Fu Manchu, most notably in the first of the series The Face of Fu Manchu (1965), and also appeared in a number of films in Europe. With his own production company, Charlemagne Productions, Ltd., Lee made Nothing But the Night (1973) and To the Devil a Daughter (1976).
By the mid-1970s, Lee was tiring of his horror image and tried to widen his appeal by participating in several mainstream films, such as The Private Life of Sherlock Holmes (1970), The Three Musketeers (1973), The Four Musketeers: Milady's Revenge (1974), and the James Bond film The Man with the Golden Gun (1974).
The success of these films prompted him in the late 1970s to move to Hollywood, where he remained a busy actor but made mostly unremarkable film and television appearances, and eventually moved back to England. The beginning of the new millennium relaunched his career to some degree, during which he has played Count Dooku in Star Wars: Episode II - Attack of the Clones (2002) and as Saruman the White in the Lord of the Rings trilogy. Lee played Count Dooku again in Star Wars: Episode III - Revenge of the Sith (2005), and portrayed the father of Willy Wonka, played by Johnny Depp, in the Tim Burton film, Charlie and the Chocolate Factory (2005).
On 16 June 2001, he was created a Commander of the Order of the British Empire in recognition of his services to drama. He was created a Knight Bachelor on 13 June 2009 in the Queen's Birthday Honours List for his services to drama and charity. In addition he was made a Commander of the Order of St John on 16 January 1997.
Lee died at the Chelsea and Westminster Hospital on 7 June 2015 at 8:30 am after being admitted for respiratory problems and heart failure, shortly after celebrating his 93rd birthday there. His wife delayed the public announcement until 11 June, in order to break the news to their family.- Actor
- Soundtrack
Farley Earle Granger was born in 1925 in San Jose, California, to Eva (Hopkins) and Farley Earle Granger, who owned an automobile dealership. Right out of high school, he was brought to the attention of movie producer Samuel Goldwyn, who cast him in a small role in The North Star (1943). He followed it up with a much bigger part in The Purple Heart (1944) and then joined the army. After his release he had to wait until Nicholas Ray cast him in the low-budget RKO classic They Live by Night (1948) with Cathy O'Donnell, and then he was recalled by Goldwyn, who signed him to a five-year contract. He then made Rope (1948) for Alfred Hitchcock and followed up for Goldwyn with Enchantment (1948) with David Niven, Evelyn Keyes and Teresa Wright. Other roles followed, including Roseanna McCoy (1949) with Joan Evans, Our Very Own (1950) with Ann Blyth and Side Street (1949), again with Cathy O'Donnell. He returned to Hitchcock for the best role of his career, as the socialite tennis champ embroiled in a murder plot by psychotic Robert Walker in Strangers on a Train (1951). He then appeared in O. Henry's Full House (1952) with Jeanne Crain, Hans Christian Andersen (1952) with Danny Kaye, The Story of Three Loves (1953) with Leslie Caron and Small Town Girl (1953) with Jane Powell. He went to Italy to make Senso (1954) for Luchino Visconti with Alida Valli, one of his best films. He did a Broadway play in 1955, "The Carefree Tree", and then returned to films in The Naked Street (1955) with Anthony Quinn and Anne Bancroft and The Girl in the Red Velvet Swing (1955) with Joan Collins and Ray Milland. Over the next ten years Granger worked extensively on television and the stage, mainly in stock, and returned to films in Rogue's Gallery (1968) with Dennis Morgan. He then returned to Italy, where he made a series of films, including The Challengers (1970) with 'Anne Baxter (I)', The Man Called Noon (1973) with Richard Crenna and Arnold (1973) with Stella Stevens. More recent films include The Prowler (1981), Death Mask (1984), The Imagemaker (1986) and The Next Big Thing (2001). Since the 1950s he has continued to work frequently on American television and, in 1980, returned to Broadway and appeared in Ira Levin's successful play "Deathtrap". In 2007 he published his autobiography, "Include Me Out: My Life from Goldwyn to Broadway" with Robert Calhoun. A longtime resident of New York, Granger has recently appeared in several documentaries discussing Hollywood and, often, specifically Alfred Hitchcock.- Writer
- Actor
- Director
Considered to be one of the most pivotal stars of the early days of Hollywood, Charlie Chaplin lived an interesting life both in his films and behind the camera. He is most recognized as an icon of the silent film era, often associated with his popular character, the Little Tramp; the man with the toothbrush mustache, bowler hat, bamboo cane, and a funny walk.
Charles Spencer Chaplin was born in Walworth, London, England on April 16, 1889, to Hannah Harriet Pedlingham (Hill) and Charles Chaplin, both music hall performers, who were married on June 22, 1885. After Charles Sr. separated from Hannah to perform in New York City, Hannah then tried to resurrect her stage career. Unfortunately, her singing voice had a tendency to break at unexpected moments. When this happened, the stage manager spotted young Charlie standing in the wings and led him on stage, where five-year-old Charlie began to sing a popular tune. Charlie and his half-brother, Syd Chaplin spent their lives in and out of charity homes and workhouses between their mother's bouts of insanity. Hannah was committed to Cane Hill Asylum in May 1903 and lived there until 1921, when Chaplin moved her to California.
Chaplin began his official acting career at the age of eight, touring with the Eight Lancashire Lads. At age 18, he began touring with Fred Karno's vaudeville troupe, joining them on the troupe's 1910 United States tour. He traveled west to California in December 1913 and signed on with Keystone Studios' popular comedy director Mack Sennett, who had seen Chaplin perform on stage in New York. Charlie soon wrote his brother Syd, asking him to become his manager. While at Keystone, Chaplin appeared in and directed 35 films, starring as the Little Tramp in nearly all.
In November 1914, he left Keystone and signed on at Essanay, where he made 15 films. In 1916, he signed on at Mutual and made 12 films. In June 1917, Chaplin signed up with First National Studios, after which he built Chaplin Studios. In 1919, he and Douglas Fairbanks, Mary Pickford and D.W. Griffith formed United Artists (UA).
Chaplin's life and career was full of scandal and controversy. His first big scandal was during World War I, at which time his loyalty to England, his home country, was questioned. He had never applied for American citizenship, but claimed that he was a "paying visitor" to the United States. Many British citizens called Chaplin a coward and a slacker. This and other career eccentricities sparked suspicion with FBI chief J. Edgar Hoover and the House Un-American Activities Committee (HUAC), who believed that he was injecting Communist propaganda into his films. Chaplin's later film The Great Dictator (1940), which was his first "talkie", also created a stir. In the film, Chaplin plays a humorous caricature of Adolf Hitler. Some thought the film was poorly done and in bad taste. However, the film grossed over $5 million and earned five Academy Award Nominations.
Another scandal occurred when Chaplin briefly dated 22 year-old Joan Barry. However, Chaplin's relationship with Barry came to an end in 1942, after a series of harassing actions from her. In May 1943, Barry returned to inform Chaplin that she was pregnant and filed a paternity suit, claiming that the unborn child was his. During the 1944 trial, blood tests proved that Chaplin was not the father, but at the time, blood tests were inadmissible evidence, and he was ordered to pay $75 a week until the child turned 21.
Chaplin also was scrutinized for his support in aiding the Russian struggle against the invading Nazis during World War II, and the United States government questioned his moral and political views, suspecting him of having Communist ties. For this reason, HUAC subpoenaed him in 1947. However, HUAC finally decided that it was no longer necessary for him to appear for testimony. Conversely, when Chaplin and his family traveled to London for the premier of Limelight (1952), he was denied re-entry to the United States. In reality, the government had almost no evidence to prove that he was a threat to national security. Instead, he and his wife decided to settle in Switzerland.
Chaplin was married four times and had a total of 11 children. In 1918, he married Mildred Harris and they had a son together, Norman Spencer Chaplin, who lived only three days. Chaplin and Harris divorced in 1920. He married Lita Grey in 1924, who had two sons, Charles Chaplin Jr. and Sydney Chaplin. They were divorced in 1927. In 1936, Chaplin married Paulette Goddard, and his final marriage was to Oona O'Neill (Oona Chaplin), daughter of playwright Eugene O'Neill in 1943. Oona gave birth to eight children: Geraldine Chaplin, Michael Chaplin, Josephine Chaplin, Victoria Chaplin, Eugene Chaplin, Jane Chaplin, Annette-Emilie Chaplin, and Christopher Chaplin.
In contrast to many of his boisterous characters, Chaplin was a quiet man who kept to himself a great deal. He also had an "un-millionaire" way of living. Even after he had accumulated millions, he continued to live in shabby accommodations. In 1921, Chaplin was decorated by the French government for his outstanding work as a filmmaker and was elevated to the rank of Officer of the Legion of Honor in 1952. In 1972, he was honored with an Academy Award for his "incalculable effect in making motion pictures the art form of the century". He was appointed Knight Commander of the Order of the British Empire in the 1975 New Year's Honours List. No formal reason for the honour was listed. The citation simply reads "Charles Spencer Chaplin, Film Actor and Producer".
Chaplin's other works included musical scores that he composed for many of his films. He also authored two autobiographical books, "My Autobiography" (1964) and its companion volume, "My Life in Pictures" (1974).
Chaplin died at age 88 of natural causes on December 25, 1977 at his home in Vevey, Switzerland. His funeral was a small and private Anglican ceremony according to his wishes. In 1978, Chaplin's corpse was stolen from its grave and was not recovered for three months; he was re-buried in a vault surrounded by cement.
Six of Chaplin's films have been selected for preservation in the National Film Registry by the United States Library of Congress: The Immigrant (1917), The Kid (1921), The Gold Rush (1925), City Lights (1931), Modern Times (1936), and The Great Dictator (1940).
Charlie Chaplin is considered one of the greatest filmmakers in the history of American cinema, whose movies were and still are popular throughout the world and have even gained notoriety as time progresses. His films show, through the Little Tramp's positive outlook on life in a world full of chaos, that the human spirit has and always will remain the same.- Actor
- Soundtrack
Guillaume Depardieu was born on 7 April 1971 in Paris, France. He was an actor, known for The Duchess of Langeais (2007), Tous les matins du monde (1991) and Pola X (1999). He was married to Elise Ventre. He died on 13 October 2008 in Garches, Hauts-de-Seine, France.- Actor
- Director
- Cinematographer
Bruno Ganz was an acclaimed Swiss actor who was a prominent figure in German language film and television for over fifty years. He is internationally renowned for portraying Adolf Hitler in the Academy Award-nominated film Downfall (2004).
Ganz was born in Zürich, to a Swiss mechanic father and a northern Italian mother. He decided to pursue an acting career by the time he entered university. He debuted at the theatre in 1961, and gained a reputation as a reflective, charismatic and technically brilliant stage actor. In 1970, he and Peter Stein founded the theatre company 'Schaubühne' in Berlin, Germany. On stage, Ganz portrayed Dr. Heinrich Faust in Peter Stein's staging of Faust, Part One and Faust, Part Two in 2000.
In cinema, Ganz became one of the best-known and most acclaimed actors in the German language, collaborating with many of the most respected European actors and directors of his time. He also starred in international features that reached a global audience. His film debut was The Gentleman in the Black Derby (1960). He also starred in Unknown (2011), The Counselor (2013), and The Party (2017).
Ganz died from cancer on 16 February 2019 at his home in the village of Au, in Wädenswil, Switzerland.- Actor
- Producer
- Additional Crew
Humphrey DeForest Bogart was born in New York City, New York, to Maud Humphrey, a famed magazine illustrator and suffragette, and Belmont DeForest Bogart, a moderately wealthy surgeon (who was secretly addicted to opium). Bogart was educated at Trinity School, NYC, and was sent to Phillips Academy in Andover, Massachusetts, in preparation for medical studies at Yale. He was expelled from Phillips and joined the U.S. Naval Reserve. From 1920 to 1922, he managed a stage company owned by family friend William A. Brady (the father of actress Alice Brady), performing a variety of tasks at Brady's film studio in New York. He then began regular stage performances. Alexander Woollcott described his acting in a 1922 play as inadequate. In 1930, he gained a contract with Fox, his feature film debut in a ten-minute short, Broadway's Like That (1930), co-starring Ruth Etting and Joan Blondell. Fox released him after two years. After five years of stage and minor film roles, he had his breakthrough role in The Petrified Forest (1936) from Warner Bros. He won the part over Edward G. Robinson only after the star, Leslie Howard, threatened Warner Bros. that he would quit unless Bogart was given the key role of Duke Mantee, which he had played in the Broadway production with Howard. The film was a major success and led to a long-term contract with Warner Bros. From 1936 to 1940, Bogart appeared in 28 films, usually as a gangster, twice in Westerns and even a horror film. His landmark year was 1941 (often capitalizing on parts George Raft had stupidly rejected) with roles in classics such as High Sierra (1940) and as Sam Spade in one of his most fondly remembered films, The Maltese Falcon (1941). These were followed by Casablanca (1942), The Big Sleep (1946), and Key Largo (1948). Bogart, despite his erratic education, was incredibly well-read and he favored writers and intellectuals within his small circle of friends. In 1947, he joined wife Lauren Bacall and other actors protesting the House Un-American Activities Committee witch hunts. He also formed his own production company, and the next year made The Treasure of the Sierra Madre (1948). Bogie won the best actor Academy Award for The African Queen (1951) and was nominated for Casablanca (1942) and as Captain Queeg in The Caine Mutiny (1954), a film made when he was already seriously ill. He died in his sleep at his Hollywood home following surgeries and a battle with throat cancer.- Actor
- Writer
- Soundtrack
Sir Dirk Bogarde, distinguished film actor and writer, was born Derek Jules Gaspard Ulric Niven van den Bogaerde on March 28, 1921, to Ulric van den Bogaerde, the art editor of "The Times" (London) newspaper, and actress Margaret Niven in the London suburb of Hampstead. He was one of three children, with sister Elizabeth and younger brother Gareth. His father was Flemish and his mother was of Scottish descent.
Ulric Bogaerde started the Times' arts department and served as its first art editor. Derek's mother, Margaret - the daughter of actor and painter Forrest Niven - appeared in the play "Bunty Pulls The Strings", but she quit the boards in accordance with her husband's wishes. The young Derek Bogaerde was raised at the family home in Sussex by his sister, Elizabeth, and his nanny, Lally Holt.
Educated at the Allen Glen's School in Glasgow, he also attended London's University College School before majoring in commercial art at Chelsea Polytechnic, where his teachers included Henry Moore. Though his father wanted his eldest son to follow him into the "Times" as an art critic and had groomed him for that role, Derek dropped out of his commercial art course and became a drama student, though his acting talent at that time was unpromising. In the 1930s he went to work as a commercial artist and a scene designer.
He apprenticed as an actor with the Amersham Repertory Company, and made his acting debut in 1939 on a small London stage, the Q Theatre, in a role in which he delivered only one line. His debut in London's West End came a few months later in J.B. Priestley's play "Cornelius," in which he was billed as "Derek Bogaerde". He made his uncredited debut as an extra in the pre-war George Formby comedy Come on George! (1939).
The September 1939 invasion of Poland by Nazi Germany and the Soviet Union triggered World War II, and in 1940 Bogarde joined the Queen's Royal Regiment as an officer. He served in the Air Photographic Intelligence Unit and eventually attained the rank of major. Nicknamed "Pippin" and "Pip" during the war, he was awarded seven medals in his five years of active duty. He wrote poems and painted during the war, and in 1943, a small magazine published one of his poems, "Steel Cathedrals," which subsequently was anthologized. His paintings of the war are part of the Imperial War Museum's collection.
Similar to his character, Captain Hargreaves, in King & Country (1964), he was called upon to put a wounded soldier out of his misery, a tale recounted in one of his seven volumes of autobiography. While serving with the Air Photographic Intelligence Unit, he took part in the liberation of the Bergen-Belsen concentration camp, which he said was akin to "looking into Dante's Inferno".
In one of his autobiographies, he wrote, "At 24, the age I was then, deep shock stays registered forever. An internal tattooing which is removable only by surgery, it cannot be conveniently sponged away by time."
After being demobilized, he returned to acting. His agent re-christened him "Dirk Bogarde," a name that he would make famous within a decade. In 1947 he appeared in "Power Without Glory" at the New Lindsay Theatre, a performance that was praised by Noël Coward, who urged him to continue his acting career. The Rank Organization had signed him to a contract after a talent scout saw him in the play, and he made his credited movie debut in Dancing with Crime (1947) with a one-line bit as a policeman.
His first lead in a movie came that year when Wessex Films, distributed by Rank, gave him a part in the proposed Stewart Granger film Sin of Esther Waters (1948). When Granger dropped out, Bogarde took over the lead. Rank subsequently signed him to a long-term contract and he appeared in a variety of parts during the 14 years he was under contract to the studio.
For three years he toiled in Rank movies as an apprentice actor without making much of a ripple; then in 1950, he was given the role of young hood Tom Riley in the crime thriller The Blue Lamp (1950) (the title comes from the blue-colored light on police call-boxes in London), the most successful British film of 1950, which established Bogarde as an actor of note. Playing a cop killer, an unspeakable crime in the England of the time, it was the first of the intense neurotics and attractive villains that Bogarde would often play.
He continued to act on-stage, appearing in the West End in Jean Anouilh's "Point of Departure". While he was praised for his performance, stage acting made him nervous, and as he became more famous, he began to be mobbed by fans. The pressure of the public adulation proved overwhelming, particularly as he suffered from stage fright. He was accosted by crowds of fans at the stage door during the 1955 touring production of "Summertime," and his more enthusiastic admirers even shouted at him during the play. He was to appear in only one more play, the Oxford Playhouse production of "Jezebel," in 1958. He never again took to the boards, despite receiving attractive offers.
He first acted for American expatriate director Joseph Losey in The Sleeping Tiger (1954). Losey, a Communist and self-described Stalinist at the time, had emigrated to England after being blacklisted in Hollywood after he refused to direct The Woman on Pier 13 (1949) at RKO Pictures, which was owned by right-wing multi-millionaire Howard Hughes at the time, and he was accused in testimony before the House Un-American Activities Committee of being a Communist. The director, like Bogarde, would not find his stride until the early 1960s, and Losey and Bogarde would build their reputations together.
First, however, Losey had to overcome Bogarde's reluctance to star in a low-budget film (shot for $300,000) with a blacklisted American director. Losey, who had never heard of Bogarde until he was proposed for the film, met with him and asked Bogarde to view one of his pictures. After seeing the film, Bogarde was enthusiastic, and Losey talked him into taking the role, which he accepted at a reduced fee (Losey originally was not credited with directing the film due to his being blacklisted in the States). A decade later they would make more memorable films that would be watersheds in their careers.
It was not drama but comedy that made Dirk Bogarde a star. He achieved the first rank of English movie stardom playing Dr. Simon Sparrow in the comedy Doctor in the House (1954). The film was a smash hit, becoming one of the most popular British films in history, with 17 million admissions in its first year of release. As Sparrow, Bogarde became a heartthrob and the most popular British movie star of the mid-50s. He reprised the character in Doctor at Sea (1955), Doctor at Large (1957).
The title of the latter film may have described his mood as a serious actor having to do another turn as Dr. Sparrow between his career-making performances in Losey's The Servant (1963), with a script by Harold Pinter, and Losey's adaptation of the stage play King & Country (1964), in which Bogarde memorably played the attorney for a young deserter (played by Tom Courtenay).
Bogarde, hailed as "the idol of the Odeons" in honor of his box-office clout, was offered the role of Jimmy Porter in Look Back in Anger (1959) by producer Harry Saltzman and director Tony Richardson, based on the play that touched off the "Angry Young Man" and "Kitchen Sink School" of contemporary English drama in the 1950s. Though Bogarde wanted to take the part, Rank refused to let him make the film on the grounds that there was "altogether too much dialog." The part went to Richard Burton instead, who went over-the-top in portraying his very angry, not-so-young man.
After this disappointment, Bogarde went to Hollywood to play Franz Liszt in Song Without End (1960) and to appear in Nunnally Johnson's Spanish Civil War drama The Angel Wore Red (1960) with Ava Gardner. Both were big-budgeted films, but hampered by poor scripts, and after both films failed, Bogarde avoided Hollywood from then on.
He was reportedly quite smitten with his French "Song Without End" co-star Capucine, and wanted to marry her. Capucine, who suffered from bi-polar disorder, was bisexual with an admitted preference for women. The relationship did not lead to marriage, but did result in a long-term friendship. It apparently was his only serious relationship with a woman, though he had many women friends, including his I Could Go on Singing (1963) co-star Judy Garland.
In the early 1960s, with the expiration of his Rank contract, Bogarde made the decision to abandon his hugely successful career in commercial movies and concentrate on more complex, art house films (at the same time, Burt Lancaster made a similar decision, though Lancaster continued to alternate his artistic ventures with more crassly commercial endeavors). Bogarde appeared in Basil Dearden's seminal film Victim (1961), the first British movie to sympathetically address the persecution of homosexuals. His career choice alienated many of his old fans, but he was no longer interested in being a commercial movie star; he, like Lancaster, was interested in developing as an actor and artist (however, that sense of finding himself as an actor did not extend to the stage. His reputation was such in 1963 that he was invited by National Theatre director Laurence Olivier to appear as Hamlet to open the newly built Chichester Festival Theatre. That production of the eponymous play also was intended to open the National Theatre's first season in London. Bogarde declined, and the honor went instead to Peter O'Toole, who floundered in the part.)
Jack Grimston, in Bogarde's "Sunday Times" obituary of May 9, 1999, entitled "Bogarde, a solitary star at the edge of the spotlight," said of the late actor that he "belonged to a group that was rare in the British cinema. He was a fine screen player who owed little to the stage. Dilys Powell, the Sunday Times film critic, wrote of him before her own death: 'Most of our gifted film players really belonged to the theater. Bogarde belonged to the screen.'" Bogarde had won the London Critics Circle's Dilys Powell award for outstanding contribution to cinema in 1992.
Appearing in "Victim" was a huge career gamble. In the film, Bogarde played a married barrister who is being blackmailed over his closeted homosexuality. Rather than let the blackmail continue, and allow the perpetrators to victimize other gay men, Bogarde's character effectively sacrifices himself, specifically his marriage and his career, by bravely confessing to be gay (homosexuality was an offence in the United Kingdom until 1967, and there reportedly had been a police crackdown against homosexuals after World War II which made gay men particularly vulnerable to blackmail).
The film was not released in mainstream theaters in the US, as the Production Code Administration (PCA) refused to classify the film and most theaters would not show films that did not carry the PCA seal of approval. "Victim" was the antithesis of the light comedy of Bogarde's "Doctor" movies, and many fans of his character Simon Sparrow were forever alienated by his portrayal of a homosexual. For himself, Bogarde was proud of the film and his participation in it, which many think stimulated public debate over homosexuality. The film undoubtedly raised the public consciousness over the egregious and unjust individual costs of anti-gay bigotry. The public attitude towards the "love that dared not speak its name" changed enough so that within six years, the 1967 Sexual Offences Act decriminalizing homosexual acts between adults passed Parliament. Bogarde reported that he received many letters praising him for playing the role. His courage in taking on such a role is even more significant in that he most likely was gay himself, and thus exposed himself to a backlash.
Bogarde always publicly denied he was a homosexual, though later in life he did confess that he and his manager, Anthony Forwood, had a long-term relationship. When Bogarde met him in 1939, Forwood was a theatrical manager, who eventually married and divorced Glynis Johns. Forwood became Bogarde's friend and subsequently his life partner, and the two moved to France together in 1968. They bought a 15th-century farmhouse near Grasse in Provence in the early 1970s, which they restored. Bogarde and Forwood lived in the house until 1983, when they returned to London so that Forwood could be treated for cancer, from which he eventually died in 1988. Bogarde nursed him in the last few months of his life. After Forwood died, Bogarde was left rudderless and he became more reclusive, eventually retiring from films after Daddy Nostalgia (1990).
Mark Rowe and Jeremy Kay, in their obituary of Bogarde, "Two brilliant lives - on film and in print," published in "The Independent" on May, 9, 1999, wrote, "Although he documented with frankness his early sexual encounters with girls and later his adoring love for Kay Kendall and Judy Garland, he never wrote about his longest and closest relationship - with his friend and manager for more than 50 years, Tony Forwood. Sir Dirk said the clues to his private life were in his books. "If you've got your wits about you, you will know who I am." The British documentary The Private Dirk Bogarde: Part One (2001) made with the permission of his family, stressed the fact that he and Forwood were committed lifelong partners.
In the same issue, the National Film Theatre's David Thompson, in the article "The public understood he was essentially gay," wrote about Bogarde at his high-water mark in the 1950s, that "Audiences of that time loved him . . . Very few people picked up on the fact that there was a distinct gay undertone. It says something about British audiences of the time. He had the good fortune to break out of that prison, and it came through the film Victim (1961), where he played a gay character, and through meeting with Joseph Losey, who directed him in The Servant (1963). For the first time, Bogarde's ambivalence was exploited and used by film."
Bogarde's sexuality is not the issue; what was striking was that it was an act of personal courage for one of Britian's leading box-office attractions to appear in such a provocative and controversial film. Even in the 21st century, many mainstream actors are afraid to play a gay character lest they engender a public backlash against themselves, which is much less likely than it was more than 40 years ago when Bogarde made "Victim."
Apart from sociology, "Victim" marks the milestone in which critics and audiences could discern the metamorphosis of Bogarde into the mature actor who went on to become one of the cinema's finest performers. Most of Bogarde's best and most serious roles come after "Victim," the film in which he first stretched himself and broke out of the mold of "movie star." He received the first of his six nominations as Best Actor from the British Academy of Film & Television Arts (BAFTA) for the film.
Bogarde co-starred with John Mills in The Singer Not the Song (1961), and with Alec Guinness in Damn the Defiant! (1962) (a.k.a. "Damn the Defiant!"). In 1963 he reunited with Losey to film the first of two Losey films with screenplays by Pinter. Bogarde's participation in the two Losey/Pinter collaborations, The Servant (1963) and Accident (1967), in addition to 1964's "King & Country", solidified his reputation. Critics and savvy moviegoers appreciated the fact that Bogarde had developed into a first-rate actor. For his role as the eponymous servant, Bogarde won BAFTA's Best Actor Award. He had now "officially" arrived in the inner circle of the best British film actors.
These three films also elevated Losey into the ranks of major directors (Bogarde also starred in Losey's 1966 spy spoof Modesty Blaise (1966), but that film did little to enhance either man's reputation. He turned down the opportunity to appear in Losey's The Assassination of Trotsky (1972) due to the poor quality of the script).
Philip French, in his obituary "Dark, exotic and yet essentially English", published in "The Observer" on May 9, 1999, said of Bogarde, "Losey discovered something more complex and sinister in his English persona and his performance as Barrett, the malevolent valet in 'The Servant,' scripted by Harold Pinter, is possibly the most subtle, revealing thing he ever did - by confronting his homosexuality in a non-gay context."
Losey told interviewer Michel Ciment that his work with Bogarde represented a turning point in the actor's career, when he developed into an actor of depth and power. He also frankly admitted to Ciment that without Bogarde, his career would have stagnated and never reached the heights of success and critical acclaim that it did in the 1960s.
Interestingly during the filming of "The Servant." Losey was hospitalized with pneumonia. He asked Bogarde to direct the film in order to keep shooting so that the producers would not cancel the film. A reluctant Bogarde complied with Losey's wishes and directed for ten days. He later said that he would never direct again.
Bogarde co-starred with up-and-coming actress Julie Christie in John Schlesinger's Darling (1965), for which Christie won a Best Actress Oscar and was vaulted into 1960s cinema superstardom. During the filming of the movie, both Bogarde and Christie were waiting to hear whether they would be cast as Yuri Zhivago and his lover Lara in David Lean's upcoming blockbuster Doctor Zhivago (1965). Christie got the call, Bogarde didn't, but he was well along in the process of establishing himself as one of the screen's best and most important actors. He won his second BAFTA Best Actor Award for his performance in "Darling."
Bogarde went on to major starring roles in such important pictures as The Fixer (1968), for which Alan Bates won a Best Actor Academy Award nomination. While Bogarde never was nominated for an Oscar, he had the honor of starring in two films for Luchino Visconti, The Damned (1969) ("The Damned") and Death in Venice (1971), based on Thomas Mann's novella "Death in Venice." Bogarde felt that his performance as Gustav von Aschenbach, the dying composer in love with a young boy and with the concept of beauty, in "Death in Venice" was the "the peak and end of my career . . . I can never hope to give a better performance in a better film."
Visconti told Bogarde that when the lights went up in a Los Angeles screening room after a showing of "Death in Venice" for American studio executives, no one said anything. The silence encouraged Visconti, who believed it meant that the executives were undergoing a catharsis after watching his masterpiece. However, he soon realized that, in Bogarde's own words, "Apparently they were stunned into horrified silence . . . A group of slumped nylon-suited men stared dully at the blank screen." One nervous executive, feeling something should be said, got up and asked, "Signore Visconti, who was responsible for the score of the film?"
"Gustav Mahler," Visconti replied.
"Just great!", said the nervous man. "I think we should sign him."
After "Venice", Bogarde made only seven films over the next two decades and was scathing about the quality of the scripts he was offered. To express himself artistically, he began to write. In his third volumes of autobiography, he wrote, "No longer do the great Jewish dynasties hold power: the people who were, when all is said and done, the Picture People. Now the cinema is controlled by vast firms like Xerox, Gulf & Western, and many others who deal in anything from sanitary-ware to property development. These huge conglomerates, faceless, soulless, are concerned only with making a profit; never a work of art . . . "
He rued the fact that "it is pointless to be 'superb' in a commercial failure; and most of the films which I had deliberately chosen to make in the last few years were, by and large, just that. Or so I am always informed by the businessmen. The critics may have liked them extravagantly, but the distributors shy away from what they term 'A Critic's Film', for it often means that the public will stay away. Which, in the mass, they do: and if you don't make money at the box-office you are not asked back to play again."
However, the courageous artist was not to be daunted: "But I'd had very good innings. Better than most. So what the hell?" His well-written works were enthusiastically received by critics and the book-buying public.
Bogarde appeared in another film that flirted with the theme of German fascism, Liliana Cavani's highly controversial The Night Porter (1974) ("The Night Porter"). He played an ex-SS officer who encounters a woman with whom he had been engaged in a sado-masochistic affair at a World War II Nazi extermination camp. Many critics found the film, which featured extensive nudity courtesy of Charlotte Rampling, crassly offensive, but no one faulted Bogarde's performance.
He played Lt. Gen. Frederick "Boy" Browning in the all-star blockbuster A Bridge Too Far (1977). Although some of his fellow actors were World War II veterans, only Bogarde had been involved in the actual battle. His performance arguably is the best in the film. Appearing in Alain Resnais' art house hit Providence (1977) gave Bogarde the opportunity to co-star with John Gielgud. He also starred in German wunderkind Rainer Werner Fassbinder's adaptation of Vladimir Nabokov's Despair (1978), with a script by Tom Stoppard. Though the film was not much of a critical success, Bogarde's acting as 1930s German businessman Hermann Hermann, a man who chooses to go mad when faced with the paradoxes of his life in his proto-fascist fatherland, was highly praised.
Bogarde enjoyed working with Fassbinder. He wrote that "Rainer's work was extraordinarily similar to that of Visconti's; despite their age difference, they both behaved, on set, in much the same manner. Both had an incredible knowledge of the camera: the first essential. Both knew how it could be made to function; they had the same feeling for movement on the screen, of the all-important (and often-neglected) 'pacing' of a film, from start to finish, of composition, of texture, and probably most of all they shared that strange ability to explore and probe into the very depths of the character which one had offered them."
After his experience with Fassbinder, he acted only four more times, twice in feature films and twice on television. Bogarde was nominated for a Golden Globe for playing Roald Dahl in The Patricia Neal Story (1981). He got rave reviews playing Jane Birkin's father in Bertrand Tavernier's Daddy Nostalgia (1990), his last film.
In 1984 Bogarde was asked to serve as president of the jury at the Cannes Film Festival, a huge honor for the actor, as he was the first Briton ever to serve in that capacity. Two years earlier he had been made a Chevalier de l'Ordre des lettres 1982. A decade later, he was knighted by Queen Elizabeth II on February 13, 1992.
Bogarde won two Best Actor Awards out of six nominations from the British Academy of Film & Television Arts, for "The Servant" and "Darling" in 1964 and 1966, respectively. He was also nominated in 1962 for "Victim," in 1968 for "Accident" and Our Mother's House (1967) and in 1972 for "Morte a Venezia."
Bogarde suffered a stroke in 1996, and though it rendered him partially paralyzed, he was able to recover and live in his own flat in Chelsea. However, by May of 1998 he required around-the-clock nursing care, and he had his lawyers draw up a "living will," also known as a no-resuscitation order. Bogarde publicly came out in favor of voluntary euthanasia, becoming Vice President of the Voluntary Euthanasia Society. He publicly addressed the subject of his own "living will," which ordered that no extraordinary measures be taken to keep him alive should he become terminally ill.
The living will proved unnecessary. Dirk Bogarde died of a heart attack on May 8, 1999, in his home in Chelsea, London, England. According to his nephew Brock Van den Bogaerde, the family planned to hold a private funeral but no memorial service in accordance with his uncle's wish "just to forget me." Bogarde wanted to be cremated and have his ashes scattered in France, and accordingly, his remains were returned to Provence.
Margaret Hinxman, in her May 10, 1999, obituary in "The Guardian", said of him, "At his peak and with directors he trusted - Joseph Losey, Luchino Visconti and Alain Resnais - Dirk Bogarde . . . was probably the finest, most complete, actor on the screen."
Clive Fisher's obituary in "The Independent" on May 10, 1999, praised Bogarde as "a major figure because, wherever they were made, his finest films are all somehow about him. He was a great self-portraitist and the screen persona he fashioned, a stylization of his private being, not only dominated its surroundings but spoke subliminally and powerfully to British audiences about the tensions of the time, about connivances and cruel respectabilities of England in the Fifties and Sixties."
The secret of Dirk Bogarde's success as a great cinema actor was his intimate relationship with the camera. Bogarde believed that the key to acting on film was the eyes, specifically, the "look" of the actor. Like Alan Ladd, it didn't matter if an actor was good with line readings if they had mastery over the "look." For many critics and movie-goers at the end of the 20th century, Dirk Bogarde's face epitomized the "look" of Britain in the tumultuous decades after the Second World War.
David Tindle's portrait of Bogarde is part of the collection of London's National Portrait Gallery, London. In 1999, the portrait, on temporary loan, was displayed at 10 Downing Street, the Prime Minister's official residence, with other modern works of art. Officially, Dirk Bogarde had become the look of Britain.- Actor
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One of the most popular and respected actors to come from the French "New Wave" film movement, Jean-Claude Brialy was born to a military family, which included one brother, in French colonial Algeria on March 30, 1933. Residing in various places while his father, a colonel with the French Army, went through the paces of his career, Brialy attended military school in 1946 and also worked in the theatre as a youth. He studied dramatics at a conservatory in Strasbourg, France, the Saint-Etienne Episcopal College.
Following time spent in the theatre, he moved to Paris in 1954 to pursue his career, without the support of his family, and worked various odd jobs before entering military service in Germany. Mixing in with a revolutionary group of artists that included Claude Chabrol and Jean-Luc Godard, he appeared as an extra in Jean Renoir's Elena and Her Men (1956) [Paris Does Strange things] and befriended other such rising film radicals as Éric Rohmer and Jacques Rivette while appearing in their short films. He grew in stature with featured roles in Girl in His Pocket (1957) [Girl in His Pocket] and L'ami de la famille (1957) [A Friend of the Family], but it was his friend Chabrol who provided him the leap to stardom with Le Beau Serge (1958), which is (arguably) considered the forerunner in "New Wave" filming. Co-starring Gérard Blain in the title role, Brialy played a city boy sophisticate returning to his simplified home village just to find that everything had changed and that his once promising friend (Blain) had become a chronic drunkard. He and Blain furthered their stars next playing each other's kin in Chabrol's The Cousins (1959), with Blain the innocent and Bialy the darkly disillusioned cousin. Bialy's association with other French avant-garde directors, including Godard, 'Francois Truffaut' and Louis Malle, placed him in excellent "New Wave" company alongside Jean-Paul Belmondo, Jean-Pierre Léaud and the afore-mentioned Blain, as strong, influential leading men.
Known for his lightness, passion, charm and subtlety of performance, Bialy's versatility in films ranged from stark melodrama to comedy farce. While essaying the elegant boulevardier with great sophistication and sympathy, he could just as easily slip into a character's dark and deep cynicism and/or contempt. He starred opposite a fantasia of Europe's loveliest leading ladies including Rosanna Schiaffino, Danielle Darrieux, Nadja Tiller, Elsa Martinelli, Françoise Dorléac, Geneviève Page and Dawn Addams. He ended the 60s notably paired with the enigmatic Jeanne Moreau in Truffaut's stylish Hitchockian thriller The Bride Wore Black (1968) [The Bride Wore Black].
In the 1970s Brialy extended his talents to include writing and directing, which included his debut film, the award-winning Églantine (1972). Most of the works he helmed were delightfully nostalgic and family-oriented in fashion. He also entered a newer phase of supporting character roles that also went on to court awards. After beginning the decade in one of his best film leads with Claire's Knee (1970) [Claire's Knee] for director/friend Rohmer, he earned a supporting César nomination for The Judge and the Assassin (1976) and then won the trophy a decade later for his secondary work in Les innocents (1987). During this time he also organized or supported several film and theatre festivals. He was the director of both the Théâtre Hébertot (1977) and the Théâtre des Bouffes-Parisiens (1986). A long time artistic director of the Festival of Anjou (1985-2001), he was also the creator and artistic director of the Festival of Ramatuelle from 1985. His work also included radio and extensive TV.
Off stage Brialy was a witty raconteur and bon vivant. He was also one of the select few French stars to be openly gay. It was most fitting that two of his more notable roles came late in life -- as the gay uncle in Chabrol's Inspector Lavardin (1986), and as the poet Max Jacob in Monsieur Max (2007), a homosexual Jew who converted to Catholicism before perishing in a Gestapo prison camp.
An occasional yet prolific writer on film, Brialy penned his autobiography Le ruisseau des singes (auto) in 2000 and his memoir, J'ai oublié de vous dire, in 2004. He owned a restaurant, L'Orangerie, in the Saint Louis Island of Paris and died on May 30, 2007, after a extended bout with cancer. Among his many honors: The Commander of the Legion of Honor and the National Order of Merit.- Actor
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Richard Earl Thomas is an American actor. He is best known for his leading role as budding author John-Boy Walton in the CBS drama series The Waltons for which he won an Emmy Award from two nominations and received two Golden Globe Award nominations. He also starred in the 1990 television mini-series adaptation of Stephen King's epic horror novel It and played Special Agent Frank Gaad on FX's spy thriller series The Americans.- Actor
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Charles Berling was born on the 30th of April 1958, in Saint-Mandé in Val de Marne, France. His father was a doctor in Toulon and his mother was an English teacher. At the age of 15, he began theater at school with his brother. His interest in acting grew thanks to his love in literature for authors such as Baudelaire and Céline. Later, he studied acting in Insas in Brussels, Belgium. This was when he decided to have a long career in acting. At this point, he began playing in several plays, such as "L'école des femmes" by Molière or "Le Parc" by Botho Strauss. Soon afterward, Jean-Louis Martinelli, director of the national theater of Strasbourg, hired him. Charles spent several years with him. There, he played numerous plays as well, one of which is "Roberto Zucco" by Bernard-Marie Koltès. In what concerns movies, his career began only later in the nineties. It began with small roles, like Desire (1992) or Just Friends (1993). However, the year where his career really took off was in 1996, with his movie Ridicule (1996), in which he plays a nobleman trying to survive in the royal court of Louis XVI. As time passed by, his success grew, and people began to recognize his true talent. In 1998, he was nominated with a César for Best Actor for his performance in Boredom (1998). A couple of years later, in 2000, his movie Stardom (2000) was presented in the Festival of Cannes.- Actor
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Born 1930 in Piolenc in south France as son of a wealthy industrialist. Studied law in Aix-en-Provence. Started theatrical acting in 1950, but was regarded untalented at first, until Roger Vadim discovered him for the movies. When the press stalked him 1956 because of rumors of an affair with Brigitte Bardot his partner in ...And God Created Woman (1956), he fled into the army. Ten years later he had his first big success with A Man and a Woman (1966). Since then he has starred in more than 100 movies, with a special talent for the dark characters like murderers or jealous husbands. In his late career he preferred theater to movies.- Actor
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Max von Sydow was born Carl Adolf von Sydow on April 10, 1929 in Lund, Skåne, Sweden, to a middle-class family. He was the son of Baroness Maria Margareta (Rappe), a teacher, and Carl Wilhelm von Sydow, an ethnologist and folklore professor. His surname traces back to his partial German ancestry.
When he was in high school, he and a few fellow students, including Yvonne Lombard, started a theatre club which encouraged his interest in acting. After conscription, he began to study at the Royal Dramatic Theatre's acting school (1948-1951), together with Lars Ekborg, Margaretha Krook and Ingrid Thulin. His first role was as Nils the crofter in Alf Sjöberg's Only a Mother (1949). After graduation, he worked at the city theatres in Norrköping and Malmö.
His work in the movies by Ingmar Bergman (especially The Seventh Seal (1957), including the iconic scenes in which he plays chess with Death) made him well-known internationally, and he started to get offers from abroad. His career abroad began with him playing Jesus in The Greatest Story Ever Told (1965); Hawaii (1966) and The Quiller Memorandum (1966). Since then, his career includes very different kind of characters, like Karl Oskar Nilsson in The Emigrants (1971); Father Lankester Merrin in The Exorcist (1973); Joubert the assassin in Three Days of the Condor (1975), Emperor Ming in Flash Gordon (1980); the villain Ernst Stavro Blofeld in the Never Say Never Again (1983); Liet-Kynes in Dune (1984) the artist Frederick in Hannah and Her Sisters (1986); Lassefar in Pelle the Conqueror (1987), for which he received his first Academy Award nomination; Dr. Peter Ingham in Awakenings (1990); Lamar Burgess in Minority Report (2002) and The Renter in Extremely Loud & Incredibly Close (2011), which earned him his second Academy Award nomination.
He became one of Sweden's most admired and professional actors, and is the only male Swedish actor to receive an Oscar nomination. He was nominated twice: for Pelle the Conqueror (1987) in 1988 and for Extremely Loud & Incredibly Close (2011) in 2012. He received the Guldbagge Award for Best Director in his directing debut, the drama film Ved vejen (1988). In 2016, he joined the sixth season of the HBO series Game of Thrones (2011) as the Three-eyed Raven, which earned him his Primetime Emmy Award nomination.
Max von Sydow died on March 8, 2020, in Provence, France, and was survived by his wife Catherine Brelet and four children. He was 90.- Actor
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Erland Josephson, the distinguished Swedish actor best known for his appearance in Ingmar Bergman's films, was born in Stockholm, Sweden on June 15, 1923. Josephson's relationship with Bergman, a long-time friend, began in the late 1930s when they first worked together in the theater.
Although he was in several motion pictures in the late 1940s and early '50s, including a bit part in Bergman's "The Man With an Umbrella" (1946), Josephson confined himself to the stage during the first part of his career. After appearing in Bergman's "The Magician" (1958) in support of Max von Sydow, Josephson did not make another movie until the late '60s, when he was cast in Bergman's "Hour of the Wolf" (1968). He collaborated on two screenplays with Bergman (using the joint pseudonym of Buntel Eriksson), Alf Kjellin's "The Pleasure Garden" (1961) and Bergman's own "Now About These Women" (1964).
In 1966, Josepheson succeeded Bergman as creative director of the Royal Dramatic Theatre in Stockholm, a post he held until 1975. He also succeeded Max Von Sydow as Bergman's favorite male lead in the 1970s, which brought him global fame. After co-starring with Von Sydow and Liv Ullmann in "The Passion of Anna" (1969), he had major roles in "The Touch" (1971), "Cries and Whispers" (1972), "Scenes From a Marriage" (a television mini-series edited into a film in 1973), and "Face to Face" (1976).
François Truffaut, in his guise as a film critic, wrote in 1958: "Bergman's preeminent strength is the direction he gives his actors. He entrusts the principal roles in his films to the five or six actors he loves best, never type-casting them. They are completely different from one film to the next, often playing diametrically opposite roles." In Bergman's films of the 1970s, Erland Josephson engendered the neurotic, post-war 20th century man: aloof, introspective, and self-centered.
Josephson also appeared in Bergman's "Autumn Sonata" (1978), "Fanny and Alexander" (1982) and "After the Rehearsal" (1984). After starring in "Trolösa" (2000), a film directed by frequent co-star Liv Ullmann and scripted by Bergman, it was time for him to be reunited with Ullmann as an actress under the hand of the maestro himself with "Saraband" (2003).
Josephson did not appear in a non-Swedish film until 1977, when he starred as Friedrich Nietzsche in Italian director Liliana Cavani's "Beyond Good and Evil." He continued to work in international cinema in the 1980s and '90s, appearing in Franco Brusati's "To Forget Venice (1980), Dusan Makavejev's "Montenegro" (1981), Philip Kaufman's "The Unbearable Lightness of Being" (1988), István Szabó's "Hanussen" (1988), and Peter Greenaway's "Prospero's Books" (1991). His most memorable non-Bergman roles were in the films of Andrei Tarkovsky, "Nostalghia" (1983) and "The Sacrifice" (1986).
Behind the camera, Josephson co-directed "One and One", a 1978 full-length film, with fellow Bergman collaborators Ingrid Thulin and Sven Nykvist, and directed the full-length "Marmalade Revolution" (1980). Erland Josephson also is an accomplished writer: He has written screenplays for Swedish films, as well as dramas, novels, and poetry.- Actor
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Robert Mitchum was an underrated American leading man of enormous ability, who sublimated his talents beneath an air of disinterest. He was born in Bridgeport, Connecticut, to Ann Harriet (Gunderson), a Norwegian immigrant, and James Thomas Mitchum, a shipyard/railroad worker. His father died in a train accident when he was two, and Robert and his siblings (including brother John Mitchum, later also an actor) were raised by his mother and stepfather (a British army major) in Connecticut, New York, and Delaware. An early contempt for authority led to discipline problems, and Mitchum spent good portions of his teen years adventuring on the open road. He later claimed that on one of these trips, at the age of 14, he was charged with vagrancy and sentenced to a Georgia chain gang, from which he escaped. Working a wide variety of jobs (including ghostwriter for astrologist Carroll Righter), Mitchum discovered acting in a Long Beach, California, amateur theater company. He worked at Lockheed Aircraft, where job stress caused him to suffer temporary blindness. About this time he began to obtain small roles in films, appearing in dozens within a very brief time. In 1945, he was cast as Lt. Walker in Story of G.I. Joe (1945) and received an Oscar nomination as Best Supporting Actor. His star ascended rapidly, and he became an icon of 1940s film noir, though equally adept at westerns and romantic dramas. His apparently lazy style and seen-it-all demeanor proved highly attractive to men and women, and by the 1950s, he was a true superstar despite a brief prison term for marijuana usage in 1949, which seemed to enhance rather than diminish his "bad boy" appeal. Though seemingly dismissive of "art," he worked in tremendously artistically thoughtful projects such as Charles Laughton's The Night of the Hunter (1955) and even co-wrote and composed an oratorio produced at the Hollywood Bowl by Orson Welles. A master of accents and seemingly unconcerned about his star image, he played in both forgettable and unforgettable films with unswerving nonchalance, leading many to overlook the prodigious talent he can bring to a project that he finds compelling. He moved into television in the 1980s as his film opportunities diminished, winning new fans with The Winds of War (1983) and War and Remembrance (1988). His sons James Mitchum and Christopher Mitchum are actors, as is his grandson Bentley Mitchum. His last film was James Dean: Race with Destiny (1997) with Casper Van Dien as James Dean.- Actor
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Sami Frey was born on 13 October 1937 in Paris, France. He is an actor and director, known for Band of Outsiders (1964), En compagnie d'Antonin Artaud (1993) and Black Widow (1987).- Actor
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Rock Hudson was born Roy Harold Scherer, Jr. in Winnetka, Illinois, to Katherine (Wood), a telephone operator, and Roy Harold Scherer, an auto mechanic. He was of German, Swiss-German, English, and Irish descent. His parents divorced when he was eight years old. He failed to obtain parts in school plays because he couldn't remember lines. After high school he was a postal employee and during WW II served as a Navy airplane mechanic. After the war he was a truck driver. His size and good looks got him into movies. His name was changed to Rock Hudson, his teeth were capped, he took lessons in acting, singing, fencing and riding. One line in his first picture, Fighter Squadron (1948), needed 38 takes. In 1956 he received an Oscar nomination for Giant (1956) and two years later Look magazine named him Star of the Year. He starred in a number of bedroom comedies, many with Doris Day, and had his own popular TV series McMillan & Wife (1971). He had a recurring role in TV's Dynasty (1981) (1984-5). He was the first major public figure to announce he had AIDS, and his worldwide search for a cure drew international attention. After his death his long-time lover Marc Christian successfully sued his estate, again calling attention to the homosexuality Rock had hidden from most throughout his career.- Won international fame with the leading role of Maciek Chelmicki in Andrzej Wajda's Ashes and Diamonds (1958). He created a character which was imitated not only in Poland; often compared with James Dean.
Graduated from the Higher State School of Acting in Cracow; also studied journalism. From 1953 to 1960 worked with Wybrzeze Theatre, Bim-Bom Student Theatre and Teatr Rozmow (all in Gdansk). From 1961 to 1967 acted and directed in Theatre Ateneum in Warsaw, Poland.
Major leading roles: Kostek in Wajda's A Generation (1955) ("Generation"), Maciek Chelmicki in Wajda's Ashes and Diamonds (1958), Jacek in Janusz Morgenstern's A demain (1961) ("See You Tomorrow", co-scr.), Edmund in Wajda's Innocent Sorcerers (1960) ("Innocent Sorcerers"), Wiktor Rawicz in Wojciech Has's Jak byc kochana (1963) ("How to Be Loved"), Alfons Van Worden in Has's The Saragossa Manuscript (1965), trainer Janczak in Aleksander Scibor-Rylski's Jutro Meksyk (1966) ("Mexico Tomorrow"), Rodecki in Scibor-Rylski's Morderca zostawia slad (1967) ("The Killer Leaves a Trace"). - Actor
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Vladimir Ivashov was born on 28 August 1939 in Moscow, Russian SFSR, USSR [now Russia]. He was an actor, known for Ballad of a Soldier (1959), Diamonds for the Dictatorship of the Proletariat (1975) and Day of Wrath (1985). He was married to Svetlana Svetlichnaya. He died on 22 March 1995 in Moscow, Russia.- Actor
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Robert Forster was born Robert Wallace Foster, Jr. in Rochester, New York, to Grace Dorothy (Montanarella) and Robert Wallace Foster, Sr., who worked as an elephant trainer and baking supply company executive. He was of English, Irish, and Italian descent. Forster first became interested in acting while attending Rochester's Madison High School, where he performed as a song-and-dance man in musical revues. After graduating in 1959, Forster attended Heidelberg College, Alfred University and the University of Rochester on football scholarships and continued to perform in student theatrical revues.
After earning a BA in Psychology from Rochester in 1963, Forster took an apprenticeship at an East Rochester theater where he performed in such plays as "West Side Story". He moved to New York City in 1965, where his first big break came when he landed the lead in the two-character play "Mrs. Dally Has a Lover", opposite Arlene Francis. However, after the play ran its course work was hard to find in the theater. Forster returned to Rochester, where he worked as a substitute teacher and construction worker until an agent from 20th Century-Fox offered him a five-picture deal. His movie debut was a small part in the drama Reflections in a Golden Eye (1967), which starred Elizabeth Taylor and Marlon Brando. Forster went on to appear in small and minor roles alongside some top Hollywood actors in films like The Stalking Moon (1968) and Medium Cool (1969), and a large part in Justine (1969). Although he continued to act in feature films, he took the part of a hard-boiled detective in the short-lived TV series Banyon (1971).
Forster also appeared in notable parts in The Black Hole (1979), Avalanche (1978) and as the lead in the cult horror flick Alligator (1980), and played the part of a factory worker-turned-vigilante in the thriller Vigilante (1982). Forster also took the lead as a taxi driver in Walking the Edge (1985) by director Norbert Meisel. A series of action flicks followed, the most notable being The Delta Force (1986), starring Chuck Norris. By the late 1980s Forster's acting career had begun to slide, and he was getting less and less work; if there was any, he would be cast in small parts playing villains. Forster then began to work as a motivational speaker and an acting coach in Hollywood film schools.
However, in the mid-1990s, his career was resurrected by writer-director Quentin Tarantino, a big fan of Forster's early work, who offered him an audition for a part in his latest movie. After a seven-hour audition, Tarantino cast Forster as the tough but sympathetic bail bondsman Max Cherry in Jackie Brown (1997), which netted him an Academy Award nomination and a measure of recognition, both nationwide and within his own profession, landing him more high-profile roles in such films as All the Rage (1999), Gus Van Sant's Psycho (1998)--a remake of Alfred Hitchcock's 1960 film--and Supernova (2000). Forster continued to act in many big-budget Hollywood productions for the next two decades.
Forster died on October 11, 2019, in Los Angeles, California, aged 78. His last film, El Camino: A Breaking Bad Movie (2019), was released on the day of his death. He is survived by four children (Bobby, Elizabeth, Kate and Maeghen), four grandchildren (Tess, Liam, Jack and Olivia), and his long-time partner, Denise Grayson. Denise has been Robert's long-time partner and they had been together for 16 years till Robert passed away at home in Los Angeles surrounded by family.- Evgeniy Zharikov was born on 26 February 1941 in Moscow, RSFSR, USSR [now Russia]. He was an actor, known for Ivan's Childhood (1962), It Can't Be! (1975) and I'm Staying (2007). He was married to Natalya Gvozdikova. He died on 18 January 2012 in Moscow, Russia.
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Masayuki Mori was born on 13 January 1911 in Sapporo, Hokkaido, Japan. He was an actor, known for Rashomon (1950), The Bad Sleep Well (1960) and The Idiot (1951). He died on 7 October 1973.- Wadeck Stanczak was born on 30 November 1961 in Arpajon, Essonne, France. He is an actor, known for Rendez-vous (1985), Cellini: A Violent Life (1990) and Paris 16ème (2009).
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Known as much for his rigorous career choices as for his talent and chiseled good looks, Billy Crudup has been straddling the line between serious actor and "it" leading man for several years. He is father to eighteen-year-old William Atticus Parker -- a director, writer and actor.
Crudup was born in 1968 in Manhasset, New York (a Long Island suburb), the middle child in a family of three boys. He is the son of Georgann (Gaither) and Thomas Henry Crudup III, and the grandson of prominent attorney William Cotter "Billy" Gaither, Jr.
Crudup was raised in Florida and Texas. His family frequently moved and always being the new kid meant Billy had to develop some way of gaining acceptance. Being the class clown was his ticket in. He found roles in school pageants and developed funny impersonations to entertain family and friends. He received his undergraduate degree from the University of North Carolina (where he confirmed his interest in acting). Upon graduation, Crudup headed to NYC to live with his brother Tommy (who was at that time a publicist) and study at New York University, where he joined a theatre troupe called "the lab!" and did little plays and musicals - he even played "Schroeder" in the famed children's musical "You're A Good Man Charlie Brown!".
He then went on to earn a Master of Fine Arts from the Tisch School of the Arts at NY in 1994. A year later, he'd already made a name for himself on Broadway, earning the Outer Critics Circle Outstanding Newcomer Award for his performance in Tom Stoppard's "Arcadia".
Crudup's first big-screen acting gig was in the indie film Grind (1997), which was shot in 1994, but ended up on the shelf for three years. In 1996, he landed another, more lucrative role, opposite Hollywood hotshots Brad Pitt and Jason Patric in the Barry Levinson drama, Sleepers (1996). He followed that up with a brief appearance in Woody Allen's Everyone Says I Love You (1996) and a higher-profile turn as the rakish older brother in Inventing the Abbotts (1997).
A self-described student of human nature, Crudup has said that he looks for characters wrestling with their mistakes. Rumor has it that he declined an audition for the lead in Titanic (1997) in order to seek out more challenging projects--like the "Steve Prefontaine" biopic Without Limits (1998). "Limits" showcased Crudup's ability to completely transform himself for a role (a quality that would help him skirt stardom while continuing to land substantive parts). In 2000, with three major films in release, Crudup's already bustling movie career reached a fever pitch. He first hit the festival circuit in Keith Gordon's Waking the Dead (2000), the tale of an up-and-coming politician who is haunted by the death of his young wife. Next came the art-house favorite Jesus' Son (1999). Finally, he starred as the semi-fictional '70s rocker "Russell Hammond" in Cameron Crowe's much-lauded Almost Famous (2000). In 2002, his production of "The Elephant Man" on Broadway closed after 65 performances, due to low ticket sales.
Crudup lives in New York and returns regularly to the stage - in fact, it was during the 1996 Broadway run of "Bus Stop" that he began his romance with longtime girlfriend, Mary-Louise Parker. That romance ended in 2004, when Crudup left the then-pregnant Parker for his Stage Beauty (2004) co-star, Claire Danes. He seems to prefer quiet anonymity to the pomp and circumstance of the movie star lifestyle, but his ever-growing popularity guarantees that he won't be able to avoid the spotlight altogether.- Laurent Terzieff was born on 27 June 1935 in Toulouse, Haute-Garonne, France. He was an actor, known for Thou Shalt Not Kill (1961), Germinal (1993) and The Big Night (1959). He died on 2 July 2010 in Paris, France.